As a word, it not only recalls the place that we grew up in and that had much to do with the people we eventually became, but also points ahead to the home that, in faith, we believe awaits us at life's end. Writing at the approach of his seventieth birthday, he describes, both in prose and in a group of poems, the one particular house that was most precious to him as a child, the books he read there, and the people he loved there. He speaks also of the lifelong search we are all engaged in to make a new home for ourselves and for our families, which is at the same time a search to find something like the wholeness and comfort of home with ourselves. As he turns his attention to our dreams of the heavenly home still to come, he sees it as both hallowing and fulfilling the charity and the peach of our original home.Writing with warmth, wisdom, and compelling eloquence, Frederick Buechner once again enables us to see more deeply into the secret places of our hearts. The Longing for Home will help to bring clarity and guidance to anyone who searches for meaning in a world that all too often seems meaningless.

    By the time he was 19, his parents had achieved global fame as best-selling authors and speakers, l'Abri had become a mecca for spiritual seekers worldwide — from Barbara Bush to Timothy Leary — and Frank had joined his father on the evangelical circuit. By the age of 23, he had directed two multi-part religious documentaries and had helped instigate the marriage between the American evangelical community and the anti-abortion movement. But as he spoke before thousands in arenas around America, published his own evangelical bestseller, and worked with such figures as Pat Robertson, Jack Kemp, Jerry Falwell, and Dr. James Dobson, Schaeffer felt alienated, precipitating his own crisis of faith and eventually resulting in his departure. Schaeffer has since become a successful secular author. He was reduced to stealing pork chops from the grocery store in LA, rather than take on any more high-paying evangelical speaking gigs. With its up-close portraits of the leading figures of the American evangelical movement, Crazy for God is a uniquely revealing and powerful memoir, which tells its story with empathy, humor, and bite.

    In The First Muslim, Lesley Hazleton brings him vibrantly to life. Drawing on early eyewitness sources and on history, politics, religion, and psychology, she renders him as a man in full, in all his complexity and vitality.        Hazleton’s account follows the arc of Muhammad’s rise from powerlessness to power, from anonymity to renown, from insignificance to lasting significance. How did a child shunted to the margins end up revolutionizing his world? How did a merchant come to challenge the established order with a new vision of social justice? How did the pariah hounded out of Mecca turn exile into a new and victorious beginning? How did the outsider become the ultimate insider?        Impeccably researched and thrillingly readable, Hazleton’s narrative creates vivid insight into a man navigating between idealism and pragmatism, faith and politics, nonviolence and violence, rejection and acclaim. The First Muslim illuminates not only an immensely significant figure but his lastingly relevant legacy.

    Was he a genuine prophet, or a gifted fabulist who became enthralled by the products of his imagination and ended up being martyred for them? 24 pages of photos. Map.

    From Bach, Goethe, and Schopenhauer to Nietzsche, Freud, and Einstein, from the arts and humanities to science and philosophy, The German Genius is a lively and accessible review of over 250 years of German intellectual history. In the process, it explains the devastating effects of World War II, which transformed a vibrant and brilliantly artistic culture into a vehicle of warfare and destruction, and it shows how the German culture advanced in the war’s aftermath.

    He has lived without money—and with a newfound sense of freedom and security—ever since. The Man Who Quit Money is an account of how one man learned to live, sanely and happily, without earning, receiving, or spending a single cent. Suelo doesn't pay taxes, or accept food stamps or welfare. He lives in caves in the Utah canyonlands, forages wild foods and gourmet discards. He no longer even carries an I.D. Yet he manages to amply fulfill not only the basic human needs—for shelter, food, and warmth—but, to an enviable degree, the universal desires for companionship, purpose, and spiritual engagement. By retracing the surprising path and guiding philosophy that led Suelo from an idealistic childhood through youthful disillusionment to his radical reinvention of "the good life," Sundeen raises provocative and riveting questions about the decisions we all make—by default or by design—about how we live. The Man Who Quit Money inspires us to imagine how we might live better.

    In this brilliant new interpretation of one of the great voices in modern literature, Maya Jasanoff reveals Conrad as a prophet of globalization. As an immigrant from Poland to England, and in travels from Malaya to Congo to the Caribbean, Conrad navigated an interconnected world, and captured it in a literary oeuvre of extraordinary depth. His life story delivers a history of globalization from the inside out, and reflects powerfully on the aspirations and challenges of the modern world. Joseph Conrad was born Józef Teodor Konrad Korzeniowski in 1857, to Polish parents in the Russian Empire. At sixteen he left the landlocked heart of Europe to become a sailor, and for the next twenty years travelled the world’s oceans before settling permanently in England as an author. He saw the surging, competitive "new imperialism" that planted a flag in almost every populated part of the globe. He got a close look, too, at the places “beyond the end of telegraph cables and mail-boat lines,” and the hypocrisy of the west’s most cherished ideals. In a compelling blend of history, biography, and travelogue, Maya Jasanoff follows Conrad’s routes and the stories of his four greatest works—The Secret Agent, Lord Jim, Heart of Darkness, and Nostromo. Genre-bending, intellectually thrilling, and deeply humane, The Dawn Watch embarks on a spell-binding expedition into the dark heart of Conrad’s world—and through it to our own.

    Nikita Khrushchev was one of the most complex and important political figures of the twentieth century. Ruler of the Soviet Union during the first decade after Stalin's death, Khrushchev left a contradictory stamp on his country and on the world. His life and career mirror the Soviet experience: revolution, civil war, famine, collectivization, industrialization, terror, world war, cold war, Stalinism, post-Stalinism. Complicit in terrible Stalinist crimes, Khrushchev nevertheless retained his humanity: his daring attempt to reform communism prepared the ground for its eventual collapse; and his awkward efforts to ease the cold war triggered its most dangerous crises.This is the first comprehensive biography of Khrushchev and the first of any Soviet leader to reflect the full range of sources that have become available since the USSR collapsed. Combining a page-turning historical narrative with penetrating political and psychological analysis, this book brims with the life and excitement of a man whose story personified his era.

    Nearly two decades later, he would be received into the Catholic Church. In From Fire, by Water, he recounts this unlikely passage, from the strident Marxism and atheism of a youth misspent on both sides of the Atlantic to a moral and spiritual awakening prompted by the Mass. At once a young intellectual’s finely crafted self-portrait and a life story at the intersection of the great ideas and events of our time, the book marks the debut of a compelling new Catholic voice.“Sohrab Ahmari is emerging as one of the finest minds and writers of his generation, and the story of his conversion recounted here will stay with the reader for a very long time.” —Archbishop Charles J. Chaput, from the Foreword"[A] striking memoir." —Ross Douthat, The New York Times“Lives — indeed, as I believe, eternal destinies — will be changed by this book. I wish every angry young man who hates God could read this moving, challenging personal confession of a still-young man who has been where they are, and who gained wisdom and release.” —Rod Dreher, The American Conservative“If I could, I would order a copy for everyone graduating college this year. An urgent and compelling account of the search for truth.” —Ed Condon, Catholic News Agency“The author’s extraordinary gift for writing truly approaches, as best as one can at any given time, a true account of the incomparable beauty of the reality he recounts.” —Raymond Leo Cardinal Burke“Relentlessly honest, deeply moving, Sohrab Ahmari’s story of his intellectual and spiritual journey from dismissive disbelief to vibrant Catholic faith — a journey propelled by some intriguing companions, including Nietzsche, Camus, and Koestler — is food for both mind and soul and an important testimony to the invigorating power of truth.” —George Weigel, Author, Witness to Hope and The End and the Beginning“This book is a testimony of Eucharistic triumph. God seeks us and will transform us if we let Him. Sohrab Ahmari’s beautiful memoir will help all of us trust in God alone better.” —Kathryn Jean Lopez, Editor-at-Large of National Review “Remarkable. . . . From Fire, by Water is a spiritual memoir perfectly suited to our time.” —Jonathan V. Last, Commentary“[B]rave, honest and often very dramatic . . . a powerful story, powerfully told.” — The Tablet “Ahmari’s memoir took me to places I have never been, and gave me a fresh look at people and places that seemed very familiar. Most especially, Ahmari’s book explored a restless human heart, searching and seeking, until, quite unexpectedly, coming to rest in the Lord.” —JD Flynn, Catholic News Agency“Buy Sohrab’s superb book for its story of personal faith but also its revelations of life under a farcical theocracy.” —Tim Stanley, The Catholic Herald“If you're going to write a book about your religious conversion it'd better be a great yarn. And if you're going to write a memoir while you’re still in your early thirties you'd better be a great writer. In From Fire, by Water, Sohrab Ahmari has both boxes checked. . . . Ahmari is a precise and evocative writer, which makes From Fire, by Water easy reading and good reading.”—Matthew Hennessey, The University Bookman“Memoirs written by people who are still in their thirties are almost never of interest to anyone. Sohrab Ahmari’s, however, is a grand exception.” —Robert P. George, McCormick Professor of Jurisprudence, Princeton University“A thought-provoking story . . . a breath of fresh air . . .The author is a gifted wordsmith, ably portraying a variety of colorful scenes and scenarios — physical and philosophical.”—Lela Gilbert, Newsmax“[A] forthright and well-written spiritual memoir.” —Hannah Niemeier, The New Criterion“His book offers a long, candid, and unsparing look at the young Ahmari, at the Shi'ite Muslim society into which he was born in Iran, and the secular America where he came into maturity.” —Philip F. Lawler, Catholic Culture“From Fire, By Water is a book that I would place in the hands of any young, over-confident, over-zealous skeptic. It's a book that college-age kids need to read as they flirt, perhaps for the first time, with new ideas that sound avant-garde and rebellious for rebellion's sake, but only end up disappointing.” —Andrew Walker, The Public Discourse“[E]loquent prose and a compelling story.” —Madeleine Kearns, National Review“An arresting sort of modern-day permutation of St. Augustine’s Confessions. Like Augustine’s spiritual autobiography, Ahmari’s compellingly written memoir is punctuated with soul-aches and poignant laments for misspent time. It brims with final awe at the irruption of grace into a soul so wounded by sin.” —Julia Meloni, Crisis Magazine“A wonderful read for anyone who is seeking a deeper meaning to life, whether they be persons of devout faith or of none at all.” —Christine Rousselle, The Washington Examiner“An engaging account of [Ahmari’s] journey to faith. . . . extraordinary talents as a writer.” —R.R. Reno, First Things“Ahmari writes beautifully, and the story he tells is fascinating. . . . Although Ahmari’s context is a different one from [Thomas] Merton’s, more than once while reading the book I saw correlations between their autobiographies.” —Gregory Hillis, America“I thought From Fire, By Water was a story about conversion. But it's far more than that. It's about the journey of civilization and the great problems of our time.” —Seth Frantzman, The Jerusalem Post

    Why wouldn't she be? She made good money as a programmer at a hot tech start-up, had just married a guy with a stack of Ivy League degrees, and lived in a twenty-first-floor condo where she could sip sauvignon blanc while watching the sun set behind the hills of Austin. Raised in a happy, atheist home, Jennifer had the freedom to think for herself and play by her own rules. Yet a creeping darkness followed her all of her life. Finally, one winter night, it drove her to the edge of her balcony, making her ask once and for all why anything mattered. At that moment everything she knew and believed was shattered. Asking the unflinching questions about life and death, good and evil, led Jennifer to Christianity, the religion she had reviled since she was an awkward, sceptical child growing up in the Bible Belt. Mortified by this turn of events, she hid her quest from everyone except her husband, concealing religious books in opaque bags as if they were porn and locking herself in public bathroom stalls to read the Bible. Just when Jennifer had a profound epiphany that gave her the courage to convert, she was diagnosed with a life-threatening medical condition--and the only treatment was directly at odds with the doctrines of her new-found faith. Something Other Than God is a poignant, profound and often funny tale of one woman who set out to find the meaning of life and discovered that true happiness sometimes requires losing it all.

    But what did it mean to those who constructed it in the twelfth and thirteenth centuries? And why, during this period, did Europeans begin to build churches in a new style, at such immense height and with such glorious play of light, in the soaring manner we now call Gothic?Universe of Stone shows that the Gothic cathedrals encode a far-reaching shift in the way medieval thinkers perceived their relationship with their world. For the first time, they began to believe in an orderly, rational world that could be investigated and understood. This change marked the beginning of Western science and also the start of a long and, indeed, unfinished struggle to reconcile faith and reason.By embedding the cathedral in the culture of the twelfth century—its schools of philosophy and science, its trades and technologies, its politics and religious debates—Philip Ball makes sense of the visual and emotional power of Chartres. Beautifully illustrated and written, filled with astonishing insight, Universe of Stone argues that Chartres is a sublime expression of the originality and vitality of a true "first renaissance," one that occurred long before the birth of Leonardo da Vinci, Michelangelo, or Francis Bacon.

    Focusing on the ground-breaking and often controversial science of Charles Darwin, the author seeks to bridge the gulf between science and religion on the subject of human evolution.

    These debates began with the extraordinary thought and struggles of Roger Williams, who had an unparalleled understanding of the conflict between a government that justified itself by "reason of state"—i.e., national security—and its perceived "will of God" and the "ancient rights and liberties" of individuals.This is a story of power, set against Puritan America and the English Civil War. Williams's interactions with King James, Francis Bacon, Oliver Cromwell, and his mentor Edward Coke set his course, but his fundamental ideas came to fruition in America, as Williams, though a Puritan, collided with John Winthrop's vision of his "City upon a Hill."Acclaimed historian John M. Barry explores the development of these fundamental ideas through the story of the man who was the first to link religious freedom to individual liberty, and who created in America the first government and society on earth informed by those beliefs. The story is essential to the continuing debate over how we define the role of religion and political power in modern American life.

    Taking a wholly different view, Asma Barlas develops a believer's reading of the Qur'an that demonstrates the radically egalitarian and antipatriarchal nature of its teachings.Beginning with a historical analysis of religious authority and knowledge, Barlas shows how Muslims came to read inequality and patriarchy into the Qur'an to justify existing religious and social structures and demonstrates that the patriarchal meanings ascribed to the Qur'an are a function of who has read it, how, and in what contexts. She goes on to reread the Qur'an's position on a variety of issues in order to argue that its teachings do not support patriarchy. To the contrary, Barlas convincingly asserts that the Qur'an affirms the complete equality of the sexes, thereby offering an opportunity to theorize radical sexual equality from within the framework of its teachings. This new view takes readers into the heart of Islamic teachings on women, gender, and patriarchy, allowing them to understand Islam through its most sacred scripture, rather than through Muslim cultural practices or Western media stereotypes.

    His name has become synonymous with cynical scheming and the selfish pursuit of power. Niccolò Machiavelli, Florentine diplomat and civil servant, is the father of political science. His most notorious work, The Prince, is a primer on how to acquire and retain power without regard to scruple or conscience. His other masterpiece, The Discourses, offers a profound analysis of the workings of the civil state and a hardheaded assessment of human nature. Machiavelli’s philosophy was shaped by the tumultuous age in which he lived, an age of towering geniuses and brutal tyrants. He was on intimate terms with Leonardo and Michelangelo. His first political mission was to spy on the fire-and-brimstone preacher Savonarola. As a diplomat, he matched wits with the corrupt and carnal Pope Alexander VI and his son, the notorious Cesare Borgia, whose violent career served as a model for The Prince. His insights were gleaned by closely studying men like Julius II, the “Warrior Pope,” and his successor, the vacillating Clement VII, as well as two kings of France and the Holy Roman Emperor. Analyzing their successes and failures, Machiavelli developed his revolutionary approach to power politics. Machiavelli was, above all, a student of human nature. In The Prince he wrote a practical guide to the aspiring politician that is based on the world as it is, not as it should be. He has been called cold and calculating, cynical and immoral. In reality, argues biographer Miles Unger, he was a deeply humane writer whose controversial theories were a response to the violence and corruption he saw around him. He was a psychologist with acute insight into human nature centuries before Freud. A brilliant and witty writer, he was not only a political theorist but also a poet and the author of La Mandragola, the finest comedy of the Italian Renaissance. He has been called the first modern man, unafraid to contemplate a world without God. Rising from modest beginnings on the strength of his own talents, he was able to see through the pious hypocrisy of the age in which he lived. Miles Unger has relied on original Italian sources as well as his own deep knowledge of Florence in writing this fascinating and authoritative account of a genius whose work remains as relevant today as when he wrote it.