But they wanted the one thing that no amount of money could buy: life. They wanted to create the Perfect Crime--to kidnap and murder a 14-year-old boy for the thrill of getting away with murder.The crime was so horrifying that even legendary filmmaker Alfred Hitchcock took notice, and directed his version of the story: Rope. But the real story of the Rope is much more brutal and suspenseful than even Hitchcock could do justice to. Read the real history in this thrilling true crime book.

    Over the next 37 years, her name became a byword for censoriousness. All the hundreds of letters this redoubtable campaigner sent, and most of the many thousands she subsequently received, were preserved in the archives of her National Viewers and Listeners Association.Sifting through this unique compendium of outrage and affront, Ben Thompson uncovers a startling new perspective on Mary Whitehouse's stand against a tsunami of swearing and sexual license. Far from the last of a dying breed, might she actually have been the harbinger - if not quite the agent - of a change in the tide of cultural history?

    It was in 1934 that Evelyn left home for the first time to enrol as a trainee at a busy Nottingham hospital in the hope of GBP25 a year. This book gives her account of those days of dedication and hardship.

    Quiet, cultivated, efficient, head of the political science department at a Scottish university. His uneventful days are measured out with scrupulous care until Alicia Anna Davie laughs in his face one afternoon--and his ordered world crumbles about him.There is another side to Ian Laidlaw, a side that matches the scarred horror of the left side of his face, mangled in youth by a vicious hound. This side draws Alicia into a bizarre relationship; but as she toys with ugliness and danger, Laidlaw becomes locked into an obsessive passion at once disorienting and hideously destructive. Alicia's crime is the carelessness of youth--Laidlaw's punishment reflects the dislocation of his universe.

    Delafield

    Much to his surprise, thirteen students write for details, and arrive in Cuernavaca a few weeks later.The hotel Miles has rented is crumbling. The VW bus he borrowed is a disaster. The two instructors he hired hate each other on sight. But the students - young and old, single and married, rich and poor - aren't simply looking for an education. Some are fleeing private anguish. Others are seeking romance. All will find more adventure than they ever dreamed possible.

    Extensively researched and compellingly told, it introduces us to the passionate drama and violent upheaval of eleventh-century Europe. The world as we know it, and the English language, would have been vastly different were it not for the driving ambition of one man: William the Conqueror. But conquerors are made, not born, and William was made in fire and blood. How does a boy become a man, surviving a tumultuous and terrifying childhood? And how does that man become a legend? William Rising plunges us into this world of danger and betrayal, of choosing sides and dying for absolutes. It follows the creation of a conqueror, as he grows up abandoned, learns to fight at an early age for anything he hopes to keep, and is sculpted into a remorseless, far-sighted, ruthlessly efficient soldier and statesman. From his origins as an orphaned, penniless bastard boy, to his personal and political trials by fire, to the climactic battle with his rebellious barons where he finally comes of age, the young duke increasingly establishes himself as a force to be reckoned with. But as the shadowy intrigues of English politics, and the all-consuming question of an heir for a childless king, begin to draw him into their web, it may just be that William of Normandy has a destiny far greater than even he has ever dreamed.

    

    Micah wants answers. Able has his own letter to show Micah. Together they set out to find who killed Micah's mother and why. Their first clue leads them to an attorney and the police. Micah and Able fall in love while going back and forth from the ranch to the city, from one crisis to another. The characters at the ranch keep things hopping with their own lives filled with comedy, tragedy, and love. They get their answer, but it comes hard.

    Brunstetter.What happens when making an elderly Amish couple very happy means going along with a lie that gets bigger by the day? Michelle Taylor is not who her new family in Lancaster County believes her to be. The Lapps were looking for their long-lost granddaughter when they met Michelle and she assumed the identity of Sara Murray. Once homeless and hopeless, Michelle has come to love her new Amish friends and even considers the idea of romance among them. Finding an old blue jar in the barn that is filled with slips of paper containing thoughts, quotes, and prayers by an unknown author becomes a boost to Michelle’s budding faith— but also convicting. How can she tell the truth without hurting the ones she has truly come to love?

    

    Gill's columns every Sunday - for his fearlessness, his perception, and the laughter-and-tear-provoking one-liners - but mostly because he was the best. 'By miles the most brilliant journalist of our age', as Lynn Barber put it. This is the definitive collection of a voice that was silenced too early but that can still make us look at the world in new and surprising ways.In the words of Andrew Marr, A.A. Gill was 'a golden writer'. There was nothing that he couldn't illuminate with his dazzling prose. Wherever he was - at home or abroad - he found the human story, brought it to vivid life, and rendered it with fierce honesty and bracing compassion. And he was just as truthful about himself. There have been various collections of A.A. Gill's journalism - individual compilations of his restaurant and TV criticism, of his travel writing and his extraordinary feature articles. This book showcasesthe very best of his work: the peerlessly funny criticism, the extraordinarily knowledgeable food writing, assignments throughout the world, and reflections on life, love, and death. Drawn from a range of publications, including the Sunday Times, Vanity Fair, Tatler and Australian Gourmet Traveller, The Ivy Cookbook and his books on England and America, it is by turns hilarious, uplifting, controversial, unflinching, sad, funny and furious.

    It's bad enough having a name like Nathan Jones - unless you're a Supremes fan, which Nathan isn't - but when his girlfriend leaves him (for a drag artist) and he gets mugged, then handcuffed to a bed and cut up in a misunderstanding with an S&M hooker, can things get any worse?

    The eight short stories of this collection have a dual theme: Ireland - its people, its personality - and woman - woman betrayed, or sacrificed, innocence involuntarily lost, happiness stolen or mislaid..

    1 SUNDAY TIMES BESTSELLER________Welcome to Clarkson's farm.An idyllic spot offering picturesque views across the Cotswolds, bustling hedgerows and natural springs, it's the perfect plot of land for someone to delegate the actual, you know, farming to someone else while he galivants around the world in cars.Until one day, Jeremy decided he would do the farming itself.After all, how hard could it be? . . .Faced with suffocating red tape, biblical weather, local objections, a global pandemic and his own frankly staggering ignorance of how to 'do farming', Jeremy soon realises that turning the farm around is going to take more than splashing out on a massive tractor.Fortunately, there's help at hand from a large and (mostly) willing team, including girlfriend Lisa, Kaleb the Tractor Driver, Cheerful Charlie, Ellen the Shepherd and Gerald, his Head of Security and Dry Stone Waller.Between them, they enthusiastically cultivate crops, rear livestock and hens, keep bees, bottle spring water and open a farm shop. But profits remain elusive.And yet while the farm may be called Diddly Squat for good reason, Jeremy soon begins to understand that it's worth a whole lot more to him than pounds, shillings and pence . . .________ Praise for Clarkson's Farm: 'The best thing Clarkson's done . . . It pains me to say this' THE GUARDIAN'Shockingly hopeful' THE INDEPENDENT'Even the most committed Clarkson haters will find him likeable here' THE TELEGRAPH'Quite lovely' THE TIMES