The Kinks are the quintessential British sixties band, revered for an incredible series of classic songs ("You Really Got Me," "Waterloo Sunset" and "Lola" to name but a few) and critically acclaimed albums such as The Village Green Preservation Society. Featuring original interviews with key band members Ray Davies, his brother Dave Davies and Mick Avory, as well as Chrissie Hynde and many others close to the group, every stage of their career is covered in fascinating detail: the hits, the American successes of the 1970s and the legendary band in-fighting.  Nearly 50 years after they formed, the Kinks' influence is still being felt today as strongly as ever.

    This book consists of magazine and newspaper articles, interviews, record reviews, excerpts from books, and other material related to the history of The Doors, to whose memory it is dedicated.This book consists of magazine and newspaper articles, interviews, record reviews, excerpts from books, and other material related to the history of The Doors, to whose memory it is dedicated.

    He has sold more than 50 million albums worldwide. His music has been the soundtrack to the lives of millions of people who grew up in the '70s, '80s and '90s. This celebratory, personal volume includes hundreds of photographsmany never-before-publishedas well as a selection of memorabilia from Petty's personal archives, all of which help to illustrate the songwriter's own description of his amazing life and career. Publication of this book coincides with the theatrical release of a Tom Petty and the Heartbreakers film documentary by Peter Bogdanovich and a four disc DVD/CD set. The fall of 2007 belongs to Tom Petty.

    This book is the story of Volpe's years leading up to those at the Met, from his first job as a stagehand at the Morosco Theater to the odd jobs he picked up moonlighting: setting up a searchlight or laying down a red carpet for a movie premiere, changing titles on the marquees at the Astor, Victor, and Paramount theaters. It is his Met years--from apprentice carpenter to general manager--that give us a story about New York and the business of culture. Volpe looks at the Met today, an institution full of vast egos and complicated politics, as well as its glittering past--the old Met at Thirty-ninth and Broadway, and the political and artistic intrigues that exploded around its move to Lincoln Center. With stunning candor, he writes about the general managers he worked under, including Rudolf Bing and Anthony Bliss; his own embattled rise to the top; the maneuverings of the blue-chip board; his bad-cop, good-cop collaboration with the conductor James Levine; and his masterful approach to making a family of such highly charged artist-stars as Luciano Pavarotti, Placido Domingo, Teresa Stratas, and Renee Fleming, and such visionary directors as Franco Zeffirelli, Robert Wilson, and Julie Taymor.

    Neither the band’s hip origins in the Lower East Side scene nor Flood’s platinum certification can cover up the record's singular importance at the geek fringes of culture.Flood’s significance to this audience helps us understand a certain way of being: it shows that geek identity doesn’t depend on references to Hobbits or Spock ears, but can instead be a set of creative and interpretive practices marked by playful excess—a flood of ideas. The album also clarifies an historical moment. The brainy sort of kids who listened to They Might Be Giants saw their own cultural options grow explosively during the late 1980s and early 1990s amid the early tech boom and America’s advancing leftist social tides. Whether or not it was the band's intention, Flood’s jubilant proclamation of an identity unconcerned with coolness found an ideal audience at an ideal turning point. This book tells the story.

     Olivia Dane, a hard-working lawyer, has just been dumped by her fiancée. To make matters worse, he did it via text message. Deciding to drown her sorrows at a local pub, Olivia is intent on forgetting about men altogether. Instead, she's going to focus on her career, and if she plays her cards right, she might just make partner at her firm. It isn't long before her plans are completely derailed by an irresistibly sexy stranger who guides her to a dark corner of the bar. This gorgeous alpha male isn't your ordinary man. It's Logan Graham, lead guitarist of the insanely popular Scottish rock band. A man used to getting anything he wants, whenever he wants it. What starts out as a wildly passionate one-night-stand quickly turns into a far more complicated relationship when the curvy lawyer discovers that the bad-boy rocker is her newest client. To make matters worse if she doesn't win the case he'll lose everything he's worked so hard for. And there's even more trouble on the horizon when Olivia boss discovers her new relationship and threatens to destroy her career if she doesn't give him the one thing he's always wanted - her. Warning: This is a steamy romance story that includes adult content suitable for readers 17+ Hard Rocked Series: Rhyme Harmony Lyrics

    When Andrew Jackson planned his defense of New Orleans against the British in 1815, he met Jean Lafitte in a grog shop. And when John Wilkes Booth plotted with his accomplices to carry out an assassination, they gathered in Surratt Tavern.In America Walks into a Bar, Christine Sismondo recounts the rich and fascinating history of an institution often reviled, yet always central to American life. She traces the tavern from England to New England, showing how even the Puritans valued a good Beere. With fast-paced narration and lively characters, she carries the story through the twentieth century and beyond, from repeated struggles over licensing and Sunday liquor sales, from the Whiskey Rebellion to the temperance movement, from attempts to ban treating to Prohibition and repeal. As the cockpit of organized crime, politics, and everyday social life, the bar has remained vital--and controversial--down to the present. In 2006, when the Hurricane Katrina Emergency Tax Relief Act was passed, a rider excluded bars from applying for aid or tax breaks on the grounds that they contributed nothing to the community. Sismondo proves otherwise: the bar has contributed everything to the American story.Now in paperback, Sismondo's heady cocktail of agile prose and telling anecdotes offers a resounding toast to taprooms, taverns, saloons, speakeasies, and the local hangout where everybody knows your name.

    A story of seven originals, whose collective graft, energy and talent took them from the sweaty depths of the Hope and Anchor's basement to the Top of the Pops studio.In their own words they each look back on shared adventures. Playing music together, riding freight trains, spraying graffiti and stealing records. Walking in one another's footsteps by day and rising up through the city's exploding pub music scene by night. Before We Was We is irreverent, funny and full of character. Just like them.

    Now, to celebrate a decade of delighting opera fans and foes alike, musical historian and humorist David Barber has prepared a special revised and expanded edition of his hilarious bestselling history of opera. Chapters such as Serious Buffoonery, Teutonic Tunesmiths and, of course, Italian Sausage Machines display Barber's rapier wit and knack for knowing fascinating, if sometimes useless, information about music, musicians and the offbeat world they live in. This expanded edition includes new material ranging from Strauss to ragtime, opera to the Tenor Menace. From Italian castrati to German Ring-bearers, from Handel's fights with rival sopranos to Puccini's nicotine habit, the author of Bach, Beethoven and the Boys and Tenors, Tantrums and Trills delivers a funny yet informative, irreverent yet affectionate history of serious music's most serious art form as only he can - and as only he would dare to do.

    transplant, finds herself stranded in rainy Eugene, Oregon, working from home in the company of her two cats and two large mutts. At the local dog park, she meets a fellow dog owner named Jonathan: a tall, handsome man with a unibrow and hawk-like nose. When he invites her to accompany him on a drive to Portland to retrieve six hundred pounds of frozen rats and a fledgling barred owl, sparks fly!Their courtship blossoms in a raptor rehabilitation center where wounded owls, eagles, falcons, and other iconic birds of prey take refuge and become ambassadors for their species. Initially, Melissa volunteers here in order to “sink her talons” into her new love interest, but soon she falls hopelessly in love with her fine feathered charges: Archimedes, a gorgeous snowy owl; Lorax, a fractious great horned owl; and Bodhi, a baby barred with a permanently injured wing. As “human imprints,” these birds see themselves and people as the same species yet retain a wildness that hoodwinks even the most experienced handlers. Overcoming her fears, Melissa bravely suffers some puncture wounds to get closer to these magnificent creatures.Melissa and Jonathan start out convinced they don’t want children, but caring for birds who have fallen from their nests triggers a deep longing in Melissa to mother an orphaned child. Thus they embark on a heart-wrenching journey to adoption. Every page sparkles with vivid imagery and wit in this beautifully written memoir of parallel pursuits. Wildness Within is, above all, about the power of love—romantic, animal, and parental—to save lives and fulfill dreams.

    For a while she was the nation's most famous drug addict. This is her story of recovery from the despair of addiction, told with total emotional honesty and courage.

    A faint, swirling effect intensifies with each bass kick and, by the eighth one, the ears have prepped themselves for the metal mayhem they are about to receive. When it all drops, and the joyous onslaught of a hundred guitars is finally realized, you'll have to forgive your ears for being duped into a false sense of security, because it's that second intensified drop a few seconds later — the one where yet more guitars manifest and Andrew W.K. slam-plants his vocal flag by screaming the song's titular line — that really floods the brain with endorphins, serotonin, dopamine, and whatever else formulates invincibility.Polished to a bright overdubbed-to-oblivion sheen, the party-preaching I Get Wet didn't capture the zeitgeist of rock at the turn of the century; it captured the timelessness of youth, as energized, awesome, and unapologetically stupid as ever. With insights from friends and unprecedented help from the mythological maniac himself — whose sermon and pop sensibilities continue to polarize — this book chronicles the sound's evolution, uncovers the relevance of Steev Mike, and examines how Andrew W.K.'s inviting, inclusive lyrics create the ultimate shared experience between artist and audience.

    In the world of heavy metal, no other band have lived life to the fullest, stared death in the face so many times, battled addiction, warred within themselves and still emerged, unbowed with as much bloody-minded persistence as Black Sabbath.