She's a stalker. She's in your house.When Claire sees Hannah Wilson at an exclusive Manhattan hair salon, it's like a knife slicing through barely healed scars. It may have been ten years since Claire last saw Hannah, but she has thought of her every day, and not in a good way. So Claire does what anyone would do in her position—she stalks her.Hannah is now Mrs. Carter, living the charmed life that should have been Claire's. It's the life Claire used to have, before Hannah came along and took it all away from her.Back then, Claire was a happy teenager with porcelain skin and long, wavy blond hair. Now she's an overweight, lazy drunk with hair the color of compost and skin to match. Which is why when Hannah advertises for a housekeeper, Claire is confident she can apply and not be recognized. And since she has time on her hands, revenge on her mind, and a talent for acting…Because what better way to seek retribution—and redress—than from within the beautiful Mrs. Hannah Carter's own home?Except that it's not just Claire who has secrets. Everyone in that house seems to have something to hide.And now, there's no way out.

    With Blackberry Winter--taking its title from a late-season, cold-weather phenomenon--Jio continues her rich exploration of the ways personal connections can transcend the boundaries of time. Seattle, 1933. Single mother Vera Ray kisses her three-year-old son, Daniel, goodnight and departs to work the night-shift at a local hotel. She emerges to discover that a May-Day snow has blanketed the city, and that her son has vanished. Outside, she finds his beloved teddy bear lying face-down on an icy street, the snow covering up any trace of his tracks, or the perpetrator's.Seattle, 2010. Seattle Herald reporter Claire Aldridge, assigned to cover the May 1 "blackberry winter" storm and its twin, learns of the unsolved abduction and vows to unearth the truth. In the process, she finds that she and Vera may be linked in unexpected ways...

    What could be interesting about an unhappy housewife who drowns her sorrows in ice cream and wine and barely leaves her house?Only one knows why.When a new family moves in across the street--the exuberant Vicki, who just might become the gossipy best friend Phoebe's always wanted, and her handsome college-bound son, Jake, who offers companionship of a different variety--Phoebe finds her dull routine infused with the excitement she's been missing. But with her head turned she's no longer focused on the woman in the car. And she really should be...An addictive domestic thriller for fans of The Last Mrs. Parrish and The Couple Next Door, The Other Mrs. Miller serves up a delicious brew of dark secrets and stunning plot twists that will keep you captivated until the very last page.

    Masako's own search for a way out of the straitjacket of a dead-end life leads her, too, to take drastic action.The complex yet riveting narrative seamlessly combines a convincing glimpse into the grimy world of Japan's yakuza with a brilliant portrayal of the psychology of a violent crime and the ensuing game of cat-and-mouse between seasoned detectives and a group of determined but inexperienced criminals. Kirino has mastered a Thelma and Louise kind of graveyard humor that illuminates her stunning evocation of the pressures and prejudices that drive women to extreme deeds and the friendship that bolsters them in the aftermath.

    So when his homicide detective brother kills himself, McEvoy copes in the only way he knows how--he decides to write the story. But his research leads him to suspect a serial killer is at work--a devious murderer who's killing cops and leaving a trail of poetic clues. It's the news story of a lifetime, if he can get the story without losing his life.

    Now a modern classic, as gripping in its tautly plotted action as it is penetrating in its exploration of a criminal mind, it tells the shocking tale of a young man who will stop at nothing--not even murder--to get where he wants to go. For he has dreams; plans. He also has charm, good looks, sex appeal, intelligence. And he has a problem. Her name is Dorothy; she loves him, and she's pregnant. The solution may demand desperate measures. But, then, he looks like the kind of guy who could get away with murder. Compellingly, step by determined step, the novel follows this young man in his execution of one plan he had neither dreamed nor foreseen. Nor does he foresee how inexorably he will be enmeshed in the consequences of his own extreme deed.

    She will be on her own, in a new place hopeful to meet new friends. On the night she moves in, she is taken off the street by two masked men. She is placed in a room which is little more than a cell. A pink cell. A room made for a doll. She is now part of their collection.

    In this first novel, we are introduced to suave, handsome Tom Ripley: a young striver, newly arrived in the heady world of Manhattan in the 1950s. A product of a broken home, branded a "sissy" by his dismissive Aunt Dottie, Ripley becomes enamored of the moneyed world of his new friend, Dickie Greenleaf. This fondness turns obsessive when Ripley is sent to Italy to bring back his libertine pal but grows enraged by Dickie's ambivalent feelings for Marge, a charming American dilettante. A dark reworking of Henry James's The Ambassadors, The Talented Mr. Ripley—is up to his tricks in a 90s film and also Rene Clement's 60s film, "Purple Noon."

    His surgical skills lead police to suspect he is a physician - a physician who, instead of saving lives, takes them.But as homicide detective Thomas Moore and his partner Jane Rizzoli begin their investigation, they make a startling discovery. Closely linked to these killings is Catherine Cordell, a beautiful doctor with a mysterious past. Two years ago she was subjected to a horrifying rape and shot her attacker dead.Now the man she believes she killed seems to be stalking her once again, and this time he knows exactly where to find her...

    I know Matthew saw that spider. I know it was na product of my imagination.”In this compelling mix of psychological suspense and historic true crime, two young mothers—130 years apart—are haunted by the same house.1885: From inside a New England mental hospital, Frances Barnett recounts the months that led to her hospitalization. She believes that her pregnancy, the birth of her child, and the first days of motherhood may have impaired her sanity, and she has come to distrust her own memories. She escaped the monotony and isolation of her daughter’s early months by following a local murder trial, and as her story unfolds, Frances must admit that her obsession with the details of the murder was not entirely innocent.Present day: Abby Bernacki has been adjusting to motherhood smoothly—until odd sensations and dreams began to unsettle her while home alone with her baby. When she stumbles onto the timeworn diary of Frances Barnett, Abby is surprised to see how similar their situations are. But as she reaches the diary’s disturbing final pages, she becomes obsessed with the idea that a supernatural influence might be inhabiting her home.With each passing day, Abby feels her own grip on reality slipping—and most troubling of all, she fears for her baby’s safety.

    Except that these secrets are not buried in the past.Every other night, Maggie and Nina have dinner together. When they are finished, Nina helps Maggie back to her room in the attic, and into the heavy chain that keeps her there. Because Maggie has done things to Nina that can’t ever be forgiven, and now she is paying the price.But there are many things about the past that Nina doesn’t know, and Maggie is going to keep it that way—even if it kills her.Because in this house, the truth is more dangerous than lies.

    Summer is for growing, not for dying. So when the body of a beautiful young woman is found on the autobahn, dressed in a glittering party dress and bathed in June rain, Franza is determined to give her justice.Revealing victims’ hidden lives is part of the job, but as Franza and her partner, Felix, peel back the layers shrouding the girl’s disturbing past, darker mysteries emerge. Everyone has something to hide—even Franza, who must face her own secrets to reveal the truth.

    But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family. What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder. Writing to her lawyer from prison, she struggles to explain the unravelling events that led to her incarceration. It wasn’t just the constant surveillance from the cameras installed around the house, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman, Jack Grant. It was everything. She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder. Which means someone else is. Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.

    At twenty-one, she’s married to charming, handsome Paul, and has just given birth to a baby boy. But one phone call changes her life forever.When Paul’s niece, Ruby, reports that her father, Henry, has committed suicide, and that her mother, Silja, is missing, Angie and Paul drop everything and fly to the small upstate town of Stonekill, New York to be by Ruby’s side.Angie thinks they’re coming to the rescue of Paul’s grief-stricken young niece, but Ruby is a composed and enigmatic seventeen-year-old who resists Angie’s attempts to nurture her. As Angie learns more about the complicated Glass family, staying in Henry and Silja’s eerie and ultra-modern house on the edge of the woods, she begins to question the very fabric of her own marriage.Through Silja’s flashbacks, Angie’s discovery of astonishing truths, and Ruby’s strategic dissection of her parents’ state of affairs, a story of love, secrets, and ultimate betrayal is revealed.

    Other than the reviews Jules writes on her blog, she has little contact with the outside world.One day when she ventures out to the local grocery store, Jules is bumped into by a fellow customer who apologizes profusely. She recognizes him as her favorite author, Patrick Reagan. Jules gushes and thoroughly embarrasses herself before Regan graciously talks with her.And that’s the last thing she remembers—until she wakes up in a strange room with a splitting headache. She’s been kidnapped. And what she discovers will change everything she believed about her husband’s death . . . her career . . . and her faith.