Its interest is deeply human and moral, in the most capacious sense of the words. In this authoritative biography--the first full-length life of Keats in almost forty years--the man and the poet are portrayed with rare insight and sympathy. In spite of a scarcity of factual data for his early years, the materials for Keats's life are nevertheless unusually full. Since most of his early poetry has survived, his artistic development can be observed more closely than is possible with most writers; and there are times during the period of his greatest creativity when his personal as well as his artistic life can be followed week by week.The development of Keats's poetic craftsmanship proceeds simultaneously with the steady growth of qualities of mind and character. Mr. Bate has been concerned to show the organic relationship between the poet's art and his larger, more broadly humane development. Keats's great personal appeal--his spontaneity, vigor, playfulness, and affection--are movingly recreated; at the same time, his valiant attempt to solve the problem faced by all modern poets when they attempt to achieve originality and amplitude in the presence of their great artistic heritage is perceptively presented.In discussing this matter, Mr. Bate says, "The pressure of this anxiety and the variety of reactions to it constitute one of the great unexplored factors in the history of the arts since 1750. And in no major poet, near the beginning of the modern era, is this problem met more directly than it is in Keats. The way in which Keats was somehow able, after the age of twenty-two, to confront this dilemma, and to transcend it, has fascinated every major poet who has used the English language since Keats's death and also every major critic since the Victorian era."Mr. Bate has availed himself of all new biographical materials, published and unpublished, and has used them selectively and without ostentation, concentrating on the things that were meaningful to Keats. Similarly, his discussions of the poetry are not buried beneath the controversies of previous critics. He approaches the poems freshly and directly, showing their relation to Keats's experience and emotions, to premises and values already explored in the biographical narrative. The result is a book of many dimensions, not a restricted critical or biographical study but a fully integrated whole.,

    This an American writer.--The New York Times Book Review.

    A man massive in his size, his passions, and his gifts, Wolfe has long been considered something of an unconscious genius, whose undisciplined flow of prose was shaped into novels by his editor, the celebrated Maxwell Perkins.In this definitive and compelling biography, Pulitzer Prize-winning historian David Herbert Donald dismantles that myth and demonstrates that Wolfe was a boldly aware experimental artist who, like James Joyce, William Faulkner, and John Dos Passos, deliberately pushed at the boundaries of the modern novel. Donald takes a new measure of this complex, tormented man as he reveals Wolfe's difficult childhood, when he was buffeted between an alcoholic father and a resentful mother; his "magical" years at the University of North Carolina, where his writing talent first flourished; his rise to literary fame after repeated rejection; and the full story of Wolfe's passionate affair with Aline Bernstein, including their intimate letters.

    Lawrence's inner life and his historically significant actions. Extensive research provides the basis for Mack's sensitive investigation of the psychological dimensions of Lawrence's personality and with the history, sociology, and politics of his time. 27 photos.

    But I feel now that the time is come when even a woman or a child who can speak a word for freedom and humanity is bound to speak." Thus did Harriet Beecher Stowe announce her decision to begin work on what would become one of the most influential novels ever written. The subject she had hesitated to "meddle with" was slavery, and the novel, of course, was Uncle Tom's Cabin. Still debated today for its portrayal of African Americans and its unresolved place in the literary canon, Stowe's best-known work was first published in weekly installments from June 5, 1851 to April 1, 1852. It caused such a stir in both the North and South, and even in Great Britain, that when Stowe met President Lincoln in 1862 he is said to have greeted her with the words, "So you are the little woman who wrote the book that created this great war!" In this landmark book, the first full-scale biography of Harriet Beecher Stowe in over fifty years, Joan D. Hedrick tells the absorbing story of this gifted, complex, and contradictory woman. Hedrick takes readers into the multi-layered world of nineteenth-century morals and mores, exploring the influence of then-popular ideas of "true womanhood" on Stowe's upbringing as a member of the outspoken Beecher clan, and her eventful life as a writer and shaper of public opinion who was also a mother of seven. It offers a lively record of the flourishing parlor societies that launched and sustained Stowe throughout the 44 years of her career, and the harsh physical realities that governed so many women's lives. The epidemics, high infant mortality, and often disastrous medicalpractices of the day are portrayed in moving detail, against the backdrop of western expansion, the great social upheaval accompanying the abolitionist movement, and the entry of women into public life. Here are Stowe's public triumphs, both before and after the Civil War, and t

    With compelling detail and remarkable insight, the dramatic narrative captures Jones's tenacity and fierce dedication and loyalty to his men and country, despite ill treatment and only begrudged recognition from his superiors. Jones's incredible victories at sea form an important part of the book. Morison's description of the battle between Jones's Bonhomme Richard and HMS Serapis is considered one of the most vivid accounts of a naval battle in the English language.

    . . . In a sense he is too good to be true, this man who wrought such mighty deeds within the lifetime of our fathers and grandfathers; in a sense if he had not existed we should have had to create him. --from the introduction by Henry Steele Commager

    Born in America, Henry James was educated both there and in Europe before settling in London, where he was to spend most of his life, in 1876. His novels represent the culmination of the 19th-century realist tradition of Austen, George Eliot, Flauberty and Balzac, and a decisive step towards the experimental modernism of Woolf and T.S. Eliot. His works often focus upon an innocent American in Europe, and assess the qualities and dangers of both American and European culture at the time, as well as showing their vast differences.

    Bok wrote of his eventful life, "Every life has some interest and significance; mine, perhaps, a special one. Here was a little Dutch boy unceremoniously set down in America unable to make himself understood or even to know what persons were saying; his education was extremely limited, practically negligible; and yet, by curious decree of fate, he was destined to write, for a period of years, to the largest body of readers ever addressed by an American editor. . . ." Perhaps Bok's success was due to his willingness to champion progressive causes to the wide readership of The Ladies Home Journal. Bok advocated women's suffrage, saving the environment, public sex education, education on prenatal care and children's health, and pacifism. EDWARD BOK (1863-1930), American Pulitzer Prize-winning author, was born in Den Helder, The Netherlands, and came to the United States in 1869. He edited The Ladies Home Journal for 30 years. During that time, it became the first magazine to reach one million subscribers. Bok also wrote books such as Successward and America Give Me a Chance. He established a number of civic programs and awards, including the American Peace Award, the Harvard Advertising Awards, and the Philadelphia Commission.

    Vladimir Nabokov) brings to shimmering life one of the greatest literary love stories of our time. Vladimir Nabokov--the émigré author of Lolita; Pale Fire; and Speak, Memory--wrote his books first for himself, second for his wife, Véra, and third for no one at all."Without my wife," he once noted, "I wouldn't have written a single novel." Set in prewar Europe and postwar America, spanning much of the century, the story of the Nabokovs' fifty-two-year marriage reads as vividly as a novel. Véra, both beautiful and brilliant, is its outsized heroine--a woman who loves as deeply and intelligently as did the great romantic heroines of Austen and Tolstoy. Stacy Schiff's Véra is a triumph of the biographical form.

    Kennan. On his graduation from Princeton in 1925, moved perhaps by the example of his distant cousin George Kennan, who wrote the classic work on Siberia, the younger George prepared to enter the Foreign Service. After a short exposure to diplomacy in Germany and on the Baltic Coast, the young consul felt so inadequate that he was about to resign. His career was salvaged when the State Department registered him as a student of Russian at the University of Berlin, and here he began to acquire his knowledge of and insight into the Russian character which were to serve him so well.It has been Mr. Kennan's destiny to be posted repeatedly at the threshold of crises. His fluency in Russian make him an indispensable member of Ambassador Bullitt's small staff which reopened the American Embassy in Moscow in 1933. He was an observer at Stalin's famous purge trials. He was in Prague when the Germans took over Czechoslovakia. When Hitler declared war on the United States, Mr. Kennan was in Berlin and was interned for six months. He was Harriman's right-hand man in Moscow from 1944 to 1946 during the strenuous war negotiations with the Kremlin. Throughout this long exposure to the agony of Europe, Mr. Kennan was evolving policies for dealing with the Russians and, after the end of the war, the Germans. His Russian policies he defined in a series of farsighted Position Papers, which were sent to the State Department and pigeonholed without comment. These historic papers have been released by the State Department and are published at the end of this volume.When he was recalled to Washington in 1946, Kennan came into his own as a positive force in American foreign policy. President Truman and Secretary Marshall gave him the scope which F.D.R. had denied him. Kennan played a formative part in the development and application of the Marshall Plan. He was sent to Japan to help reform our occupational policy. He drew up a blueprint for the peaceful settlement of Central Europe -- a settlement in which he strongly resisted the rearming of Germany with nuclear weapons.This long and detailed account of twenty-five years of diplomatic history is written with extraordinary eloquence and lucidity. Mr. Kennan's portraits of Stalin, William Bullitt, Alexander Kirk, Harry Hopkins, General Marshall, Ambassador Harriman and Charles Bohlen are superbly drawn. The generous excerpts from his journals reveal his sensitivity to human details and his skill at evoking scenes and incidents from his travels in many lands.Mr. Kennan never loses the overview. Transcending he personal encounters, the specific events and positions, are his clearly articulated principles for the just government of foreign affairs in a world for which, like it or not, we as Americans bear a major responsibility. This makes these memoirs the most important book Mr. Kennan has yet written.

    After providing an engrossing account of Machiavelli's childhood and the period following his imprisonment and torture, the book turns to an examination of The Prince. The details of Machiavelli's life never cease to weave in and out of the narrative, as we read how his ideas gather power and coalesce into a unified vision of humankind and the world."De Grazia's achievement is to present a totally comprehensive view of Machiavelli mediated entirely through Machiavelli's own language."--Journal of Modern History

    The blithe, boisterous son of the last great Puritan minister, he seemed destined to be overshadowed by his brilliant siblings—especially his sister, Harriet Beecher Stowe, who penned the century’s bestselling book Uncle Tom’s Cabin. But when pushed into the ministry, the charismatic Beecher found international fame by shedding his father’s Old Testament–style fire-and-brimstone theology and instead preaching a New Testament–based gospel of unconditional love and healing, becoming one of the founding fathers of modern American Christianity. By the 1850s, his spectacular sermons at Plymouth Church in Brooklyn Heights had made him New York’s number one tourist attraction, so wildly popular that the ferries from Manhattan to Brooklyn were dubbed “Beecher Boats.” Beecher inserted himself into nearly every important drama of the era—among them the antislavery and women’s suffrage movements, the rise of the entertainment industry and tabloid press, and controversies ranging from Darwinian evolution to presidential politics. He was notorious for his irreverent humor and melodramatic gestures, such as auctioning slaves to freedom in his pulpit and shipping rifles—nicknamed “Beecher’s Bibles”—to the antislavery resistance fighters in Kansas. Thinkers such as Emerson, Thoreau, Whitman, and Twain befriended—and sometimes parodied—him.And then it all fell apart. In 1872 Beecher was accused by feminist firebrand Victoria Woodhull of adultery with one of his most pious parishioners. Suddenly the “Gospel of Love” seemed to rationalize a life of lust. The cuckolded husband brought charges of “criminal conversation” in a salacious trial that became the most widely covered event of the century, garnering more newspaper headlines than the entire Civil War. Beecher survived, but his reputation and his causes—from women’s rights to progressive evangelicalism—suffered devastating setbacks that echo to this day.Featuring the page-turning suspense of a novel and dramatic new historical evidence, Debby Applegate has written the definitive biography of this captivating, mercurial, and sometimes infuriating figure. In our own time, when religion and politics are again colliding and adultery in high places still commands headlines, Beecher’s story sheds new light on the culture and conflicts of contemporary America.

    Lash reconstructs the Roosevelt’s four-decade marriage from Eleanor’s personal papers. The result is an intimate look at the vibrant private world of the public persona.

    Her famous Conversations changed women’s sense of how they could think and live; her editorship of the Transcendentalist literary journal The Dial shaped American Romanticism. Now, Megan Marshall, whose acclaimed The Peabody Sisters “discovered” three fascinating women, has done it again: no biography of Fuller has made her ideas so alive or her life so moving.Marshall tells the story of how Fuller, tired of Boston, accepted Horace Greeley’s offer to be the New York Tribune’s front-page columnist. The move unleashed a crusading concern for the urban poor and the plight of prostitutes, and a late-in-life hunger for passionate experience. In Italy as a foreign correspondent, Fuller took a secret lover, a young officer in the Roman Guard; she wrote dispatches on the brutal 1849 Siege of Rome; and she gave birth to a son.Yet, when all three died in a shipwreck off Fire Island shortly after Fuller’s 40th birthday, the sense and passion of her life’s work were eclipsed by tragedy and scandal. Marshall’s inspired account brings an American heroine back to indelible life.