A yellow-striped, green measuring worm opens Anterooms, a collection filled with poems that are classic Wilbur, that play with myth and form and examine the human condition through reflections on nature and love. Anterooms also features masterly translations from Mallarmé’s “The Tomb of Edgar Allan Poe,” a previously unpublished Verlaine poem, two poems by Joseph Brodsky, and thirty-seven of Symphosius’s clever Latin riddles. Whether he is considering a snow shovel and domestic life or playfully considering that “Inside homeowner is the word meow,” Wilbur’s new collection is sure to delight everyone from longtime devotees to casual poetry readers. Exploring the interplay between the everyday and the mythic, the sobering and the lighthearted, Anterooms is nothing less than an event in poetic history and a remarkable addition to a master’s oeuvre.

    The book and the dream are the poet’s primary objects of investigation here. Through deft, quietly authoritative lyrics, Fisher meditates on the problems and possibilities—the frail craft—of perception for the reader, the dreamer, maintaining that “if the eye can love—and it can, it does—then I held you and was held.” In her foreword to the book, Louise Glück writes that Fisher’s poetry is “haunting, elusive, luminous, its greatest mystery how plain-spoken it is. Sensory impressions, which usually serve as emblems of or connections to emotion, seem suddenly in this work a language of mind, their function neither metonymic nor dramatic. They are like the dye with which a scientist injects his specimen, to track some response or behavior. Fisher uses the sense this way, to observe how being is converted into thinking.”

    This book is about the girls whose lives were ruined by me. I want to write about my story, for it’s the only way to be immortal. I want you to feel the pleasure of falling in love. The lust, the passion, the desire, and the craving that turns into an unhealthy addiction. And I want you also to feel the pain of losing someone, the ache, the agony, the bitterness, and the grief that cripples your soul forever. This is for everyone. The forgotten souls buried under the melancholy of the past. Yes, I will show you how much you hurt me, I will write. This is what my heart holds for you; half pleasure, half pain.

    His wife, his best friends… all have died, leaving him to care for four grieving children. From the ruins of the past, he’s built a loving, tight-knit family – one he would die to protect. Paige Hall arrives in town, fleeing her own demons. With hardly a penny to her name, she struggles to build a future for herself and her son Jake. Babysitting the unruly Fairburn clan brings in her some much needed extra cash. Her new boss's rugged good looks don’t make it the worst job in the world either… But when he discovers a lost ruin deep in the desert, he uncovers a threat that may destroy every Shifter in the Southwest, setting the stage for a gathering of strong Alpha allies, the likes of which the Shifter world has rarely seen. Can this unlikely pair overcome their own fears to make a new start together, and to form the core of this new team? As they struggle to navigate their growing passion they are propelled down a dangerous path that will pull in not only the First Flight of Dragons, but also a strange mix of Alpha Shifter Wolves and Dragon and more, as well as their potential Mates. Will these Alphas and the ladies that are drawn to them be able to overcome their differences and each find a love that binds? Can they come together as a team and learn the secrets of the mysterious Aegis relic in time to save everything - and everyone - they hold dear, before it's too late...? This collection contains: Damaged Daddy Bear Alpha Protector Dragon Damaged Lost Wolf Captive to the Chimera Alpha Dragon Reborn There is also a short preview of the first story from the Burning Falls Shifters series... This shifter romance collection which contains no cheating, no cliffhangers and of course an HEA ; ). If you enjoy Terry Bolyryder, Harmony Raines, T.S. Joyce and Zoe Chant, well we think you will enjoy this ; )! Warning: This ebook contains mature themes and language and is meant for 18+ readers only.

    Althea knows that her and Landon are not naturally destined to be each other’s mate, but can fate be changed in the quest for true love? Alpha Kaden Everyone knows of Alpha Kaden, a man of twisted riddles and cryptic puzzles. His identity is one of them. His touch, another. He is feared throughout all 13 packs for his reputation of stealing young women out of their beds. And tonight he has come to steal Mara to make her a player in his wicked game. Alpha Grayson Lexia has been an unwilling member of the Vengeance Pack since she was kidnapped by Alpha Kaden at the age of thirteen. Previously a member of the Discipline Pack, she now plans an uprising to take down the Alphas and unify the 13 Packs. Alpha Jasper Dark stories of the Devotion pack’s haunting from the terrifying undead Phantom Wolves have circulated for years but Thea had never believed the rumors. That is until she met Jasper; the confident and magical missing Alpha of the pack and newly reincarnated Phantom Wolf. He also happens to be her destined mate. Alpha Malik After being kidnapped and abused by an unruly rogue organization, Aria is forced to enter a competition where the prize is a man who has given up all hopes of finding his mate. Malik is known as the Alpha of Love, and now Aria must compete against girls from every Pack, for his attention. To save her own life, and his too, she must complete a mission that will force her into the Alpha's arms. However, a twist in the game will change everything.

    The poem started out as a simple observation of the snow in moonlight, and turned into a poem with more to offer. I'm offering it free to my readers. I've had it on my blog, where it's gotten much response, and wanted to give everyone another way to access it.

    "The Himalayas Within Him" finds Heart worrying about the sound of his own heartbeat, wondering why it doesn't "blare like a quartet of trombones" as it reflects his "ardent complexity." In "Goodbye to the Hands That Have Touched Him" Heart, after suffering many sleepless nights, decides "that love exists at the root of his problems. Without love his path would be as smooth as a plate of glass and he'd sleep like a kitten." Dividing the Heart poems is the long "Oh, Immobility, Death's Vast Associate, " a jazzy disquisition on human isolation and inaction in the midst of a planet full of people feeling similarly. Throughout Pallbearers Envying the One Who Rides Dobyns has painstakingly sculpted straight-forward language into a distinct sound, creating an unforgettable collection of poems that offers readers unexpected revelations about the complexities of the heart.

    Linda Pastan writes, "the art that mattered / was the life led fully / stanza by swollen stanza." That life is portrayed here, from memories of the poet's earliest childhood and the ambiguities of marriage and love to the surprises that come with age, always with a consciousness of what is happening in the larger world.

    However there comes a time in every writer’s life when the need to have one’s work appreciated by others overcomes the reticence of their nature. With this book, I have reached the point where I can let you, the reader, enter. See me. Maybe some of the poems here will resonate with you, and that understanding, that secret “yes, I know what she means”, from a stranger, is what I seek.

    Proposing models of hybridity, each of the book's major sequences develops a unique subject, rhythm, and form. Bringing to light the molten potential at the core of personality, the poems illuminate ways that language, as history read by anthropologists, discourse between lovers, gestures between parent and child, graffiti in temples, or even language as an event in itself (the very experience of words at play), incarnates presence. Addressing father and son relationships, and venerating erotic love, Gander's poems surge with vitality: the energy of active discovery.

    Written as a catharsis in the months following the loss of her father in late 2016, Jessica has taken pen to page to say things he and others will never read, either because they can't, or just won't. Containing entirely new works, this is a can't miss release.

    Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

    

    The book features raw, blunt, and in your face poems depicting the darker side of relationships. Readers will find themes such as lies, cheating, and heartache abundant in much of this collection. Midnight Milkshakes, being the second volume of Ray's Ice Cream And Suicide, is great for returning readers to the series. The book focuses on much of the same style and mood that is common in his writings.

    He explores the boundaries of human fallibility both in candid personal poems, such as the title piece—a plea for his father, a victim of Alzheimer’s wandering the hallway at night—and in his passionate encounters with classic poetic texts, as when Dante’s Inferno enters his bedroom:When you read Canto Five aloud last night in your naked, singsong, fractured Italian, my sweet compulsion, my carnal appetite, I suspected we shall never be forgiven for devouring each other body and soul . . . From the lighting of a Yahrzeit candle to the drawings by the children of Terezin, Hirsch longs for transcendence in art and in the troubled history of his faith. In “The Hades Sonnets,” the ravishing series that crowns the collection, the poet awakens full of grief in his wife’s arms, but here as throughout, there is a luminous forgiveness in his examination of our sorrows. Taken together, these poems offer a profound engagement with our need to capture what is passing (and past) in the incandescence of language.From the Hardcover edition.