Armed only with crucifixes, holy water, and a rifle, he prays to survive a single night, the longest of his life. Desperate to record what he has witnessed, Bram scribbles down the events that led him here...A sickly child, Bram spent his early days bedridden in his parents' Dublin home, tended to by his caretaker, a young woman named Ellen Crone. When a string of strange deaths occur in a nearby town, Bram and his sister Matilda detect a pattern of bizarre behavior by Ellen--a mystery that deepens chillingly until Ellen vanishes suddenly from their lives. Years later, Matilda returns from studying in Paris to tell Bram the news that she has seen Ellen--and that the nightmare they've thought long ended is only beginning.

    His estranged family—bitter ex-wife Caroline, troubled teenage son Trenton, and unforgiving daughter Minna—have arrived for their inheritance. But the Walkers are not alone. Prim Alice and the cynical Sandra, long dead former residents bound to the house, linger within its claustrophobic walls. Jostling for space, memory, and supremacy, they observe the family, trading barbs and reminiscences about their past lives. Though their voices cannot be heard, Alice and Sandra speak through the house itself—in the hiss of the radiator, a creak in the stairs, the dimming of a light bulb. The living and dead are each haunted by painful truths that will soon surface with explosive force. When a new ghost appears, and Trenton begins to communicate with her, the spirit and human worlds collide—with cataclysmic results.

    No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth—musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies—the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children.Now, for the first time, this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and newly added second and third appendices.The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside.Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

    No longer young men, they have little left in common and tensions rise as they struggle to connect. Frustrated and tired they take a shortcut that turns their hike into a nightmare that could cost them their lives.Lost, hungry and surrounded by forest untouched for millennia, they stumble across an isolated old house. Inside, they find the macabre remains of old rites and pagan sacrifices; ancient artefacts and unidentifiable bones. A place of dark ritual and home to a bestial presence that is still present in the ancient forest, and now they’re the prey.As the four friends struggle toward salvation they discover that death doesn’t come easy among these ancient trees...

    The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law–in the person of aging, disillusioned Sheriff Bell–can contain.As Moss tries to evade his pursuers–in particular a mysterious mastermind who flips coins for human lives–McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph.

    Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution. Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only Tóti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her. But as Agnes's death looms, the farmer's wife and their daughters learn there is another side to the sensational story they've heard. Riveting and rich with lyricism, Burial Rites evokes a dramatic existence in a distant time and place, and asks the question, how can one woman hope to endure when her life depends upon the stories told by others?

    A memo to her boss that's replaced by obscene insults. Amanda—a successful architect in a happy marriage—finds her life going off kilter by degrees. She starts smoking again, and one night for no reason, without even the knowledge that she's doing it, she burns her husband with a cigarette. At night she dreams of a beautiful woman with pointed teeth on the shore of a blood-red sea.The new voice in Amanda's head, the one that tells her to steal things and talk to strange men in bars, is strange and frightening, and Amanda struggles to wrest back control of her life. Is she possessed by a demon, or is she simply insane? Described as “a new kind of psychological thriller” by George Pelecanos and “this year's scariest novel” by Time Out New York, Come Closer has become a modern classic “with a kick that will stay with the reader for days afterward” (The Dallas Morning News).

    Violet is obsessed with the books of fairy tales her husband acquires, but her growing delusions see her confined in an asylum. As she recovers and is released a terrifying series of events is unleashed.

    Sherlock Holmes, in the infancy of his detecting career, deduces a connection between these sinister “shadows” and an Oriental drug lord who is bent on expanding his criminal empire. Yet there are even more sinister forces at work, as the great detective faces a challenge so fearsome and deadly that his career may be over almost as soon as it has begun.

    You will be scared. But you won’t know why…I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always. Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.” And here’s what I’m thinking: I don’t want to be here. In this smart and intense literary suspense novel, Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic Under the Skin, and Lionel Shriver’s We Need to Talk about Kevin, “your dread and unease will mount with every passing page” (Entertainment Weekly) of this edgy, haunting debut. Tense, gripping, and atmospheric, I’m Thinking of Ending Things pulls you in from the very first page…and never lets you go.

    This modern classic continues to be a touchstone of historical suspense fiction for readers everywhere.The year is 1896. The city is New York. Newspaper reporter John Schuyler Moore is summoned by his friend Dr. Laszlo Kreizler—a psychologist, or “alienist”—to view the horribly mutilated body of an adolescent boy abandoned on the unfinished Williamsburg Bridge. From there the two embark on a revolutionary effort in criminology: creating a psychological profile of the perpetrator based on the details of his crimes. Their dangerous quest takes them into the tortured past and twisted mind of a murderer who will kill again before their hunt is over.Fast-paced and riveting, infused with historical detail, The Alienist conjures up Gilded Age New York, with its tenements and mansions, corrupt cops and flamboyant gangsters, shining opera houses and seamy gin mills. It is an age in which questioning society’s belief that all killers are born, not made, could have unexpected and fatal consequences.

    Two years ago, only Judith returned, permanently mutilated, reviled and ignored by those who were once her friends and family.Unable to speak, Judith lives like a ghost in her own home, silently pouring out her thoughts to the boy who’s owned her heart as long as she can remember—even if he doesn’t know it—her childhood friend, Lucas.But when Roswell Station is attacked, long-buried secrets come to light, and Judith is forced to choose: continue to live in silence, or recover her voice, even if it means changing her world, and the lives around her, forever.This startlingly original novel will shock and disturb you; it will fill you with Judith’s passion and longing; and its mysteries will keep you feverishly turning the pages until the very last.

    Here, in the most inhospitable place on earth, he is simply looking to find solace . . . until, on a routine dive in to the polar sea, he unexpectedly finds something else entirely: a young man and woman, bound with chains and sealed forever in a block of ice. Beside them a chest filled with a strange, and sinister, cargo.Now, in a bleak but breathtaking world of shimmering icebergs, deep blue crevasses, and never-ending sun, Wilde must unravel the mystery of this doomed couple. Were they the innocent victims of fear and superstition—or were they something far darker? His search will lead from the barracks and battlefields of the Crimean War to the unexplored depths of the Antarctic Ocean, from the ill-fated charge of the Light Brigade to an age-old curse that survives to this day.As the ice around the murdered lovers begins to melt, Wilde will have to grapple with a miracle—or a nightmare—in the making. For what is dead, it turns out, may not be gone. And here, at the very end of the known world, there’s nowhere to hide and no place left for the living to run.

    The body of a teenage boy is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at long last—revenge for the bullying he endures at school, day after day.But the murder is not the most important thing on his mind. A new girl has moved in next door—a girl who has never seen a Rubik's Cube before, but who can solve it at once. There is something wrong with her, though, something odd. And she only comes out at night....

    Exhausted, lost, and at the end of her rope, she was eager for a hot shower and a bed for the night. Her room was musty but clean and the plumbing worked. Norman Bates, the manager, seemed nice, if a little odd.