The Marvel story is a gigantic mountain smack in the middle of contemporary culture. Thousands of writers and artists have contributed to it. Everyone recognizes its protagonists: Spider-Man, the Avengers, the X-Men. Eighteen of the hundred highest-grossing movies of all time are based on parts of it. Yet not even the people telling the story have read the whole thing--nobody's supposed to. So, of course, that's what Wolk did: he read all 27,000+ comics that make up the Marvel Universe thus far, from Alpha Flight to Omega the Unknown.And then he made sense of it--seeing into the ever-expanding story, in its parts and as a whole, and seeing through it, as a prism through which to view the landscape of American culture. In Wolk's hands, the mammoth Marvel narrative becomes a fun-house-mirror history of the past sixty years, from the atomic night terrors of the Cold War to the technocracy and political division of the present day--a boisterous, tragicomic, magnificently filigreed epic about power and ethics, set in a world transformed by wonders.As a work of cultural exegesis, this is sneakily significant, even a landmark; it's also ludicrously fun. Wolk sees fascinating patterns--the rise and fall of particular cultural aspirations, and of the storytelling modes that conveyed them. He observes the Marvel story's progressive visions and its painful stereotypes, its patches of woeful hackwork and stretches of luminous creativity, and the way it all feeds into a potent cosmology that echoes our deepest hopes and fears. This is a huge treat for Marvel fans, but it's also a revelation for readers who don't know Doctor Strange from Doctor Doom. Here, truly, are all of the marvels.

    This is the first of a series of new Hellblazer editions starring Vertigo’s longest running antihero, John Constantine, England’s chain-smoking, low-rent magus.This first collection is a loosely connected series of tales of John’s early years where Constantine was at his best and at his worst, all at the same time.Collecting: Hellblazer 1–9; material from Swamp Thing 76-77

    Spider-Man, the Fantastic Four, Captain America, the Incredible Hulk, the Avengers, Iron Man, Thor, the X-Men, Daredevil—these superheroes quickly won children's hearts and sparked the imaginations of pop artists, public intellectuals, and campus radicals. Over the course of a half century, Marvel's epic universe would become the most elaborate fictional narrative in history and serve as a modern American mythology for millions of readers.Throughout this decades-long journey to becoming a multibillion-dollar enterprise, Marvel's identity has continually shifted, careening between scrappy underdog and corporate behemoth. As the company has weathered Wall Street machinations, Hollywood failures, and the collapse of the comic book market, its characters have been passed along among generations of editors, artists, and writers—also known as the celebrated Marvel "Bullpen." Entrusted to carry on tradition, Marvel's contributors—impoverished child prodigies, hallucinating peaceniks, and mercenary careerists among them—struggled with commercial mandates, a fickle audience, and, over matters of credit and control, one another.For the first time, Marvel Comics reveals the outsized personalities behind the scenes, including Martin Goodman, the self-made publisher who forayed into comics after a get-rich-quick tip in 1939; Stan Lee, the energetic editor who would shepherd the company through thick and thin for decades; and Jack Kirby, the World War II veteran who'd co-created Captain America in 1940 and, twenty years later, developed with Lee the bulk of the company's marquee characters in a three-year frenzy of creativity that would be the grounds for future legal battles and endless debates.Drawing on more than one hundred original interviews with Marvel insiders then and now, Marvel Comics is a story of fertile imaginations, lifelong friendships, action-packed fistfights, reformed criminals, unlikely alliances, and third-act betrayals— a narrative of one of the most extraordinary, beloved, and beleaguered pop cultural entities in America's history.

    Frank Miller completely reinvents the legend of Batman in his saga of a near-future Gotham City gone to rot, ten years after the Dark Knight’s retirement.

    How does one survive in a dangerous world without superheroes? This paperback, the first of a four-volume series, begins to answer that perilous question? Nonstop action amid planetary anarchy.52 (2006-2007) Issues 1 - 13

    Nihilist. Madman. Would-be lover of Death itself. Collected in one volume for the first time, is the complete story of Thanos' first life... and first death. See Thanos's bid to become a god and lay siege to Earth, with only the Avengers able to stop him. Guest-starring Daredevil, Spider-Man, the Thing, Moondragon, Drax the Destroyer and more. Collects Iron Man (1968) #55; Captain Marvel (1968) #25-30; Marvel Feature (1971) #12; Daredevil (1964) #105-107; Captain Marvel (1968) #31-33;Avengers (1963) #125; Warlock (1972) #9-11, 15; Avengers Annual (1967) #7; Marvel Two -In-One Annual #2; material from Logan's Run #6.

    Meanwhile, Bruce Wayne explores a budding romance with television journalist Charlotte Rivers, who's visiting Gotham City to cover the gruesome slayings–while also trying to uncover Bruce's own mystery. But time is running out as both Commissioner Gordon and Batman work to uncover the true identity of this new serial killer.Collecting: Batman – Detective Comics #1-7.

    When a gang war breaks out and new villains arise, it's up to the Dark Knight, Batgirl, and more to turn the tides as best as they can—but will the GCPD be a help or a hinderance? Plus, a fan-favorite character makes her long-awaited DC Comics—The New 52 debut.Collects: Batman: Eternal 1-21.

    Over the past eight decades, Batman has remained at the forefront of popular culture, which is in no small part because of this comic book series that is synonymous with the Dark Knight! Celebrate Detective Comics with DC, as we revisit classic stories from comics from the 1930s onward, featuring some of Batman's greatest allies and villains and work from some of the greatest creators ever to grace the graphic-literature medium!With a new cover by DC publisher and chief creative officer Jim Lee. Curated by guest editor Paul Levitz, it features reprints of the Dark Knight’s most memorable adventures, from his first appearance to the debuts of Robin, Batwoman, Bat-Mite and Batgirl, as well as villains including Two-Face, the Riddler, Clayface, Man-Bat and more. This hardcover also spotlights crime-fighters including Slam Bradley, Air Wave, the Boy Commandos, the Martian Manhunter and the 1970s Manhunter, Paul Kirk!And, published for the first time anywhere: a new tale of a traumatic early moment in Bruce Wayne’s life written by Paul Levitz with art by Denys Cowan and Bill Sienkiewicz, and an extraordinary look at a long-ago work in progress—the original layouts for the Batman tale from DETECTIVE COMICS #200, as illustrated by Lew Sayre Schwartz (and signed “Bob Kane”). As if that’s not enough, this volume includes essays on Batman from contributors including Cory Doctorow, Neil Gaiman, Glen David Gold, Dennis O’Neil, former San Diego police chief Shelley Zimmerman and pulp historian Anthony Tollin. This is sure to be the celebration of the year!

    The year is 1933, and New York City is not-so-secretly run by corrupt politicians, crooked cops, big businesses... and suave gangland bosses like New York's worst, the Goblin. But when a fateful spider-bite gives the young rabble-rouser Peter Parker the power to fight the mobster who killed his Uncle Ben, will even that be enough? It's a tangled web of Great Depression pulp, with familiar faces like you've never seen them before! By "Hardboiled" David Hine, Fabrice "The Spider" Sapolsky, and Carmine "Carbine" Di Giandomenico! Collects Spider-Man Noir #1-4.

    Find out the true nature of this dark, terrible secret. Collecting Mighty Avengers #21-36, and material from Secret Invasion: Requiem.

    Overcrowded, overbuilt, and overshadowed by a continuous air of menace, this gothic nightmare is a breeding ground for the depraved, the indifferent, and the criminally insane. It's also the object of one man's obsession. Witness to the brutal murder of his parents, Bruce Wayne has dedicated his life to protecting this city, taking a form to inspire hope in the innocent...and fear in the guilty. He is the masked vigilante known as the Batman. Now the battlefield has changed. Leveled by a massive earthquake that left thousands dead and millions more wounded, Gotham City has been transformed into a lawless wilderness -- a No Man's Land -- where the survivors are turning against one another, and where the city's protectors are torn by a crisis that may consume them all.

    -- p. [4] of cover.

    With wicked full-color art by Timothy Truman and Sam Glanzman.

    Zero," Mulder is convinced it is the same otherworldly entity that contacted the FBI through a suburban housewife in the 1940s. This similarly named "Mr. Xero" pointed the FBI toward many unusual cases, leading to the establishment of "the X-Files"!