She knows that fearing everything from inland tsunamis to odd numbers is irrational, but her mind insists the world outside is too big, too dangerous. So she stays safe inside, watching others’ lives through her windows and social media feed.But when Luke arrives on her doorstep, he doesn’t see a girl defined by medical terms and mental health. Instead, he sees a girl who is funny, smart, and brave. And Norah likes what he sees.Their friendship turns deeper, but Norah knows Luke deserves a normal girl. One who can walk beneath the open sky. One who is unafraid of kissing. One who isn’t so screwed up. Can she let him go for his own good—or can Norah learn to see herself through Luke’s eyes?

    But after graduation, the only thing separating Skylar from art school is three months of summer…until Skylar’s mother loses her job, and Skylar realizes her dreams may be slipping out of reach.Josh had a different escape route: the Marines. But after losing his leg in Afghanistan, he returns home, a shell of the cocksure boy he used to be.What brings Skylar and Josh together is working at the Paradise—a quirky motel off California’s Highway 99. Despite their differences, their shared isolation turns into an unexpected friendship and, soon, something deeper.Compelling and ultimately hopeful, this is a powerful examination of love, loss, and resilience.

    So when Zoe tells Hannah she needs to get out of their down-and-out New Jersey town, they pile into Hannah’s beat-up old Le Mans and head west, putting everything—their deadbeat parents, their disappointing love lives—behind them. Tragedy.

    She speaks High School, College, Friends, Boyfriends, Break-ups, and even the language of Beautiful Girls. But none of these is her native tongue -- the only people who speak that are her best friend Stu and her sister Kate. So when Kate gets engaged to an epically insufferable guy, how can Josie see it as anything but the mistake of a lifetime? Kate is determined to bend Josie to her will for the wedding; Josie is determined to break Kate and her fiancé up. As battles are waged over secrets and semantics, Josie is forced to examine her feelings for the boyfriend who says he loves her, the sister she loves but doesn't always like, and the best friend who hasn't said a word -- at least not in a language Josie understands.

    Was this story written about me?”I shrugged.“Yes or no?”I shrugged again, finally earning a little scowl, which somehow made the girl even more pretty. It brought a bloom to her pale cheeks and made sharp shelves of her cheekbones.“It’s very rude not to answer simple questions,” she said.I gestured for my journal, but she still wouldn’t give it to me. So I took out my pen and wrote I can’t on my palm.Then, in tiny letters below it, I finished the thought: Now don’t you feel like a jerk?Parker Santé hasn’t spoken a word in five years. While his classmates plan for bright futures, he skips school to hang out in hotels, killing time by watching the guests. But when he meets a silver-haired girl named Zelda Toth, a girl who claims to be quite a bit older than she looks, he’ll discover there just might be a few things left worth living for.

    Caring for her loved ones is what gives Arden purpose in her life and makes her feel like she matters. But lately she’s grown resentful of everyone—including her needy best friend and her absent mom—taking her loyalty for granted. Then Arden stumbles upon a website called Tonight the Streets Are Ours, the musings of a young New York City writer named Peter, who gives voice to feelings that Arden has never known how to express. He seems to get her in a way that no one else does, and he hasn’t even met her.Until Arden sets out on a road trip to find him. During one crazy night out in New York City filled with parties, dancing, and music—the type of night when anything can happen, and nearly everything does—Arden discovers that Peter isn’t exactly who she thought he was. And maybe she isn’t exactly who she thought she was, either.

    The day before she moved away, she tucked a love letter into his favorite book in his family’s bookshop. She waited. But Henry never came. Now Rachel has returned to the city—and to the bookshop—to work alongside the boy she’d rather not see, if at all possible, for the rest of her life. But Rachel needs the distraction, and the escape. Her brother drowned months ago, and she can’t feel anything anymore. She can't see her future.Henry's future isn't looking too promising, either. His girlfriend dumped him. The bookstore is slipping away. And his family is breaking apart. As Henry and Rachel work side by side—surrounded by books, watching love stories unfold, exchanging letters between the pages—they find hope in each other. Because life may be uncontrollable, even unbearable sometimes. But it’s possible that words, and love, and second chances are enough.

    The book, which Sullivan calls The Statistical Probability of Love at First Sight meets Bridesmaids, is a dual narrative novel by authors who dated when they were in high school, about a boy and girl who must navigate social misunderstandings, the plotting of well-meaning friends, and their own fears about being virgins forever. It's slated for summer 2016; Allison Hellegers of Rights People brokered the deal on behalf of Barry Cunningham and Elinor Bagenal at Chicken House in the U.K.

    Thrown together against their will in the class production of A Midsummer Night's Dream, along with the goofiest, cutest boy Claudia has ever known, Iris and Claudia are in for an eye-opening senior year.Smart, funny, and thoroughly, wonderfully flawed, Claudia navigates a world of intense friendships and tentative romance in Foolish Hearts, a YA novel about expanding your horizons, allowing yourself to be vulnerable, and accepting--and loving--people for who they really are.A contemporary young adult novel by Emma Mills about a girl whose high school production of A Midsummer Night's Dream leads her to new friends--and maybe even new love.

    It's inevitable—each of her relationships starts with the perfect guy and ends with him falling in love . . . with someone else. But instead of feeling sorry for herself, Megan focuses on pursuing her next fling, directing theater, and fulfilling her dream college's acting requirement in the smallest role possible.So when she’s cast as Juliet (yes, that Juliet) in her high school’s production, it’s a complete nightmare. Megan’s not an actress, and she’s used to being upstaged—both in and out of the theater. In fact, with her mom off in Texas and her dad remarried and on to baby #2 with his new wife, Megan worries that, just like her exes, her family is moving on without her.Then she meets Owen Okita, an aspiring playwright inspired by Rosaline from Shakespeare's R+J. A character who, like Megan, knows a thing or two about short-lived relationships. Megan agrees to help Owen with his play in exchange for help catching the eye of a sexy stagehand/potential new boyfriend. Yet Megan finds herself growing closer to Owen, and wonders if he could be the Romeo she never expected.In their fresh and funny debut, Emily Wibberly and Austin Siegemund-Broka break down the high school drama to find there's always room for familial love, romantic love, and—most importantly—self-love.

    After all, it’s better to be the girl who tames the wild surfer than just another notch on his surfboard.

    He hasn’t left the house in three years, which is fine by him.Ambitious Lisa desperately wants to get into the second-best psychology program for college (she’s being realistic). But is ambition alone enough to get her in?Enter Lisa.Determined to “fix” Sol, Lisa steps into his world, along with her charming boyfriend, Clark, and soon the three form an unexpected bond. But, as Lisa learns more about Sol and he and Clark grow closer and closer, the walls they’ve built around themselves start to collapse and their friendships threaten to do the same.

    That is, until Bee meets Levi, the local golden boy who runs a charity organization called The Color Project. Levi is not at all shy about attempting to guess Bee’s real name; his persistence is one of the many reasons why Bee falls for him. But while Levi is everything she never knew she needed, giving up her name would feel like a stamp on forever. And that terrifies her. When unexpected news of an illness in the family drains Bee's summer of everything bright, she is pushed to the breaking point. Losing herself in The Color Project—a world of weddings, funerals, cancer patients, and hopeful families that the charity funds—is no longer enough. Bee must hold up the weight of her family, but to do that, she needs Levi. She’ll have to give up her name and let him in completely or lose the best thing that’s ever happened to her.

    She’s an offbeat sixteen-year-old Floridian with mermaid-red hair; a part time job at a bootleg Walmart, and a perfect older sister who’s nearly engaged to the Crown Prince of Scotland. Daisy has no desire to live in the spotlight, but relentless tabloid attention forces her to join Ellie at the relative seclusion of the castle across the pond. While the dashing young Miles has been appointed to teach Daisy the ropes of being regal, the prince’s roguish younger brother kicks up scandal wherever he goes, and tries his best to take Daisy along for the ride. The crown–and the intriguing Miles–might be trying to make Daisy into a lady . . . but Daisy may just rewrite the royal rulebook to suit herself.

    So when the unexpected shows up in her living room, Kate must confront another reality she never thought possible—or thought of at all. Kate does have a father. He’s a powerful politician. And he’s running for U.S. President. Suddenly, Kate’s moving in with a family she never knew she had, joining a campaign in support of a man she hardly knows, and falling for a rebellious boy who may not have the purest motives. This is Kate’s new life. But who is Kate? When what she truly believes flies in the face of the campaign’s talking points, she must decide. Does she turn to the family she barely knows, the boy she knows but doesn’t necessarily trust, or face a third, even scarier option?