And whether she likes it or not, this is exactly what Evelyn Lockhart's conservative parents expect of her. While Evie's waiting for her handsome, wealthy neighbour Charles to propose, she has convinced her parents to let her study literature at college.But when a chance meeting leads to a day of exciting adventure, Evie begins to realise that there could be so much more in her future than marriage, if only she dared imagine it . . .If you loved THE PARIS WIFE and Z: A NOVEL OF ZELDA FIZGERALD, you will devour this short story that takes place before the full-length novel A KISS FROM MR FITZGERALD.'I loved this book.' Rachael Johns, bestselling author of THE PATTERSON GIRLS'I'm calling it, Natasha Lester is our generation's Louisa May Alcott.' Tess Woods, award-winning author of LOVE AT FIRST FLIGHT'Remarkable, intelligent and heartfelt . . . one of the best Australian fiction releases of the year.' J. F. Gibson'I absolutely adored Natasha Lester's book! What a GEM!' Sara Foster, bestselling author 'Exquisite!' Vanessa Carnevale, author and blogger

    By turns seductive and self-deprecating, Women in Public navigates a world where the erotics of the body and mind do battle against the constructs that would demean and define them, using lyric, fragment, humor, and repetition to create a space flexible enough to hold the many contradictions of reality. Where expectations and desires can be piled too easily upon the body, Kahn digs in her heels, writing in attempt to liberate physical form from society's confines.Praise for Women in Public:"'Do you think that you are greater than a mom?' This is an intensely honest, honestly intense poetry. Humorous, carnal, accusatory, celebratory––Women in Public tells me to get lost so I do. When I find myself later, I'm re-reading Women in Public."––Rod Smith"In these exhilarating poems, Elaine Kahn shoots from the groin, championing a ferociousness that rages against asperity while playfully seducing the reader to misbehave. Hers is a realm where oceans beat against genitals, and Hannah Wilke warms the earth. I don’t want to let go of Women in Public for I want its boldness all to myself."––Dodie BellamyAbout the Author:Musician, poet, artist, Elaine Kahn was born in Evanston, Illinois and is currently based in Oakland, California. She received an MFA from the Iowa Writers' Workshop and a BA from California College of the Arts. Kahn is the author of three poetry chapbooks, A Voluptuous Dream During an Eclipse (2012), Customer (2010), and Radiant Bottle Caps (2008), and is a contributor to Art Papers. Her music project, Horsebladder, has toured widely throughout the U.S. and Canada. She is also co-founder of the feminist puppet troop P. Splash Collective and managing editor of the small press Flowers & Cream.

    But sometimes it can also mean entry to a new kind of life, a bigger world. Greer Kadetsky is a shy college freshman when she meets the woman she hopes will change her life. Faith Frank, dazzlingly persuasive and elegant at sixty-three, has been a central pillar of the women’s movement for decades, a figure who inspires others to influence the world. Upon hearing Faith speak for the first time, Greer—madly in love with her boyfriend, Cory, but still full of longing for an ambition that she can’t quite place—feels her inner world light up. And then, astonishingly, Faith invites Greer to make something out of that sense of purpose, leading Greer down the most exciting path of her life as it winds toward and away from her meant-to-be love story with Cory and the future she’d always imagined. Charming and wise, knowing and witty, Meg Wolitzer delivers a novel about power and influence, ego and loyalty, womanhood and ambition. At its heart, The Female Persuasion is about the flame we all believe is flickering inside of us, waiting to be seen and fanned by the right person at the right time. It’s a story about the people who guide and the people who follow (and how those roles evolve over time), and the desire within all of us to be pulled into the light.

      On a cold December morning in 1768, thirty-one-year-old Ruth Blay approached the gallows for her execution. Standing on the high ground in the northwest corner of what is now Portsmouth’s old South Cemetery, she would have had a clear view across the pasture to the harbor and open sea.   The eighteenth-century hanging of a schoolteacher for concealing the birth of a child out of wedlock has appeared in local legend over the last few centuries, but the full account of Ruth’s story has never been told. Drawing on over two years of investigative research, author Carolyn Marvin brings to light the dramatic details of Ruth’s life and the cruel injustice of colonial Portsmouth’s moral code. As Marvin uncovers the real flesh-and-blood woman who suffered the ultimate punishment, her readers come to understand Ruth as an individual and a woman of her time.

    “I was, of course, disturbed and worried. But the main change in my state of mind was that the background music had suddenly stopped—the music of daily life that’s constantly going, the music of infinite time and possibilities. Now suddenly it was gone, replaced by nothing, just silence. There you are, one little person, sitting in the late summer sun, with only a few things left to do.” Despite his illness, Kugel was intrigued by this new state of mind and especially the uncanny feeling of human smallness that came with it. There seemed to be something overwhelmingly true about it—and its starkness reminded him of certain themes and motifs he had encountered in his years of studying ancient religions. “This, I remember thinking, was something I should really look into further—if ever I got the chance.” In the Valley of the Shadow is the result of that search. In this wide-ranging exploration of different aspects of religion—interspersed with his personal reflections on the course of his own illness—Kugel seeks to uncover what he calls “the starting point of religious consciousness,” an ancient “sense of self” and a way of fitting into the world that is quite at odds with the usual one. He tracks these down in accounts written long ago of human meetings with gods and angels, anthropologists’ descriptions of the lives of hunter-gatherers, the role of witchcraft in African societies, first-person narratives of religious conversions, as well as the experimental data assembled by contemporary neuroscientists and evolutionary biologists. Though this different sense of how we fit into the world has largely disappeared from our own societies, it can still come back to us as a fleeting state of mind, “when you are just sitting on some park bench somewhere; or at a wedding, while everyone else is dancing and jumping around; or else one day standing in your backyard, as the sun streams down through the trees . . . ” Experienced in its fullness, this different way of seeing opens onto a stark, new landscape ordinarily hidden from human eyes. Kugel’s look at the whole phenomenon of religious beliefs is a rigorously honest, sometimes skeptical, but ultimately deeply moving affirmation of faith in God. One of our generation’s leading biblical scholars has created a powerful meditation on humanity’s place in the world and all that matters most in our lives. Believers and doubters alike will be struck by its combination of objective scholarship and poetic insight, which makes for a single, beautifully crafted consideration of life’s greatest mystery.

    Joyful, daring, and authentic, these steamy stories revel in erotic adventure, from the sparks between strangers to the knowing caresses of long-time lovers. These stories are not merely erotic, but filled with strong characters and clever narratives showing a wide variety of sexual expression. Violet Blue's newest anthology is a glorious celebration of the finest and friskiest female erotic fiction today.

    This book gathers the riveting stories of adventurous women-miners, madams, merchants, and mothers -- who went North during the gold rush era.

    On one side, her legacy was cast by the media and public in the shadow of her sanctified ex-husband. Winnie was history’s loser. She was damaged goods; Nelson Mandela was whole and pure.A younger generation, in particular women, took a different view and so a battle of ideas began that sought to reframe Winnie’s career and reclaim her identity as an extraordinary woman and fierce political activist.Sisonke Msimang, an acclaimed author and public commentator, wasted little time in jumping into the fray. And when the dust settled, what emerged is this short but razor-sharp book which reflects critically on the turbulent yet remarkable life of Winnie. Msimang situates her political career and legacy in the contemporary context, what she means today in social and political terms, by exploring different aspects of her iconic persona.The Resurrection of Winnie Mandela is an astute examination of one of South Africa’s most controversial political figures, of the rise and fall – and rise, again, – of a woman who not only battled the apartheid regime, but the patriarchal character of the struggle itself. In telling Winnie’s story, Msimang shows us that activism matters, and that the meaning of women’s lives can be reclaimed.

    Quotes from little-known vixens and forgotten boat rockers to famous trailblazers, troublemakers, and headline grabbers.

    It's time for fun and flirting, snogs and shots.(And not tears or tantrums or terrible secrets)Because everything's going great for these girls - Spinster Club for ever! Right?

    Naked. For large (and occasionally insultingly modest) sums of money."It all started five years ago in Sydney, Australia when she was just 23: “I still wanted to be a traveler, just not a poor one anymore. So I shaved my legs and bush, showed up to the first Google search result that came up for ‘gentlemen’s club Sydney,’ got naked for this old fat guy named Jim and, to my surprise, I liked it. A lot.” Stripping is about feeling powerful, sexy, and endlessly curious about how far a dude’s kinks will go (‘show me your armpits’) and how much he is willing to pay for them ($1200). And the money’s sexy.

    They told you to wear longer skirts, avoid going out late at night and move in groups - never accept drinks from a stranger, and wear shoes you can run in more easily than heels. They told you to wear just enough make-up to look presentable but not enough to be a slut; to dress to flatter your apple, pear, hourglass figure, but not to be too tarty. They warned you that if you try to be strong, or take control, you'll be shrill, bossy, a ballbreaker. Of course it's fine for the boys, but you should know your place. They told you 'that's not for girls' - 'take it as a compliment' - 'don't rock the boat' - 'that'll go straight to your hips'. They told you 'beauty is on the inside', but you knew they didn't really mean it. Well screw that. I'm here to tell you something else. Hilarious, jaunty and bold, GIRL UP exposes the truth about the pressures surrounding body image, the false representations in media, the complexities of a sex and relationships, the trials of social media and all the other lies they told us. 'Bates takes a myth-busting approach to body image, food, sex and advertising, and is particularly good at boiling down feminist language into a snappy, everyday vernacular without diluting its power.' Metro 'Essential reading for young women and girls, Girl Up is set to become a key guiding text for the next generation like The Beauty Myth and The Feminine Mystique have for preceding generations. Morning Star Online It's hardly headline news that feminism can be funny. But, heavens, is it refreshing to see it done as well as it is [in this book]. Telegraph 'Girl Up is something between a self-help book and a bracing love letter to today's teenage girls...I wish I'd had Girl Up when I was growing up. I could have used such no-nonsense survival g

    This includes Unmanned ISBN 9781563899805, Cycles ISBN 9781401200763, One Small Step ISBN 9781401202019, Safeword ISBN 9781401202323, Ring of Truth ISBN 9781401204877 and Girl on Girl ISBN 9781401205010

    Think of films such as Casablanca and The English Patient, of novels such as Wuthering Heights and Rebecca. Think of romantic, obsessive love, the hot bed of passion we fall into, the emotion we call true love. This is the subject of Rosemary Sullivan's provocative and fascinating book. Beginning with her own telling of a fictional love story, she then, chapter by chapter, deconstructs it, skillfully pushing back the layers of meaning to look at what is really happening. Using literature, mythology, film, and personal anecdote; with graceful writing and an intimate knowledge of the subject, Rosemary Sullivan has written an exploration of our desire for romantic love.

    She and her 100-to-1 local horse Prince of Penzance took the international racing world by surprise, but hers was no overnight success story. Michelle was first put on a horse aged four. At five years old her dream was to ride in the Melbourne Cup and win it. By seven she was doing track work. All of the ten Payne children learned to ride racehorses but Michelle has stayed the distance. She has ridden the miles, done the dawn training, fallen badly and each time got back on the horse. So when she declared that anyone who said women couldn't compete in the industry could 'get stuffed', the nation stood up and cheered.Michelle has the audacity to believe she can succeed against all the odds. Her story is about hope triumphing over adversity, and how resilience and character made a winner.