He is nineteen years old, and his return will have dramatic consequences not just for his family, but for the whole community. A decade earlier, his father's homecoming has a very different effect. The war is over and Gilbert has been demobilized. He reverts easily to suburban life—cocktails at six-thirty, church on Sundays—but his wife and young son resist the stuffy routine. Lewis and his mother escape to the woods for picnics, just as they did in wartime days. Nobody is surprised that Gilbert's wife counters convention, but they are all shocked when, after one of their jaunts, Lewis comes back without her. Not far away, Kit Carmichael keeps watch. She has always understood more than most, not least from what she is dealt by her own father's hand. Lewis's grief and burgeoning rage are all too plain, and Kit makes a private vow to help. But in her attempts to set them both free, she fails to foresee the painful and horrifying secrets that must first be forced into the open. In this brilliant debut, Sadie Jones tells the story of a boy who refuses to accept the polite lies of a tightly knit community that rejects love in favor of appearances. Written with nail-biting suspense and cinematic pacing, The Outcast is an emotionally powerful evocation of postwar provincial English society and a remarkably uplifting testament to the redemptive powers of love and understanding.

    Rather the opposite in fact -- simply a tall, not terribly attractive woman living a quiet life as a wife and mother in a respectable suburb. But when she discovers that her husband is having a passionate affair with the lovely romantic novelist Mary Fisher, she is so seized by envy that she becomes truly diabolic. Within weeks she has burnt down the family home, collected the insurance, made love to the local drunk and embarked on a course of destruction and revenge. A blackly comic satire of the war of the sexes, LIFE AND LOVES OF A SHE DEVIL is the fantasy of the wronged woman made real.

    At the same time, the novel explores the boundaries of love and friendship and the allegiances that we have to one another. The depth of feeling that the inhabitants of Aldwinter share are matched by their city counterparts as they strive to find the courage to express and understand their deepest desires, and strongest fears.

    . .Sight is about X-rays, psychoanalysis, and the origins of modern surgery. It is about being a parent, and being a child. Fiercely intelligent, brilliantly written and suffused with something close to forgiveness, it is a novel about how we see others and how we imagine ourselves.

    His provocative presence provides the frame for a study of female fate and male privilege, of the geometries of human relationships, and of the struggle to live morally in the intersecting spaces of our internal and external worlds.With its examination of the possibility that art can both save and destroy us, Rachel Cusk's Second Place is deeply affirming of the human soul, while grappling with its darkest demons.

    Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years.Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.

    Now, following the death of their grandmother, they have returned to the grand, imposing house in Wiltshire, England. Unable to stem the tide of childhood memories that arise as she sorts through her grandmother’s belongings, Erica thinks back to the summer her cousin Henry vanished mysteriously from the estate, an event that tore their family to pieces. It is time, she believes, to lay the past to rest, bring her sister some peace, and finally solve the mystery of her cousin’s disappearance.But sifting through remnants of a bygone time is bringing a secret family history to light—one that stretches back over a century, to a beautiful society heiress in Oklahoma, a haunting, savage land across the ocean. And as past and present converge, Erica and Beth must come to terms with two shocking acts of betrayal . . . and the heartbreaking legacy they left behind.

    Greg's rugby-playing days are well and truly behind him, thanks to countless pints of beer and chicken curry.When Elise, a radio DJ and Zoe's best friend, tells them about a new competition, it seems like the perfect opportunity to turn their lives around. Fat Chance will pit six hefty couples against one another to see who can collectively lose the most weight and walk away with a £50,000 prize.So begins six months of abject misery, tears, and frustration--that just might turn out to be the best thing that ever happened to them--in another laugh-out-loud look at the way we live now from bestselling author Nick Spalding.

    The last thing she needs is her messed-up, only occasionally employed sister Maggie moving in: drinking, smoking, stealing her money - and her shoes - and spoiling her chance of romance. If only Maggie would grow up and settle down with a nice guy and a steady job. Maggie is drop dead gorgeous and irresistible to men. She's going to make it big as a TV presenter, or a singer...or an actress. All she needs is a lucky break. What she doesn't need is her uptight sister Rose interfering in her life. If only Rose would lighten-up, have some fun - and learn how to use a pair of tweezers. Rose and Maggie think they have nothing in common but a childhood tragedy, shared DNA and the same size feet, but they are about to find out that they're more alike than they'd ever believe.

    When Chicky Starr decides to take an old, decaying mansion set high on the cliffs overlooking the windswept Atlantic Ocean and turn it into a restful place for a holiday by the sea, everyone thinks she is crazy. Helped by Rigger (a bad boy turned good who is handy around the house) and Orla, her niece (a whiz at business), Chicky is finally ready to welcome the first guests to Stone House’s big warm kitchen, log fires, and understated elegant bedrooms. John, the American movie star, thinks he has arrived incognito; Winnie and Lillian are forced into taking a holiday together; Nicola and Henry, husband and wife, have been shaken by seeing too much death practicing medicine; Anders hates his father’s business, but has a real talent for music; Miss Nell Howe, a retired schoolteacher, criticizes everything and leaves a day early, much to everyone’s relief; the Walls are disappointed to have won this second-prize holiday in a contest where first prize was Paris; and Freda, the librarian, is afraid of her own psychic visions. Sharing a week with this unlikely cast of characters is pure joy, full of Maeve’s trademark warmth and humor. Once again, she embraces us with her grand storytelling. This is the last book that Maeve Binchy wrote before her sudden death. As are all her stories, it is her trademark warmth, humor and the kind of characters that will make her books live on. It is a privilege to be able to share this book with readers.

    Toibin's portrayal of the intricacy and drama of ordinary lives brings to mind of the work of Alice Munro.      Set in Wexford, Ireland, and in breathtaking Ballyconnigar by the sea, Colm Toibin's tour de force eighth novel introduces the formidable, memorable Nora Webster. Widowed at 40, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world she was born into. Wounded and self-centred from grief and the need to provide for her family, she struggles to be attentive to her children's needs and their own difficult loss. In masterfully detailing the intimate lives of one small family, Toibin has given us a vivid portrait of a time and an intricately woven tapestry of lives in a small town where everyone knows everyone's business, and where well-meaning gestures often have unforeseen consequences. Toibin has created one of contemporary fiction's most memorable female characters, one who has the strength and depth of Ibsen's Hedda Gabler. In Nora Webster, Colm Toibin is writing at the height of his powers.

    At once a self-styled social scientist, a spy in the baffling adult world surrounding him, and a budding, hormone-driven emotional explorer, Oliver is stealthily (and perhaps a bit more nervously than he’d ever admit) nosing his way forward through the murky and uniquely perilous waters of adolescence. His objectives? Uncovering the secrets behind his parents’ teetering marriage, unraveling the mystery that is his alluring and equally quirky classmate Jordana Bevan, and understanding where he fits in among the pansexuals, Zoroastrians, and other mystifying, fascinating beings in his orbit.“It’s in my interests to know about my parents’ mental problems,” he reasons. Thus, when he discovers that his affable dad is quietly struggling with depression, Oliver marshals all the daytime-TV pop-psychology wisdom at his command–not to mention his formidable, uninhibited powers of imagination–in order to put things right again. But a covert expedition into the mysterious territory of middle-aged malaise is bound to be tricky business for a teenager with more to learn about the agonies and ecstasies of life than a pocket thesaurus and his “worldly” school chum Chips can teach him. Ready or not, however, Oliver is about to get a crash course. His awkwardly torrid and tender relationship with Jordana is hurtling at the speed of teenage passion toward the inevitable magic moment . . . and whatever lies beyond. And his boy-detective exploits have set him on a collision course with the New Age old flame who’s resurfaced in his mother’s life to lead her into temptation with lessons in surfing, self-defense . . . and maybe seduction. Struggling to buoy his parents’ wedded bliss, deep-six his own virginity, and sound the depths of heartache, happiness, and the business of being human, what’s a lad to do? Poised precariously on the cusp of innocence and experience, yesterday’s daydreams and tomorrow’s decisions, Oliver Tate aims to damn the torpedoes and take the plunge.

    She's had the same best friend, the same good relationship with her mother, the same boyfriend, for as long as anyone can remember. But when her fiance, Mike is paralyzed by a tragic accident, Carrie has to question everything she thought she knew about herself and about the meaning of home. Ann Packer has written a morally complex, deeply satisfying novel about the desire to live fully and the conflict between who we want to be to others and who we must be for ourselves. A magnificent debut from a remarkable new talent.

    And it’s armed. Plum Kettle does her best not to be noticed, because when you’re fat, to be noticed is to be judged. Or mocked. Or worse. With her job answering fan mail for a popular teen girls’ magazine, she is biding her time until her weight-loss surgery. Only then can her true life as a thin person finally begin. Then, when a mysterious woman starts following her, Plum finds herself falling down a rabbit hole and into an underground community of women who live life on their own terms. There Plum agrees to a series of challenges that force her to deal with her past, her doubts, and the real costs of becoming “beautiful.” At the same time, a dangerous guerrilla group called “Jennifer” begins to terrorize a world that mistreats women, and as Plum grapples with her personal struggles, she becomes entangled in a sinister plot. The consequences are explosive.Dietland is a bold, original, and funny debut novel that takes on the beauty industry, gender inequality, and our weight loss obsession—from the inside out, and with fists flying.

    She spies a stranger coming up the long road to the farm and watches as her mother speaks to him. Before the afternoon is over, Laurel will witness a shocking crime. A crime that challenges everything she knows about her family and especially her mother, Dorothy—her vivacious, loving, nearly perfect mother.Now, fifty years later, Laurel is a successful and well-regarded actress living in London. The family is gathering at Greenacres farm for Dorothy’s ninetieth birthday. Realizing that this may be her last chance, Laurel searches for answers to the questions that still haunt her from that long-ago day, answers that can only be found in Dorothy’s past.Dorothy’s story takes the reader from pre–WWII England through the blitz, to the ’60s and beyond. It is the secret history of three strangers from vastly different worlds—Dorothy, Vivien, and Jimmy—who meet by chance in wartime London and whose lives are forever entwined. The Secret Keeper explores longings and dreams and the unexpected consequences they sometimes bring. It is an unforgettable story of lovers and friends, deception and passion that is told—in Morton’s signature style—against a backdrop of events that changed the world.