But as they are starting their senior year, Dill feels the coils of his future tightening around him. The end of high school will lead to new beginnings for Lydia, whose edgy fashion blog is her ticket out of their rural Tennessee town. And Travis is happy wherever he is thanks to his obsession with the epic book series Bloodfall and the fangirl who may be turning his harsh reality into real-life fantasy. Dill’s only escapes are his music and his secret feelings for Lydia—neither of which he is brave enough to share. Graduation feels more like an ending to Dill than a beginning. But even before then, he must cope with another ending—one that will rock his life to the core.Debut novelist Jeff Zentner provides an unblinking and at times comic view of the hard realities of growing up in the Bible Belt, and an intimate look at the struggles to find one’s true self in the wreckage of the past.

    "No number of adjectives in the thesaurus can do full justice to the dazzlingly bizarre nature of Crews' creations".--"Washington Post Book World".

    Fashioning himself Eric Galt, this nondescript thief and con man—whose real name was James Earl Ray—drifted through the South, into Mexico, and then Los Angeles, where he was galvanized by George Wallace’s racist presidential campaign. On February 1, 1968, two Memphis garbage men were crushed to death in their hydraulic truck, provoking the exclusively African American workforce to go on strike. Hoping to resuscitate his faltering crusade, King joined the sanitation workers’ cause, but their march down Beale Street, the historic avenue of the blues, turned violent. Humiliated, King fatefully vowed to return to Memphis in April. With relentless storytelling drive, Sides follows Galt and King as they crisscross the country, one stalking the other, until the crushing moment at the Lorraine Motel when the drifter catches up with his prey. Against the backdrop of the resulting nationwide riots and the pathos of King’s funeral, Sides gives us a riveting cross-cut narrative of the assassin’s flight and the sixty-five-day search that led investigators to Canada, Portugal, and England—a massive manhunt ironically led by Hoover’s FBI.

    Critics and readers alike fell in love with the voice of ninety-nine-year-old Lucy Marsden, one of the most entertaining and loquacious heoines in American literature.Lucy married at the turn of the last century, when she was fifteen and her husband was fifty. If Colonel William Marsden was a veteran of the "War for Southern Independence", Lucy became a "veteran of the veteran" with a unique perspective on Southern history and Southern manhood. Her story encompasses everything from the tragic death of a Confederate boy soldier to the feisty narrator's daily battles in the Home--complete with visits from a mohawk-coiffed candy-striper. Oldest Living Confederate Widow Tells All is proof that brilliant, emotional storytelling remains at the heart of great fiction.From the Trade Paperback edition.

    Filmed as a CBS television movie starring Johnny Cash and Andy Griffith in 1983, the story gained even more acclaim and is still available on video and DVD.

    17 in the company of her dead husband, Daddy Jim. Inspired by her Auntie Leona, Essie Mae finally discovers her calling in life and weaves powerful "love baskets," praying fervently over them to affect the lives of those who visit her roadside stand. When she's faced with losing her home and her stand and being put in a nursing home, Daddy Jim talks her into coming on up to Heaven to meet sweet Jesus-something she's always wanted to do. Once there, she reunites with Gullahs and African ancestors; but soon, her heavenly peace is disrupted, for she still has work to do. Now Essie Mae, who once felt powerless and invisible, must find the strength within her to keep her South Carolina family from falling apart.

    The neighborhood children call him the Pee-can Man; their mothers call them inside whenever he appears. When the police chief's son is found stabbed to death near his camp, the man Ora knows as Eddie is arrested and charged with murder. Twenty-five years later, Ora sets out to tell the truth about the Pecan Man. In narrating her story, Ora discovers more truth about herself than she could ever have imagined. This novel has been described as To Kill a Mockingbird meets The Help.

    When her husband drinks himself to death, Sarah, a dirt-poor homemaker with no family to rely on and the note on the farm long past due, must find a way for her and young Emerson Bridge to survive. But the more daunting obstacle is Sarah s fear that her mother s words, seared in her memory since she first heard them at the age of six, were a prophesy, You ain t got you one good mama bone in you, girl. When Sarah reads in the local newspaper that a boy won $680 with his Grand Champion steer at the recent 1951 Fat Cattle Show & Sale, she sees this as their financial salvation and finds a way to get Emerson Bridge a steer from a local farmer to compete in the 1952 show. But the young calf is unsettled at Sarah s farm, crying out in distress and growing louder as the night wears on. Some four miles away, the steer s mother hears his cries and breaks out of a barbed-wire fence to go in search of him. The next morning Sarah finds the young steer quiet, content, and nursing a large cow. Inspired by the mother cow s act of love, Sarah names her Mama Red. And so Sarah s education in motherhood begins with Mama Red as her teacher. But Luther Dobbins, the man who sold Sarah the steer, has his sights set on winning too, and, like Sarah, he is desperate, but not for money. Dobbins is desperate for glory, wanting to regain his lost grand-champion dynasty, and he will stop at nothing to win. Emboldened by her lessons from Mama Red and her budding mama bone, Sarah is committed to victory even after she learns the winning steer s ultimate fate. Will she stop at nothing, even if it means betraying her teacher?McClain s writing is distinguished by a sophisticated and detailed portrayal of the day-to-day realities of rural poverty and an authentic sense of time and place that marks the best southern fiction. Her characters transcend their archetypes and her animal-as-teacher theme recalls the likes of Water for Elephants and The Art of Racing in the Rain. One Good Mama Bone explores the strengths and limitations of parental love, the healing power of the human-animal bond, and the ethical dilemmas of raising animals for food."

    One of Cather's later works.

    Dr. Ray--a womanizer, small-town drunk, vigilante, poet, adoring husband--is a man trying to make sense of life in the twentieth century. In flight from the death he dealt flying over Vietnam, Dr. Ray struggles with those bound to him by need, sickness, lunacy, by blood and by love.

    Fredericka Mercedes Hildebrand Ware (Frede to her friends) is a member beyond reproach...until her life begins to unravel. When her husband betrays her, steals her money, and runs off to places unknown, it's something Frede would rather keep under wraps. The last thing she needs is to become fodder for the JLWC gossip mill. And to make matters worse, there's only one person in town who stands a chance at helping her get revenge: Howard Grout, a tasteless, gold-chain-wearing lawyer who has bought his way into Frede's tony neighborhood. But here's a price: She has to get his tacky, four-inch-stiletto-and-pink-spandex-wearing wife Nikki into the Junior League.Linda Francis Lee has written an hysterical novel about the creme de la creme of Texas society, the lengths to which one woman goes to bring her cheating husband to justice, and how taking on what seems like a Mission Impossible can change you in ways you could never have imagined.

    He finds the once elegant estate in ruins and his family devastated. Worse, his wife and children, believing him to have been killed in the war, have left Tennessee for Oregon. In Oregon, Kate struggles with the harsh climate and the business problems of her uncle, Lewis Harrington. When her uncle is murdered, Kate is forced to assume a leadership role to protect the interests of a group of destitute settlers; a responsibility that may prove to be more than she can handle. James begins a harrowing trek across the post war frontier to find his lost family. He is forced to deal with remnants of guerrilla bands from the war, hostile Indians, dangerous river crossings—and his prejudices. Through fate, James finds himself traveling with an African-American mountain man, Wilford Johnson. As a result of James’s own short-sightedness, he and Wilford are forced to spend the winter in a Blackfoot camp. By the time he reaches Oregon, James is forced to reexamine the ideals of his upbringing and confront his prejudices. Reunited in Oregon, James and Kate, with Wilford’s help, confront the lawlessness that has plagued Kate since the loss of her uncle.

    With her signature style and grace, Mayes explores the power of landscape, the idea of home, and the lasting force of a chaotic and loving family. From her years as a spirited, secretive child, through her university studies—a period of exquisite freedom that imbued her with a profound appreciation of friendship and a love of travel—to her escape to a new life in California, Mayes exuberantly recreates the intense relationships of her past, recounting the bitter and sweet stories of her complicated family: her beautiful yet fragile mother, Frankye; her unpredictable father, Garbert; Daddy Jack, whose life Garbert saved; grandmother Mother Mayes; and the family maid, Frances’s confidant Willie Bell.Under Magnolia is a searingly honest, humorous, and moving ode to family and place, and a thoughtful meditation on the ways they define us, or cause us to define ourselves. With acute sensory language, Mayes relishes the sweetness of the South, the smells and tastes at her family table, the fragrance of her hometown trees, and writes an unforgettable story of a girl whose perspicacity and dawning self-knowledge lead her out of the South and into the rest of the world, and then to a profound return home.

    On a scorching day in August 1954, thirteen-year-old Jubie Watts leaves Charlotte, North Carolina, with her family for a Florida vacation. Crammed into the Packard along with Jubie are her three siblings, her mother, and the family's black maid, Mary Luther. For as long as Jubie can remember, Mary has been there cooking, cleaning, compensating for her father's rages and her mother's benign neglect, and loving Jubie unconditionally. Bright and curious, Jubie takes note of the anti-integration signs they pass and of the racial tension that builds as they journey further south. But she could never have predicted the shocking turn their trip will take. Now, in the wake of tragedy, Jubie must confront her parents failings and limitations, decide where her own convictions lie, and make the tumultuous leap to independence.Infused with the intensity of a changing time, here is a story of hope, heartbreak, and the love and courage that can transform us from child to adult, wounded to indomitable.

    Set in contemporary New Orleans but working its way back in time, the novel chronicles the relationship between Michael and Kelly Hays, who have decided to separate after twenty years of marriage.The book begins on the day that Michael and Kelly are to finalize their divorce. Kelly is due in court, but instead drives from her home in Pensacola, Florida, across the panhandle to New Orleans and checks into Room 303 at the Olivier House in the city’s French Quarter—the hotel where she and Michael fell in love some twenty years earlier and where she now finds herself about to make a decision that will affect her, Michael, and their nineteen-year-old daughter, Samantha. Butler masterfully weaves scenes of the present with memories from both the viewpoint of Michael and Kelly—scenes that span some twenty years, taking the reader back to critical moments in the couple’s relationship and showing two people deeply in love but also struggling with their own insecurities and inabilities to express this love.An intelligent, deeply moving, and remarkably written portrait of a relationship that reads as a cross between a romance novel and a literary page-turner, A Small Hotel is a masterful story that will remind readers once again why Robert Olen Butler has been called the “best living American writer”