Dawn of the Dreadfuls


Steve Hockensmith - 2007
    As our story opens, the Bennet sisters are enjoying a peaceful life in the English countryside. They idle away the days reading, gardening, and daydreaming about future husbands - until a funeral at the local parish goes strangely and horribly awry.Suddenly corpses are springing from the soft earth - and only one family can stop them. As the bodies pile up, we watch Elizabeth Bennet evolve from a naive young teenager into a savage slayer of the undead. Along the way, two men vie for her affections: Master Hawksworth is the powerful warrior who trains her to kill, while thoughtful Dr. Keckilpenny seeks to conquer the walking dead using science instead of strength. Will either man win the prize of Elizabeth's heart? Or will their hearts be feasted upon by hordes of marauding zombies? Complete with romance, action, comedy, and an army of shambling corpses, Pride and Prejudice and Zombies: Dawn of the Dreadfuls will have Jane Austen rolling in her grave - and just might inspire her to crawl out of it!(Description from back cover of trade paperback edition)

Frenchman's Creek


Daphne du Maurier - 1941
    She finds the passion her spirit craves in the love of a daring French pirate who is being hunted by all of Cornwall.Together, they embark upon a quest rife with danger and glory, one which bestows upon Dona the ultimate choice: sacrifice her lover to certain death or risk her own life to save him.

The Egoist


George Meredith - 1879
    He imagines us capable of disinterested curiosity in the behaviour of our kind.' In this, the most dazzlingly intellectual of all his novels, Meredith tries to illuminate the pretensions of the most powerful class within the very citadel of security which its members have built. He develops to their logical extremity his ideas on egoism, on sentimentality and on the power of comedy. Meredith saw egoism as the great enemy of truth, feeling and progress, and comedy as the great dissolver of artifice. The Egoist is the extreme expression of his recurrent theme: the defeat of egoism by the power of comedy.

Journey to the Center of the Earth


Jules Verne - 1864
    Professor Lidenbrock can't resist the opportunity to investigate, and with his nephew Axel, he sets off across Iceland in the company of Hans Bjelke, a native guide. The expedition descends into an extinct volcano toward a sunless sea, where they encounter a subterranean world of luminous rocks, antediluvian forests, and fantastic marine life — a living past that holds the secrets to the origins of human existence.

What a Carve Up!


Jonathan Coe - 1994
    A tour de force of menace, malicious comedy, and torrential social bile, this book marks the American debut of an extraordinary writer.

Le Morte D'Arthur, Volume I


Thomas Malory
    Malory interprets existing French and English stories about these figures and adds original material (e.g., the Gareth story). Le Morte d'Arthur was first published in 1485 by William Caxton, and is today one of the best-known works of Arthurian literature in English. Many modern Arthurian writers have used Malory as their principal source, including T. H. White in his popular The Once and Future King and Tennyson in The Idylls of the King.

The Vampyre


John William Polidori - 1819
    A young English gentleman of means, Aubrey is immediately intrigued by Lord Ruthven, the mysterious newcomer among society’s elite. His unknown origin and curious behavior tantalizes Aubrey’s imagination. But the young man soon discovers a sinister character hidden behind his new friend’s glamorous facade.   When the two are set upon by bandits while traveling together in Europe, Ruthven is fatally injured. Before drawing his last breath, he makes the odd request that Aubrey keep his death and crimes secret for a year and a day. But when Ruthven resurfaces in London—making overtures toward Aubrey’s sister—Aubrey realizes this immortal fiend is a vampyre.   John William Polidori’s The Vampyre is both a classic tale of gothic horror and the progenitor of the modern romantic vampire myth that has been fodder for artists ranging from Anne Rice to Alan Ball to Francis Ford Coppola. Originally published in 1819, many decades before Bram Stoker’s Dracula, and misattributed to Polidori’s friend Lord Byron, The Vampyre has kept readers up at night for nearly two hundred years.

Venus in Furs


Leopold von Sacher-Masoch - 1870
    Severin finds his ideal of voluptuous cruelty in the merciless Wanda von Dunajew. This is a passionate and powerful portrayal of one man's struggle to enlighten and instruct himself and others in the realm of desire. Published in 1870, the novel gained notoriety and a degree of immortality for its author when the word "masochism"—derived from his name—entered the vocabulary of psychiatry. This remains a classic literary statement on sexual submission and control.

The Once and Future King


T.H. White - 1977
    White’s masterful retelling of the Arthurian legend is an abiding classic. The Once and Future King, contains all five books about the early life of King Arthur: The Sword in the Stone The Witch in the Wood The Ill-Made Knight The Candle in the Wind The Book of Merlyn Exquisite comedy offsets the tradegy of Arthur’s personal doom as White brings to life the major British epic of all time with brilliance, grandeur, warmth and charm.

Eyeless in Gaza


Aldous Huxley - 1936
    Huxley's bold, nontraditional narrative tells the loosely autobiographical story of Anthony Beavis, a cynical libertine Oxford graduate who comes of age in the vacuum left by World War I. Unfulfilled by his life, loves, and adventures, Anthony is persuaded by a charismatic friend to become a Marxist and take up arms with Mexican revolutionaries. But when their disastrous embrace of violence nearly kills them, Anthony is left shattered—and is forced to find an alternative to the moral disillusionment of the modern world.

Pride and Prejudice and Zombies


Seth Grahame-Smith - 2009
    As our story opens, a mysterious plague has fallen upon the quiet English village of Meryton—and the dead are returning to life! Feisty heroine Elizabeth Bennet is determined to wipe out the zombie menace, but she’s soon distracted by the arrival of the haughty and arrogant Mr. Darcy. What ensues is a delightful comedy of manners with plenty of civilized sparring between the two young lovers—and even more violent sparring on the blood-soaked battlefield. Can Elizabeth vanquish the spawn of Satan? And overcome the social prejudices of the class-conscious landed gentry? Complete with romance, heartbreak, swordfights, cannibalism, and thousands of rotting corpses,

The Age of Innocence


Edith Wharton - 1920
    But when the mysterious Countess Ellen Olenska returns to New York after a disastrous marriage, Archer falls deeply in love with her. Torn between duty and passion, Archer struggles to make a decision that will either courageously define his life—or mercilessly destroy it.

La Dame aux Camélias


Alexandre Dumas (Fils) - 1848
    Dumas's subtle and moving portrait of a woman in love is based on his own love affair with one of the most desirable courtesans in Paris. This is a completely new translation commissioned for the World's Classics.

Clarissa, or, the History of a Young Lady


Samuel Richardson - 1748
    Lovelace, however, proves himself to be an untrustworthy rake whose vague promises of marriage are accompanied by unwelcome and increasingly brutal sexual advances. And yet, Clarissa finds his charm alluring, her scrupulous sense of virtue tinged with unconfessed desire. Told through a complex series of interweaving letters, "Clarissa" is a richly ambiguous study of a fatally attracted couple and a work of astonishing power and immediacy. A huge success when it first appeared in 1747, and translated into French and German, it remains one of the greatest of all European novels. Its rich ambiguities - our sense of Clarissa's scrupulous virtue tinged with intimations of her capacity for self-deception in matters of sex; the wicked and amusing faces of Lovelace, who must be easily the most charming villain in English literature - give the story extraordinary psychological momentum. .

The Monk


Matthew Gregory Lewis - 1796
    doomed to perish in tortures the most severe'Shocking, erotic and violent, The Monk is the story of Ambrosio, torn between his spiritual vows and the temptations of physical pleasure. His internal battle leads to sexual obsession, rape and murder, yet this book also contains knowing parody of its own excesses as well as social comedy. Written by Matthew Lewis when he was only nineteen, it was a ground-breaking novel in the Gothic Horror genre and spawned hundreds of imitators, drawn in by its mixture of bloodshed, sex and scandal.