Personal robots are making life easier for the working class. The government is harnessing renewable energy to provide infrastructure for the poor. And in the bustling coastal town of Port Elizabeth, the economy is booming thanks to the genetic engineering industry which has found a welcome home there. Yes--the days to come are looking very good for South Africans. That is, if they can survive the present challenges:A new hallucinogenic drug sweeping the country . . .An emerging AI uprising . . .And an ancient demigoddess hellbent on regaining her former status by preying on the blood and sweat (but mostly blood) of every human she encounters.It's up to a young Zulu girl powerful enough to destroy her entire township, a queer teen plagued with the ability to control minds, a pop diva with serious daddy issues, and a politician with even more serious mommy issues to band together to ensure there's a future left to worry about.

    Yet she still feels something about him is just out of reach. Soon, as people close to Jessica begin to meet violent, mysterious deaths, David makes an unimaginable confession: More than 400 years ago, he and other members of an Ethiopian sect traded their humanity so they would never die, a secret he must protect at any cost. Now, his immortal brethren have decided David must return and leave his family in Miami. Instead, David vows to invoke a forbidden ritual to keep Jessica and his daughter with him forever. Harrowing, engrossing and skillfully rendered, My Soul to Keep traps Jessica between the desperation of immortals who want to rob her of her life and a husband who wants to rob her of her soul. With deft plotting and an unforgettable climax, this tour de force reminiscent of early Anne Rice will win Due a new legion of fans.

    A community formed around the edges of a mysterious alien biodome, its residents comprise the hopeful, the hungry and the helpless—people eager for a glimpse inside the dome or a taste of its rumored healing powers.Kaaro is a government agent with a criminal past. He has seen inside the biodome, and doesn't care to again—but when something begins killing off others like himself, Kaaro must defy his masters to search for an answer, facing his dark history and coming to a realization about a horrifying future.

    She's used to the names; she only wishes there was more truth to them. If she were truly a monster, as they accuse, she'd be powerful enough to tear down the walls around her until nothing remained of her world, save for stories told around the cookfire.Aster lives in the low-deck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, the Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster, who they consider to be less than human.When the autopsy of Matilda's sovereign reveals a surprising link between his death and her mother's suicide some quarter-century before, Aster retraces her mother's footsteps. Embroiled in a grudge with a brutal overseer and sowing the seeds of civil war, Aster learns there may be a way off the ship if she's willing to fight for it.

    Some are darkly humorous—from two mothers exchanging snide remarks through notes in their kids’ backpacks, to the young girl contemplating how best to notify her Facebook friends of her impending suicide—while others are devastatingly poignant—a new mother and funeral singer who is driven to madness with grief for the young black boys who have fallen victim to gun violence, or the teen who struggles between her upper middle class upbringing and her desire to fully connect with black culture.Thompson-Spires fearlessly shines a light on the simmering tensions and precariousness of black citizenship. Her stories are exquisitely rendered, satirical, and captivating in turn, engaging in the ongoing conversations about race and identity politics, as well as the vulnerability of the black body. Boldly resisting categorization and easy answers, Nafissa Thompson-Spires is an original and necessary voice in contemporary fiction.

    In the forest there is not a big gap between the two."A Datin recalls her romance with an orang bunian. A teenage pontianak struggles to balance homework, bossy aunties, first love, and eating people. An earth spirit gets entangled in protracted negotiations with an annoying landlord, and Chang E spins off into outer space, the ultimate metaphor for the Chinese diaspora.Straddling the worlds of the mundane and the magical, Spirits Abroad collects ten science fiction and fantasy stories with a distinctively Malaysian sensibility.

    Revisions from the author's notes are included, allowing a deeper view into her world and a better understanding of her work. The Nebula Award–winning short story Love Is the Plan, the Plan Is Death, the Hugo Award–winning novella The Girl Who Was Plugged In, and the Hugo and Nebula Award–winning novella Houston, Houston, Do You Read? are included.The stories of Alice Sheldon, who wrote as James Tiptree Jr. ( Up the Walls of the World ) until her death in 1987, have been heretofore available mostly in out-of-print collections. Thus the 18 accomplished stories here will be welcomed by new readers and old fans. ''The Screwfly Solution'' describes a chilling, elegant answer to the population problem. In ''Love Is the Plan the Plan Is Death,'' the title tells the tale--species survival insured by imprinted drives--but the story's force is in its exquisite, lyrical prose and its suggestion that personal uniqueness is possible even within biological imperatives. ''The Girl Who Was Plugged In'' is a future boy-meets-girl story with a twist unexpected by the players. ''The Women Men Don't See '' displays Tiptree's keen insight and ability to depict singularity within the ordinary. In Hugo and Nebula award-winning ''Houston, Houston, Do You Read?'' astronauts flying by the sun slip forward 500 years and encounter a culture that successfully questions gender roles in ours.ContentsIntroduction by Michael SwanwickThe Last Flight of Doctor Ain (1969)The Screwfly Solution (1977)And I Awoke and Found Me Here on the Cold Hill’s Side (1972)The Girl Who Was Plugged In (1973)The Man Who Walked Home (1972)And I Have Come Upon This Place by Lost Ways (1972)The Women Men Don’t See (1973)Your Faces, O My Sisters! Your Faces Filled of Light! (1976)Houston, Houston, Do You Read? (1976)With Delicate Mad Hands (1981)A Momentary Taste of Being (1975)We Who Stole the Dream (1978)Her Smoke Rose Up Forever (1974)Love Is the Plan the Plan Is Death (1973)On the Last Afternoon (1972)She Waits for All Men Born (1976)Slow Music (1980)And So On, and So On (1971)

    In “Who Will Greet You at Home,” a National Magazine Award finalist for The New Yorker, A woman desperate for a child weaves one out of hair, with unsettling results. In “Wild,” a disastrous night out shifts a teenager and her Nigerian cousin onto uneasy common ground. In "The Future Looks Good," three generations of women are haunted by the ghosts of war, while in "Light," a father struggles to protect and empower the daughter he loves. And in the title story, in a world ravaged by flood and riven by class, experts have discovered how to "fix the equation of a person" - with rippling, unforeseen repercussions. Evocative, playful, subversive, and incredibly human, What It Means When a Man Falls from the Sky heralds the arrival of a prodigious talent with a remarkable career ahead of her.

    Houston. Dr. Wale Olufunmi, lunar rock geologist, has a life most Nigerian immigrants would kill for, but then most Nigerians aren’t Wale—-a great scientific mind in exile with galactic ambitions. Then comes an outlandish order: steal a piece of the moon. With both personal and national glory at stake, Wale manages to pull off the near impossible, setting out on a journey back to Nigeria that leads anywhere but home. Compelled by Wale’s impulsive act, Nigerians traces arcs in time and space from Houston to Stockholm, from Cape Town to Bulawayo, picking up on the intersecting lives of a South African abalone smuggler, a freedom fighter’s young daughter, and Wale’s own ambitious son. Deji Bryce Olukotun’s debut novel defies categorization—-a story of international intrigue that tackles deeper questions about exile, identity, and the need to answer an elusive question: what exactly is brain gain?PRAISE FOR NIGERIANS IN SPACE "Fast-paced, well-written and packed with insight and humor. Olukotun is a very talented storyteller. "—-Charles Yu, National Book Award 5-Under-35 winner and author of How to Live Safely in a Science Fictional Universe"A deft mingling of satirical humor, Noirish twists…and a keen-eyed yet accessible take on cultural displacement in contemporary times. "—-Olufemi Terry, winner of the Caine Prize for African Writing"You can taste Cape Town, you can hear it in the dialogue, see its beauty in the descriptions. Deji Olukotun has my city's number: especially its nasty underbelly, the dangerous dealing of abalone poachers. "—-Mike Nicol, author of the Revenge Trilogy

    The collection includes seminal authors such as Gerald Vizenor, historically important contributions often categorized as "magical realism" by authors like Leslie Marmon Silko and Sherman Alexie, and authors more recognizable to science fiction fans like William Sanders and Stephen Graham Jones. Dillon's engaging introduction situates the pieces in the larger context of science fiction and its conventions.Organized by sub-genre, the book starts with Native slipstream, stories infused with time travel, alternate realities and alternative history like Vizenor's "Custer on the Slipstream." Next up are stories about contact with other beings featuring, among others, an excerpt from Gerry William's The Black Ship. Dillon includes stories that highlight Indigenous science like a piece from Archie Weller's Land of the Golden Clouds, asserting that one of the roles of Native science fiction is to disentangle that science from notions of "primitive" knowledge and myth. The fourth section calls out stories of apocalypse like William Sanders' "When This World Is All on Fire" and a piece from Zainab Amadahy's The Moons of Palmares. The anthology closes with examples of biskaabiiyang, or "returning to ourselves," bringing together stories like Eden Robinson's "Terminal Avenue" and a piece from Robert Sullivan's Star Waka.An essential book for readers and students of both Native literature and science fiction, Walking the Clouds is an invaluable collection. It brings together not only great examples of Native science fiction from an internationally-known cast of authors, but Dillon's insightful scholarship sheds new light on the traditions of imagining an Indigenous future.

    Some of Samatar’s weird and tender fabulations spring from her life and her literary studies; some spring from the world, some from the void.

    Ewing's narrative takes us from the streets of 1990s Chicago to an unspecified future, deftly navigating the boundaries of space, time, and reality. Ewing imagines familiar figures in magical circumstances, and identifies everyday objects - hair moisturizer, a spiral notebook - as precious icons.Her visual art is spare, playful, and poignant: a cereal box decoder ring that allows the wearer to understand what Black girls are saying; a teacher's angry, subversive message scrawled on the chalkboard. Electric Arches invites fresh conversations about race, gender, the city, identity, and the joy and pain of growing up.

    A Phoenix First Must Burn will take you on a journey from folktales retold to futuristic societies and everything in between. Filled with stories of love and betrayal, strength and resistance, this collection contains an array of complex and true-to-life characters in which you cannot help but see yourself reflected. Witches and scientists, sisters and lovers, priestesses and rebels: the heroines of A Phoenix First Must Burn shine brightly. You will never forget them.Authors include Elizabeth Acevedo, Amerie, Dhonielle Clayton, Jalissa Corrie, Somaiya Daud, Charlotte Davis, Alaya Dawn Johnson, Justina Ireland, Danny Lore, L.L. McKinney, Danielle Paige, Rebecca Roanhorse, Karen Strong, Ashley Woodfolk, and Ibi Zoboi.

    They wish to preserve their cherished way of life but come to discover that in order to preserve their culture, they may have to change it forever. Now a man and a woman from these two clashing societies must work together to save this vanishing race—and end up uncovering ancient mysteries with far-reaching ramifications. As their mission hangs in the balance, this unlikely team—one cool and cerebral, the other fiery and impulsive—just may find in each other their own destinies . . . and a force that transcends all.

    Escaping from slavery in the 1850s Gilda's longing for kinship and community grows over two hundred years. Her induction into a family of benevolent vampyres takes her on an adventurous and dangerous journey full of loud laughter and subtle terror.