Important, so inspiring... Please read this book" -Sonny Moore, Recording Artist "There are very few ways to get inside the mind of a lyricist. One way is through reading their diaries, the other through sleeping with them. Eric's book is the more entertaining of the options. It's a raw look inside the heart and mind of a rock 'n' roll spiritualist whose struggles with love (Chaplin) and versus the world (Keaton) are laid out bare like an exhibitionist on a double-dare." -Mike Shea, Founder, AP Magazine "Coma Therapy" is the sound of a powerful new voice in contemporary American literature. Victorino's brand of punchy prose often draws comparisons to the likes of Charles Bukowski and Hunter S. Thompson. This debut collection of poems and short stories draws a dangerously thin line between the heartwarming and the horrifying... Eric Victorino then mischievously walks that line all the way to the last page. Defiant, triumphant, hopeful and wise.

    . . a contemporary genius with the language itself . . . There is simply no contemporary poet like him.” —David Baker, The Kenyon Review Albert Goldbarth has created an unmistakable signature style—learned, copious, hilarious, and heartbreaking—which has so far spanned an award-winning career of thirty-five years. The Kitchen Sink brings together forty new poems with a rich selection of earlier poetry, ranging from the brief, flickering lyric to the long, narrative sequence. In both forms, Goldbarth exerts a wild showmanship and an ever-widening scope to illustrate the complex character and interconnectedness of humanity, history, and art. The Kitchen Sink is the definitive book by one of America’s most original and entertaining poets.

    He's ready to see you through to the end.

    The poems’ subject is the natural world, but their images would never occur in nature. This book is serious and funny at the same time, like a big grave with a clown lying in it.

    The past year has seen a resurgence of poetry and inspiring quotes--posted on social media, appearing on bestseller lists, shared from friend to friend. Honoring this communal spirit, How Lovely the Ruins is a timeless collection of both classic and contemporary poetry and short prose that can be of help in difficult times--selections that offer wisdom and purpose, and that allow us to step out of our current moment to gain a new perspective on the world around us as well as the world within.The poets and writers featured in this book represent the diversity of our country as well as voices beyond our borders, including Maya Angelou, W. H. Auden, Danez Smith, Rumi, Emily Dickinson, Naomi Shihab Nye, Alice Walker, Adam Zagajewski, Langston Hughes, Wendell Berry, Anna Akhmatova, Yehuda Amichai, and Robert Frost. And the book opens with a stunning foreword by Elizabeth Alexander, whose poem "Praise Song for the Day," delivered at the inauguration of President Barack Obama, ushered in an era of optimism. In works celebrating our capacity for compassion, our patriotism, our right to protest, and our ability to persevere, How Lovely the Ruins is a beacon that illuminates our shared humanity, allowing us connection in a fractured world.Includes poetry, prose, and quotations from: Elizabeth Alexander - Marcus Aurelius - Karen Armstrong - Matthew Arnold - Ellen Bass - Brian Bilston - Gwendolyn Brooks - Elizabeth Barrett Browning - Octavia E. Butler - Regie Cabico - Dinos Christianopoulos - Lucille Clifton - Ta-Nehisi Coates - Leonard Cohen - Wendy Cope - E. E. Cummings - Charles Dickens - Mark Doty - Thomas Edison - Albert Einstein - Ralph Ellison - Kenneth Fearing - Annie Finch - Rebecca Foust - Nikki Giovanni - Stephanie Gray - John Green - Hazel Hall - Thich Nhat Hanh - Joy Harjo - Vaclav Havel - Terrance Hayes - William Ernest Henley - Juan Felipe Herrera - Jane Hirshfield - John Holmes - A. E. Housman - Bohumil Hrabal - Robinson Jeffers - Georgia Douglas Johnson - James Weldon Johnson - Paul Kalanithi - Robert F. Kennedy - Omar Khayyam - Emma Lazarus - Li-Young Lee - Denise Levertov - Ada Limon - Henry Wadsworth Longfellow - Nelson Mandela - Masahide - Khaled Mattawa - Jamaal May - Claude McKay - Edna St. Vincent Millay - Pablo Neruda - Anais Nin - Olga Orozco - Ovid - Pier Paolo Pasolini - Edgar Allan Poe - Claudia Rankine - Adrienne Rich - Rainer Maria Rilke - Alberto Rios - Edwin Arlington Robinson - Eleanor Roosevelt - Christina Rossetti - Muriel Rukeyser - Sadhguru - Carl Sandburg - Vikram Seth - Charles Simic - Safiya Sinclair - Effie Waller Smith - Maggie Smith - Tracy K. Smith - Leonora Speyer - Gloria Steinem - Clark Strand - Wislawa Szymborska - Rabindranath Tagore - Sara Teasdale - Alfred, Lord Tennyson - Vincent van Gogh - Ocean Vuong - Florence Brooks Whitehouse - Walt Whitman - Ella Wheeler Wilcox - William Carlos Williams - Virginia Woolf - W. B. Yeats - Saadi Youssef - Javier Zamora - Howard Zinn

    Crazily enough, it's also packed with truth.”—NPR“The voice of this third book from Bibbins is marked and numbed by the onslaught of American media and politics that saturate the Internet, television, radio, and smartphone: ‘the way things are going, children/ will have to upgrade to more amusing.’ Much like advertisements or news stories vying for viewer’s attention, the book intentionally overwhelms, eschewing sections; the author instead differentiates the poems by repetition, creating a sort of echo chamber, similar to the way viral information cycles through social media platforms.”—Publishers Weekly, starred review"[A] hilarious send-up of contemporary values and an alarm bell of sorts, directing attention to all that is so sinister in our civilization.”—American Poets"Whip-smart and wickedly funny, They Don't Kill You is Bibbins's most authoritative and self-possessed collection to date."—Boston ReviewThe poems in Mark Bibbins's breakthrough third book are formally innovative and socially alert. Roving across the weird human landscape of modern politics, media-exacerbated absurdity, and questionable social conventions, this collection counters dread with wit, chaos with clarity, and reminds us that suffering is "small//compared to what?"Mark Bibbins teaches in the graduate writing programs at The New School and Columbia University, and edits the poetry section of The Awl. He lives in New York City.

    Riley’s debut collection is an arsenal of deeply personal poems that embody an intensity that is truly impressive yet their hands are tender. She enlists you. She gives you camouflage & a pair of boots so you can stay the course through the minefield of her heart. You will track the lovely flow of her soft yet fierce voice through a jungle of powerful imagery on womanhood, relationships, family, grief, sexuality & love, amidst other matters. Battles with the heart aren’t easily won but Riley hits every mark. You’ll be relieved that you’re on the same side. Much like war, you’ll come back from this book changed.

    Meeting-place of fever and the cold eye, in a passion which could hold together with his own arms the flying apart of his own time. He claimed it, its past and the moment that held it with its own arms, the present.They were lyrics he brought to me, cut as if with an adze; and I began to translate. In his early lyrics, with their speed, their transparencies, their couples lying together, all couples, all opposites, there was a chance for the reader to see what was flashing out of Mexico in this young poet. He glittered in his airs and silences, his sudden strokes:Our bones are lightningin the night of the flesh.0 world, all is night,life is the lightning.-from a foreword

    Broken up into four chapters, she holds your hand and takes you inward with her, from skin to flesh, to flesh to bones, from bones to all that lies within. Both heartbreaking and hopeful, The Anatomy of Being marks a very distinct time in a young girl's life, and aches and aches to be heard and devoured. 2013 Goodreads Choice Awards Poetry Finalist

    In his "daring and urgent" (The New York Times Book Review) memoir, My Bright Abyss, he asks, "What is poetry's role when the world is burning?" Hammer Is the Prayer: Selected Poems might be read as an answer to that question.From the taut forms of his first book to the darker, more jagged fluencies of his second, into the bold and pathbreaking poems of his last two collections, Hammer Is the Prayer bears the reckless, restless interrogations and the slashing lyric intensity that distinguish Wiman's verse. But it also reveals the dramatic and narrative abilities for which he has been widely praised--the junkyard man in "Five Houses Down" with his "wonder-cluttered porch" and "the eyesore opulence / of his five partial cars," or the tragicomic character in "Being Serious" who suffers "the world's idiocy / like a saint its pains."Hammer Is the Prayer brings together three decades of Wiman's acclaimed poetry. Selected by the author, these poems reveal the singular music and metaphysical urgency that have attracted so many readers to his work and firmly assert his place as one of the most essential poets of our time.

    Those who turn to poetry to become confidants for another's stories and secrets will not be disappointed.”—Publishers Weekly“In her fifth book of poetry, Bass addresses everything from Saturn’s rings and Newton’s law of gravitation to wasps and Pablo Neruda. Her words are nostalgic, vivid, and visceral. Bass arrives at the truth of human carnality rooted in the extraordinary need and promise of the individual. Bass shows us that we are as radiant as we are ephemeral, that in transience glistens resilient history and the remarkable fluidity of connection. By the collection’s end—following her musings on suicide and generosity, desire and repetition—it becomes lucidly clear that Bass is not only a poet but also a philosopher and a storyteller.”—BooklistEllen Bass brings a deft touch as she continues her ongoing interrogations of crucial moral issues of our times, while simultaneously delighting in endearing human absurdities. From the start of Like a Beggar, Bass asks her readers to relax, even though "bad things are going to happen," because the "bad" gets mined for all manner of goodness.From "Another Story":After dinner, we're drinking scotch at the kitchen table.Janet and I just watched a NOVA specialand we're explaining to her motherthe age and size of the universe—the hundred billion stars in the hundred billion galaxies.Dotty lives at Dominican Oaks, making her way down the long hall.How about the sun? she asks, a little farmshit in the endlessness.I gather up a cantaloupe, a lime, a cherry,and start revolving this salad around the chicken carcass.This is the best scotch I ever tasted, Dotty says,even though we gave her the Maker's Markwhile we're drinking Glendronach...Ellen Bass's poetry includes  Like A Beggar (Copper Canyon Press, 2014), The Human Line  (Copper Canyon Press, 2007), which was named a Notable Book by the San Francisco Chronicle, and Mules of Love (BOA, 2002), which won the Lambda Literary Award.  She co-edited (with Florence Howe) the groundbreaking No More Masks! An Anthology of Poems by Women (Doubleday, 1973). Her work has frequently been published in The New Yorker, American Poetry Review, The New Republic, The Sun  and many other journals. She is co-author of several non-fiction books, including The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse (HarperCollins, 1988, 2008) which has sold over a million copies and been translated into twelve languages. She is part of the core faculty of the MFA writing program at Pacific University.

    A pit in your stomach. A blush. These are the symptoms of love sickness, and if you've ever experienced them, this book is for you.Critically acclaimed poet and anthologist, Paul Janeczko has turned his attention to a new compilation of love poems for teens that collects the most poignant and moving musings about love from a diverse group of classic poets and writers like Shakespeare, Dickinson, Whitman, Millay, Angelou, and many more.This is a book girls will carry with them always. They will dog-ear the pages, pass it to friends, sleep with it. And they will go back to it again and again and find in it the drama, the pain, the joy of loving.

    London (and occasionally the apocalypse) as a backdrop, Sweetdark explores the transience of existence, the pursuit of vulnerability, pleasure, chaos, and the dichotomy of a life wholly experienced, full of so much darkness and so much sweetness, sometimes in the same breath.

    One of the more remarkable books of poetry to appear in a long time, Lisa Robertson's DEBBIE: AN EPIC was a finalist for the 1998 Governor General's Award for Poetry. As arresting as the cover image, Robertson's strong, confident voice echoes a wide range of influences from Virgil to Edith Sitwell, yet remains unique and utterly unmistakable for that of any other writer. Brainy, witty, sensual, demonstrating a commanding grasp of language and rhetoric, DEBBIE: AN EPIC is nevertheless inviting and easy to read, even fun. Its eponymous heroine will annihilate your preconceptions about poetry - and about the name "Debbie

     Bone. Visceral. Close to. Stark. The poems in Yrsa Daley-Ward's collection bone are exactly that: reflections on a particular life honed to their essence--so clear and pared-down, they become universal. From navigating the oft competing worlds of religion and desire, to balancing society's expectations with the raw experience of being a woman in the world; from detailing the experiences of growing up as a first generation black British woman, to working through situations of dependence and abuse; from finding solace in the echoing caverns of depression and loss, to exploring the vulnerability and redemption in falling in love, each of the raw and immediate poems in Daley-Ward's bone resonate to the core of what it means to be human. "You will come away bruised. You will come away bruisedbut this will give you poetry."