Desperate, she breaks the one promise she made to her Alzheimer’s-stricken mother and opens an old chest that belonged to her great-grandfather, who died when the RMS Lusitania was sunk by a German U-Boat in 1915. What she discovers there could change history. Sarah embarks on an ambitious journey to England to enlist the help of John Langford, a recently disgraced Member of Parliament whose family archives might contain the only key to the long-ago catastrophe. . . .April 1915Southern belle Caroline Telfair Hochstetter’s marriage is in crisis. Her formerly attentive industrialist husband, Gilbert, has become remote, pre-occupied with business . . . and something else that she can’t quite put a finger on. She’s hoping a trip to London in Lusitania’s lavish first-class accommodations will help them reconnect—but she can’t ignore the spark she feels for her old friend, Robert Langford, who turns out to be on the same voyage. Feeling restless and longing for a different existence, Caroline is determined to stop being a bystander, and take charge of her own life. . . .Tessa Fairweather is traveling second-class on the Lusitania, returning home to Devon. Or at least, that’s her story. Tessa has never left the United States and her English accent is a hasty fake. She’s really Tennessee Schaff, the daughter of a roving con man, and she can steal and forge just about anything. But she’s had enough. Her partner has promised that if they can pull off this one last heist aboard the Lusitania, they’ll finally leave the game behind. Tess desperately wants to believe that, but Tess has the uneasy feeling there’s something about this job that isn’t as it seems. . . .As the Lusitania steams toward its fate, three women work against time to unravel a plot that will change the course of their own lives . . . and history itself.

    From brutal brothel-keeper Mrs Castaway, she ascends in society. Affections of self-involved perfume magnate William Rackham soon smells like love. Her social rise attracts preening socialites, drunken journalists, untrustworthy servants, vile guttersnipes, and whores of all kinds.

    Life after life, crossing continents and dynasties, he and Sophia (despite her changing name and form) have been drawn together-and he remembers it all. Daniel has "the memory", the ability to recall past lives and recognize souls of those he's previously known. It is a gift and a curse. For all the times that he and Sophia have been drawn together throughout history, they have also been torn painfully, fatally, apart. A love always too short.Interwoven through Sophia and Daniel's unfolding present day relationship are glimpses of their expansive history together. From 552 Asia Minor to 1918 England and 1972 Virginia, the two souls share a long and sometimes torturous path of seeking each other time and time again. But just when young Sophia (now "Lucy" in the present) finally begins to awaken to the secret of their shared past, to understand the true reason for the strength of their attraction, the mysterious force that has always torn them apart reappears. Ultimately, they must come to understand what stands in the way of their love if they are ever to spend a lifetime together.

    Years later—one struggling with his identity in a world hostile to his ancestry, the other creating the world’s most famous detective while in love with a woman who is not his wife–their fates become inextricably connected.In Arthur & George, Julian Barnes explores the grand tapestry of late-Victorian Britain to create his most intriguing and engrossing novel yet.

    Perfect for any reader of Sarah Waters or Antonia Hodgson. 'With this intricately woven tale of trust, self-trust and deceit, Anna Mazzola brings a gritty realism to Victorian London. Beautifully written and cleverly plotted, this is a stunning debut, ranked amongst the best' MANDA SCOTT After Sarah petitions for mercy, Edmund Fleetwood is appointed to investigate and consider whether justice has been done. Idealistic, but struggling with his own demons, Edmund is determined to seek out the truth. Yet Sarah refuses to help him, neither lying nor adding anything to the evidence gathered in court. Edmund knows she's hiding something, but needs to discover just why she's maintaining her silence. For how can it be that someone would willingly go to their own death?