as long as the accident is truly accidental. Hugo Award Nominee

    A man travels to his son’s school to deal with the fallout of a violent attack and to make sure his son will not lose his college place. But what exactly has his son done? And who is to blame? A young woman trying to make it in LA, working in a clothes shop while taking acting classes, turns to a riskier way of making money but will be forced to confront the danger of the game she’s playing. And a family coming together for Christmas struggle to skate over the lingering darkness caused by the very ordinary brutality of a troubled husband and father.These outstanding stories examine masculinity, male power and broken relationships, while revealing – with astonishing insight and clarity – those moments of misunderstanding that can have life-changing consequences. And there is an unexpected violence, ever-present but unseen, in the depiction of the complicated interactions between men and women, and families. Subtle, sophisticated and displaying an extraordinary understanding of human behaviour, these stories are unforgettable.

    But, before you do...She's just turned one hundred. She doesn't want a birthday party. Or a TV interview. She's too busy practising for her driving test. And hoodwinking church visitors with magic tricks. She's Miss Ona Vitkus. And she's one in a million.Warm, funny and heartbreaking, this short-story prequel to THE ONE IN A MILLION BOY - the book destined to be on everyone's lips this summer - will make you laugh and cry with the turn of a page.

    Traditional resources—home, parents, lovers, friends, even willpower—are not dependable. And so the characters in these short, compelling stories have learned to depend on small triumphs of wit, irony, and spirit.A widow, surrounded by a small menagerie, comes to terms with her veterinarian husband's death; a young woman entertains her dying friend with trivia and reaffirms her own life; in the aftermath of an abortion, a woman compulsively knits a complete wardrobe for a friend's baby. Buffeted by rude shocks, thwarted by misconnections, the characters recognize that anything can finally become a reason to live.

    Beloved for the lens of the strange he places on small town life, Steven Millhauser further reveals in Voices in the Night the darkest parts of our inner selves to brilliant and dazzling effect. Here are stories of wondrously imaginative hyperrealism, stories that pose unforgettably unsettling what-ifs, or that find barely perceivable evils within the safe boundaries of our towns, homes, and even within our bodies. Here, too, are stories culled from religion and fables: Samuel, who hears the voice of God calling him in the night; a young, pre-enlightenment Buddha, who searches for his purpose in life; Rapunzel and her Prince, who struggle to fit the real world to their dream. Heightened by magic, the divine, and the uncanny, shot through with sly and winning humor, Voices in the Night seamlessly combines the whimsy and surprise of the familiar with intoxicating fantasies that take us beyond our daily lives, all done with the hallmark sleight of hand and astonishing virtuosity of one of our greatest contemporary storytellers.

    In these vast landscapes, hunting, fishing, and sports are the givens of men's lives. With prose that stings like the scent of gunpowder, this is a collection of power.ContentsAngels in the snowOpening dayDay of the moonwalkAliensWood grouse on a high promontory overlooking CanadaPiranhasThree huntersAmerican elmArcturusThe flower garden

    Offers a selecttion of the master of human comedy's short stories from the 1930s and 1940s.

    Estep follows her first novel, "Diary of An Emotional Idiot, " with a set of linked stories that glimpses two women through the eyes of the men in their lives.

    There's Walter, newly abandoned by his wife; there's Edith, a fiftyish virgin; there's Bunny, taking care of her mother and her mother's boyfriend; and there's Belle, whose married lover dies in the hallway wearing her dead husband Herb's pajama top. Blindly, they encounter one another in ways the reader recognizes are profound even as the characters themselves are unaware. The genius and the art in this collection derives from the possibility that these ships might actually find each other by daylight. If only these four could get together--they'd be so good for each other. "Written with an expert touch, and a wise and tender sensibility. The effect is subtle, strong, and comic."--Charles Baxter, author of BELIEVERS and BURNING DOWN THE HOUSE; "It's hard to think she is capable of writing anything that isn't immediately engaging and a joy to read. Probably someone should publish her shopping lists."--Elizabeth Berg, author of TALK BEFORE SLEEP. A BOOK-OF-THE-MONTH CLUB SELECTION

    In Fortune Smiles - his first book since Orphan Master - he continues to give voice to characters rarely heard from, while offering something we all seek from fiction: a new way of looking at our world.In six masterly stories, Johnson delves deep into love and loss, natural disasters, the influence of technology, and how the political shapes the personal. "George Orwell Was a Friend of Mine" follows a former warden of a Stasi prison in East Germany who vehemently denies his past, even as pieces of it are delivered in packages to his door. "Nirvana," which won the prestigious Sunday Times short story prize, portrays a programmer whose wife has a rare disease finding solace in a digital simulacrum of the president of the United States. In "Hurricanes Anonymous" - first included in the Best American Short Stories anthology - a young man searches for the mother of his son in a Louisiana devastated by Hurricanes Katrina and Rita. And in the unforgettable title story, Johnson returns to his signature subject, North Korea, depicting two defectors from Pyongyang who are trying to adapt to their new lives in Seoul, while one cannot forget the woman he left behind. Unnerving, riveting, and written with a timeless quality, these stories confirm Johnson as one of America's greatest writers and an indispensable guide to our new century.

    But when it comes to love stories, things are simpler. A love story can never be about full possession. Love stories depend on disappointment, on unequal births and feuding families, on matrimonial boredom and at least one cold heart. Love stories, nearly without exception, give love a bad name.... It is perhaps only in reading a love story (or in writing one) that we can simultaneously partake of the ecstasy and agony of being in love without paying a crippling emotional price. I offer this book, then, as a cure for lovesickness and an antidote to adultery. Read these love stories in the safety of your single bed. Let everybody else suffer." --Jeffrey Eugenides, from the introduction to My Mistress's Sparrow Is Dead All proceeds from My Mistress's Sparrow Is Dead will go directly to fund the free youth writing programs offered by 826 Chicago. 826 Chicago is part of the network of seven writing centers across the United States affiliated with 826 National, a non-profit organization dedicated to supporting students ages 6 to 18 with their creative and expository writing skills, and to helping teachers inspire their students to write.

    It rains too much, she misses her mother and the country life they once shared, and with Christmas coming up she's having a hard time adjusting to life with only her dad. When she finds a kitten trapped in their garage, Brianna is sure things will get better. But nothing goes as planned, and Brianna wonders what she's gotten herself into. CAT TALES is a series of short, stand-alone fiction celebrating the human-animal bond, from award-winning author Linda Benson.

    It is not just another day: it is the culmination of hundreds of days, hundreds of disappointments and misunderstandings, and thousands of very small lies... From the Publisher 'Demonstrates a wry talent' Guardian 'A true writer of fiction...A writer whose every book has been a pleasure' Scotsman At the moment that Colonel Browne is standing in the shallow end of the swimming pool of the Hotel Alpenrose, preparing for his late afternoon dip, his daughter Charlotte, carrying a suitcase, is getting out of her car back in England, preparing to rob the ancestral home. It is not just another day: it is the cuilmination of hundreds of days, hundreds of disappointments and misunderstandings, and thousands of very small lies... 'Rose Tremain goes from strength to strength. The Colonel's Daughter is a winner...a riveting and satisfying read' New Statesman 'Dialogue and off-beat humour are spot on' Daily Telegraph.

    She had not previously gone to a ball due to living deep in the country, and she goes to the ball with her cousins due to lacking any siblings of her own.

    In the heat of a hospital laundry room in New Jersey, a woman does her lover’s washing and thinks about his wife. In Boston, a man buys his love child, his only son, a first baseball bat and glove. At the heart of these stories is the irrepressible, irresistible Yunior, a young hardhead whose longing for love is equaled only by his recklessness—and by the extraordinary women he loves and loses: artistic Alma; the aging Miss Lora; Magdalena, who thinks all Dominican men are cheaters; and the love of his life, whose heartbreak ultimately becomes his own. In prose that is endlessly energetic, inventive, tender, and funny, the stories in This Is How You Lose Her lay bare the infinite longing and inevitable weakness of the human heart. They remind us that passion always triumphs over experience, and that “the half-life of love is forever.”