This collection is set in the vast Australian continent from the mysterious, glittering Valley of Lagoons to bohemian Balmain and the Centre at Uluru.

    The judge’s cook watches over her distractedly, for his thoughts are often on his son, Biju, who is hopscotching from one gritty New York restaurant to another. Kiran Desai’s brilliant novel, published to huge acclaim, is a story of joy and despair. Her characters face numerous choices that majestically illuminate the consequences of colonialism as it collides with the modern world.

    These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. Oblivion is an arresting and hilarious creation from a writer "whose best work challenges and reinvents the art of fiction" (Atlanta Journal-Constitution).Mister squishy --The soul is not a smithy --Incarnations of burned children --Another pioneer --Good old neon --Philosophy and the mirror of nature --Oblivion --The suffering channel

    Determined to emulate his warrior ancestors, Babur's hunger for an empire leads him to attempt to re-establish Timur's legacy around the fabled city of Samarkand, accompanied by his loyal army of followers.

    She was lonely and unsettled - her parents had been killed in a car accident, her boyfriend had decided to go back to his wife, and as a painter she led a solitary life in her North Yorkshire home town. But she felt immediately at home in the gracious stone house that had been bequeathed to her, and was made welcome by the local residents - in particular, by the members of the Mindon Amateur Dramatic Society (somewhat appropriately known as MADS) presided over by the formidable Ursula. Ursula liked to run things her way, and brooked no opposition when the ambitious decision was made (largely by herself) to put on A Midsummer Night's Dream as their next production. Petra , to her surprise and pleasure, was put in charge of the wardrobe. Rivalries, squabbles, love affairs and seething resentments threatened to scupper the production, and all Ursula's managerial skills were needed to prevent disaster. But Petra had more pressing things on her mind than the costumes for the cast. A mystery from her past began to haunt her - and the answer to that mystery might solve the puzzle of why she had been left such a beautiful house by a total stranger.

    I hate my job and my girlfriend left me. Ah, the beautiful Zara. Zara is from Kashmir. She is a Muslim. And did I tell you my family is a bit, well, traditional? Anyway, leave that.Zara and I broke up four years ago. She moved on in life. I didn’t. I drank every night to forget her. I called, messaged, and stalked her on social media. She just ignored me.However, that night, on the eve of her birthday, Zara messaged me. She called me over, like old times, to her hostel room 105. I shouldn’t have gone, but I did… and my life changed forever.This is not a love story. It is an unlove story.

    Written with Sanjeev's trademark flair, the stories crackle with irreverence and wit. In 'The Troll', a presumptuous blogger faces his undoing when he sets out to expose an Internet phenomenon. In the title story, a young man loses his job in the financial crisis and tries to reset his life over two beers. In 'The Intellectuals', a foreign researcher spends some memorable hours with Kolkata's ageing intellectuals. From the vicious politics of a Mumbai housing society to the snobberies of Delhi's cocktail circuit, the stories in Life over Two Beers get under the skin of a rapidly changing India-and leave you chuckling.

    Based on the Tamil Original Vikramaadityan Kadaigal. All the 24 riddles/stories that the Betal narrated to King Vikramaadityan. Also included is the story of the origin of the Betal - Who is the Betal? How did he/she become a Betal? What is its redemption?

    Thus begins the story of Poonachi, the little orphan goat. As you follow her story from forest to habitation, independence to motherhood, you recognise in its significant moments the depth and magnitude of your own fears and longings, fuelled by the instinct for survival that animates all life. Masterly and nuanced, Perumal Murugan’s tale forces us reflect on our own responses to hierarchy and ownership, selflessness and appetite, love and desire, living and dying. Poonachi is the story of a goat who carries the burden of being different all her life, of a she-goat who survives against the odds. It is equally an expression of solidarity with the animal world and the female condition. The tale is also a commentary on our times, on the choices we make as a society and a nation, and the increasing vulnerability of individuals, particularly writers and artists, who resist when they are pressed to submit. Reviews for Poonachi “Murugan’s sarcasm speaks of the robustness of his spirit … As in all his novels, (his) story is rich in detail … (He) sustains the narrative tension right from the start.”- Elizabeth Kuruvilla, The Hindu Literary Review

    Nesbit, Diana Wynne Jones, Gahan Wilson, and other literary luminaries. Sales of Unnatural Creatures benefit 826DC, a nonprofit organization dedicated to supporting students in their creative and expository writing, and to helping teachers inspire their students to write.

    Greeted by fireworks displays, cheering crowds, and Prime Minister Nehru himself, Saleem grows up to learn the ominous consequences of this coincidence. His every act is mirrored and magnified in events that sway the course of national affairs; his health and well-being are inextricably bound to those of his nation; his life is inseparable, at times indistinguishable, from the history of his country. Perhaps most remarkable are the telepathic powers linking him with India’s 1,000 other “midnight’s children,” all born in that initial hour and endowed with magical gifts. This novel is at once a fascinating family saga and an astonishing evocation of a vast land and its people–a brilliant incarnation of the universal human comedy. Twenty-five years after its publication, Midnight’ s Children stands apart as both an epochal work of fiction and a brilliant performance by one of the great literary voices of our time.

    It speaks of those who loved and betrayed him; of charming ladies and brilliant men around him; of his greatness and of the crafty stupidity of his contemporaries; os the wit and folly of his times; and of the struggle of men and ideas when faced with the march of history. Based on extensive research and original sources, The Sword of Tipu Sultan is an original contribution to historical literature which gives insights into the character of its hero, and the period in which he lived.Tipu, maligned by historians as a cruel and bigoted ruler, emerges here as a humane, enlightened ruler who believes that God is not confined to any one religion and that all religions therefore require equal respect. He was opposed to colonialism; welcomed the American Declaration of Independence and applauded the spirit of the French Revolution. The author establishes him as the first among modern Indian nationalists who knew also that India was weakened not by outside powers but by sickness, decadence and disunity within.The novel vividly portrays the drama of Tipu's times and recaptures the amazing spirit of the man who in the midst of disaster lost neither his dignity nor his love nor his faith in the values he cherished. He chose to court death when he could have saved himself, for he firmly believed that his sacrifice would serve as an example for the future generations of India.

    Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism.Even as Arundhati Roy began to ask what lay between these two calls for Freedom—a chasm or a bridge?—the streets fell silent. Not only in India, but all over the world. The coronavirus brought with it another, more terrible understanding of Azadi, making a nonsense of international borders, incarcerating whole populations, and bringing the modern world to a halt like nothing else ever could.In this series of electrifying essays, Arundhati Roy challenges us to reflect on the meaning of freedom in a world of growing authoritarianism.The essays include meditations on language, public as well as private, and on the role of fiction and alternative imaginations in these disturbing times.The pandemic, she says, is a portal between one world and another. For all the illness and devastation it has left in its wake, it is an invitation to the human race, an opportunity, to imagine another world.

    The stories in this book have their roots in the Indian culture but express universal emotions that are experienced across the boundaries of regions, caste, and creed. Varied emotions of love, heartbreak, aloofness, anxiety, fear, and longing are expressed in this book.There is one story in which movie star Dilip Kumar breaks the heart of a young girl. There is another where a man pushes off another from a moving train. Raavi Paar also tells the story of a Muslim man whose wish is to be cremated after death and not be buried. There is also a story about a married woman who realises that the only reason for her husband to marry her was to use her as cheap labour.The title of this book is an incident from the author’s own life. During the India-Pakistan partition, the author was mistakenly claimed as their own child by another family. Raavi Paar consists of stories which will touch the reader’s hearts due to the simplicity and intricacy of emotions portrayed by the author.

    All belong to one world, united in their diversity and ethnicity. And together they have one aim: to involve and move the reader.The range of authors takes in such literary greats as Chimamanda Ngozi Adichie and Jhumpa Lahiri, and emerging authors such as Elaine Chiew, Petina Gappah, and Henrietta Rose-Innes.The members of the collective are:Elaine Chiew (Malaysia)Molara Wood (Nigeria)Jhumpa Lahiri (United States)Martin A Ramos (Puerto Rico)Lauri Kubutsile (Botswana)Chika Unigwe (Nigeria)Ravi Mangla (United States)Chimamanda Ngozi Adichie (Nigeria)Skye Brannon (United States)Jude Dibia (Nigeria)Shabnam Nadiya (Bangladesh)Petina Gappah (Zimbabwe)Ivan Gabirel Reborek (Australia)Vanessa Gebbie (Britain)Emmanual Dipita Kwa (Cameroon)Henrietta Rose-Innes (South Africa)Lucinda Nelson Dhavan (India)Adetokunbo Abiola (Nigeria)Wadzanai Mhute (Zimbabwe)Konstantinos Tzikas (Greece)Ken Kamoche (Kenya)Sequoia Nagamatsu (United States)Ovo Adagha (Nigeria)From the Introduction:The concept of One World is often a multi-colored tapestry into whichsundry, if not contending patterns can be woven. for those of us who workedon  this  project, ‘One World’ goes beyond the everyday notion of the globeas a physical geographic entity. Rather, we understand it as a universal idea,one that transcends national boundaries to comment on the most prevailingaspects of the human condition.This attempt to redefine the borders of the world we live in through theshort story recognizes the many conflicting issues of race, language, economy,gender and ethnicity, which separate and limit us. We readily acknowledge,however, that regardless of our differences or the disparities in our stories, weare united by our humanity.We invite the reader on a personal journey across continents, countries,cultures and landscapes, to reflect on these beautiful, at times chaotic, renditionson the human experience. We hope the reach of this path will transcend theborders of each story, and perhaps function as an agent of change.Welcome to our world.