They have become the monsters that best express the anxieties and fears of the modern west. This collection gathers together zombie works by Stephen King, Harlan Ellison, Robert Silverberg, George R. R. Martin, Clive Barker, Neil Gaiman, Joe Hill, Poppy Z. Brite, Laurell K. Hamilton, and Joe R. Lansdale. These brilliant minds, and The Living Dead, cover the many types of zombie fiction. Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

    An adventure you'll never forget. Grab all four books in the thrilling TERRADOX series for one low price, in this great value 1600-page sci-fi box set! With Earth in turmoil under the iron fist of a despotic Global Union, a small group of exiles flees for the safety of a distant research station. They were heading for Venus. Somewhere else found them first. Crash-landing on an uncharted world full of wonders wasn't what anyone had in mind, and the irresistible temptation to explore and conquer the incredible landscape reveals new dangers hiding around every corner. Everything rests on the survivors' ability to unravel the mystery of their increasingly hostile new world, but Terradox will not give up its secrets without a fight... This box set contains all four Terradox novels: 1) Terradox 2) The Fall of Terradox 3) Terradox Reborn 4) Terradox Beyond ... and also a never-before-seen prequel short story: 0) Terradox Zero: Before The Crash Dive in to the epic Terradox saga today! (From the author of the blockbuster international bestseller, Not Alone)

    Gathering stories by nine of today's most incisive minds, Seeds of Change confronts the pivotal issues facing our society today: racism, global warming, peak oil, technological advancement, and political revolution. Many serve as a call to action. How will you change with the future? These nine stories sow seeds of change across familiar and foreign territory, from our own backyards to the Niger Delta to worlds not yet discovered. Pepper, the mysterious mercenary from Tobias S. Buckell's Crystal Rain and Ragamuffin, works as an agent for change -- if the price is right -- in "Resistance." Ken MacLeod envisions the end-game in the Middle East in "A Dance Called Armageddon." New writer Blake Charlton imagines a revolutionary advance in cancer research in "Endosymbiont." Award-winning author Jay Lake tackles technological change and the forces that will stop at nothing to prevent it in "The Future by Degrees." Other stories by K.D. Wentworth, Jeremiah Tolbert, Mark Budz, Ted Kosmatka, and Nnedi Okorafor-Mbachu range from the darkly satirical to the exotic. All explore the notion that change will come.

    KornbluthGHOST, by Darrell SchweitzerDEATH WISH, by Robert Sheckley THE WAVERIES, by Fredric BrownADAM AND NO EVE, by Alfred BesterFOXY LADY, by Lawrence Watt-EvansTHIN EDGE, by Randall GarrettCOMPANDROID, by Nina Kiriki HoffmanPOSTMARK GANYMEDE, by Robert SilverbergKEEP OUT, by Fredric BrownTHE HATE DISEASE, by Murray LeinsterUNIVERSAL DONOR, by Nina Kiriki HoffmanTHE GREEN BERET, by Tom PurdomMR. SPACESHIP, by Philip K. DickBRKNK’S BOUNTY, by Jerry SohlTHE BATTLE OF LITTLE BIG SCIENCE, by Pamela RentzTHE EGO MACHINE, by Henry KuttnerTHE MAN FROM TIME, by Frank Belknap LongTHE SENSITIVE MAN, by Poul AndersonREVOLUTION, by Mack ReynoldsTHE THING IN THE ATTIC, by James BlishKNOTWORK, by Nina Kiriki HoffmanTHE DUELING MACHINE, by Ben Bova and Myron R. LewisTHE PLANET SAVERS, by Marion Zimmer BradleyAnd don't forget to check out all the other volumes in the "Megapack" series! Search on "Megapack" in the ebook store to see the complete list...covering adventure stories, military, fantasy, ghost stories, and more!

    There is an openness to experiment and pushing boundaries, combined with the classic desire to read about spaceships and dragons, future technology and ancient magic, and the places where they intersect. Contemporary science fiction and fantasy looks to accomplish the same goal as ever—to illuminate what it means to be human. With a diverse selection of stories chosen by series editor John Joseph Adams and Diana Gabaldon, The Best American Science Fiction and Fantasy 2020 explores the ever-expanding and changing world of SFF today.

    Award-winning and best-selling authors from across the genre spectrum join forces in this edgy collection. These deliciously frightening and reflective tales of phobias will cause your heart to race and your body to perspire. ***ALL PROCEEDS FROM THIS ANTHOLOGY WILL BE DONATED TO THE NATIONAL ALLIANCE ON MENTAL ILLNESS (NAMI)*** Experimental by Lauren Algeo: Four people, four boxes, one nightmare. There's no way out for Michael, Heidi, Sabina and Jace, and no escape from their own minds. Do they have the mental strength to withstand insanity? The First Step by Marisa Oldham & Angie Martin: Following a terrifying ordeal, Adele has wrapped herself up in the comfort of her own home for the past four years. Can one man bring her the courage she needs to take the first step into a new world? A Mind’s Undoing by Sloane Kady: Inside Kate lived a fear so profound even sanity couldn't reason with it and reality couldn't shake it from its foundation. When her greatest fear comes knocking, will she recognize it, or will it push her farther into a world of her mind's making? Mark of Deceit by Glede Browne Kabongo: Ambitious career girl Natalie Grainger Fox is in for the fight of her life when she becomes the unwilling recipient of a computer flash drive that could bring about the collapse of her employer—a global powerhouse that may be guilty of financial fraud and cold-blooded murder. Unreal by Shay Lynam: When a glitch in the system traps three teens inside a virtual reality, they must band together and face their worst fears in hopes of finding a way out. Jezebel’s Embrace by Heather Osborne: With an abusive mother dominating every aspect of her life, Lilith has grown to fear intimacy and touch. When she finally manages to escape, the death of a kindly lady draws her back. Will Lilith learn to conquer her fear, or will it consume her, mind and soul? Heaven’s Hell by Sandy Richards: Ernie had a devil of a time with life; nevertheless, salvation came calling surrounded by hellish circumstances. Touch of the Untouchables by Jalpa Williby: Zak has only known one way of life: stay inside the wall. When a forbidden excursion goes wrong, he meets up with an enemy of unknown danger. In facing his worst fear, he is forced to question everything that has been his world and determine his own reality.

    Original tales by such science fiction luminaries as Orson Scott Card, Harry Turtledove, and Connie Willis, written in honor of Isaac Asimov's fiftieth anniversary in the genre, are set in one of his fictional universes.

    His mother has his life planned out, with a seat by her side, running the conglomerate. Tyler has other ideas. With the help of a great-grandfather who was a United States Marine when there used to be a United States, Tyler changes his face and his identity, becoming Randall Munroe and enlisting in the Fleet Marine Corps, qualifying for the point of the sword, Force Recon. Plunged into an interstellar war against the relentless Tahni Empire, Munroe is stranded alone on an occupied colony and forced to organize a civilian resistance to the enemy. The year of constant violence and death wears him down, yet sharpens him at the same time. After the war, Munroe once again takes up arms, this time against his will, when his uncle, Andre Damiani, the head of the Corporate Council, blackmails him into leading a special squad of trouble-shooters, eliminating threats to Council business among the criminal cabals in the Pirate Worlds. But the real enemy is still the Council, and Munroe vows to take the fight to them, no matter what the cost.

    

    Intelligent. Extraordinary.An SFBC Original Event.In science fiction, nothing says sensawunda like a Big Dumb Object--a colossal, extremely powerful machine of unknown purpose and origin. It's that feeling that editor Jonathan Strahan was after when he asked six of today's finest authors to write for Godlike Machines. And they succeed brilliantly!• Alastair Reynolds unlocks the secrets inside an alien spaceship--secrets that could change the world ... if only a repressive regime would believe its last surviving explorer.• Stephen Baxter sends wormwhole builders to Titan, but what they discover there may fuel their wildest dreams ... or destroy them.• Cory Doctorow turns the idea of godlike machines on its head with replicating machines that turn cities back into wilderness.• Sean Williams leads a spacer agent through a subterranean Structure ... and into space-time itself.• Robert Reed--in a story about the ancient, Jupiter-sized Great Ship--looks at a strange passenger who has been on board far longer than seems possible.• Greg Egan gives us an alien technology only he could imagine--a wandering world that's inexplicably warm enough to support life.Made from the pure stuff of SF, these unique, all-new adventures are nothing less than awesome!

    Angry at his brother for not taking him deep-sea fishing, Jethro stomps off, meets a jumbie, and enlists its help in changing his brother's mind.

    Malzberg · in 11 · Introduction · in 15 · Don’t Hold Your Breath · ss Saving Worlds, ed. Roger Elwood & Virginia Kidd, Garden City, NY: Doubleday, 1973 38 · All We Have on This Planet · ss Stopwatch, ed. George Hay, NEL, 1974 47 · War of Nerves [Beagle] · nv Other Worlds May ’50 72 · The Rull [Rulls] · nv Astounding May ’48 99 · The Semantics of Twenty-First Century Science · ar, 1976 120 · Future Perfect · nv Vertex Aug ’73 146 · Being an Examination of the Ponsian and Holmesian Secret Deductive Systems · ar The Pontine Dossier v1 #2 ’71; speech given at the annual banquet of the Praed Street Irregulars in 1971. 152 · Home of the Gods [Clane] · nv Astounding Apr ’47 178 · The Violent Male · ar, 1976; last of a series of five talks given on radio station KPFK in 1964/65. 192 · Prologue to “The Silkie” [Silkie] · ex If Jul ’64 201 · The Proxy Intelligence [William Leigh] · na If Oct ’68 253 · Final Comment · aw

    Read stories by Theodore Sturgeon, H.P. Lovecraft, Anthony Boucher, Richard Matheson, Isaac Asimov, Ray Bradbury, Lester del Rey, Arthur C. Clarke, John D. MacDonald, and many others, and find yourself transported to strange and distant worlds in an enduring collection of timeless science fiction tales.Stories in book:John Thomas's Cube John LeimertHyperpilosity L. Sprague de CampThe Thing in the Woods Fletcher Pratt & B. F. RubyAnd be Merry... Katherine MacLeanThe Bees From Borneo Will H. GrayThe Rag Thing David GrinnellThe Conqueror Mark CliftonNever Underestimate... Theodore SturgeonThe Doorbell David H. KellerA Subway Named Mobius A. J. DeutschBackfire Ross RocklynneThe Box James BlishZeritsky's Law Ann GriffithThe Fourth Dynasty R. R. WinterbothamThe Color Out of Space H. P. LovecraftThe Head Hunters Ralph WilliamsThe Star Dummy Anthony BoucherCatch That Martian Damon KnightShipshape Home Richard MathesonHomo Sol Isaac AsimovAlexander the Bait William TennKaleidoscope Ray Bradbury"Nothing Happens on the Moon" Paul ErnstTrigger Tide Wyman GuinPlague Murray LeinsterWinner Lose All Jack VanceTest Piece Eric Frank RussellEnvironment Chester S. GeierHigh Threshold Alan E. NourseSpectator Sport John D. MacDonaldRecruiting Station A. E. von VogtA Stone and a Spear Raymond F. JonesWhat you Need Lewis PadgettThe Choice W. Hilton-YoungThe War Against the Moon Andre' MauroisPleasant Dreams Ralph RobinManners of the age H. B. FyfeThe Weapon Frederick BrownThe Scarlet Plague Jack LondonHeritage Robert AbernathyHistory Lesson Arthur C. ClarkeInstinct Lest del ReyCounter Charm Peter Phillips

    All girls. Why?In a dark and divided dystopian America, an ambitious reporter must risk her life and reputation to find out why only females are being born.Twenty-eight-year-old Charley Tennyson has battled PTSD ever since surviving a violent attack that killed her father. Four months later, she returns to her job as a reporter, only to be thrust into a high-profile investigation that forces her to choose between her own safety and the nation’s future.For the last two days, only females have been born in America. If the trend continues, males could become extinct within the next century. Charley's investigation leads to a deep conspiracy that raises unexpected questions about gender roles, violence, government power, and her father’s death.The story of one woman’s journey to find courage in a world full of fear, End of Men is a reminder of what binds us together when everything is falling apart."End of Men is a smart, evocative page-turner set in an unnervingly plausible future. Strobel's plot unfolds at a furious pace, seamlessly weaving in scientific, technological and social details that will convince you her dystopian vision is right around the corner." —Doug Kurtz, The Story Coach, dougkurtz.com"Suzanne Strobel has woven a narrative that holds up to the best of the top-tier dystopian writers. The heroine, Charley Tennyson, embarks on a journey where she uncovers the truth to a scientific mystery, has to build trust with others and ultimately finds hope. I couldn’t put this book down. You’re not going to want to pass up this gem, in fact you’re going to want to bring it to your book club." —Tamara Palmer, Author of Finding Lancelot and Missing Tyler

    Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus