Little did his family realize that Soordas could often see more than anyone else. He could direct a shepherd to his lost goat and a father to his missing son. He could describe exactly how the idol of his beloved Lord Krishna was dressed in the temple each day. The Mughal emperor Akbar personally came to invite him to his court. The poet Tulsidas visited him. The powerful, the wise and the ordinary flocked to him for his all-seeing wisdom and his soul-stirring songs of devotion.

    Sheltered by a potter the boy grew up with the prophecy of a wandering sage ringing in his ears that he would one day become king. The Sanskrit classic, Kathasaritasagar and Vikrama Charita, from which most of this story is taken, traces the path that makes Shalivahana so powerful that an entire era, the Shalivahana Shaka, was named after him.

    To top it he had speech difficulties and was vague and inattentive. Albert hated the kind of rote learning he was obliged to do in school, memorizing dates and texts. But as he grew older, it became clear that Albert was no ordinary person. 1905 is often termed his 'miracle year', the year he published not one but four entirely new papers, on four completely different topics.

    Later, the memory of the hills and forests which are his home call him back. Kacha goes back to his people and is made the Kaka or village chief. However, the Hegade or feudal lord authorised to collect tribute on behalf of the king, exploits the villagers by demanding in excess and keeping more than half for himself. Kacha is determined to fight this tyranny. The Elusive Kaka is adapted from the Kannada play, Kakana Kote, written by Masti Venkatesha Iyengar. It speaks of the bond that the Kurubas have with the forest and how they must fight to preserve it, if they must preserve themselves.

    Darth Vader's parenting skills are tested as young Luke and Leia won't go to sleep. Can he calm them by reading a story featuring, Han Solo, Yoda, Boba Fett, and others as they each settle down for the night?

    But what was often missed was the intense sorrow he felt when one of these magnificent creatures had to be shot down.Jim Corbett understood the tiger and respected it. He recognised its irreplaceable place in the circle of life and described it as the 'large-hearted gentleman with boundless courage'.This Amar Chitra Katha tells the story of Jim Corbett, tracing his life and his love for one of India's most valuable and endangered animals.

    Then Bill Watterson came along and reminded a new generation of what older readers and comic strip aficionados knew: A well-written and beautifully drawn strip is an intricate, powerful form of communication. And with Calvin and Hobbes, we had fun—just like readers of Krazy Kat and Pogo did. Opening the newspaper each day was an adventure. The heights of Watterson's creative imagination took us places we had never been. We miss that.This book was published in conjunction with the first exhibition of original Calvin and Hobbes Sunday pages at The Ohio State University Cartoon Research Library. Although the work was created for reproduction, not for gallery display, was a pleasure to see the cartoonist's carefully placed lines and exquisite brush strokes. In an attempt to share this experience with those who were unable to visit the exhibition, all of the original Sunday pages displayed are reproduced in color in this book so that every detail, such as sketch lines, corrections, and registration marks, are visible. On the opposite page the same comic strip is printed in full color. Because Watterson was unusually intentional and creative in his use of color, this juxtaposition provides Calvin and Hobbes readers the opportunity to consider the impact of color on its narrative and content.When I first contacted Bill Watterson about the possibility of exhibiting his original work, I used the term "retrospective." He replied that we might be able to do an exhibit, but that calling it a retrospective made him uncomfortable. He felt that a longer time was needed to put Calvin and Hobbes in the historical perspective implied by that term. Nonetheless, this show is a "look back" at the comic strip as we revisit favorites that we remember. Calvin and Hobbes: Sunday Pages 1985-1995 is particularly interesting because each work that is included was selected by Bill Watterson. His comments about the thirty-six Sunday pages he chose are part of this volume. In addition, he reflects on Calvin and Hobbes from the perspective of six years, and his essay provides insights into his life as a syndicated cartoonist.Reprint books of Calvin and Hobbes are nice to have, but the opportunity to see the original work and read Bill Watterson's thoughts about it is a privilege. He generously shared not only the art, but also his time and his thoughts. When I first reviewed the works included in the exhibit, I knew that everyone who visited it would begin with laughter and end with tears.On behalf of all who enjoyed Calvin and Hobbes, thank you, Bill Watterson.--Lucy Shelton Caswell, Professor and Curator The Ohio State University Cartoon Research Library, June 2001

    A Hellraiser Companion, first in a 4 volume set.

    After spending thousands of Sunday afternoons gazing at his grandfather’s collections of old newspaper comics, he picked up a pen and started drawing monkeys with striped tails and top hats. He now writes and draws the comic book Sock Monkey as well as the weekly strip "Maakies," which has won him three Eisner Awards and has been animated for Saturday Night Live. He lives in Pasadena, California with his wife and daughters.

    Sometimes, we need those two things the most" (Brightly.com, citing "Books That Teach Kids What It Means to Be a Kind Person").In this breathtaking jacketed picture book, Neil Gaiman's lyrical poem guides a novice traveler through the enchanted woods of a fairy tale—through lush gardens, a formidable castle, and over a perilous river—to find the way home again.Illustrated in full color by Charles Vess, Instructions features lush images of mythical creatures, magical landscapes, and canny princesses. Its message of the value of courage, wit, and wisdom makes it a perfect gift.

    He is Morpheus, the lord of story. Older than humankind itself, he inhabits -- along with Destiny, Death, Destruction, Desire, Despair, and Delirium, his Endless sisters and brothers -- the realm of human consciousness. His powers are myth and nightmare -- inspirations, pleasures, and punishments manifested beneath the blanketing mist of sleep.Surrender to him now.A stunning collection of visions, wonders, horrors, hallucinations, and revelations from Clive Barker, Barbara Hambly, Tad Williams, Gene Wolfe, Nancy A. Collins, and sixteen other incomparable dreamers -- inspired by the groundbreaking, bestselling graphic novel phenomenon by Neil Gaiman.

    

    Take a magical trip down Storybook Lane with this collection of the best fairy tale stories ever told in Riverdale! From glass slippers to giant beanstalks and yellow brick roads to tales from under the seas, this classic collection will have you entertained for hours!

    The Little Book of Hindu Deities is chock-full of monsters, demons, noble warriors, and divine divas. Find out why Ganesha has an elephant’s head (his father cut his off!); why Kali, the goddess of time, is known as the “Black One” (she’s a bit goth); and what “Hare Krishna” really means.“Throw another ingredient in the American spirituality blender. Pop culture is veering into Hinduism.”—USA Today

    These full-color graphic novels broke new ground when they were first released and became the inspiration for countless modern-day comic artists.This repackaged hardcover volume contains 3 classic Tintin stories, including: Tintin in America, Cigars of the Pharaoh, and The Blue Lotus.