The last practitioner of an honored, centuries-old tradition, the Seanchai enthralls his assembled audience for three evenings running with narratives of foolish kings and fabled saints, of enduring accomplishments and selfless acts -- until he is banished from the household for blasphemy and moves on. But these three incomparable nights have changed young Ronan forever, setting him on the course he will follow for years to come -- as he pursues the elusive, itinerant storyteller . . . and the magical tales that are no less than the glorious saga of his tenacious, troubled, and extraordinary isle.

    But their good intentions have both comic and gruesome consequences, in this first novel written by a twenty-five year old John Irving, already a master storyteller.

    A young actress begins an affair with a damaged older man, the leading playwright at the theatre where she works. Rebellious and flirtatious, Molly Allgood is a girl of the inner city tenements, dreaming of stardom in America. She has dozens of admirers but in the backstage of her life there is a secret.Her lover, John Synge, is a troubled genius, the son of a once prosperous landowning family, a poet of fiery language and tempestuous passions. Yet his life is hampered by convention and by the austere and God-fearing mother with whom he lives. Scarred by a childhood of loneliness and severity he has long been ill, but he loves to walk the wild places of Ireland. The affair, sternly opposed by friends and family, is turbulent, sometimes cruel, often tender.Many years later, an old woman makes her way across London on the morning after a hurricane. Christmas is coming. As she wanders past bombsites and through the city's forlorn beauty, a snowdrift of memories and lost desires seems to swirl. She has twice been married: once widowed, once divorced, but an unquenchable passion for life has kept her afloat as her dazzling career has faded.A story of love's commitment, of partings and reconciliations, of the courage involved in living on nobody else's terms, Ghost Light is a profoundly moving and ultimately uplifting novel.

    Largely self-taught and altogether indifferent to worldly success, Walser wrote a range of short stories, essays and four novels, of which Jakob von Gunten is widely recognized as the finest. It tells the story of a seventeen-year-old runaway from an old family who enrolls in a school for servants. The Institute, run by the domineering Herr Benjamenta and his beautiful but ailing sister, is a deeply mysterious place: the faculty lies asleep in a single room. The students though subject to fierce discipline, come and go at will. Jakob, an irrepressibly subversive presence, keeps a journal in which he records his quirky impressions of the school as well as his own quickly changing enthusiasms and uncertainties, deliberations and dreams. And in the end, as the Institute itself dissolves around him like a dream, he steps out boldly to explore still-unimagined worlds.

    The narrator is smitten by Chloe on a Paris-London flight, and by the time they've reached the luggage carousel, he knows he is in love. He loves her chestnut hair and pale nape and watery green eyes, the way she drives a car and eats Chinese food, the gap that makes her teeth Kantian and not Platonic, her views on Heidegger's Being and Time - although he hates her taste in shoes. On Love plots the course of their affair from the initial delirium of infatuation to the depths of suicidal despair, through the (Groucho) "Marxist" stage of coming to terms with being loved by the unattainable beloved, through a fit of anhedonia, defined in medical texts as a disease resulting from the terror brought on by the threat of utter happiness, and finally through the nausea induced and terrorist tactics employed when the beloved begins, inexplicably, to drift away. Alain de Botton is simultaneously hilarious and intellectually astute, shifting with ease among such seminal romantic texts as The Divine Comedy, Madame Bovary, and The Bleeding Heart, a self-help book for those who love too much. He is schematically flawless, funny, funky, and totally engaging. Filled with profound observations and useful diagrams, On Love displays and examines for all of us the pain and exhilaration of love, asking, "Can we not be forgiven if we believe ourselves fated to stumble one day upon the man or woman of our dreams? Can we not be excused a certain superstitious faith in a creature who will prove the solution to our relentless yearnings?"

    But in Great Britain, it is the real football. No pads, no prayers, no prisoners. And that's before the players even take the field.Nick Hornby has been a football fan since the moment he was conceived. Call it predestiny. Or call it preschool. Fever Pitch is his tribute to a lifelong obsession. Part autobiography, part comedy, part incisive analysis of insanity, Hornby's award-winning memoir captures the fever pitch of fandom — its agony and ecstasy, its community, its defining role in thousands of young mens' coming-of-age stories. Fever Pitch is one for the home team. But above all, it is one for everyone who knows what it really means to have a losing season.

    Maxime, a rich and idle bachelor, intrudes on her independent existence and offers his love and the comforts of marriage. A provincial tour puts distance between them and enables Renée, in a moving series of letters and meditations, to resolve alone the struggle between her need to be loved, and her need to have a life and work of her own.

    Amid bloody and eerie scenes, his daughter is possessed by Tera's soul, and her fate depends upon bringing Tera's mummified body to life.

    However, Life and Fate is only the second half of a two-part work, the first half of which was published in 1952. Grossman wanted to call this earlier work Stalingrad—as it will be in this first English translation—but it was published as For a Just Cause. The characters in both novels are largely the same and so is the story line; Life and Fate picks up where Stalingrad ends, in late September 1942. The first novel is in no way inferior to Life and Fate; the chapters about the Shaposhnikov family are both tender and witty, and the battle scenes are vivid and moving. One of the most memorable chapters of Life and Fate is the last letter written from a Jewish ghetto by Viktor Shtrum’s mother—a powerful lament for East European Jewry. The words of this letter do not appear in Stalingrad, yet the letter’s presence makes itself powerfully felt and it is mentioned many times. We learn who carries it across the front lines, who passes it on to whom, and how it eventually reaches Viktor. Grossman describes the difficulty Viktor experiences in reading it and his inability to talk about it even to his family. The absence of the letter itself is eloquent—as if its contents are too awful for anyone to take in.

    The story of a lifetime.If you had to pick five people to sum up your life, who would they be? If you were to raise a glass to each of them, what would you say? And what would you learn about yourself, when all is said and done?This is the story of Maurice Hannigan, who, over the course of a Saturday night in June, orders five different drinks at the Rainford House Hotel. With each he toasts a person vital to him: his doomed older brother, his troubled sister-in-law, his daughter of fifteen minutes, his son far off in America, and his late, lamented wife. And through these people, the ones who left him behind, he tells the story of his own life, with all its regrets and feuds, loves and triumphs.Beautifully written, powerfully felt, When All Is Said promises to be the next great Irish novel.

    . . but this hill will be standing still to confound you." So curses Morty Donovan when Copper John Brodrick builds his mine at Hungry Hill.The Brodricks of Clonmere gain great wealth by harnessing the power of Hungry Hill and extracting the treasure it holds. The Donovans, the original owners of Clonmere Castle, resent the Brodricks' success, and consider the great house and its surrounding land theirs by rights. For generations the feud between the families has simmered, always threatening to break into violence . . .

    It provides a vivid, poignant picture of life in Germany just before Hitler's takeover and focuses on a young married couple struggling to survive in the country's nightmarish inflation.

    As the year passed and the children grew into their silent and difficult world, this palace became known as the Gang Mahal, or Dumb House. In his first novel, John Burnside explores the possibilities inherent in a modern-day repetition of Akbar`s investigations. Following the death of his mother, the unnamed narrator creates a twisted varient of the Dumb House, finally using his own children as subjects in a bizarre experiment. When the children develop a musical language of their own, however, their gaoler is the one who is excluded, and he extracts an appalling revenge.

    He is obsessed with a beautiful stranger, the art student Miranda. When he wins the pools he buys a remote Sussex house and calmly abducts Miranda, believing she will grow to love him in time.

    David Lodge, portraying two American and British professors who replace one another at their respective institutions, gives greed, pettiness, and pretense full rein.