Her parents have died, her food is dwindling and the rent is due. When a stranger arrives bearing a note from an uncle, inviting Katka to join him and his wife in America, she leaves all that she has held dear to rebuild her life across the ocean. On the voyage to New York, she becomes friends with the stranger and begins to fall in love. But at Ellis Island, they are separated when he is detained by authorities as a suspected anarchist. Alone, Katka continues her journey to her uncle’s house on the rough and tumble Iron Range in northern Minnesota. Soon she is immersed in a lively community of iron miners and begins publishing an underground newspaper about their struggles and the heroism of the women on the Iron Range, as they are swept into a tumultuous strike that will change their lives forever. “Under Ground” is a work of fiction inspired by true events.

    Nineteen-year-old Elise Landau is forced to leave her glittering life of parties and champagne to become a parlor maid in England. She arrives at Tyneford, the great house on the bay, where servants polish silver and serve drinks on the lawn. But war is coming, and the world is changing. When the master of Tyneford's young son, Kit, returns home, he and Elise strike up an unlikely friendship that will transform Tyneford—and Elise—forever.

    Culling over 300 pages of some of today's most thrilling writers, The Best of 2.13.61 Publications hallmarks our company's ten year existence. Excerpts include new material from Henry Rollins and Hubert Selby, Jr, as well as excerpts from Henry Miller's love letters, Nick Zedd's hilarious nihilistic New York urban spelunkings, Ian Shoales' undeniably witty social commentaries and so much more.

    

    Her street has been invaded by young, confident, upwardly-mobile people without, it seems, a care in the world. She keeps herself to herself, and only her husband Stan is aware of her bubbling anger, her terrible prickliness and her ability to take offence. But when Alice and Tony move in next door with their enchanting toddler Amy, Mrs Pendlebury begins to come out of her shell, as gradually her new neighbours undermine her traditional, cautious privacy. Mrs Pendlebury may not be ripe for transformation, or even happiness, but she is not too old to change.

    and the middle of the Cold War. Revolutions are happening all over the world. On the home front, midwives Patience and Bitsy face personal challenges. Their young adult children are changing. Bitsy’s adopted son returns from Korea wounded in body and spirit. Patience’s daughter is pregnant “out of wedlock,” and Danny, her son, has a problem with booze. Childbirth in the U.S. is changing too. The midwives who were once called for home deliveries have been overshadowed by the new hospital with its “painless childbirth”, until a few rebel nurses appear and Bitsy and Patience step forward to help them. In the midst of these challenges, journals written in the 1850s by Grace Potts, the elder midwife of the Hope River, begin appearing on Patience’s porch at night. The diaries detail Grace’s escapes from slavery when she was fifteen. Who is bringing them? And why? What do the midwives do now? Read the journals, of course. Struggle to understand and help their children, of course. Join the civil rights protests on Main Street, of course… and sing!

    Laugh your knickers off with the hilarious #1 national bestselling confessions of Georgia Nicolson!Includes paperback copies of:Angus, Thongs, and Full-Frontal SnoggingOn the Bright Side, I'm Now the Girlfriend of a Sex GodKnocked Out By My Nunga-Nungas

    This special 2-for-1 collection features two of these classic titles: Riders and Rivals.RidersRiders takes the lid off international showjumping, a sport where the brave horses are almost human, but the humans behave like animals. The brooding hero, gypsy Jake Lovell, under whose magic hands the most difficult horse or woman becomes biddable, is driven to the top by his loathing of the beautiful bounder and darling of the show ring, Rupert Campbell-Black. Having filched each other's horses, and fought and fornicated their way around the capitals of Europe, the feud between the two men finally erupts with devastating consequences during the Los Angeles Olympics.RivalsInto the cut-throat world of Corinium television comes Declan O'Hara, a mega-star of great glamour and integrity. Living rather too closely across the valley is Rupert Campbell-Black, divorced and as dissolute as ever, and now the Tory Minister for Sport. Declan needs only a few days at Corinium to realise that the Managing Director, Lord Baddingham, is a crook who has recruited him merely to help retain the franchise for Corinium. Baddingham has also enticed Cameron Cook, a gorgeous but domineering woman executive, to produce Declan's programme. Declan and Cameron detest each other, provoking a storm of controversy into which Rupert plunges with his usual abandon. As a rival group emerges to pitch for the franchise, reputations ripen and decline, true love blossoms and burns, marriages are made and shattered, and sex raises its (delicious) head at almost every throw as, in bed and boardroom, the race is on to capture the Cotswold Crown.

    The end to hostilities will bring her violent husband Charlie home. It also sets off a chain of events that brings more strife and destruction to the people of Paradise Gardens, Hackney - including Zeldas squabbling family and the mysterious local healer, Zinnia Makepeace - than did the Blitz.That's not all. A new boss is making Zelda's life difficult. Zelda's nephew, Tony, is hanging around Brian Hole, a one-boy crime wave and only child of Ma Hole, leader of the local spivs.But Tony can sing - he has, in fact, the voice of an angel - and Miss Makepeace knows a voice coach in Soho. The people Zelda meets there change her life. Bert and Maggie Featherby offer her a way out of Hackney and her failed marriage, while the local hood, Maltese Joe, decides to take on Ma Hole.

      A gentleman needs hobbies. For Lord Peter Wimsey—a Great War veteran with a touch of shell shock—collecting rare books, sampling fine wines, and catching criminals are all most pleasant diversions. In these Golden Age whodunits, “Lord Peter can hardly be spared from the ranks of the great detectives of the printed page” (The New York Times).  Murder Must Advertise: The iron staircase at Pym’s Publicity is a deathtrap, so no one in the advertising agency is surprised when Victor Dean tumbles down it, cracking his skull. His replacement arrives just a few days later—a green copywriter named Death Bredon. Though he displays a surprising talent for selling margarine, alarm clocks, and nerve tonics, Bredon is not really there to write copy. He is, in fact, Lord Peter Wimsey, come in search of the man who pushed Dean.  The Nine Tailors: During their stay in the countryside, Lord Peter and his manservant Bunter encounter hospitality, dinner, and an invitation from the local rector to go bell ringing to welcome the New Year. They also encounter murder, a mutilated corpse, and a decades-old jewel theft for which locals continue to die. In this land where bells toll for the dead, the ancient chimes never seem to stop.  Gaudy Night: When mystery novelist and acquitted murder suspect Harriet Vane returns to Oxford for her college reunion, she finds that her troubles are far greater than a damaged reputation. The first poison-pen letter calls her a “dirty murderess,” and those that follow are no kinder. As the threats become more frightening, she calls on Wimsey for help. Among the dons of Oxford lurks a killer, but it will take more than a superior education to outwit the gentleman sleuth and his ladylove.  Busman’s Holiday: A murderer kills the mood for newlyweds Lord Peter Wimsey and Harriet Vane on their honeymoon, when they discover the house’s caretaker bludgeoned to death in the manor’s basement. In a house full of suspects, the only thing harder than finding the killer will be finding time to be alone.

    The son of a stonemason attempts to win the hand of a squire's daughter, in a lush pastoral portrait of nineteenth-century life that depicts the pain of young love and the unpredictable twists of fortune.

    Her spirit is surprising, given all the pain she has endured, and that's the counterpoint this story offers—while she sees pain and suffering all around her, Yslea overcomes in her own quiet way. What Yslea struggles with is expressing her thoughts. And she wonders if she will have something of substance to say to her baby. It's the baby growing inside her that begins to wake her up, that causes her to start thinking about things in a different way. Yslea drifts into the lives of four people who occupy three dilapidated row houses along the train tracks outside of Memphis: "The way their three little row houses sort of leaned in toward each other and the way the paint peeled and some of the windows were covered with cardboard, the row might as easily have been empty."

    Freedman as Herself."

    Thatcher's policies have put husbands and sons out of work, and the city's notorious drugs epidemic is waiting in the wings. Shuggie's mother Agnes walks a wayward path: she is Shuggie's guiding light but a burden for him and his siblings. She dreams of a house with its own front door while she flicks through the pages of the Freemans catalogue, ordering a little happiness on credit, anything to brighten up her grey life. Married to a philandering taxi-driver husband, Agnes keeps her pride by looking good--her beehive, make-up, and pearly-white false teeth offer a glamourous image of a Glaswegian Elizabeth Taylor. But under the surface, Agnes finds increasing solace in drink, and she drains away the lion's share of each week's benefits--all the family has to live on--on cans of extra-strong lager hidden in handbags and poured into tea mugs. Agnes's older children find their own ways to get a safe distance from their mother, abandoning Shuggie to care for her as she swings between alcoholic binges and sobriety. Shuggie is meanwhile struggling to somehow become the normal boy he desperately longs to be, but everyone has realized that he is "no right," a boy with a secret that all but him can see. Agnes is supportive of her son, but her addiction has the power to eclipse everyone close to her--even her beloved Shuggie.A heartbreaking story of addiction, sexuality, and love, Shuggie Bain is an epic portrayal of a working-class family that is rarely seen in fiction. Recalling the work of Edouard Louis, Alan Hollinghurst, Frank McCourt, and Hanya Yanagihara, it is a blistering debut by a brilliant novelist who has a powerful and important story to tell.

    ‘Chick Pea Curry’ Lit, Chick Lit with an Indian twist​ It all started ended with that box… Aashi’s life was all set.Or so she thought.Like in the Bollywood films, Ravi would woo her, charm her family and they’d get married and live happily ever after. But then Aashi found the empty condom box... Putting her ex-fiancé and her innocence behind her, Aashi embarks upon an enlightening journey, to another country, where vibrant memories are created, and unforgettable friendships forged.Old images erased, new beginnings to explore. And how can she forget the handsome stranger she meets? A stranger who’s hiding something…