They have always been together. Just the two of them. So, when Ben brings home his mysterious beautiful new wife, Daisy, immediately Annie doesn’t trust her. Who is this woman who has taken her son away from her? And what is she hiding?She’ll protect him with her life…When Ben disappears, suddenly Annie and Daisy are all the other one has. Alone in Annie’s big, remote house, just the two of them, the tension is rising. And like any protective mother, Annie will stop at nothing to expose her new daughter in law, and the secrets she is hiding…A gripping, psychological page-turner, perfect for fans of Sally Hepworth's The Mother In Law, Lisa Jewell and K.L. Slater.

    The couple is spending the summer of 1969 in the rooms below hers while Frances is researching the architecture in the surrounding gardens. But she's distracted. Beneath a floorboard in her bathroom, she finds a peephole that gives her access to her neighbors’ private lives.To Frances' surprise, Cara and Peter are keen to get to know her. It is the first occasion she has had anybody to call a friend, and before long they are spending every day together: eating lavish dinners, drinking bottle after bottle of wine, and smoking cigarettes until the ash piles up on the crumbling furniture. Frances is dazzled.But as the hot summer rolls lazily on, it becomes clear that not everything is right between Cara and Peter. The stories that Cara tells don’t quite add up, and as Frances becomes increasingly entangled in the lives of the glamorous, hedonistic couple, the boundaries between truth and lies, right and wrong, begin to blur. Amid the decadence, a small crime brings on a bigger one: a crime so terrible that it will brand their lives forever.

    Well, someone did—and now the game has changed…Emily Bennett works as a therapist in Pennsylvania, helping children overcome their troubled pasts—even as she struggles to forget her own. Once upon a time, Emily was part of a middle school clique called the Harpies—six popular girls who bullied the new girl to her breaking point.The Harpies took a blood oath: never tell a soul what they did to Grace Farmer.Now, fourteen years later, it seems karma has caught up to them when one member of that vicious circle commits suicide. But when a second Harpy is discovered dead shortly after, also from apparent suicide, the deaths start to look suspicious. And when Emily starts seeing a woman who looks a lot like Grace Farmer lurking in the shadows, she’s forced to wonder: Is Grace back for revenge? Or is Emily’s guilt driving her mad?Sticks and stones may break your bones, but the Harpies are about to find out just how much words can hurt you.

    Why would Beth do that, and risk dredging up painful memories? She hasn't seen Flora for twelve years. She doesn't want to see her today, or ever again.But she can't resist. She parks outside the open gates of Newnham House, watches from across the road as Flora and her children Thomas and Emily step out of the car. Except... There's something terribly wrong. Flora looks the same, only older. As Beth would have expected. It's the children. Twelve years ago, Thomas and Emily were five and three years old. Today, they look precisely as they did then. They are still five and three. They are Thomas and Emily without a doubt - Hilary hears Flora call them by their names - but they haven't changed at all. They are no taller, no older... Why haven't they grown?

    A doting husband, adorable daughter, and a career on the rise - she's just been given her first murder case to defend. But all is never as it seems... Just one more night. Then I'll end it. Alison drinks too much. She's neglecting her family. And she's having an affair with a colleague whose taste for pushing boundaries may be more than she can handle. I did it. I killed him. I should be locked up. Alison's client doesn't deny that she stabbed her husband - she wants to plead guilty. And yet something about her story is deeply amiss. Saving this woman may be the first step to Alison saving herself. I'm watching you. I know what you're doing. But someone knows Alison's secrets. Someone who wants to make her pay for what she's done, and who won't stop until she's lost everything....A disturbing, toxic and compelling novel that explores the power of fear and desire, jealousy and betrayal, love and hate, BLOOD ORANGE introduces a stunning new voice in psychological suspense.

    One lies in the coffin.Will, Brian and Luke grow up competing for their mother's unequal love. As men, the competition continues - for status, money, fame, women ...They each betray each other, over and over, until one of them is dead.But which brother killed him?______________

    Devoted mother Cora O’Connell has found the journal of her friend Laurel’s daughter—a beautiful college student who lives next door—revealing an illicit encounter. Hours later, Laurel makes a shattering discovery of her own: her daughter has vanished without a trace. Over the course of one weekend, the crises of two close families are about to trigger a chain reaction that will expose a far more disturbing web of secrets. Now everything is at stake as they’re forced to confront the lies they have told in order to survive.

    She’s even become a flight attendant for his airline so she can keep a closer eye on him.They are meant to be.The fact that Nate broke up with her six months ago means nothing. Because Juliette has a plan to win him back.She is the perfect girlfriend. And she’ll make sure no one stops her from getting exactly what she wants.True love hurts, but Juliette knows it’s worth all the pain...

    J. Tudor.Welcome to Chapel Croft. Five hundred years ago, eight protestant martyrs were burned at the stake here. Thirty years ago, two teenage girls disappeared without a trace. And two months ago, the vicar of the local parish killed himself.Reverend Jack Brooks, a single parent with a fourteen-year-old daughter and a heavy conscience, arrives in the village hoping to make a fresh start and find some peace. Instead, Jack finds a town mired in secrecy and a strange welcome package: an old exorcism kit and a note quoting scripture. "But there is nothing covered up that will not be revealed and hidden that will not be known."The more Jack and her daughter Flo get acquainted with the town and its strange denizens, the deeper they are drawn into their rifts, mysteries, and suspicions. And when Flo is troubled by strange sightings in the old chapel, it becomes apparent that there are ghosts here that refuse to be laid to rest.But uncovering the truth can be deadly in a village where everyone has something to protect, everyone has links with the village's bloody past, and no one trusts an outsider.

    Though Milly loves her mother, the only way to make her stop is to turn her in to the police. Milly is given a fresh start: a new identity, a home with an affluent foster family, and a spot at an exclusive private school. But Milly has secrets, and life at her new home becomes complicated. As her mother's trial looms, with Milly as the star witness, Milly starts to wonder how much of her is nature, how much of her is nurture, and whether she is doomed to turn out like her mother after all. When tensions rise and Milly feels trapped by her shiny new life, she has to decide: Will she be good? Or is she bad? She is, after all, her mother's daughter.

    Heming. He was the estate agent who showed you around your comfortable home, suggested a financial package, negotiated a price with the owner, and called you with the good news. The less good news is that, all these years later, he still has the key. That's absurd, you laugh. Of all the many hundreds of houses he has sold, why would he still have the key to mine? The answer is; he has the keys to them all. William Heming's most at home in a stranger's private things. He makes it his business to know all their secrets, and how they arrange their lives. His every pleasure is in his leafy community. He loves and knows every inch of it, feels nurtured by it, and would defend it - perhaps not with his life but if it came to it, with yours. Things begin to change when Mr. Hemings' obsession shifts from many people to one, and then a dead body winds up in someone's garden. For a man who is used to going unremarked, Mr. Heming's finds his natural routine becomes uncomfortably interrupted.

    The murder rocks their tiny coastal island, but no one is more shaken than Sadie, who is terrified by the thought of a killer in her very own backyard.But it’s not just Morgan’s death that has Sadie on edge. It’s their eerie old home, with its decrepit decor and creepy attic, which they inherited from Will’s sister after she died unexpectedly. It’s Will’s disturbed teenage niece Imogen, with her dark and threatening presence. And it’s the troubling past that continues to wear at the seams of their family.As the eyes of suspicion turn toward the new family in town, Sadie is drawn deeper into the mystery of Morgan’s death. But Sadie must be careful, for the more she discovers about Mrs. Baines, the more she begins to realize just how much she has to lose if the truth ever comes to light.

    Blonde hair waterfalling over her shoulders, serious eyes, lips a little parted like she's about to speak. That's when I realize I've been holding my breath, because the gasp when I inhale almost chokes me.Sadie Kelly has lost her job. Until last month, she was a teacher at Horton College – the same high school she went to ten years ago along with her best friend, Fiona. But Fiona died in an accident on their graduation night, in circumstances Sadie's spent the last ten years trying to forget, and since then nothing's been the same.Now Sadie's back in the small Connecticut town where she grew up, jobless and living temporarily with Fiona's mother. But when she hears that a Horton schoolgirl has gone missing, everything changes. Because the missing girl is Devon Hundley - daughter of Philip Hundley, a man Sadie knows all too well…

    While Stephanie struggles with the disorienting effects of sleep deprivation, there’s one thing she knows for certain – she has everything she ever wanted.Then a woman from his past arrives and makes a shocking accusation about his first wife. He always claimed her death was an accident – but she says it was murder.He insists he’s innocent, that this is nothing but a blackmail attempt. But is Patrick telling the truth? Or has Stephanie made a terrible mistake?How will it end?

    Finally, they’ll be accepted into a tribe. Marley will make friends and Ruth will be welcomed by the mothers. Instead, the parents are turned off by Ruth’s ostentatious wealth and before kindergarten even begins, Ruth and Marley are outcasts. The last guest to arrive at the meet-and-greet is Gemma, a widow and a single mother to her daughter, Bee. Ruth sets her sights on the mother-daughter duo, and soon the two families are inseparable. Ruth takes Gemma and Bee on Aspen vacations, offers VIP passes to Cirque du Soleil, and pays for dinners at Michelin-starred restaurants. For Gemma, who lives paycheck to paycheck, Ruth’s largesse is seductive, but as the years go by, she can’t shake the feeling that she’s accruing an increasingly unpayable debt. When Ruth’s affair with a married Hillside dad is exposed, and she’s publicly shunned, Gemma uses it to sever ties with Ruth. Six years later, when Gemma finds herself embroiled in a scandal of her own—Ruth comes to her defense. Their renewed friendship rehabilitates their reputations, but once again, Gemma starts to feel trapped as Ruth grows more and more obsessed with their relationship. A relentless page-turner, Did I Say You Could Go is the story of friendships steeped in lies and duplicity. It’s about two families who, when pushed to extremes, cross the line with devastating results.