But this gives her a vantage point from which to practice her other calling: she is a fake shrink. For years, she has tended to her God-haunted mother and her recovering addict brother. They have both stabilized for the moment, but Lizzie has little chance to spend her new free time with husband and son before her old mentor, Sylvia Liller, makes a proposal. She's become famous for her prescient podcast, Hell and High Water, and wants to hire Lizzie to answer the mail she receives: from left-wingers worried about climate change and right wingers worried about the decline of western civilization.As Lizzie dives into this polarized world, she begins to wonder what it means to keep tending your own garden once you've seen the flames beyond its walls. When her brother becomes a father and Sylvia a recluse, Lizzie is forced to address the limits of her own experience—but still she tries to save everyone, using everything she's learned about empathy and despair, conscience and collusion, from her years of wandering the library stacks... And all the while the voices of the city keep floating in—funny, disturbing, and increasingly mad.

    Ten years ago a man and his son trekked into this wilderness and never returned.Search teams found their campsite ravaged by what looked like a bear. They were presumed dead until a decade later...the son appeared. Discovered while ransacking an outfitter store, he was violent and uncommunicative and sent to a psychiatric facility. Maya Stark, the assistant language therapist, is charged with making a connection with their high-profile patient. No matter how she tries, however, he refuses to answer questions about his father or the last ten years of his lifeBut Maya, who was abandoned by her own mother, has secrets, too. And as she’s drawn closer to this enigmatic boy who is no longer a boy, she’ll risk everything to reunite him with his father who has disappeared from the known world.

    Her host family is a couple in upstate New York: Ginger, a failed artist on the fringe of Alcoholics Anonymous, and Paul, an academic who wonders what it will mean to “make a difference” in such a contrived situation. The Mare illuminates the couple’s changing relationship with Velvet over the course of several years, as well as Velvet’s powerful encounter with the horses at the stable down the road, as Gaitskill weaves together Velvet’s vital inner-city community and the privileged country world of Ginger and Paul.

    Alas, her husband, Fletcher, a self-employed high-end cabinetmaker, now spurns the “toxic” dishes that he’d savored through their courtship, and devotes hours each day to manic cycling. Then, when Pandora picks up her older brother Edison at the airport, she doesn’t recognize him. In the years since they’ve seen one another, the once slim, hip New York jazz pianist has gained hundreds of pounds. What happened? After Edison has more than overstayed his welcome, Fletcher delivers his wife an ultimatum: It’s him or me.Rich with Shriver’s distinctive wit and ferocious energy, Big Brother is about fat: an issue both social and excruciatingly personal. It asks just how much sacrifice we'll make to save single members of our families, and whether it's ever possible to save loved ones from themselves.

    Preston Grind, she's just about out of options. She recently graduated from high school and is pregnant with her art teacher's baby. Her mother is dead and her father is a drunk. The art teacher is too much of a head-case to help raise the child. Izzy knows she can be a good mother but without any money or prospects, she's left searching.So when Dr. Grind offers her a space in The Infinite Family Project, she accepts. Housed in a spacious compound in Tennessee, she joins nine other couples, all with children the same age as her newborn son, to raise their children as one extended family. Grind's theory is that the more parental love a child receives, the better off they are.This attempt at a utopian ideal-funded by an eccentric billionaire-starts off promising: Izzy enjoys the kids, reading to them and teaching them to cook. She even forms a bond with her son more meaningful than she ever expected. But soon the gentle equilibrium among the families is upset and it all starts to disintegrate: unspoken resentments between the couples begin to fester; the project's funding becomes tenuous; and Izzy's feelings for Dr. Grind, who is looking to expunge his own painful childhood, make her question her participation in this strange experiment in the first place.Written with the same compassionate voice, disarming sense of humor, and quirky charm that made The Family Fang such a success, Perfect Little World is a poignant look at how the best families are the ones we make for ourselves.

    . .'When first-year student Zoë Barry walks into Professor David Connolly's office and tentatively says these words, he is left reeling. But it is the lives of his family - particularly his wife Caroline - which are turned upside down by the arrival of this stranger.A daughter, a sister, a friend . . . an enemy?Though no one knows quite who Zoë is, she is soon entangled in their lives. Yet her stories don't ring true and Caroline is determined to learn if the girl is the unlucky innocent she claims to be or someone with a far darker agenda.A deadly cuckoo in the nest . . .Because by letting Zoë in, David and Caroline aren't just leaving themselves vulnerable. They're risking the most precious thing in the world - the lives of their children . . .

    Toby doesn't mind being used in this way; it's a welcome change from the thirteen years he spent as a married man, the thirteen years of emotional neglect and contempt he's just endured. Anthropologically speaking, it's like nothing he ever experienced before, particularly back in the 1990s, when he first began dating and became used to swimming in the murky waters of rejection.But Toby's new life--liver specialist by day, kids every other weekend, rabid somewhat anonymous sex at night--is interrupted when his ex-wife suddenly disappears. Either on a vision quest or a nervous breakdown, Toby doesn't know--she won't answer his texts or calls.Is Toby's ex just angry, like always? Is she punishing him, yet again, for not being the bread winner she was? As he desperately searches for her while juggling his job and parenting their two unraveling children, Toby is forced to reckon with the real reasons his marriage fell apart, and to ask if the story he has been telling himself all this time is true.

    Best friends and artistic partners since the first week of college, where they bonded over their working-class roots and obvious talent, they spent their twenties ensconced in a gritty Brooklyn studio. Working, drinking, laughing. Drawing: Mel, to understand her tumultuous past, and Sharon, to lose herself altogether.Now, after a decade of striving, the two are finally celebrating the release of their first full-length feature, which transforms Mel’s difficult childhood into a provocative and visually daring work of art. The toast of the indie film scene, they stand at the cusp of making it big. But with their success come doubt and destruction, cracks in their relationship threatening the delicate balance of their partnership. Sharon begins to feel expendable, suspecting that the ever-more raucous Mel is the real artist. During a trip to Sharon’s home state of Kentucky, the only other partner she has ever truly known—her troubled, charismatic childhood best friend, Teddy—reenters her life, and long-buried resentments rise to the surface, hastening a reckoning no one sees coming.

    HOW FAR WOULD YOU GO TO SAVE YOUR FAMILY?As soon as Gail and Jon Durbin bring home their adopted baby Maya, she becomes the glue that mends their fractured marriage. But the Durbin’s social worker, Paige, can’t find the teenage birth mother to sign the consent forms. By law, Carli has seventy-two hours to change her mind. Without her signature, the adoption will unravel. Carli is desperate to pursue her dreams, so giving her baby a life with the Durbins seems like the right choice – until her own mother throws down an ultimatum. Soon Carli realizes how few choices she has. As the hours tick by, Paige knows that the Durbins’ marriage won’t survive the loss of Maya, but everyone’s life is shattered when they—and baby Maya—disappear without a trace. Filled with heartrending turns, Other People’s Children is a riveting page-turner you’ll find impossible to put down.

    Not with her wealthy classmates at the selective London Conservatory where she unexpectedly wins a place after university, not with the family she left behind, and definitely not with Max, a man she meets in the bar where she sings for cash. He’s everything she’s not—rich, tailored to precision, impossible to read—and before long Anna is hooked, desperate to hold his attention, and determined to ignore the warning signs that this might be a toxic relationship.As Anna shuttles from grueling rehearsals to brutal auditions, she finds herself torn between two conflicting desires: the drive to nurture her fledgling singing career, which requires her undivided attention, and the longing for human connection. When the stakes increase, and the roles she’s playing—both on stage and off—begin to feel all-consuming, Anna must reckon with the fact that, in carefully performing what’s expected of her as a woman, she risks losing sight of herself completely.Both exceedingly contemporary and classic, A Very Nice Girl reminds us that even once we have taken possession of our destinies we still have the power to set all we hold dear on fire.

    She used to imagine she was the good kind, now she’s not sure. She’d like to ask Dad about it, but growing up in the saddest chapter of someone else’s story is difficult. She tries not to skate on the thin ice of his memories.Darren has done his best. He's studied his daughter like a seismologist on the lookout for waves and surrounded her with everything she might want - everything he can think of, at least - to be happy.What Clover wants is answers. This summer, she thinks she can find them in the second bedroom, which is full of her mother's belongings. Volume isn't important, what she is looking for is essence; the undiluted bits: a collection of things that will tell the full story of her mother, her father and who she is going to be.But what you find depends on what you're searching for.

    After Callie is exonerated, she begins to receive threatening notes from the girl who accused her, and as these notes become desperate, Rebecca feels compelled to intervene. As she tries to save this unbalanced girl, Rebecca remembers her own intense betrayals and best-friendships as a teenager, when her failure to understand those closest to her led to tragedy. She'll do anything to make this story end differently. But Rebecca doesn’t understand what's happening or who is truly a victim, and now Callie is in terrible danger.This raw and beautiful story about the intensity of adolescent emotions and the complex identity of a teenage girl looks unflinchingly at how cruelty exists in all of us, and how our worst impulses can estrange us from ourselves - or even save us.

    . .Ruth Hartland is a psychotherapist with years of experience. But professional skill is no guard against private grief. The mother of grown twins, she is haunted by the fact that her beautiful, difficult, fragile son Tom, a boy who never "fit in," disappeared a year and a half earlier. She cannot give up hope of finding him, but feels she is living a kind of half-life, waiting for him to return. Enter a new patient, Dan--unstable and traumatized--who looks exactly like her missing son. She is determined to help him, but soon, her own complicated feelings, about how she has failed her own boy, cloud her professional judgement. And before long, the unthinkable becomes a shattering reality....An utterly compelling drama with a timebomb at its core, A Good Enough Mother is a brilliant, beautiful story of mothering, and how to let go of the ones we love when we must.

    More recently, her husband made a fortune selling his tech business, and their adored son has been accepted to Princeton. Yet sometimes the middle-class small-town girl in Nina wonders if she’s strayed from the person she once was.Tom Volpe is a single dad working multiple jobs while struggling to raise his headstrong daughter, Lyla. His road has been lonely, long, and hard, but he finally starts to relax after Lyla earns a scholarship to Windsor Academy, Nashville’s most prestigious private school.Amid so much wealth and privilege, Lyla doesn’t always fit in—and her overprotective father doesn’t help—but in most ways, she’s a typical teenage girl, happy and thriving.Then, one photograph, snapped in a drunken moment at a party, changes everything. As the image spreads like wildfire, the Windsor community is instantly polarized, buzzing with controversy and assigning blame.At the heart of the lies and scandal, Tom, Nina, and Lyla are forced together—all questioning their closest relationships, asking themselves who they really are, and searching for the courage to live a life of true meaning.

    They built a radical society of ancestor worship, controlled breeding, and the strict rationing of knowledge and history. Only the Wanderers--chosen male descendants of the original ten--are allowed to cross to the wastelands, where they scavenge for detritus among the still-smoldering fires.The daughters of these men are wives-in-training. At the first sign of puberty, they face their Summer of Fruition, a ritualistic season that drags them from adolescence to matrimony. They have children, who have children, and when they are no longer useful, they take their final draught and die. But in the summer, the younger children reign supreme. With the adults indoors and the pubescent in Fruition, the children live wildly--they fight over food and shelter, free of their fathers' hands and their mothers' despair. And it is at the end of one summer that little Caitlin Jacob sees something so horrifying, so contradictory to the laws of the island, that she must share it with the others.Born leader Janey Solomon steps up to seek the truth. At seventeen years old, Janey is so unwilling to become a woman, she is slowly starving herself to death. Trying urgently now to unravel the mysteries of the island and what lies beyond, before her own demise, she attempts to lead an uprising of the girls that may be their undoing.Gather The Daughters is a smoldering debut; dark and energetic, compulsively readable, Melamed's novel announces her as an unforgettable new voice in fiction.