Since the 15th century, in the Cuheno family, the first daughter born to the family is given the name Rachel and a heritage of faith and courage as precious as the family diamond. A saga sweeping from the Spanish Inquisition to the birth of a Jewish homeland.

    The Dark Room tells the stories of three ordinary Germans: Helmut, a young photographer in Berlin in the 1930s who uses his craft to express his patriotic fervour; Lore, a twelve-year-old girl who in 1945 guides her young siblings across a devastated Germany after her Nazi parents are seized by the Allies; and, fifty years later, Micha, a young teacher obsessed with what his loving grandfather did in the war, struggling to deal with the past of his family and his country.

    . ." Solomon Shalensky After researching the World War II transcripts of the Nuremburg Trials and interviewing 'The Remnant' or Jewish survivors of the holocaust, many still living in Israel; Othniel Seiden was compelled to write their startling and remarkable stories of WWII in this historically accurate Jewish novel. In this stunning and compelling WWII historical novel about the Jews who were able to remain free and fight, Seiden documents their survival, their suffering, their missions and their guerrilla warfare tactics against the Nazi occupation forces. Also, well documented, the tragedy of Kiev and now infamous ravine of Babi Yar where it is thought that nearly a million people, Jews and non-Jews alike were massacred. These brave few escaped the certain death of their co-religionists by acts of bravery and sheer determination to live. The myth that the Jewish people 'went to their deaths like sheep to slaughter. . .' is put to rest forever in the stories of "The Remnant." Preview this historic Jewish novel now - simply click the cover of The Remnant - The Jewish Resistance of WWII

    Her life has been characterized by honor and fierce passion, and above all by an abiding search for perfect love that has spanned much of the twentieth century. Ever in the background of this remarkable woman's story is the stunning Sardinian landscape, the deep blues of the Mediterranean, the rugged mountains of the Sardinian back-country dotted with charming villages lost in time.With warmth, great humor, and deep insight Milena Agus writes about the customs and the beauty of her native Sardinia, about love, family, immigration, war, and peace. From the Land of the Moon is the moving English debut of one of Italy s most important new literary talents.

    Yet by the end of World War II, almost the only thing remaining of their vast empire was a collection of 264 wood and ivory carvings, none of them larger than a matchbox.The renowned ceramicist Edmund de Waal became the fifth generation to inherit this small and exquisite collection of netsuke. Entranced by their beauty and mystery, he determined to trace the story of his family through the story of the collection.The netsuke—drunken monks, almost-ripe plums, snarling tigers—were gathered by Charles Ephrussi at the height of the Parisian rage for all things Japanese. Charles had shunned the place set aside for him in the family business to make a study of art, and of beautiful living. An early supporter of the Impressionists, he appears, oddly formal in a top hat, in Renoir’s Luncheon of the Boating Party. Marcel Proust studied Charles closely enough to use him as a model for the aesthete and lover Swann in Remembrance of Things Past.Charles gave the carvings as a wedding gift to his cousin Viktor in Vienna; his children were allowed to play with one netsuke each while they watched their mother, the Baroness Emmy, dress for ball after ball. Her older daughter grew up to disdain fashionable society. Longing to write, she struck up a correspondence with Rilke, who encouraged her in her poetry.The Anschluss changed their world beyond recognition. Ephrussi and his cosmopolitan family were imprisoned or scattered, and Hitler’s theorist on the “Jewish question” appropriated their magnificent palace on the Ringstrasse. A library of priceless books and a collection of Old Master paintings were confiscated by the Nazis. But the netsuke were smuggled away by a loyal maid, Anna, and hidden in her straw mattress. Years after the war, she would find a way to return them to the family she’d served even in their exile.In The Hare with Amber Eyes, Edmund de Waal unfolds the story of a remarkable family and a tumultuous century. Sweeping yet intimate, it is a highly original meditation on art, history, and family, as elegant and precise as the netsuke themselves.

    Daisy's valentine --A romantic weekend --something nice --An affair, edited --Connection --Trying to be --Secretary --Other factors --Heaven

    Critically acclaimed novelist Cristina Garcia brings the people of this famed city alive, their stories bristling with regret, desire, and longing.An unnamed Visitor travels to Berlin with a camera looking for reckonings of her own. The city itself is a character--vibrant and post-apocalyptic, flat and featureless except for its rivers, its lakes, its legions of bicyclists. Here in Berlin she encounters a people's history: the Cuban teen taken as a POW on a German submarine for five months, only to return home to a family who doesn't believe him; the young Jewish scholar whose husband hides her in a sarcophagus until he can find them safe passage to England; the female lawyer haunted by a childhood of deprivation in the bombed-out suburbs of Berlin who still defends those accused of war crimes, setting personal guilt against the larger flow of history; a young nurse with a checkered past who joins the Reich on the Russian front, at a medical facility more intent to dispense with the wounded than to heal them; and the son of a zookeeper at The Berlin Zoo, fighting to keep the animals safe from both war and an increasingly starving populace.A meditation on war and mystery in the spirit of Christopher Isherwood and Robert Walser's classic Berlin Stories, this an exciting new work by one of our most gifted novelists, one that seeks to align the stories of the past with the stories of the future.

    The Third Reich’s strong reliance on the occult and its obsession with the astral plane has led to the formation of an underground compound of scribes –translators responsible for answering letters written to those eventually killed in the concentration camps. Into this covert compound comes a letter written by eminent philosopher Martin Heidegger to his optometrist, a man now lost in the dying thralls of Auschwitz. How will the scribes answer this letter? The presence of Heidegger’s words--one simple letter in a place filled with letters--sparks a series of events that will ultimately threaten the safety and well-being of the entire compound.Part love story, part thriller, part meditation on how the dead are remembered and history is presented, with threads of Heidegger’s philosophy woven throughout, the novel evocatively illustrates the Holocaust through an almost dreamlike state. Thaisa Frank deftly reconstructs the landscape of Nazi Germany from an entirely original vantage point.

    Life on the film set is a bizarre alternate reality. The surroundings are glamorous, but Lilo and the other extras are barely fed, closely guarded, and kept in a locked barn when not on the movie set. And the beautiful, charming Riefenstahl is always present, answering the slightest provocation with malice, flaunting the power to assign prisoners to life or death. Lilo takes matters into her own hands, effecting an escape and running for her life. In this chilling but ultimately uplifting novel, Kathryn Lasky imagines the lives of the Gypsies who worked as extras for the real Nazi filmmaker Leni Riefenstahl, giving readers a story of survival unlike any other.

    Sana Krasikov is one of those writers. Her first published story appeared in the New Yorker, her second in The Atlantic Monthly’s fiction issue. One More Year is her debut collection, made up of stories of people who hold out hope, despite the odds, that life will be kind to them.The characters who populate Krasikov’s stories are mostly women–some are new to America; some still live in the former Soviet Union, in Georgia or Russia; and some have returned to Russia to find a country they barely recognize and people they no longer understand. Mothers leave children behind; children abandon their parents. Almost all of them look to love to repair their lives, and when love isn’t really there, they attempt to make do with relationships that substitute for love.Like Jhumpa Lahiri and ZZ Packer, two writers whose fully-realized characters drive their fiction, Sana Krasikov is an exhilarating talent whose first collection puts her on the map with today's most talented young authors.

    An aging feudal landlord's household staff, the villagers who depend on his favor, and a network of relations near and far who have sought their fortune in the cities confront the advantages and constraints of station, the dissolution of old ways, and the shock of change. Mueenuddin bares—at times humorously, at times tragically—the complexities of Pakistani class and culture and presents a vivid picture of a time and a place, of the old powers and the new, as the Pakistani feudal order is undermined and transformed.

    Yet only one visionary man-Heniek Corben- can see him and hear him. Heniek soon realizes that Cohen has become an ibbur-a spirit. But how and why has he taken this form? As Cohen recounts his disturbing and moving story, small but telling inconsistencies appear in his narrative. Heniek begins to believe that Cohen is not the secular Jew he claims to be, but may, in fact, be a student of practical Kabbalah-of magic. Why is he lying? And what is the importance of the anagrams he creates for the names of his friends and relatives? Heniek traces his suspicions and comes to an astonishing conclusion-one that has consequences for his own identity and life, and perhaps for the reader's as well.

    When they fall apart, they unwittingly take the same path to heal from their breakup, seeking answers in the lands of their ancestors. From Tbilisi, Georgia to the war sites of Germany, they discover what can break and what can mend when you look to the past to understand your present.Willa's darkness enters Hesper's light late one night in Brooklyn. Theirs is a whirlwind romance until Willa starts to know Hesper too well, to crawl into her hidden spaces, and Hesper shuts her out. She runs, following her fractured family back to her grandfather's hometown of Tbilisi, Georgia, looking for the origin story that he is no longer able to tell. But once in Tbilisi, cracks appear in her grandfather's history-and a massive flood is heading toward Georgia, threatening any hope for repair.Meanwhile, heartbroken Willa is desperate to leave New York that she joins a group trip for Jewish twentysomethings to visit Holocaust sites in Germany and Poland, hoping to override her emotional state. When it proves to be more fraught than home, she must come to terms with her past-the ancestral past, her romantic past, and the past that can lead her forward.Told from alternating perspectives, and ending in the shadow of Trump's presidency, WILLA & HESPER is a deeply moving, cerebral, and timely debut.

    More than 300,000 listeners tune in to this offering weekly to hear spellbinding tales read aloud by an assortment of terrific actors. By turns funny, moving, romantic, and surreal, each of the tales on this magical lineup is filled with unexpected twists and turns. Stephen Colbert performs Ray Bradbury’s tale about a room that can take one anywhere in the world—sometimes with dangerous consequences. From a romance between a mermaid and an imp to a wonderful ghost story about a trinket with terrible powers, this eclectic collection also features narratives by W. W. Jacobs, Andrew Lam, Saki, and T. C. Boyle as well as performances by John Lithgow, James Naughton, Daniel Gerroll, and René Auberjonois.01 Andrew Lam's "The Palmist", performed by James Naughton02 Ray Bradbury's "The Veldt", performed by Stephen Colbert03 W. W. Jacobs' "The Monkey's Paw", performed by John Lithgow04 Saki's "The Occasional Garden", performed by Daniel Gerroll05 Donald Barthelme's "The Balloon", performed by Maria Tucci06 Kevin Brockmeier's "The Year of Silence", performed by Anthony Rapp07 Jonathan Safran Foer's "The Sixth Borough", performed by Jerry Zaks08 Aimee Bender's "Drunken Mimi", performed by Bernadette Quigley09 Haruki Murakami's "The Little Green Monster", performed by Dana Ivey10 T. C. Boyle's "Swept Away", performed by René Auberjonois

    Ranging from love and death to faith restored and hope regained, these stories present a master at work, at the top of his form. Perfectly paced and brimming with passion, these twenty-two tales from a master storyteller of the Twentieth Century are translated by the award-winning Anthea Bell.Deluxe, clothbound edition.