Where a young man can make a fortune with his wits … unless he is led into temptation. Cocaine’s dandified hero Tito Arnaudi invents lurid scandals and gruesome deaths, and sells these stories to the newspapers. But his own life becomes even more outrageous than his press reports when he acquires three demanding mistresses. Elegant, witty and wicked, Pitigrilli’s classic novel was first published in Italian in 1921 and charts the comedy and tragedy of a young man’s downfall and the lure of a bygone era. The novel’s descriptions of sex and drug use prompted church authorities to place it on a list of forbidden books, while appealing to filmmaker Rainer Werner Fassbinder who wrote a script based on the tale. Cocaine retains its venom even today.

    We see Leonardo, having just completed The Last Supper, and being celebrated by all of Florence for his miraculous portrait of the wife of a textile manufacturer. That painting—the Mona Lisa—being called the most lifelike anyone had ever seen yet, more divine than human, was captivating the entire Florentine Republic.And Michelangelo, completing a commissioned statue of David, the first colossus of the Renaissance, the archetype hero for the Republic epitomizing the triumph of the weak over the strong, helping to reshape the public identity of the city of Florence and conquer its heart.In The Lost Battles, published in England to great acclaim (“Superb”—The Observer; “Beguilingly written”—The Guardian), Jonathan Jones brilliantly sets the scene of the time—the politics; the world of art and artisans; and the shifting, agitated cultural landscape. We see Florence, a city freed from the oppressive reach of the Medicis, lurching from one crisis to another, trying to protect its liberty in an Italy descending into chaos, with the new head of the Republic in search of a metaphor that will make clear the glory that is Florence, and seeing in the commissioned paintings the expression of his vision.Jones reconstructs the paintings that Leonardo and Michelangelo undertook—Leonardo’s Battle of Anghiari, a nightmare seen in the eyes of the warrior (it became the first modern depiction of the disenchantment of war) and Michelangelo’s Battle of Cascina, a call to arms and the first great transfiguration of the erotic into art. Jones writes about the competition; how it unfolded and became the defining moment in the transformation of “craftsman” to “artist”; why the Florentine government began to fall out of love with one artist in favor of the other; and how—and why—in a competition that had no formal prize to clearly resolve the outcome, the battle became one for the hearts and minds of the Florentine Republic, with Michelangelo setting out to prove that his work, not Leonardo’s, embodied the future of art. Finally, we see how the result of the competition went on to shape a generation of narrative paintings, beginning with those of Raphael.A riveting exploration into one of history’s most resonant exchanges of ideas, a rich, fascinating book that gives us a whole new understanding of an age and those at its center.

    Two sisters. One Ghost. An impossible sacrifice.Feuding half-sisters inherit a cottage on the Italian coast, along with its resident spirit and a secret manuscript. Their rivalry explodes through a struggle for control of their haunted house, but Italy infuses its magic into them until a shocking night changes everything for the sisters and their friends.A tale of sisterhood and the supernatural, perfect for fans of Mary Ellen Taylor and Barbara O'Neal."Two sisters, very different, both love and frustrate each other. When their father dies, they are co-inheritors of his house in Italy and must agree on what to do with it. They descend on the house and, slowly and gently, come to terms with their differences and reinforce the love they’ve always had for each other ... Romance blooms in all directions as each sister finds what she most needs, in a most surprising way." – Diane Byington, author of WHO SHE IS

    The very name conjures up images of outrageous glamour and bold sexuality, opulence and daring. All of course true, but only half the story. Versace is also the legacy of a great creative genius from a poor, backward part of southern Italy who transformed the fashion world through his intuitive understanding of both women and how a changing culture influenced the way they wanted to dress. The first book in English about the legendary designer, House of Versace shows how Gianni Versace, with his flamboyant sister Donatella at his side, combined his virtuosic talent and extraordinary ambition to almost single-handedly create the celebrity culture we take for granted today. Gianni Versace was at the height of his creative powers when he was murdered in Miami Beach. The story was front page news around the world and the manhunt for his killer a media obsession. His beloved sister Donatella demanded no less than a funeral befitting an assassinated head-of-state to be held in Milan’s magnificent cathedral. In what was the ultimate fashion show, the world’s rich and beautiful – Princess Dianna, Elton John, Carla Bruni, Naomi Campbell, Carolyn Bessette-Kennedy, Anna Wintour and others – gathered to mourn a man already considered one of fashion’s great pioneers.         Deborah Ball, a long-time Milan correspondent for The Wall Street Journal, conducted hundreds of interviews with Versace family members, Gianni Versace’s lovers and business rivals, models such as Naomi Campbell whom he helped shoot to international stardom and fashion industry icons, including Anna Wintour, the legendary editor of Vogue. Ball vividly recounts the behind-the scenes struggles – both creative and business – of Donatella as she stepped out of her brother’s long shadow and took control of the House of Versace. The book offers the first inside look at the enormous challenges Donatella faced in living up to Gianni’s genius, her struggle with a drug habit, her battles with her brother Santo and the mystery of why Gianni left control of his house to Donatella’s young daughter, Allegra. House of Versace is a compelling, highly readable tale of rise from obscurity, a painful fall and ultimate redemption as the Versace empire returned to health – for now. Bringing together fashion, celebrity, business drama, jet-set lifestyles, and a notorious crime, House of Versace is an old-fashioned page-turner about a subject of enduring fascination.

    . . can tell a story better than Gioia Timpanelli."--Frank McCourt, author of Angela's Ashes"Gioia Timpanelli's novellas . . . offer simple lessons about the nature of beauty and the beauty of nature . . . in rich, incantatory language." --The New York Times Book ReviewA renowned storyteller who has beguiled audiences around the world offers these mesmerizing novella-length fables about two young women and the transformative power of art. In "A Knot of Tears," a baroness locks herself up in the Green Palace, only to have her seclusion interrupted by a parrot that flies through the window. When a sailor arrives to retrieve his companion, the young man and his pet delight her with three inspiring stories, while an unscrupulous suitor schemes to lure her out of her house and into his arms. In "Rusina, Not Quite in Love," Timpanelli recasts "Beauty and the Beast" as the tale of a loving young heroine who escapes her poor family to live at the estate of Signor Sebastiano. A devastatingly ugly man who prefers plants to people, Sebastiano leads Rusina to the true meaning of beauty. Lyrical, enchanting, wise, these timeless stories are, in the words of the baroness, "simple, but not so simple," as they enlighten readers about the virtues of love, solitude, and art."Gioia Timpanelli's stories . . . are dreams . . . and these dreams, in the skill of their telling, lead us back to ourselves." --The Boston Globe"This is brilliant writing . . . [that] changes tales into fresh literature . . . by the passion of an educated person for the great things in life: plants, works of art, talk at dinner, and devotion." --Robert Bly

     In 1568, twenty-one-year-old Shiloh ben Gozán flees the Spanish Inquisition to live openly as a Jew in Venice. He brings with him a baby daughter and an oddly made turquoise ring, given to him by a woman he cannot forget. As this ring is hidden, stolen, traded, lost, and finally found again, it shapes not just Shilo's life but that of his great enemy and business rival, Antonio di Argento, whom he finally- and horrifyingly-confronts in a Venetian courtroom. The ring also becomes entangled in the fortunes of five women who deeply affect Shiloh's life: Leah, his first love; Jessica, his rebellious daughter; Nerissa, an irrepressible maidservant; Portia, an outrageously rich and alarmingly intelligent heiress; and Xanthe, a Spanish refugee who can unlock the secret of his past.

    In "The Watcher," a member of the Communist Party is assigned to a polling place in Turin's Hospital for Incurables, where he observes the rejects of humanity and a grotesque parody of the democratic process. "Smog" anticipates a preoccupation with pollution so lunatic that it casts a pall even over the hero's affair with a beautiful woman. "The Argentine Ant" is a piece of sustained horror with farcical undertones, illustrating man's defeat before an enemy too small to be overcome.

    but after graduating from law school at age forty-seven, she still faced the question: "What now?" Casual conversations about far-off travels with husband Glenn became a reality with the offer of a dream job at the United Nations in Rome, Italy.Coins in the Fountain brings life the challenges of acclimating to the beautiful and chaotic ancient city of Rome. Judith shares her struggles to learn the arcane rules and folkways of the UN while Glenn begins his valiant effort to cook Italian-style, as they both endeavor to embrace la dole vita. With an extraordinary count and countess for friends, dogs in the doctor's office, snakes and unexploded bombs on the golf course, along with a sinking sailboat rocking on the ocean, the unexpected was always just around the corner.Through wit, wry humor, and descriptions of enticing food and travel adventures, Judith takes you on a journey into the heart of what it is truly like to live in the Eternal City.According to Roman lore, if you toss a coin over your shoulder into the famous Trevi Fountain, the gods will grant you a return trip. When it was time for them to leave, Judith made that hopeful toss and her wish was granted.

    Instead, he found a very different country: one besieged by unfathomable terrorism and deep-seated paranoia. The Dark Heart of Italy is Jones's account of his four-year voyage across the Italian peninsula.Jones writes not just about Italy's art, climate, and cuisine but also about the much livelier and stranger sides of the Bel Paese: the language, soccer, Catholicism, cinema, television, and terrorism. Why, he wonders, does the parliament need a "slaughter commission"? Why do bombs still explode every time politics start getting serious? Why does everyone urge him to go home as soon as possible, saying that Italy is a "brothel"? Most of all, why does one man, Silvio Berlusconi-in the words of a famous song-appear to own everything from Padre Nostro (Our Father) to Cosa Nostra (the Mafia)?The Italy that emerges from Jones's travels is a country scarred by civil wars and "illustrious corpses"; a country that is proudly visual rather than verbal, based on aesthetics rather than ethics; a country where crime is hardly ever followed by punishment; a place of incredible illusionism, where it is impossible to distinguish fantasy from reality and fact from fiction.

    On 4 December 2009, twenty-two-year-old American, Amanda Knox, and her twenty-five-year-old Italian former boyfriend, Raffaele Sollecito, were found guilty of murdering British student, Meredith Kercher, and were sentenced to twenty-six and twenty-five years in jail, respectively. Meredith was brutally stabbed to death in November 2007, in the apartment in Perugia that she shared with Amanda and two other girls. The details of the killing caught the world's attention with far-fetched rumour, and cold-hearted butchery, taking centre stage.The subject of intense speculation, 'Foxy Knoxy' was pilloried for her hard-partying, promiscuous lifestyle, while her well-dressed lover, Sollecito, collected knives, and was obsessed with violent comics. But that alone did not make them killers. Ivory Coast-born Rudy Guede, twenty-two, was found guilty of murder, and sexual assault, in a separate trial in October 2008, and sentenced to 30 years in jail. But evidence shows he could not have acted alone.In Darkness Descending TV producer, Paul Russell, and critically acclaimed crime writer, Graham Johnson, team up with leading Italian forensics expert, General Luciano Garofano, to reveal the full truth behind this sensational murder, and its trial. They skilfully unravel all the details, and study all the personalities, in this case that has stunned the world. Complex, and some say controversial, DNA evidence is explained in simple language and, bit by bit, a story emerges of brutality and jealousy in a university town where all was not what it seemed. Their findings make gripping reading.

    The aroma of a simmering ragú, the bouquet of a local wine, the remembrance of a past meal: Italians discuss these details as naturally as we talk about politics or sports, and often with the same flared tempers. In Why Italians Love to Talk About Food, Elena Kostioukovitch explores the phenomenon that first struck her as a newcomer to Italy: the Italian "culinary code," or way of talking about food. Along the way, she captures the fierce local pride that gives Italian cuisine its remarkable diversity. To come to know Italian food is to discover the differences of taste, language, and attitude that separate a Sicilian from a Piedmontese or a Venetian from a Sardinian. Try tasting Piedmontese bagna cauda, then a Lombard cassoela, then lamb ala Romana: each is part of a unique culinary tradition.In this learned, charming, and entertaining narrative, Kostioukovitch takes us on a journey through one of the world's richest and most adored food cultures. Organized according to region and colorfully designed with illustrations, maps, menus, and glossaries, Why Italians Love to Talk About Food will allow any reader to become as versed in the ways of Italian cooking as the most seasoned of chefs. Food lovers, history buffs, and gourmands alike will savor this exceptional celebration of Italy's culinary gifts.

    In Northern Italy in 1983, seventeen-year-old Elio begins a relationship with visiting Oliver, his father's research assistant, with whom he bonds over his emerging sexuality, their Jewish heritage, and the beguiling Italian landscape.

    In this vividly written biography, William E. Wallace offers a substantially new view of the artist. Not only a supremely gifted sculptor, painter, architect, and poet, Michelangelo was also an aristocrat who firmly believed in the ancient and noble origins of his family. The belief in his patrician status fueled his lifelong ambition to improve his family's financial situation and to raise the social standing of artists. Michelangelo's ambitions are evident in his writing, dress, and comportment, as well as in his ability to befriend, influence, and occasionally say "no" to popes, kings, and princes. Written from the words of Michelangelo and his contemporaries, this biography not only tells his own stories but also brings to life the culture and society of Renaissance Florence and Rome. Not since Irving Stone's novel The Agony and the Ecstasy has there been such a compelling and human portrayal of this remarkable yet credible human individual.Subscribe to William Wallace's podcast on individual works of the master! Click here!Episodes every week, right from this bookmark or your feed reader.

    Andrea di Robilant’s tale takes us back to the time of Josephine Bonaparte, as well as into some of the most delightful rose gardens in Italy today, brought to colorful life on the page in the watercolors of artist Nina Fuga.   In his 2008 biography of the Venetian lady Lucia Mocenigo (his great-great-great-great- grandmother), di Robilant described a pink rose that grows wild on the family’s former country estate, mentioning its light peach-and-raspberry scent. This passing detail led to an invitation for an audience with a local rose doyenne, Eleonora Garlant. She and other experts wondered if di Robilant’s unnamed rose could possibly be one of the long-lost China varieties that nineteenth-century European growers had cultivated but which have since disappeared. On the hunt for the identity of his anonymous yet quietly distinctive rose, Di Robilant finds himself captivated by roseophiles through time––from Lucia and her friend Josephine Bonaparte to the gifted Eleonora, whose garden of nearly fifteen hundred varieties of old roses is one of the most significant in Europe––and by the roses themselves, each of which has a tale to tell. What starts out as a lighthearted quest becomes a meaningful journey as di Robilant contemplates the enduring beauty of what is passed down to us in a rose, through both the generosity of nature and the cultivating hand of human beings, who for centuries have embraced and extended the life of this mysterious flower.

    Within six weeks, all but one had been found guilty of mutiny, their sentences ranging from five years’ penal servitude to death. Fifty years on, Saul David became the first military historian to gain access to the court martial papers – normally restricted for 75 years. In addition to crucial defence documents and the testimony of eye-witnesses, these papers have enabled Saul David to expose: •How poorly-equipped Eighth Army veterans, some still recovering from wounds and illness, were needlessly sent as reinforcements to Salerno when Fifth Army men were available.•How transit camp authorities deliberately deceived the reinforcements as to their destination.•How the defence team at the trial was forced, by lack of time, lack of witnesses and the hostility of the court, to offer a case based on no evidence and doomed to fail.•How, after the humane intervention of the adjutant-general and the suspension of the sentences, insensitive staff officers and victimization in their new units caused many mutineers to desert.•How, as a result of their convictions, the former war heroes were stripped of their campaign and gallantry medals and branded as cowards. Concluding that the men were victims of a terrible injustice, Mutiny at Salerno provides a compelling case for a free pardon. It is a book that no one interested in World War Two will want to miss. 'Mutiny' has been critically acclaimed: 'An important book' (Military Illustrated) 'Mr David has added considerably to the knowledge of the Salerno mutiny. This book should be read by anyone with an interest in the episode.' (Prof. Peter Rowe,RUSI Journal)'A thoroughly enjoyable and interesting book and the author makes his case well' (Journal of the Royal Military Academy Sandhurst) 'A detailed account... David is right to stress that the mutiny stemmed from the men's reluctance to fight amongst strangers rather than their reluctance to fight at all, and that many of the mutineers preserved a dignified and soldierly attitude throughout the proceedings.' (Richard Holmes, TLS)Saul David is Professor of War Studies at the University of Buckingham and the author of several critically acclaimed history books, including The Indian Mutiny: 1857 (short-listed for the Westminster Medal for Military Literature), Prince of Pleasure: The Prince of Wales and the Making of the Regency, Zulu: The Heroism and Tragedy of the Zulu War of 1879 (a Waterstones Military History Book of the Year) and, most recently, Victoria's Wars: The Rise of Empire.He has also written two best-selling historical novels set in the wars of the late 19th Century, Zulu Hart and Hart of Empire. An experienced broadcaster, he has presented and appeared in history programmes for all the major TV channels and is a regular contributor to Radio 4.Endeavour Press is the UK's leading independent digital publisher.