A massive invasion fleet suddenly appears off the corner of the solar system, headed towards Earth. The nearest patrol ship is sent to investigate, with little chance of survival.

    L. MooreSHIPWRECK IN THE SKY, by Eando BinderZEN, by Jerome BixbyTHE LITTLE BLACK BAG, by C.M. KornbluthLANCELOT BIGGS COOKS A PIRATE, by Nelson S. BondLIGHTER THAN YOU THINK, by Nelson BondTHE ISSAHAR ARTIFACTS, by J. F. BoneTHE NEXT LOGICAL STEP, by Ben BovaYEAR OF THE BIG THAW, by Marion Zimmer BradleyEARTHMEN BEARING GIFTS, by Fredric BrownHAPPY ENDING, by Fredric Brown and Mack ReynoldsMONSTERS OF MOYEN, by Arthur J. BurksACCIDENTAL DEATH, by Peter BailyAND ALL THE EARTH A GRAVE, by C. C. MacAppEGOCENTRIC ORBIT, by John CoryDEAD RINGER, by Lester del ReyTHE CRYSTAL CRYPT, by Philip K. DickTHE JUPITER WEAPON, by Charles L. FontenayTHE MAN WHO HATED MARS, by Randall GarrettNAVY DAY, by Harry HarrisonTHE JUDAS VALLEY, by Robert Silverberg & Randall GarrettNATIVE SON, by T. D. HammFINAL CALL, by John Gregory Betancourt

    In this volume you'll find stories by James Patrick Kelly, Wil McCarthy, Susan Palwick, Tom Purdom, Robert Reed, Michael Swanwick, James Van Pelt, Howard Waldrop, Alastair Reynolds, Ian McDonald, Mary Rosenblum, Stephen Leigh and Joe Haldeman.

    Kennedy Jr., from The Atlantic Monthly “Watching the Detectives” by Jay Kirk, from Harper’s Magazine “For the Love of God” by Jon Krakauer, from GQ “Chief Bratton Takes on LA” by Heather Mac Donald, from City Journal “Not Guilty by Reason of Afghanistan” by John H. Richardson, from Esquire “Megan’s Law and Me” by Brendan Riley, from Details “Unfortunate Con” by Mark Schone, from The Oxford American “To Kill or Not to Kill” by Scott Turow, from The New Yorker

    HeinleinForgetfulness (1937) by John W. Campbell, Jr.Nerves (1942) by Lester del ReyThe Sands of Time (1937) by P. Schuyler MillerThe Proud Robot (1943) by Henry KuttnerSeeds of the Dusk (1938) by Raymond Z. GallunBlack Destroyer (1939) by A. E. van VogtSymbiotica (1943) by Eric Frank RussellHeavy Planet (1939) by Milton A. RothmanTime Locker (1943) by Henry KuttnerThe Link (1942) by Cleve CartmillMechanical Mice (1941) by Eric Frank RussellV-2: Rocket Cargo Ship (1945) essay by Willy LeyAdam & No Eve (1941) by Alfred BesterNightfall (1941) by Isaac AsimovA Matter of Size (1934) by Harry BatesAs Never Was (1944) by P. Schuyler MillerQ.U.R. (1943) by Anthony BoucherWho Goes There? (1938) by John W. Campbell, Jr.The Roads Must Roll (1940) by Robert A. HeinleinAsylum (1942) A. E. van VogtQuietus (1940) by Ross RocklynneThe Twonky (1942) by Henry Kuttner & C. L. MooreTime-Travel Happens! (1939) essay by A. M. PhillipsRobot's Return (1938) by Robert Moore WilliamsThe Blue Giraffe (1939) by L. Sprague de CampFlight into Darkness (1943) by J. Francis McComasThe Weapons Shop (1942) by A. E. van VogtFarewell to the Master (1940) by Harry BatesWithin the Pyramid (1937) by R. DeWitt MillerHe Who Shrank (1936) by Henry HasseBy His Bootstraps (1941) by Robert A. HeinleinThe Star Mouse (1942) by Fredric BrownCorrespondence Course (1945) by Raymond F. JonesBrain (1932) by S. Fowler Wright

    CAMPBELLHere are the finest stories by the man who almost single-handedly created modern science fiction--the writer who taught a generation to dream...and to write of all possible futures.TWILIGHTHe was a mere hitchhiker now, but he had once seen the far, far future...and had returned to mourn what he had seen!THE MACHINEThe machine was ultimately benevolent...so benevolent that it gave mankind the ultimate but most unwanted gift!FORGETFULNESSThey were like children in the museum of Earth's glorious past...children who had forgotten so much, but whose powers were those of gods!And the classic that was to become the movie THE THING: WHO GOES THERE?The Thing was the most dreadful threat men had ever faced...a creature that could be any one--or all--of them!And many more!Contents:· Introduction: The Three Careers of John W. Campbell · Lester del Rey · in · The Last Evolution · ss Amazing Aug ’32 · Twilight [as by Don A. Stuart; Dying Earth] · ss Astounding Nov ’34 · The Machine [as by Don A. Stuart; Machine, et seq] · ss Astounding Feb ’35 · The Invaders [as by Don A. Stuart; Machine, et seq] · ss Astounding Jun ’35 · Rebellion [as by Don A. Stuart; Machine, et seq] · nv Astounding Aug ’35 · Blindness [as by Don A. Stuart] · ss Astounding Mar ’35 · Elimination [as by Don A. Stuart] · ss Astounding May ’36 · Forgetfulness [as by Don A. Stuart] · nv Astounding Jun ’37 · Out of Night [as by Don A. Stuart; Sarn] · nv Astounding Oct ’37 · Cloak of Aesir [as by Don A. Stuart; Sarn] · na Astounding Mar ’39 · Who Goes There? [as by Don A. Stuart] · na Astounding Aug ’38 · Space for Industry · ar Astounding Apr ’60 · Afterword: Postscriptum · Mrs. John Campbell · aw

    P. Lovecraft from authors who do not merely imitate, but reimagine, re-energize, and renew his concepts in ways relevant to today's readers. Fresh new fiction that explores our modern fears and nightmares. From the depths of R'lyeh to the heights of the Mountains of Madness, some of today's best weird fiction writers -- both established award-winning authors and exciting new voices -- THE MAMMOTH BOOK OF CTHULHU collects tales of cosmic horror that traverse terrain created by Lovecraft and create new eldritch geographies to explore . . . With stories by: Laird Barron, Nadia Bulkin, Amanda Downum, Ruthanna Emrys, Richard Gavin, Lois H. Gresh, Lisa L. Hannett, Brian Hodge, CaitlíR. Kiernan, John Langan, Yoon Ha Lee, Usman T. Malik, Helen Marshall, Silvia Moreno, Norman Partridge, W. H. Pugmire, Veronica Schanoes, Michael Shea, John Shirley, Simon Strantzas, Sandra McDonald, Damien Angelica Walters, Don Webb, Michael Wehunt, and A.C. Wise

    Le Guin's Vaster Than Empires and More Slow. Including brief general essays and a separate introduction to each individual story or excerpt, Rabkin's anthology greatly illuminates the evolution of the genre.

    Her startling and powerful works have redefined the boundaries of contemporary science fiction. Here in one volume are twelve of her greatest stories, including double award-winner "Fire Watch," set in the universe of Doomsday Book and To Say Nothing of the Dog, in which a time-traveling student learns one of history's hardest lessons. In "A Letter from the Clearys," a routine message from distant friends shatters the fragile world of a beleaguered family. In "The Sidon in the Mirror," a mutant with the unconscious urge to become other people finds himself becoming both killer and victim. Disturbing, revealing, and provocative, this remarkable collection of short fiction brings together some of the best work of an incomparable writer whose ability to amaze, confound, and enlighten never fails.Contents:Fire Watch (1982)Service for the Burial of the Dead (1982)Lost and Found (1982)All My Darling Daughters (1985)The Father of the Bride (1982)A Letter from the Clearys (1982)And Come from Miles Around (1979)The Sidon in the Mirror (1983)Daisy, in the Sun (1979)Mail-Order Clone (1982)Samaritan (1978)Blued Moon (1984)

    Desperate to win back his father’s approval, the boy hatches a plan involving his father’s love of slasher films. If the boy can become a real-life slasher right out of the movies, it just might be an opportunity to make his father proud again, no matter what the cost.In Iain Rob Wright’s “The Reckoning,” the year is 2035 and people live inside their individual worlds. Amelie’s ‘pod’ is a marvel of tech-centric existence, taking care of her every need. But when a serial killer that the press have named ’The Reckoning’ comes calling for Amelie, her futuristic living space turns deadly.In William Malmborg's "Billy's Blade," a budding serial killer bites off more than he can chew when he tries to stab Stacy Collins to death on the Prairie Path. A ruthless investigative journalist, Stacy goes on the offensive, goading the killer with unflattering articles, all in hopes of sparking a second encounter. Will Billy and Stacy meet again?Jeff Strand’s “Twentieth Anniversary Screening” recounts the grisly events surrounding the terrible slasher flick THE ROOFER, remembered only because an obsessed fan tried to reenact the murders as they played out on the screen. When the same theater shows the film twenty years later, will the warnings that this is a really, really bad idea be justified?