Always has. Always will. After all, she's been spoiled rotten ever since she witnessed her mother's death as a child, and she's made the most of it-especially with her dad. So when her oldest friend, Deborah, begins to date a fine-looking, fine-acting man named Darren-Babysister doesn't think twice: she wants Darren for herself. And what Babysister wants...There are just a few little problems with their secret love affair. Babysister's devoted boyfriend is one. And Darren's lingering doubts about dumping Deborah--light-skinned, church-going, beautiful--is another. But Babysister won't let go, even after Darren crawls back to Deborah--and marries her. Following her love-crazed heart, Babysister jeopardizes friendship, family, and her own self-esteem, until a little dose of reality shows her how much she's been missing all along.

    Initially repulsed by the ugliness of her new surroundings in the industrial town of Milton, Margaret becomes aware of the poverty and suffering of the local mill workers and develops a passionate sense of social justice. This is intensified by her tempestuous relationship with the mill-owner and self-made man, John Thornton, as their fierce opposition over his treatment of his employees masks a deeper attraction.In North and South, Elizabeth Gaskell skillfully fuses individual feeling with social concern, and in Margaret Hale creates one of the most original heroines of Victorian literature.

    A. riots of the 1990s.Straight's brilliant story of the effects of violence in America on three generations of a family is told through the lives of the Thompsons, a large clan who live in Treetown, above downtown Rio Seco, California, and operate a car towing and repair business. Patriarch Hosea is a proud man, and a hardened one, whose father was killed in the violence that erupted in Tulsa many years earlier. All Hosea's memories come flooding black with ferocious force when the bodies of two white women are found engulfed in flames in an abandoned car on his property. These are the first signs that someone wants Hosea off his land; it is up to his son Marcus, the only one of the six children of Hosea and his half-Mexican wife who can negotiate with the white world, to help the family hold on to their home and their livelihood.But it is only when Marcus' nephew Motrice-a young man infatuated with guns and the power that they bring- comes back to Rio Seco from gang-ridden Los Angeles that the real secrets of the bodies found on Thompson land are revealed, as Rio Seco erupts in the same wave of trashing and looting that has engulfed the nearby metropolis.The Gettin Place is a powerful portrait of a family struggling to defend its turf in a changing world, to hold on to the gettin place, the source from which they derive the tools for survival.

    Scarlett O'Hara, the beautiful, spoiled daughter of a well-to-do Georgia plantation owner, must use every means at her disposal to claw her way out of the poverty she finds herself in after Sherman's March to the Sea.

     The red flag was that he said he was Satan. But the deal was good: Listen to Satan’s story in exchange for some donuts. And Doug only half-fulfilled his part of the bargain. But maybe he should have listened better, because during his friend Bryce’s next scheme (theft with light to moderate treason—the usual), Doug and the rest of his friends—Lulu (the fun one) and Charlene (the not fun one)—end up with a powerful artifact, a small metal cube with world-ending power that Lulu decorated with bunnies. And now everyone wants the bunny cube, which means Doug, Bryce, Lulu, and Charlene are being pursued by an insane supermodel general, an army of sadists, a vast criminal organization, a smaller, more-in-startup-mode criminal organization, and an unstoppable killing machine—the worst kind of killing machine. Doug and his friends may be a bunch of losers who aren’t particularly smart or good at anything, but they have one thing going for them: a really cool name for their mercenary group. And now it’s up to Hellbender to save the world—well, what’s left of it. It’s pretty ruined and war-torn already. But, you know, they live there, so they kind of need it. It’s a mess, but that’s what you get for listening to Satan. Or half-listening.

    Opening dramatically at  Sweet Tamarind, a rice and cotton plantation on an island off South Carolina's coast, we watch as recently emancipated Bette Mayfield says her goodbyes before fleeing for the mainland. With her granddaughter, Eudora, in tow, she heads to Charleston. There, they carve out lives for themselves as fortune-teller and seamstress. Dora will marry, the Mayfield line will grow, and we will follow them on a journey through the watershed events of America's troubled, vibrant history—from Reconstruction to both World Wars, from the Harlem Renaissance to Vietnam and the modern day. Shange and Bayeza give us a monumental story of a family and of America, of songs and why we have to sing them, of home and of heartbreak, of the past and of the future, bright and blazing ahead.

    Reluctantly agreeing to marry Mrs Haze just to be close to Lolita, Humbert suffers greatly in the pursuit of romance; but when Lo herself starts looking for attention elsewhere, he will carry her off on a desperate cross-country misadventure, all in the name of Love. Hilarious, flamboyant, heart-breaking and full of ingenious word play, Lolita is an immaculate, unforgettable masterpiece of obsession, delusion and lust.

    Believing she might discover it in an old book her mother is lovingly translating, she sets out in search of its author. Across New York an old man called Leo Gursky is trying to survive a little bit longer. He spends his days dreaming of the lost love who, sixty years ago in Poland, inspired him to write a book. And although he doesn't know it yet, that book also survived: crossing oceans and generations, and changing lives...

    But his attempts to become a respected member of the community are constantly put under threat: by his own conscience, when, owing to a case of mistaken identity, another man is arrested in his place; and by the relentless investigations of the dogged Inspector Javert. It is not simply for himself that Valjean must stay free, however, for he has sworn to protect the baby daughter of Fantine, driven to prostitution by poverty.

    His cravings take him to Paris at age eighteen to try his hand at art, then back to London to study medicine. But even so, nothing can sate his nagging hunger for experience. Then he falls obsessively in love, embarking on a disastrous relationship that will change his life forever.…Marked by countless similarities to Maugham’s own life, his masterpiece is “not an autobiography,” as the author himself once contended, “but an autobiographical novel; fact and fiction are inexorably mingled; the emotions are my own.”

    Once in a while, you come across someone who had the energy and determination to see it through and you are happy he did. Such is the case with Justin Dwayne Foxworth in his breakout novel, Valerie. I highly recommend you give a new talent a chance and read his work. I'm sure you'll want more of his character development and plots developed into more novels to enjoy... Andrew Neiderman, author of The Devil's Advocate

    Renée, the concierge, is witness to the lavish but vacuous lives of her numerous employers. Outwardly she conforms to every stereotype of the concierge: fat, cantankerous, addicted to television. Yet, unbeknownst to her employers, Renée is a cultured autodidact who adores art, philosophy, music, and Japanese culture. With humor and intelligence she scrutinizes the lives of the building's tenants, who for their part are barely aware of her existence. Then there's Paloma, a twelve-year-old genius. She is the daughter of a tedious parliamentarian, a talented and startlingly lucid child who has decided to end her life on the sixteenth of June, her thirteenth birthday. Until then she will continue behaving as everyone expects her to behave: a mediocre pre-teen high on adolescent subculture, a good but not an outstanding student, an obedient if obstinate daughter. Paloma and Renée hide both their true talents and their finest qualities from a world they suspect cannot or will not appreciate them. They discover their kindred souls when a wealthy Japanese man named Ozu arrives in the building. Only he is able to gain Paloma's trust and to see through Renée's timeworn disguise to the secret that haunts her. This is a moving, funny, triumphant novel that exalts the quiet victories of the inconspicuous among us.

    Jane Austen called this brilliant work "her own darling child" and its vivacious heroine, Elizabeth Bennet, "as delightful a creature as ever appeared in print." The romantic clash between the opinionated Elizabeth and her proud beau, Mr. Darcy, is a splendid performance of civilized sparring. And Jane Austen's radiant wit sparkles as her characters dance a delicate quadrille of flirtation and intrigue, making this book the most superb comedy of manners of Regency England.

    Growing up in a typically Victorian household, the Pargiter children must learn to find their footing in an alternative world, where the rules of etiquette have shifted from the drawing-room to the air-raid shelter. A work of fluid and dazzling lucidity, The Years eschews a simple line of development in favour of a varied and constantly changing style, emphasises the radical discontinuity of personal experiences and historical events. Virginia Woolf's penultimate novel celebrates the resilience of the individual self and, in her dazzlingly fluid and distinctive voice, she confidently paints a broad canvas across time, generation and class.

    Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture.This award-winning translation by Richard Pevear and Larissa Volokhonsky remains true to the verbalinventiveness of Dostoevsky’s prose, preserving the multiple voices, the humor, and the surprising modernity of the original. It is an achievement worthy of Dostoevsky’s last and greatest novel.