As warm and intelligent as it is ribald and cunning, this collection of Thom Gunn's is his richest yet.

    There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their center of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome—but that will define his life forever.

    So she joins MementoMori, a website that matches people with partners and allocates them a date and method of death, 'the pact'. Mehreen is paired with Cara Saunders and Olivia Castleton, two strangers dealing with their own serious issues. As they secretly meet over the coming days, Mehreen develops a strong bond with Cara and Olivia, the only people who seem to understand what she's going through. But ironically, the thing that brought them together to commit suicide has also created a mutually supportive friendship that makes them realise that, with the right help, life is worth living. It's not long before all three want out of the pact. But in a terrifying twist of fate, the website won't let them stop, and an increasingly sinister game begins, with MementoMori playing the girls off against each other. A pact is a pact, after all. In this powerful debut written in three points of view, Yasmin Rahman has created a moving, poignant novel celebrating life. ALL THE THINGS WE NEVER SAID is about friendship, strength and survival.

    Neither was her boyfriend, Chandler. But they were. And so was Rudy, a cute stranger whom Go shared a connection with the night before. And Caroline, a girl whose silence ended up costing nineteen people their lives.Though it’s been a year since the bombing, Go isn’t any closer to getting over what happened. Since Chan shuts down every time Go brings that day up, she decides to reach out to Rudy. Just like that, the two fall right back into their easy, deep connection. Facing the past head-on with Rudy has opened up a small window of healing Go never thought was possible. So she makes an impulsive decision: Round up the rest of the survivors and head to New York City. There they will board an art installation made of the charred remnants of Bus 21.But things are never easy when it comes to rehashing the past. Uniting the four stirs up conflicting feelings of anger and forgiveness and shows them that, although they all survived, they may still need saving.

    The grace is miraculous, for he aims at intensities, by orders that shape and then restrict feeling to the ardent."—Robert Duncan"What moves us is not the darkness of the world in which the poems were written by the pity and terror and joy that is beauty in the poems themselves. . . . In Wieners the glamor is in the word-music itself."—Denise LevertovSupplication: Selected Poems of John Wieners gathers work by one of the most significant poets of the Black Mountain and Beat generation. Includes poems that have previously never been published, the full text of the 1958 edition of his influential The Hotel Wentley Poems, plus poems from rare sources, facsimiles, notes, and collages by Wieners. An invaluable collection for new and old fans.John Wieners (1934–2002) was a founding member of the "New American" poetry that flourished in America after the Second World War. Upon graduating from Boston College in 1954, Wieners enrolled in the final class of Black Mountain College. Following Black Mountain's closure in 1956, he founded the small magazine Measure (1957–1962) and embarked on a peripatetic life, participating in poetry communities in Boston, San Francisco, New York, and Buffalo throughout the late 1950s and 1960s, before settling at 44 Joy Street in Boston in 1972. He is the author of seven collections of poetry, three one-act plays, and numerous broadsides, pamphlets, uncollected poems, and journals. Robert Creeley described Wieners as "the greatest poet of emotion" of their time.

    But she has reckoned without floppy-eared, tail-wagging Mouse, who comes nosing to her window. Followed shortly by his owner, Alice. As Beth’s year of solitude rolls out, Alice gently steals her way first into Beth’s house and later into her heart. And by the time New Year’s Eve comes round again – who knows?A tender and delicate love story in verse, The Space Between is a tale of how warmth, support and friendship can overcome mental anguish.

    EJ is an ambitious Black engineering student. Her best friend, Jamie, is a newly out trans woman studying French and theater. Tessa is a Filipina astronomy major with guy trouble. For them, Bennet House is more than a residence—it’s an oasis of feminism, femininity, and enlightenment. But as great as Longbourn is for academics, EJ knows it can be a wretched place to find love.Yet the fall season is young and brimming with surprising possibilities. Jamie’s prospect is Lee Gregory, son of a Hollywood producer and a gentleman so charming he practically sparkles. That leaves EJ with Lee’s arrogant best friend, Will. For Jamie’s sake, EJ must put up with the disagreeable, distressingly handsome, not quite famous TV actor for as long as she can.What of it? EJ has her eyes on a bigger prize, anyway: launching a spectacular engineering career in the “real world” she’s been hearing so much about. But what happens when all their lives become entwined in ways no one could have predicted—and EJ finds herself drawn to a man who’s not exactly a perfect fit for the future she has planned?

    He’s five years old, the youngest of five brothers, and loves peanut butter sandwiches. He also loves wearing a dress, and dreams of being a princess.When he grows up, Claude says, he wants to be a girl.Rosie and Penn want Claude to be whoever Claude wants to be. They’re just not sure they’re ready to share that with the world. Soon the entire family is keeping Claude’s secret. Until one day it explodes.This Is How It Always Is is a novel about revelations, transformations, fairy tales, and family. And it’s about the ways this is how it always is: Change is always hard and miraculous and hard again, parenting is always a leap into the unknown with crossed fingers and full hearts, children grow but not always according to plan. And families with secrets don’t get to keep them forever.

    She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.Ames isn't happy either. He thought detransitioning to live as a man would make life easier, but that decision cost him his relationship with Reese—and losing her meant losing his only family. Even though their romance is over, he longs to find a way back to her. When Ames's boss and lover, Katrina, reveals that she's pregnant with his baby—and that she's not sure whether she wants to keep it—Ames wonders if this is the chance he's been waiting for. Could the three of them form some kind of unconventional family—and raise the baby together?This provocative debut is about what happens at the emotional, messy, vulnerable corners of womanhood that platitudes and good intentions can't reach. Torrey Peters brilliantly and fearlessly navigates the most dangerous taboos around gender, sex, and relationships, gifting us a thrillingly original, witty, and deeply moving novel.

    It is a wise and practical guide for any transgender person considering or embarking on a gender transition. It covers everything from the beginning stages of exploration and planning through the process of transformation to life after transition. This is the first book written by an experienced professional specifically for transgender clients. It will also be of interest to family, friends, allies, clergy, teachers, helping professionals and anyone who cares about the challenges faced by those who seek to change their physical appearance to match their gender identity.

    From struggling with sensory processing, managing socially demanding situations and learning social cues and feminine presentation, through to coming out as trans during an autistic meltdown, Laura draws on her personal experiences from life prior to transition and diagnosis, and moving on to the years of self-discovery, to give a unique insight into the nuances of sexuality, gender and autism, and how they intersect.Charting the ups and downs of being autistic and on the LGBT spectrum with searing honesty and humour, this is an empowering, life-affirming read for anyone who's felt they don't fit in.

    The day they were born is when their story began.In one, Louis David Alder is born a male.In the other, Louise Dawn Alder is born a female.Louis and Louise are the same in many ways - they have the same best friends, the same parents, the same dream of being a writer and leaving their hometown in Maine as soon as they can. But because of their gender, everything looks different. Certain things will happen in their lives to shape them, hurt them, build them back up again. But what will bring them back home?

    Hunter and Van become boyfriends before they're even teenagers, and stay a couple even when adolescence intervenes. But in high school, conflict arises -- mostly because Hunter is much more comfortable with the sex part of sexual identity. As the two boys start to realize that loving someone doesn't guarantee they will always be with you, they find out more about their own identities -- with Hunter striking out on his own while Van begins to understand his own asexuality.In poems that are romantic and poems that are heartbreaking, Vanilla explores all the flavors of the spectrum -- and how romance and love aren't always the same thing.

    Ernest, a Jewish autistic demiromantic queer fat trans man submissive, and Nora, a Jewish disabled queer fat femme cis woman switch, have to contend with an age gap, a desire not to mess up their lovely polyamorous dynamic as metamours, the fact that Ernest has never been attracted to a cis person before, and the reality that they are romantically attracted to each other, all while planning their dominant's birthday party and trying to do a really good job.

    Erin Hughes, a local history professor with a passion for old houses. Dhari’s life is complicated enough without meeting such an attractive and intelligent woman: Her mother needs her, her father relies on her and her girlfriend worries her. But when Erin finds old letters and a diary, Dhari knows she can’t leave until she finds out the truth . . .Marianne K. Martin is the best-selling author of five novels including Mirrors and Love in the Balance.