Mysterious, gloomy castles and open graves at midnight are just two of the Gothic devices used to chilling effect in this 19th-century horror classic that turned an obscure figure from Eastern European folklore into a towering icon of film and literature.

    Book annotation not available for this title.

    So the kind and character of his works: very rare, exceptional, unique, maverick, exceedingly original fiction: rara avis that's a quantum leap away and departure... At least three or four in this collection already strike one as veritable classics." - GREGORIO C. BRILLANTES

    Laugh with the actors, tap your feet to the music, and turn to your neighbor.

    This play, first staged at the Leicester Haymarket Theatre, is based on a tenth-century Jain myth about a king who finds his queen involved with an elephant-keeper.

    Young or old, their devotion and obedience were almost superhuman. Luckily, as described in the Mahabharata, the gods looked kindly on them. After all, these young men had earned the right to happiness.

    It was not because of a comet, prophecy, natural disaster or whatever garbage foretold on the internet, but because every myth ever written turned out to be an account of historical fact. These monsters we’ve read about as children waged a war that lead to the human race’s downfall. And the unlucky who survived are hunted down or, worse, tortured.In these dark times, people could only turn to the Shepherd for help. I am one such Shepherd and I thought my only task was to protect the few humans who still thrived on this desolate world. But when I rescued Dorian from Dwende captivity, I discovered that not only is he the most dangerous thing to have around, but he could be our one hope for redemption. I now find myself protecting a born killer, but in doing so, I’m turning my back on everything human.

    Jose Francisco C. Syquia# Do ghosts exist?# Are there haunted houses?# How about spirits of the glass, mediums and séances?# Are mangkukulams really powerful?# Can fortune-tellers really see into the future?# Do anting-antings and agimats really work?# Do tikbalangs and manananggals exist?# Does the Catholic Church still perform exorcisms?Warning: You won't be able to put down this book. Because Fr. Jocis Syquia an official exorcist of the Catholic Church will take you into the hidden, dark world of demons and how they intersect our daily world.Speaking from personal experience of haunted houses, demon possession, ghosts, and true-to-life, scientifically unexplainable paranormal activity, Fr. Jocis will also show you the incomparable power of God over spirits.Included in this gripping book of stories is the Exorcism Rite the main weapon of the Catholic Church against demonic assaults, a concise manual of prayers for deliverance, as well as a handbook for dealing with infested locales.This book will change the way you view the world.In the end, Fr. Jocis' mind-blowing stories will not make you fear the devil as much as they will make you love God more.-- Bo Sanchez Catholic Lay Preacher and Bestselling Author

    You’re my future partner 2. I’m famous and my writings have been immortalized 3. You’ve violated my privacy and these are not meant for you Let’s hope it’s not the last one. Before this year, I had my life all planned out. This book contains the story of the year that changed my life (well, my life so far). It’s the year I learned how to be invincible. That wasn’t really specific, but I guess you have to read on to see what I’m talking about. Love, Camille

    But their last breakup was devastating. It was enough to make Grace want to run him over in her pale pink Beetle. She even composed 12 steps to quitting him, which wasn’t easy because he admittedly was her first love—the boy she lost her heart to when she was still collecting Hello Kitty stationeries; the boy she never stopped loving since. But something happens that changes Grace’s life forever. Now it’s time for her to reevaluate everything she has going for her and make a decision. Is this the end of Grace’s life as she knows it? Or is she finally going to have the happy ending she so desperately needs?

    Both are struggling to escape from lingering parental domination and to establish their own lives and identities. In Janie's case this leads to an inconclusive involvement with a young Jewish doctor who calls her "Monkey"; while Harriet assails the world of big business and has an affair with her hard-driving (and married) boss. Told in a fast-moving series of inventive, alternately hilarious and touchingly revealing scenes, the play explores their parallel stories with uncommon wit and wisdom-resulting, ultimately, in a heightened awareness which, while not providing all the answers, goes a long way toward achieving the maturity and self-assuredness that both protagonists so desperately desire.

    The first published play by an African American writer, The Escape explored the complexities of American culture at a time when tensions between North and South were about to explode into the Civil War. This new volume presents the first-edition text of Brown’s play and features an extensive introduction that establishes the work’s continuing significance.The Escape centers on the attempted sexual violation of a slave and involves many characters of mixed race, through which Brown commented on such themes as moral decay, white racism, and black self-determination. Rich in action and faithful in dialect, it raises issues relating not only to race but also to gender by including concepts of black and white masculinity and the culture of southern white and enslaved women. It portrays a world in which slavery provided a convenient means of distinguishing between the white North and the white South, allowing northerners to express moral sentiments without recognizing or addressing the racial prejudice pervasive among whites in both regions.John Ernest’s introductory essay balances the play's historical and literary contexts, including information on Brown and his career, as well as on slavery, abolitionism, and sectional politics. It also discusses the legends and realities of the Underground Railroad, examines the role of antebellum performance art—including blackface minstrelsy and stage versions of Uncle Tom's Cabin—in the construction of race and national identity, and provides an introduction to theories of identity as performance.A century and a half after its initial appearance, The Escape remains essential reading for students of African American literature. Ernest's keen analysis of this classic play will enrich readers’ appreciation of both the drama itself and the era in which it appeared.The Editor: John Ernest is an associate professor of English at the University of New Hampshire and author of Resistance and Reformation in Nineteenth-Century African-American Literature: Brown, Wilson, Jacobs, Delany, Douglass, and Harper.

    It includes character studies and summaries of the plot with discussions of the major themes, as well as a background to John Steinbeck.

    Richly imagined, gloriously written, Banana Heart Summer is an incandescent tale of food, family, and longing—at once a love letter to mothers and daughters and a lively celebration of friendship and community. Twelve-year-old Nenita is hungry for everything: food, love, life. Growing up with five sisters and brothers, she searches for happiness in the magical smell of the deep-frying bananas of Nana Dora, who first tells Nenita the myth of the banana heart; in the tantalizing scent of Manolito, the heartthrob of Nenita and her friends; in the pungent aromas of the dishes she prepares for the most beautiful woman on Remedios Street. To Nenita, food is synonymous with love—the love she yearns to receive from her disappointed mother. But in this summer of broken hearts, new friendships, secrets, and discoveries, change will be as sudden and explosive as the monsoon that marks the end of the sweltering heat—and transforms Nenita’s young life in ways she could never imagine.

    It has been awarded the First Prize in the Rizal Biography Contest under the auspices of the Jose Rizal National Centennial Commission in 1961.