He was brought up in India in the apparently vigorous but dying Raj and was sent by his family in the 1930s to Berlin -- though he could not speak a word of German -- to study medicine and dentistry. It was here, before he migrated to Britain, that Shanti's path first crossed that of his future wife. Helga Gerda Caro, known to everyone as "Henny" was also born in 1908, in Berlin, to a Jewish family -- cultured, patriotic, and intensely German. When the family decided to take Shanti as a lodger, Henny's first reaction was, "Don't take the black man!" But a friendship flowered, and when Henny fled Hitler's Germany for England just one month before war broke out, she was met at Victoria Station by the only person in the country she knew: Shanti. Vikram Seth has woven together their astonishing story, which recounts the arrival into this childless couple's lives of their great-nephew from India -- the teenage student Vikram Seth. The result is an extraordinary tapestry of India, the Third Reich and the Second World War, Auschwitz and the Holocaust, Israel and Palestine, postwar Germany and 1970s Britain. Two Lives is both a history of a violent century seen through the eyes of two survivors and an intimate portrait of their friendship, marriage, and abiding yet complex love. Part biography, part memoir, part meditation on our times, this is the true tale of two remarkable lives -- a masterful telling from one of our greatest living writers.

    First pressing, limited to 1000.From publisher Topatoco.com:"When Kate Beaton was first asked to make a book, she said "ok, but I only have about five comics on my website, gimme a while." Now the time has come! This is a collection of comics made between late 2007 and early 2009. It is 68 pages of the ones she likes the best! It should be noted that younger self comics aren't there, but perhaps they will have a home all their own someday!"

    A brilliant visual storyteller, Redniss has hand-designed more than 100 color collages to tell Curie’s story, fascinating in its scientific significance and its sometimes whimsical, sometimes haunting mix of romance and intrigue. Bringing together archival photos, images, and clippings with dazzling line drawings and a compelling narrative, Radioactive is far more than just an art book or a graphic novel: It is a stunning visual biography and a true work of art.

    Amin Jaafari, an Arab-Israeli citizen, is a surgeon at a hospital in Tel Aviv. Dedicated to his work, respected and admired by his colleagues and community, he represents integration at its most successful. He has learned to live with the violence and chaos that plague his city, and on the night of a deadly bombing in a local restaurant, he works tirelessly to help the shocked and shattered patients brought to the emergency room. But this night of turmoil and death takes a horrifyingly personal turn. His wife's body is found among the dead, with massive injuries, the police coldly announce, typical of those found on the bodies of fundamentalist suicide bombers. As evidence mounts that his wife, Sihem, was responsible for the catastrophic bombing, Dr. Jaafari is torn between cherished memories of their years together and the inescapable realization that the beautiful, intelligent, thoroughly modern woman he loved had a life far removed from the comfortable, assimilated existence they shared. From the graphic, beautifully rendered description of the bombing that opens the novel to the searing conclusion, The Attack portrays the reality of terrorism and its incalculable spiritual costs. Intense and humane, devoid of political bias, hatred, and polemics, it probes deep inside the Muslim world and gives readers a profound understanding of what seems impossible to understand.

    In the tradition of graphic memoirs such as Marjane Satrapi’s Persepolis, comes the story of a young Iranian woman’s struggles with growing up under Shiite Law, her journey into adulthood, and the daughter whom she had to leave behind when she left Iran.

    It is the first children’s book that demonstrates what not to say after a natural disaster. On September 19, 2018, Donald Trump paid a visit to New Bern, North Carolina, one of the towns ravaged by Hurricane Florence. It was there he showed deep concern for a boat that washed ashore. “At least you got a nice boat out of the deal,” said President Trump to hurricane victims. “Have a good time!” he told them. The only way his comments would be appropriate is in the context of a children’s book—and now you can experience them that way, thanks to the staff of The Late Show with Stephen Colbert. Whose Boat Is This Boat? is an excellent teaching tool for readers of all ages who enjoy learning about empathy by process of elimination. Have a good time!

    SEAGLE honestly chronicles his place as an undressed metaphorical fish out of water on different continents-from not recognizing a famous naked celeb in Hollywood to being naked and eaten by actual fish in Tokyo.GET NAKED will be a trade paperback release with french flaps.

    Set against the backdrop of the Meiji Restoration, it tells the saga of Himura Kenshin, once an assassin of ferocious power, now a humble rurouni, a wandering swordsman fighting to protect the honor of those in need. A hundred and fifty years ago in Kyoto, amid the flames of revolution, there arose a warrior, an assassin of such ferocious power he was given the title Hitokiri: Manslayer. With his bloodstained blade, Hitokiri Battosai helped close the turbulent Bakumatsu period and end the reign of the shoguns, slashing open the way toward the progressive Meiji Era.  Then he vanished, and with the flow of years became legend. In the 11th year of Meiji, in the middle of Tokyo, the tale begins. Himura Kenshin, a humble rurouni, or wandering swordsman, comes to the aid of Kamiya Kaoru, a young woman struggling to defend her father's school of swordsmanship against attacks by the infamous Hitokiri Battosai. But neither Kenshin nor Battosai are quite what they seem...

    His father was a Zionist by way of faith. Whether Harvey was going to daily Hebrew classes or attending Zionist picnics, he grew up a staunch supporter of the Jewish state. But soon he found himself questioning the very beliefs and ideals of his parents.In Not the Israel My Parents Promised Me, the final graphic memoir from the man who defined the genre, Pekar explores what it means to be Jewish and what Israel means to the Jews. Over the course of a single day in his hometown of Cleveland, Ohio, Pekar and the illustrator JT Waldman wrestle with the mythologies and realities surrounding the Jewish homeland. Pekar interweaves his increasing disillusionment with the modern state of Israel with a comprehensive history of the Jewish people from biblical times to the present, and the result is a personal and historical odyssey of uncommon power. Plainspoken and empathetic, Pekar had no patience for injustice and prejudice in any form, and though he comes to understand the roots of his parents' unquestioning love for Israel, he arrives at the firm belief that all peoples should be held to the same universal standards of decency, fairness, and democracy.With an epilogue written by Joyce Brabner, Not the Israel My Parents Promised Me is an essential book for fans of Harvey Pekar and anyone interested in the past and future of the Jewish state. It is bound to create important discussions and debates for years to come.

    It's true! Few know of this precursor to the legendary ronin saga, but before Koike and Kojima created Itto Ogami, they created Kubikiri Asa, better known to Lone Wolf readers as Decapitator Asaemon. He was the equal to Itto, bearer of the sword Onibocho, the man charged with the duty of testing the swords for the shogun. Shogun Executioner is based on the decapitator himself, in life before his fatal duel with Lone Wolf. Expect the same legendary drama, frantic action, and stoic samurai stature, combined with the exemplary art and storytelling that made Lone Wolf and Cub one of the most popular and influential comic books in the world!

    For all you fellow agonizers, fretters, and nervous wrecks, this book is for you. Read it and weep...with laughter

    J. Palacio's collection of stories Auggie & Me, which expands on characters in Wonder, readers were introduced to Julian's grandmother, Grandmère. Told in graphic-novel form, White Bird is Grandmère's story as a young Jewish girl hidden away by a family in Nazi-occupied France during World War II.

    Paracuellos is a work of great courage, created at a time when telling the truth about Spain's political past could get one killed. It is arguably the most important graphic memoir ever created in comics. Carlos Gimenez s autobiographical account of the plight of children in post-World War II Fascist Spain has won virtually every comics award in Europe, including Best Album at the 1981 Angouleme Festival, and the Heritage Award atAngouleme in 2010. In the late 1930s when Spanish fascists led by Franco, and aided by Hitler and Mussolini, overthrew the elected government, almost 200,000 men and women fell in battle, were executed, or died in prison. Their orphaned children and others ripped from the homes of the defeated were shuttled from Church-run home to home and fed a steady diet of torture and disinformation by a totalitarian state bent on making them productive citizens. Carlos Gimenez was one of those children. In 1975, after Franco s death, Carlos began to tell his story. Breaking the code of silence proved to be a milestone, both for the comics medium and for a country coming to terms with its past. An illustrated essay by Carmen Moreno-Nuno, Associate Professor of Hispanic Studies at the University of Kentucky, places the comics in historical perspective. The stories transcend just being about a historical moment in Spain. Their humanity will speak to everyone. The stories are heartbreakers, but Carlos never loses his sense of humor. William Stout"

    Chapters are peppered with ballpoint pen riots, cowboy wars, and really bad Victorian practical jokes. Structured around the different locations in our home and daily life—the kitchen, the bathroom, the office, and the grocery store—award-nominated illustrator Andy Warner traces the often surprising and sometimes complex histories behind the items we often take for granted. Readers learn how Velcro was created after a Swiss engineer took his dog for a walk; how a naval engineer invented the Slinky; a German housewife, the coffee filter; and a radical feminist and anti-capitalist, the game Monopoly. This is both a book of histories and a book about histories. It explores how lies become legends, trade routes spring up, and empires rise and fall—all from the perspective of your toothbrush or toilet.

    He was arrested, interrogated and imprisoned by the communists, and watched illiterate Taliban soldiers burn piles of his books in the street. He even resorted to hiding most of his stock—almost ten thousand books—in attics all over Kabul.But while Khan is passionate in his love of books and his hatred of censorship, he also has strict views on family life and the role of women. As an outsider, Åsne Seierstad found herself in a unique position, able to move freely between the private, restricted sphere of the women—including Khan’s two wives—and the freer, more public lives of the men.It is an experience that Seierstad finds both fascinating and frustrating. As she steps back from the page and allows the Khans to speak for themselves, we learn of proposals and marriages, hope and fear, crime and punishment. The result is a genuinely gripping and moving portrait of a family, and a clear-eyed assessment of a country struggling to free itself from history.' to 'This mesmerizing portrait of a proud man who, through three decades and successive repressive regimes, heroically braved persecution to bring books to the people of Kabul has elicited extraordinary praise throughout the world and become a phenomenal international bestseller. The Bookseller of Kabul is startling in its intimacy and its details—a revelation of the plight of Afghan women and a window into the surprising realities of daily life in today’s Afghanistan.'