It’s a perfect day. Nobody remembers how the Causality War started. Really, there’s no-one to remember, and nothing for them to remember if there were; that’s sort of the point. We were time warriors, and we broke time. I was the one who ended it. Ended the fighting, tidied up the damage as much as I could. Then I came here, to the end of it all, and gave myself a mission: to never let it happen again.

    The original illustrations combine horror and humour in equal measure.

    Within this collection, each setting is more strange and wonderful than the last, brimming with new technologies and beings. And yet, for all the advances in these futuristic lands, the people still must confront deeply human problems.With tales of friendship and revenge, plus two new stories from the Carve the Mark universe. Each story begins with a hope for a better end, but always end with a better understanding of the beginning.

    When Charles meets Leda, a woman who claims to have escaped from hell, he begins to suspect that the black planet is not at all what it appears to be. After Leda disappears, Charles sets out to find her with help from his stripper ex-girlfriend, the deadhead Jeanine. Along the way he will uncover the truth of the origins of the black planet, and discover the source of the mysterious voice that calls to Leda from the ocean waves.

    From the pages of the best-selling Duck & Cover Adventures comes thirteen stories of those who survived the apocalypse. Some would go on to be heroes, others villains, some were dogs and will stay dogs, but they all must contend with the horrors of the new world and find a way to survive in the wasteland that was America. HOW TO HOST AN INTERVENTION Long before he was a knight in the apocalypse, Tommy was preparing for the end of the world. His friends grew concerned for his well-being and planned to intervene. It wasn’t so much that he was preparing, it was what he was preparing for. GONE TO THE DOGS Fidget and Sasquatch were loyal companions to the end. Now that the end has arrived, they must say goodbye to the only home they’ve ever known. If they can figure out how to open the door. BUNKED UP They took refuge in a homemade bomb shelter when the end of the world began. There they were safe from the bombs and the fallout. But they were never safe from each other. PACK HUNTERS Fidget and Sasquatch are on their own, a situation neither of them are really comfortable with. They decide to join a pack for safety, for food and for friends. Now all they have to do is find one. ANIMAL’S CALLING Before the world ended, Jackson drifted from job to job, never settling on anything that could be called a career path. But with the new world comes new opportunities. This is what he was born to do. LAST BAND OF THE APOCALYPSE Caught between county fair gigs during the apocalypse, the members of a cover band find themselves the last band left in the world. Getting gigs should be easy. Should be. PRISONER’S DILEMMA The Librarian has seen his fair share of “wasteland justice.” Now he’s chained to the floor of a grocery store with a man he must face in court. In a battle to the death. Naturally. ALPHA DOG Sergeant Satan was genetically enhanced to be the world’s best military scout. He was designed to be smarter, faster and more than a match for any dog this side of the apocalypse. Of course, his creators had never met Fidget. THE TRIAL OF HARMEGGEDON They’ve got a new name. They’ve got a new act. And they are ready to rock your face off. Now all the last band in the world needs is a gig. WILLIE AND COY RIDE AGAIN Willie and Coy aren’t the brightest. Or the best looking. Or very likeable. No one would ever accuse them of being hard workers. But the pair have found a way to make an honest living in the apocalypse. If they can get enough people to watch. IN A PERSON PACK Tired of looking for a pack to join, Sasquatch and Fidget reminisce about the joys and delights of life in a people pack. NO QUARTER Deep in the swamp of New Orleans awaits a terror many refuse to believe exists. It’s a monster of myth and rumor so horrible that it could not possibly be real. On the trail of a kidnapped woman, The Librarian must seek out and confront this monster of myth. EVE OF THE APOCALYPSE Man is the true monster. Unless there is a man who is a monster that also makes monsters. Then he’s the truest monster and only a post-apocalyptic nomadic warrior can bring this monster’s monster-making to an end.

    From The Wizard of Oz to The Dark Tower, from Philip Pullman's The Golden Compass to C. S. Lewis's The Chronicles of Narnia, there is a rich tradition of this kind of fiction, but never before have the best parallel world stories and portal fantasies been collected in a single volume—until now.

    Lovecraft: a brand new anthology that collects the twelve principal deities of the Lovecraftian Mythos and sets them loose within its pages. Featuring the biggest names in horror and dark fantasy, including many NY Times bestsellers, full of original fiction and artwork, and individual commentary on each of the deities by Donald Tyson.About the book: Lovecraft’s bestiary of gods has had a major influence on the horror scene from the time these sacred names were first evoked. Cthulhu, Azathoth, Nyarlathotep, Yog-Sothoth—this pantheon of the horrific calls to mind the very worst of cosmic nightmares and the very darkest signs of human nature. The Gods of H.P. Lovecraft brings together twelve all-new Mythos tales from:Cthulhu (Adam Nevill) – Yog-Sothoth (Martha Wells) – Azathoth (Laird Barron) – Nyarlathotep (Bentley Little) – Shub-Niggurath (David Liss) – Tsathoggua (Brett Talley) – The Mi-Go (Christopher Golden & James A. Moore) – Night-gaunts (Jonathan Maberry) – Elder Things (Joe Lansdale) – Great Race (Rachel Caine) – Yig (Douglas Wynne) – The Deep Ones (Seanan McGuire)With commentary on each deity by Donald Tyson

    Some of the stories share settings and characters with Slaughtermatic. All the stories are bursts of ferocious energy, fast and furious as punk-rock songs and about as subtle. The plotting is not complex (sometimes it's little more than the setup for an O. Henry twist), but the ideas are clever, the anger is justified, the prose is imaginative, and the dialogue is sharp (though the hard-boiled metaphors are occasionally overcooked to incomprehensibility). Toxicology is a potent, poisonous, post-cyberpunk cocktail of ultraviolence and outrage with a splash of Burroughs, a dash of Ballard, and a twist of Dick. Three quick tastes: In "Gigantic," the media turns an astrophysicist forewarned of alien invasion into just another crackpot tabloid-TV guest. In "Tail," a hyper-Chandlerian PI follows a suspicious fiancé through a surreal cityscape. And in "The Passenger," a musician attempts to make his unknown band famous via a performance-art plane crash. --Cynthia Ward

    Told by individual inhabitants, the stories recount tales of disappearing dead deer, enchanted gardens, invisible killer dogs, and rattlesnakes that fall from the sky; each contribution adds to a composite portrait that skitters between eerie, ghoulish, and poignant. Miller is a master storyteller, clearly delighting in his mischievous creations.” Thirty-Three Tales. Thirty-Three Tellers. One Lost Town.

    It doesn't appear as a standalone work, but is included with several collections. The story is a prequel to the events in The Hitchhiker's Guide To The Galaxy and has the young Zaphod Beeblebrox working as a salvage ship operator. He guides some bureaucrats to a crashed spaceship which may be leaking some hazardous materials. The bureaucrats are determined to "make it safe". The comic asides in the story include some of the time travel paradoxes which are a common running theme in Adams' SF work, and plenty of material about lobsters

    Lovecraft has inspired writers of supernatural fiction, artists, musicians, filmmakers, and gamers. His themes of cosmic indifference, the utter insignificance of humankind, minds invaded by the alien, and the horrors of history—written with a pervasive atmosphere of unexplainable dread—remain not only viable motifs, but are more relevant than ever as we explore the mysteries of a universe in which our planet is infinitesimal and climatic change is overwhelming it. In the early twenty-first century the best supernatural writers no longer imitate Lovecraft, but they are profoundly influenced by the genre and the mythos he created. New Cthulhu: The Recent Weird presents some of the best of this new Lovecraftian fiction—bizarre, subtle, atmospheric, metaphysical, psychological, filled with strange creatures and stranger characters—eldritch, unsettling, evocative, and darkly appealing.

    Daniel Stone’s “Alternative Muses”; and a cult horror story in the jungles of South America in William Ritchey’s “Las Maquinas”.Vol.2, 3, and 4 now available. Proudly brought to you by Crystal Lake Publishing - Tales from the Darkest Depths Interview with the Authors: So what makes Tales from The Lake so special? Jennifer Loring: Tales from the Lake is one of the few anthology series where you can find a balance of established horror authors alongside new and emerging talent.J. Daniel Stone: Tales from the Lake is special, I think, first and foremost in that it's an open-themed horror collection. Themes tend to—more than I want to admit, and some might disagree—constrict writers. I don't like that about themes. But with Tales from the Lake we are reading stories by writers who are not given any rules. Just write what one loves and submit. That's wonderful. Tell us more about your story, and in which volume it appeared? Jennifer Loring: My story “The Fine Art of Wrecking” was the first place winner of the Tales from the Lake competition. It's based on the traditional legend of wreckers on the East Coast using false lights to run ships ashore to be plundered, but takes a Lovecraftian turn.J. Daniel Stone: My story “Alternative Muses” was the 2nd place winner in the original short story writing contest. The story focuses on a young couple who live on the fringes of society, but who soon are taken back to reality when they get pregnant. Things take a dark turn, and the need to transcend normality and complacency drive this story to a wicked ending.

    Along the way, they must evade the Freaks, beings who feed on human flesh. Leaving behind the roles of Builder and Breeder which they were assigned at birth, they wander the underground tunnels, looking for safety yet afraid to go "topside" where legend has it that the light and water will burn their skin from their bones.Their journey takes them upward to an unimagined world of tinned food, comfortable furniture, and books. Away from their regimented society for the first time, and still facing imminent danger, Thimble and Stone acknowledge the forbidden attraction which both have denied for years.

    Planning to test it on himself, he must first self-administer the zombie virus and allow the infection to run its full course. The process and the aftermath are captured in a series of voice recordings, leaving their intended audience little doubt about the experiment's spectacular outcome. **************************************************************"Golgotha" is a selected title from the collection "Shorting the Undead and Other Horrors: a Menagerie of Macabre Mini-Fiction."Approximately 10,000 words (about 35 print pages).For ages 16 and older.

    And it has a pest problem. A very big pest problem.Originally published on Reflection's Edge.com, Vermin is classic horror designed to get under your skin. Read it with the lights on. And a can of Raid.