Mass protests followed, and although the order has since been blocked, amended and challenged by judges, it still stands as one of the most discriminatory laws to be passed in the US in modern times. Banthology brings together specially commissioned stories from the original seven ‘banned nations’. Covering a range of approaches – from satire, to allegory, to literary realism – it explores the emotional and personal impact of all restrictions on movement, and offers a platform to voices the White House would rather remained silent. Part of our 'Banned Nations Showcase'.

    But despite Mandela’s mission of reconciliation, rampant inequality remains; race relations are uneasy, violence is endemic and many in the ANC appear to have lost sight of the liberation ideals. With the election in 2009 of Jacob Zuma, a charismatic populist embroiled in scandal, uncertainty over the trajectory of the nation has only intensified. South Africa now stands at a crossroads, and award-winning journalist Alec Russell draws on his deep knowledge of the country to tell us how it got there and to give us a compelling account, revised and updated for this edition, of the journey from Mandela to Zuma.

    Its intricate plot involves four men in love with the beautiful woman whose name serves as the title of the novel. Nedjma is the central figure of this disorienting novel, but more than the unfortunate wife of a man she does not love, more than the unwilling cause of rivalry among many suitors, Nedjma is the symbol of Algeria. Kateb has crafted a novel that is the saga of the founding ancestors of Algeria through the conquest of Numidia by the Romans, the expansion of the Ottoman Empire, and French colonial conquest. Nedjma is symbolic of the rich and sometimes bloody past of Algeria, of its passions, of its tenderness; it is the epic story of a human quest for freedom and happiness.

    Lonely and friendless after the death of her father, she finds solace in her first boyfriend, and together they flee across the city when the fighting breaks out. On the same night, Daniel, the son of a colonel, also makes his escape, but finds himself stranded by the River Nile, alone and vulnerable. Lilian is a young mother, who runs for her life holding the hand of her little boy Harmony until a bomb attack wrenches them apart, forcing her to trek on alone.After epic journeys of endurance, their lives cross in Bidi Bidi in Uganda the world s largest refugee camp. There they meet James, a counsellor who helps them to find light and hope in the darkest of places.The End of Where We Begin is a gripping and intimate true life account of three young people whose promising lives are brutally interrupted by war. It documents their heart-breaking and inspiring battle to keep moving on through the extremes of attack, injury, exile and trauma. It is a story of the bonds of community and resilience in adversity a powerful message for our troubled times.

    For countless generations they nurtured their ancient tradition, and met survival’s daily struggle with quiet faith in their gods. But when brutal intruders arrived from the south, a few brave souls dared the ultimate quest–to climb the Great Mountain, seeking answers and a way into the future.In this breathtaking blend of imagination, anthropology, and sheer storytelling magic, Steven Barnes takes us to the foot of Mount Kilimanjaro and into the realm of our own ancestors, who lived, hunted, celebrated, and died side by side with roaming herds of wild animals and great golden clouds of migrating butterflies. A people whose skin was the color and smell of the earth itself, the Ibandi formed a hierarchy based on strength of limb and spirit. In this extraordinary novel, we follow the adventures of two of the Ibandi’s chosen ones: T’Cori, an abandoned girl raised by the powerful and mysterious medicine woman Stillshadow, and Frog Hopping, a boy possessing a gift that is also a curse.Though the live in different encampments, Frog and T’Cori are linked through the revered and powerful Stillshadow, who has sensed in them a destiny apart from others’. Through the years, and on their separate life paths, T’Cori’s and Frog’s fates entwine as an inevitable disaster approaches from the south–from the very god they worship. For as long as there have been mountain, sky, and savannah, there has been a home for the Ibandi. Now, in the face of an enemy beyond anything spoken of even in legend, they must ask their god face-to-face: Do we remain or do we depart?Great Sky Woman not only brings to life the world of prehistoric man but also shines a brilliant light on humanity itself. For here is a story of rivalries and alliances, of human fear and desire, of faith and betrayal . . . and, above all, a story of how primitive man, without words or machines, set in motion civilization’s long, winding journey to the present.From the Hardcover edition.

    In tracing his ancestry, the influence on both his maternal and paternal sides is evident in the values they imbued in their children – the importance of family, the value of hard work and education, an uncompromising moral code, compassion for those less fortunate and unflinching refusal to accept an unjust political regime or acknowledge its oppressive laws. As a young activist in the Pan-Africanist Congress, at the tender age of fifteen, Moseneke was arrested, detained and, in 1963, sentenced to ten years on Robben Island for participating in anti-apartheid activities. Physical incarceration, harsh conditions and inhumane treatment could not imprison the political prisoners’ minds, however, and for many the Island became a school not only in politics but an opportunity for dedicated study, formal and informal. It set the young Moseneke on a path towards a law degree that would provide the bedrock for a long and fruitful legal career and see him serve his country in the highest court. My Own Liberator charts Moseneke’s rise as one of the country’s top legal minds, who not only helped to draft the interim constitution, but for fifteen years acted as a guardian of that constitution for all South Africans, helping to make it a living document for the country and its people. “This memoir is a fascinating account of the formation of the cadres who would have the responsibility both to help liberate our country and attend to its reconstruction and development.” Thabo Mbeki

    Adopting what is essentially a structuralist approach, the author identifies and names the basic constituents and techniques of narrative and illustrates them by referring to literary works in many languages.

    I am a volunteer fighter, committed to the struggle for justice. I place myself in the service of the people, The Movement and its allies. 13 August 1986, Angola Kimathi Tito has it all. As a child of the revolution, born in exile in Tanzania, he has steadily accumulated wealth and influence since arriving in South Africa in 1991. But even though everything appears just peachy from outside the walls of his mansion in Bassonia, things are far from perfect for Comrade Kimathi. After a messy divorce, accelerated by his gambling habit and infidelities, he is in danger of losing everything. And now, to top it all, he’s seeing ghosts. Sometimes what happens in exile doesn’t stay in exile. A caustic critique of South Africa’s political elite from the author of Dog Eat Dog and After Tears (both recently reissued).

    Goodall crowns her first quarter-century with the chimpanzees of Gombe by giving a comprehensive, up-to-date account of her work, a grand synthesis of animal behavior that presents a vast amount of information about man's nearest phylogenetic relative. 336 black-and-white, 23 color halftones. Illustrations.

    Barely able to speak the language and fiercely proud of his Genoese heritage, it will nevertheless take Napoleon Bonaparte just 20 years to become absolute ruler of the country he once saw as his oppressor. Set against the murderous unpredictability of revolutionary politics and the battlefields of Italy, Egypt, and France, The Song of Departure introduces us to the man who would become the Little Emperor.

    This epic migration continued until after World War II, when some of these tropical colonies became independent black nations and the white colonials were forced -- or chose -- to return to the mother country. Among the descendants of the colonizing powers, however, were some who had become outcasts in the poorest strata of society and, unable to afford the long journey home, were left behind, ignored by both the former oppressed indigenous population and the modern privileged white immigrants. At the dawn of the twenty-first century these lost white tribes still hold out, tucked away in remote valleys and hills or in the midst of burgeoning metropolises, living in poverty while tending the myths of their colonial ancestors. Forced to marry within their own group if they hope to retain their fair-skinned "purity," they are torn between the memory of past privilege and the extraordinary pressure to integrate. All are decreasing in number; some are on the verge of extinction and fighting to survive in countries that ostracize them because of the color of their skin and the traditions they represent. Though resident for generations, these people are permanently out of place, an awkward and embarrassing reminder of things past in newly redefined countries that are eager to forget both them and their historical homelands.In the remote interior and in bustling Sao Paulo, the "Confederados" of Brazil linger on, the descendants of Confederate families that fled the American South to rebuild their society here rather than face victoriousYankees. Wrenchingly poor then and now, these would-be genteel planters cling to their romanticized memory of a proud antebellum past. In Sri Lanka, once Ceylon, the children of Dutch Burghers haunt their crumbling mansions, putting on airs and keeping up appearances. In the steaming jungle of Guadeloupe, the inbred and deformed Matignons Blancs scrape out an existence while claiming the blood of French kings in their veins. On the beaches of Jamaica, a young man with incongruously blond dreadlocks -- the destitute descendant of a shoemaker from the Duchy of Saxony who became an indentured servant to earn passage from Germany to the new world -- still gazes out at the Caribbean over a century and half later. The Poles of Haiti are descended from troops lured over by Napoleon to quell slave rebellions. His promise of independence for their homeland went unfulfilled; they persist in hidden valleys in the island's interior. In the desert expanses of Southwest Africa, the famously devout Basters, the green-eyed, mixed-race Afrikaners, still doggedly pursue vast territorial claims as the continent's new power brokers sweep them aside. These are the lost white tribes.More than an entree into a world we are unfamiliar with, this amazing chronicle opens up a world that we did not even know existed. In his masterful report, Riccardo Orizio has written the final chapter in the history of the postcolonial world, and in him these forgotten peoples have found their unique historian.

    The long poem was the beginning of Cesaire's quest for negritude, and it became an anthem of Blacks around the world. With its emphasis on unusual juxtapositions of object and metaphor, manipulation of language into puns and neologisms, and rhythm, Cesaire considered his style a "beneficial madness" that could "break into the forbidden" and reach the powerful and overlooked aspects of black culture. Clayton Eshleman and Annette Smith achieve a laudable adaptation of Cesaire's work to English by clarifying double meanings, stretching syntax, and finding equivalent English puns, all while remaining remarkably true to the French text. Their treatment of the poetry is marked with imagination, vigor, and accuracy that will clarify difficulties for those already familiar with French, and make the work accessible to those who are not. Andre Breton's introduction, A Great Black Poet, situates the text and provides a moving tribute to C saire. Notebook of a Return to the Native Land is recommended for readers in comparative literature, post-colonial literature, African American studies, poetry, modernism, and French.

    Many writers have understood colonial rule as either direct (French) or indirect (British), with a third variant--apartheid--as exceptional. This benign terminology, Mamdani shows, masks the fact that these were actually variants of a despotism. While direct rule denied rights to subjects on racial grounds, indirect rule incorporated them into a customary mode of rule, with state-appointed Native Authorities defining custom. By tapping authoritarian possibilities in culture, and by giving culture an authoritarian bent, indirect rule (decentralized despotism) set the pace for Africa; the French followed suit by changing from direct to indirect administration, while apartheid emerged relatively later. Apartheid, Mamdani shows, was actually the generic form of the colonial state in Africa. Through case studies of rural (Uganda) and urban (South Africa) resistance movements, we learn how these institutional features fragment resistance and how states tend to play off reform in one sector against repression in the other. Reforming a power that institutionally enforces tension between town and country, and between ethnicities, is the key challenge for anyone interested in democratic reform in Africa.

    As the leader of the movement for independence, Nkrumah provides an illuminating discussion of the problems and conflicts along the way to political freedom, and the new prospects beyond. This book is essential for understanding the genesis of the African Revolution and the maturing of one of its outstanding leaders.

    Her razor-sharp wit combines with her acute powers of observation to produce social and political commentary that will have you in stitches even as it informs and provokes you to think seriously about the topics she discusses. In Best White, Davis offers advice on life’s tricky issues; discusses the perils of being a ‘Best White’; laments the fact that society does not have a universally adopted form of greeting, such as the high five; explores the intricacies of social media and internet dating; considers the future of reading and tackles a range of controversial topics in between.