levels a small town in Kansas and rips apart the commercial airliner flying overhead. The wife and child of Oliver Wells are among the thousands reported dead. Authorities blame the tragedy on an accident at a fertilizer plant not up to code. A year later, still grappling with his depression, Oliver is accosted by a mysterious stranger who offers another answer: A FARMER CAUSED THE EXPLOSION. AN EXPLOSION BORN OF THOUGHT. A THOUGHT SO PERFECT AND DIVINE IT'S SAID TO MIRROR WHAT GOD THOUGHT TO CONCEIVE THE UNIVERSE. Thrust into a hidden world of conspirators and luminaries who would do anything to attain the farmer's knowledge, Oliver finds himself in a race to confront the man who killed his family. To do so, he must test the limits of his sanity... AND UNLOCK THE POWER OF THE GOD THOUGHT FOR HIMSELF."

    Her sister, Helen, is beautiful but damaged, and hides a secret that has affected the whole family, one they cannot escape but one she is trying to move on from. As Helen learns to become a whole person once again, her family struggles with the past, and how they will move forward together. And Jen realises that the one person she needs to help her through is the one person she cannot have - Helen's boyfriend, Ned...

    Choosing significantly different paths, they struggle to deal with the psychological effects of abuse. The three are eventually driven apart and they transition into womanhood carrying a secret that would influence their lives and threaten to destroy their family. Through a series of unlikely circumstances, the three are reunited. The meeting would ultimately set the stage for atonement.

    At the tender age of eleven she is given to Bank Roll, who has his hand in every type of hustle, to settle a drug debt for her parents. Bank Roll is much older and once he sees how unique Lexi is, he breeds her to be his special girl, falling in love with her in the process. She loves him as well, but has him ripped away from her life too soon.While many use the ‘molested at a young age’ story as an excuse, Lexi takes the cards she is dealt and learns all she can because she’s a grown woman in a girl’s body. Not one to settle or let life take over her, she uses the gems she has learned over the years and dabbles in everything she can, just like her mentor. A few chance meetings put her in position to use what she has to get what she needs, and while still in her teen years not only is she on top of the world, but she is also running it. Lexi knows that street smarts can get you so far, but can her Savage instincts take her where she wants to be?

    headmistress at an elite girl’s school in Glasgow, is determinedly single, adroitly avoiding all attempts at matchmaking by a close friend.Widower Alasdair MacLeod is grieving for the wife he lost two years earlier, struggling as the single father of two teenagers, and frustrated by the well-meaning interference of his in-laws.When a proposed school trip to France brings Isla and Alasdair together, they find a connection in the discovery that each is suffering the loss of a loved one, but neither is interested in forming a relationship,As their friendship grows, Alasdair struggles with his increasing attraction to the elegant schoolmistress, while Isla harbours concerns about the complications a relationship with him would bring.Can Alasdair overcome his natural reserve, and can Isla open her heart to love again? ***Readers of Christensen’s earlier books, The Good Sister and Isobel’s Promise, will love reconnecting with Bel and Matt while enjoying Isla Cameron’s unique story.

    Tepui is an "intelligent, cutting edge" tale of adventure, intrigue, and forbidden love.In 1559, forty-nine Spaniards exploring a tributary of the Orinoco River reached a sheer-sided, cloud-capped mountain called Tepui Zupay. When they tried to climb it, all but six were slaughtered by Amazons. Or so claimed Friar Sylvestre, the expedition's chronicler. But Sylvestre made many bizarre claims: rivers of blood, plants that lead to gold ...Jerry Pace, a burn-scarred botanist struggling for tenure at UCLA, thinks the friar was delusional. Jerry's best friend, the historian who just acquired Sylvestre's journal, disagrees. He plans to retrace the expedition's footsteps, and wants Jerry to come with him. Jerry refuses, until he spots a stain between the journal's pages--a stain that could only have been left by a plant that died out with the dinosaurs. Now he has to find that plant.But the Venezuelan wilderness does not forgive intruders. Battered and broken, they reach a remote Catholic orphanage where the old prioress warns of death awaiting any who would venture farther. But an exotic Indian girl leads them on, through piranha-infested rivers and jungles teaming with poisonous plants, to Tepui Zupay--the forbidden mountain no outsider has set eyes on since the Spaniards met their doom.This is a story about life's surprises--the challenges, risks--and how they transform us. It is also a tale of Beauty and the Beast.

    . . an alphabet soup of -delight in language. Eat up."—Alice Sebold"Brilliant. Wildly inventive, profane, and hilarious."—Bret Easton EllisThe author of the acclaimed cult classic Dear Dead Person ("refreshing, nauseating, hilarious"—Kirkus) returns with this long-awaited collection of brilliantly written and outrageously imaginative short stories.Benjamin Weissman is the author of Dear Dead Person (High Risk/Serpent’s Tail, 1995). He is a contributing editor to Bomb Magazine and writes regularly for the contemporary art magazines Parkett and Artforum. A painter and a professor at Art Center College of Design and Otis College of the Arts, he now lives in Los Angeles.

    It is not just a fictional story of the events that ripped one family apart, but a taste of Malaysia's historical political and cultural changes during its transition from colonial rule to independence and beyond.

    For sophisticated booklover Julia Kydd, life’s too short for politics. With her cropped hair and penchant for independent living, Julia wants only to launch her own new private press. But as a woman, Julia must fight for what’s hers—including the inheritance her estranged half brother, Philip, has challenged, putting her aspirations in jeopardy.When her friend’s sister, Naomi Rankin, dies suddenly of an apparent suicide, Julia is shocked at the wealthy family’s indifference toward the ardent suffragist’s death. Naomi chose poverty and hardship over a submissive marriage and a husband’s control of her money. Now, her death suggests the struggle was more than she could bear.Julia, however, is skeptical. Doubtful of her suspicions, Philip proposes a glib wager: if Julia can prove Naomi was in fact murdered, he’ll drop his claims to her wealth. Julia soon discovers Naomi’s life was as turbulent and enigmatic as her death. And as she gets closer to the truth, Julia sees there’s much more at stake than her inheritance…

    Paris, Milan, London—Shannon has been everywhere, but somewhere along the way, she realizes she’s really…nowhere.Having graduated from high school and about to board yet another flight for yet another destination, Shannon is offered an alternative: stay in Portland, Oregon, with her parents’ close friend and help his law firm investigate a group of strangers living near the local university. A will with a substantial inheritance is being contested, and Shannon’s task is to gather information on the unlikely recipients of the money.Using an assumed name and working as a waitress in a diner, Shannon finds herself entirely on her own for the first time in her life; and as the long summer days go by, she tries to sort out who she really is and what her future holds.Originally published in 1968 and newly released as part of Nancy Pearl’s Book Crush Rediscoveries, Greensleeves is a smart and timeless tale of how far people must go to find themselves.

    And when a vicious migraine sends her to a saggy hotel bed and him to the marketing conference in her place, she is first relieved and then thankful.Weeks later, upon discovering she’s pregnant, Claire has no reason for concern. With the help of genetic counselors and fertility specialists, she and her college-sweetheart husband, Tim, have been striving for a sibling for their ten-year-old daughter, Ally. And now they have one: a precious baby boy they name Owen.But all is not well, and soon Claire begins spotting alarming quirks in Owen’s behavior that suggest he may be stricken with Batten Disease, the terminal illness that took her brother, Ricky, back in nineteen seventy-nine. If Claire is right and Owen is sick, other disturbing things may also be true. Things like: Claire has been raped; Owen is not Tim’s son; and Owen is going to die. As events unfold, Claire finds herself confronting unthinkable choices, the consequences of which could jeopardize her career, her marriage, and even her freedom.

    More than 300,000 listeners tune in to this offering weekly to hear some of their favorite tales read aloud by distinguished actors.From a couple's rocky, college love affair that lasts a lifetime and a mother who nervously chaperones her retarded daughter's honeymoon to a supernatural tale of marriage and transformation and a grieving man who buries his young wife and makes amends with her family—this anthology captures the powerful and complicated lives of married couples. Among the stories are Sherman Alexie's "Do You Know Where I Am?" read by Keir Dullea; Karen E. Bender's "Eternal Love," read by Joanne Woodward; Ursula K. LeGuin's "The Wife's Story," read by Joanna Gleason; Shahrnush Parsipur's "Mrs. Farrokhlaqa Sadraldivan Golchehreh," translated by Kamran Talattof and Jocelyn Sharlet and read by Frances Sternhagen; and Luis Alberto Urrea's "Bid Farewell to Her Many Horses," read by Robert Sean Leonard.

    She's also had to rebuild her family business from the bottom up thanks to bad luck and bad fines. So it's easy to see why OSHA, breathing down her neck on her latest job at Albany's PS 20, has the contractor on edge. She's used to putting out fires, but this is about to be a full-on explosion--three hundred students at risk for exposure to deadly asbestos--and the asbestos removal contractor, Jimmy Farrell, is nowhere to be found. The clues--Jimmy's cleared-out office, his impounded car, his "gone fishing" story to his wife--point to something more troubling, possibly foul play. Armed with a framing hammer in lieu of a gun, Spike must sleuth her way through a world of deception, greed, and murder if she's going to nail a killer.

    One of punk rock's foundational documents, the archetype for indie obsession and all but disowned by its author, The Modern Lovers was an album doomed by its own coolness from day one. Powered by the two-chord wonder “Roadrunner” and its proclamation that “I'm in love with rock 'n' roll,”The Modern Lovers is the essential document of American alienation, an escape route from the cultural wasteland of postwar suburbia. The Modern Lovers is the bridge connecting the Velvet Underground and the Sex Pistols; they were peers of the New York Dolls and friends with Gram Parsons and they would splinter into Talking Heads, The Cars, and The Real Kids.But The Modern Lovers was never meant to be an album. A collection of demos, recorded in fits and starts as Jonathan Richman and his band negotiate modernity and the music industry. It is a collection of songs about a city and a society in flux, grappling with ancient corruptions and bright-eyed idealism. Richman observes a city all but abandoned by adults, ravaged by white flight and urban renewal, veering towards anarchy as old world social moors collide with new attitudes. It is a city stands in stark contrast to the the ranchstyle bedroom community where he was raised. All of these conflicts are churned through Richman's intellectual acuity and emotional unrest to create one of the 20th century's most enduring documents of post-adolescent malaise.

    Whosoever lives, so shall they die; and may they die a drowning death, with all of Life inside their mouths, and naught but stones inside their lungs, like David with the skull, dwelling upon it in every second, the impossible trials of ceasing, stopping, ending..."Have a Nice Life's album Deathconsciousness is accompanied by a 75-page booklet detailing the dark and forgotten history of the Antiochean cult. Blurring the lines between novella, liner notes, and academic text, the zine itself presents an engrossing narrative.- This is Deathconsciousness -and it begs the question - "What is the point?"