Louisa is set in her ways, she likes to keep her house meticulously clean, wear multiple aprons, and eat from her nicest china every day. She has an old dog named Caesar who she feels must be kept chained up because he bit a neighbor 14 years ago as a puppy. It was late in the afternoon, and the light was waning. There was a difference in the look of the tree shadows out in the yard. Somewhere in the distance cows were lowing and a little bell was tinkling; now and then a farm-wagon tilted by, and the dust flew; some blue-shirted laborers with shovels over their shoulders plodded past; little swarms of flies were dancing up and down before the peoples' faces in the soft air. There seemed to be a gentle stir arising over everything for the mere sake of subsidence -- a very premonition of rest and hush and night. This soft diurnal commotion was over Louisa Ellis also. She had been peacefully sewing at her sitting room window all the afternoon. Now she quilted her needle carefully into her work, which she folded precisely, and laid in a basket with her thimble and thread and scissors. Louisa Ellis could not remember that ever in her life she had mislaid one of these little feminine appurtenances, which had become, from long use and constant association, a very part of her personality. Also includes "A Village Lear," "Amanda and Love," "Up Primrose Hill," "A Stolen Christmas," "Life-Everlastin'," "An Innocent Gamester," "Louisa," "A Church Mouse," "A Kitchen Colonel" and "The Revolt of 'Mother."

    Living in a well-ordered world that's beginning to lose its equilibrium, Taylor's fascinating characters struggle to come to terms with the constricting circumstances into which they were born. Delicately interweaving the joys and pains of these families, Peter Taylor goes beyond regionalism to the simple truths recognizable to people everywhere.

    Stories featured here include “A Day in the Open” by Jane Bowles; “Blackberry Winter” by Robert Penn Warren; “O City of Broken Dreams” by John Cheever; “The Magic Barrel” by Bernard Malamud; “In Time Which Made a Monkey of Us All” by Grace Paley; “Sonny’s Blues” by James Baldwin; “Are These Actual Miles?” by Raymond Carver; and “You’re Ugly, Too” by Lorrie Moore. “Ford’s choice of stories is exemplary ... there’s wonderful reading here.” — The Washington Post

    Four men struggle for survival after escaping from a sinking ship and into a small open boat.

    Here is a collection of his short fiction, with dozens of tales spanning his career and ranging from the moving to the macabre, the humorous to the haunting. From the penetrating 'Memories of Youghal' to the bittersweet 'Bodily Secrets' and the elegiac 'Two More Gallants', here are masterpieces of insight, depth, drama and humanity, acutely rendered by a modern master.'A textbook for anyone who ever wanted to write a story, and a treasure for anyone who loves to read them' Madison Smartt Bell'Extraordinary... Mr. Trevor's sheer intensity of entry into the lives of his people...proceeds to uncover new layers of yearning and pain, new angles of vision and credible thought' The New York Times Book Review

    Each volume’s series editor selects notable works from hundreds of magazines, journals, and websites. A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected — and most popular — of its kind. The Best American Short Stories 2011 includes Chimamanda Ngozi Adichie, Megan Mayhew Bergman, Jennifer Egan, Nathan Englander, Allegra Goodman, Ehud Havazelet, Rebecca Makkai, Steven Millhauser, George Saunders, Mark Slouka, and others