As the city of Turin suffers a twenty-day "phenomenon of collective psychosis" culminating in nightly massacres that hundreds of witnesses cannot explain, the Library is shut down and erased from history. That is, until a lonely salaryman decides to investigate these mysterious events, which the citizenry of Turin fear to mention. Inevitably drawn into the city’s occult netherworld, he unearths the stuff of modern nightmares: what’s shared can never be unshared.An allegory inspired by the grisly neo-fascist campaigns of its day, The Twenty Days of Turin has enjoyed a fervent cult following in Italy for forty years. Now, in a fretful new age of "lone-wolf" terrorism fueled by social media, we can find uncanny resonances in Giorgio De Maria’s vision of mass fear: a mute, palpitating dread that seeps into every moment of daily existence. With its stunning anticipation of the Internet—and the apocalyptic repercussions of oversharing—this bleak, prescient story is more disturbingly pertinent than ever.Brilliantly translated into English for the first time by Ramon Glazov, The Twenty Days of Turin establishes De Maria’s place among the literary ranks of Italo Calvino and beside classic horror masters such as Edgar Allan Poe and H. P. Lovecraft. Hauntingly imaginative, with visceral prose that chills to the marrow, the novel is an eerily clairvoyant magnum opus, long overdue but ever timely.

    A living form of money results in the unraveling of the world."The bank is there to save and lend.""Workers work and customers spend."

    A. Macalla Whitcomb. By deciding to investigate how Mrs. Whitcomb's obsessions might have led to her mysterious disappearance, Lois unwittingly invites the forces which literally haunt Mrs. Whitcomb's films into her life, eventually putting her son, her husband and herself in danger. Experimental Film mixes painful character detail with a creeping aura of dread to produce a fictionalized "memoir" designed to play on its readers' narrative expectations and pack an existentialist punch.

    Now, she has begun to dream dreams set in Rondua, a fantasy world of high adventure, full of tests of her courage and strength. Slowly and quietly, her dream world is spilling over into her New York City reality and beginning to threaten everything she loves in life. Her friends are gathered to help her-but even her newfound courage may not be enough.

    Guided along El Camino de la Muerte by a demented madman and a philosophical giant, John sets out on a quest to fill in his blank slate and slough off the rot of his soul. Part dark comedy road trip, part spiritual quest, and part horror story, Sloughing Off the Rot is literary alchemy about John's transformation from repugnant wretch to reluctant hero.

    All alone in this pious and patriarchal society, Abitha fights for what little freedom she can grasp onto, while trying to stay true to herself and her past.Enter Slewfoot, a powerful spirit of antiquity newly woken… and trying to find his own role in the world. Healer or destroyer? Protector or predator? But as the shadows walk and villagers start dying, a new rumor is whispered: Witch. Both Abitha and Slewfoot must swiftly decide who they are, and what they must do to survive in a world intent on hanging any who meddle in the dark arts.

    Right-wing evangelist Godwin Mann isn’t about to let that continue, and his intolerant brand of fundamentalism has struck a chord with the residents. But Mann goes too far when he descends into the pit where the ancient being who’s been worshipped by the Druids for centuries is said to dwell.What emerges is no longer Mann, but a demon in Mann’s shape, and only the town’s outcasts can see that something is horribly wrong. Slowly, as the evil spreads, Moonwell becomes cut off from the rest of the world. Telephone lines become disconnected. Roads no longer lead out of town. And the monster’s power only grows... and grows.

    A manhunt ensues—though the authorities aren’t sure if it’s a man they should be looking for.Some suspect an escapee from the White Tower, a foreboding biotech facility owned by the Godfrey family—their personal fortune and the local economy having moved on from Pittsburgh steel—where, if rumors are true, biological experiments of the most unethical kind take place. Others turn to Peter Rumancek, a Gypsy trailer-trash kid who has told impressionable high school classmates that he’s a werewolf. Or perhaps it’s Roman, the son of the late JR Godfrey, who rules the adolescent social scene with the casual arrogance of a cold-blooded aristocrat, his superior status unquestioned despite his decidedly freakish sister, Shelley, whose monstrous medical conditions belie a sweet intelligence, and his otherworldly control freak of a mother, Olivia. At once a riveting mystery and a fascinating revelation of the grotesque and the darkness in us all, Hemlock Grove has the architecture and energy to become a classic in its own right—and Brian McGreevy the talent and ambition to enthrall us for years to come.

    

    As children, she and Emma Martin wandered into Heaven’s Bottom, an isolated Kentucky community cut off by the Ohio River and mountainous terrain. The two women share strange memories of the traumatic experience. Emma is convinced they witnessed a blood sacrifice and moon magic, surrounded by zombies. As a scientist, Olivia believes there’s a logical explanation.Detective Steven Lewis pursues his own investigation of the mysterious town. His wife, a social worker, fought her way into the Bottom to investigate suspected child abuse. She didn’t make it out alive. Haunted by grief and regret, Steven is obsessed with finding her killer. He’s convinced the murderer is hiding in the wild forest, camouflaged by the swirling mist.Olivia and Steven enter into an uneasy partnership to find Emma and solve his wife’s brutal murder. They contact Sheriff Noah McCracken, who holds the local law enforcement role that’s been passed down through his family for centuries. Like his ancestors, the sheriff ignores the chilling events in Heaven’s Bottom.Can Olivia and Steven convince Noah to “release the McCracken” in time to save their lives?SPECIAL BONUS: As a reader appreciation gift, “The Hand of Karma” mystery/horror short story is included FREE at the end of the book.

    American Supernatural Tales celebrates the richness of this tradition with chilling contributions from some of the nation’s brightest literary lights, including Poe himself, H. P. Lovecraft, Shirley Jackson, Ray Bradbury, Nathaniel Hawthorne, and—of course— Stephen King. By turns phantasmagoric, spectral, and demonic, this is a frighteningly good addition to Penguin Classics.

    You will never be the same.”—Cory Doctorow, author of Little Brother and HomelandIn a topsy-turvy world where clowns are killers and crooks, Little Bigtop is a three-ring circus of crime, and no syndicate is more dangerous than the Bozo family. From the wildly original mind of Carlton Mellick III comes the short-story collection ClownFellas—an epic mob saga where life is cheap and the gags will slay you.For years, the hard-boiled capos of the Bozo family have run all of the funny business in Little Bigtop, from the clown brothels to the illegal comedy trade. But hard times have befallen the Bozos now that Le Mystère, the French clown Mafia, has started moving in and trying to take over the city. If that weren’t enough, they’ve got to deal with the cops, the Feds, the snitches, the carnies, the mysterious hit man Mr. Pogo, and the mutant clowns over in the Sideshow district. With the odds stacked against them, the Bozos must fight to survive . . . or die laughing.Praise for ClownFellas“Mario Puzo meets Barnum & Bailey . . . You just can’t look away as the ridiculousness escalates.”—Publishers Weekly“The most original novelist working today? The most outrageous? The most unpredictable? These aren’t easy superlatives to make; however, Carlton Mellick may well be all of those things, behind a canon of books that all irreverently depart from the form and concepts of traditional novels, and adventure the reader into a howling, dark fantasyland of the most bizarre, over-the-top, and mind-warping inventiveness. In my opinion, ClownFellas is his best work to date.”—Edward Lee, author of City Infernal and Header“I rarely enjoy clowns—which is ironic since I’ve been one for over four decades—but ClownFellas is great on so many levels, irony being one of them. What can I say besides I love it! Great read, and funny as hell . . . I have been accused of being unfunny before, and after the trial I had to enter the Witless Protection Program. This is funny!”—Barry Lubin, aka Grandma, longtime Big Apple Circus clown“If Martin Scorsese and Ronald McDonald had a baby, this would be it. . . . Each story is clever, multi-layered, and filled with witty dialogue. . . . A must-read.”—This Is Horror   “Mellick’s writing is wonderfully descriptive and wildly imaginative. . . . I was utterly delighted, amused, and engrossed. . . . ClownFellas is a gem!”—The Qwillery   “A rollercoaster ride through a strange world that borders on our own reality . . . a story that is just as difficult to define as it is to put down.”—Examiner.com   “Mellick has created another amazing read. . . . Highly recommended.”—Kitty Horror

    No one is surprised that while the Halloran clan gathers at the crumbling old mansion for a funeral she wanders off to the secret garden. But when she reports the vision she had there, the family is engulfed in fear, violence, and madness. For Aunt Fanny's long-dead father has given her the precise date of the final cataclysm!

    The story follows Kline, a brutally dismembered detective forcibly recruited to solve a murder inside the cult. As Kline becomes more deeply involved with the group, he begins to realize the stakes are higher than he previously thought. Attempting to find his way through a maze of lies, threats, and misinformation, Kline discovers that his survival depends on an act of sheer will. Last Days was first published in 2003 as a limited edition novella titled The Brotherhood of Mutilation. Its success led Evenson to expand the story into a full-length novel. In doing so, he has created a work that’s disturbing, deeply satisfying, and completely original.

    As she watches over her father, she relives the past week and the events that brought the family together . . . and she recalls all the weeks before that served to pull it apart.There has never been anything normal about the lives raised in this house. It seems to her that sometimes her family is so colorful that the brightness hurts, and as they all join together in this time of impending loss she examines how they came to be the way they are and how it came to just be her, the drifter, that her father came home to die with.But, the middle of five children, the woman has her own secrets . . . particularly the draw that pulled her back to the house when her own life looked set to crumble. And sitting through her lonely vigil, she remembers the thing she saw out in the fields all those years ago . . . the thing that they found her screaming for outside in the mud. As she peers through the familiar glass, she can't help but hope and wonder if it will come again.Because it's one of those nights, isn't it Dad? A special terrible night. A full night. And that's always when it comes. If it comes at all.