973 c. 1020), author of The Tale of Genji, is an intimate picture of her life as tutor and companion to the young Empress Shoshi. Told in a series of vignettes, it offers revealing glimpses of the Japanese imperial palace the auspicious birth of a prince, rivalries between the Emperor's consorts, with sharp criticism of Murasaki's fellow ladies-in-waiting and drunken courtiers, and telling remarks about the timid Empress and her powerful father, Michinaga. The Diary is also a work of great subtlety and intense personal reflection, as Murasaki makes penetrating insights into human psychology her pragmatic observations always balanced by an exquisite and pensive melancholy.In his illuminating introduction, Richard Bowing discusses what is known of Murasaki's life, and the religion, ceremonies, costumes, architecture and politics of her time, to explain the cultural background to her vivid evocation of court life. This edition also includes an explanation of Japanese names and dates, appendices and updated further reading.Translated and introduced by RICHARD BOWRING

    In a land where marriages can still be arranged and a woman1s place is most definitely in the home, love hotels dot the landscape and late-night television is brazenly risqué by Western standards. Censorship is perverse: no pubic hair may be shown, yet violent porno-comics featuring gang-rape and mutilation are openly read on the train. Homosexuality has a long, venerable history of tolerance, but an office worker < gay or not < will forgo promotion if he doesn1t marry. These are just some of the paradoxes explored in this provocative book. Written nearly a decade ago, but still timely, this is an eye-opening examination of Japanese love, marriage, and eroticism.

    The book is organized around nine key themes: Origins and Historical Development, Aspects of the Divine, Sacred Texts, Sacred Persons, Ethical Principles, Sacred Space, Sacred Time, Death and the Afterlife, and Society and Religion. Each of these themes is supplemented by extracts from or summaries of historical texts, with a concise commentary that explains its significance or places it in context. (From back cover.)

    

    Hildi Kang here reinvigorates a period of Korean history long shrouded in the silence of those who endured under the black umbrella of Japanese colonial rule. Existing descriptions of the colonial period tend to focus on extremes: imperial repression and national resistance, Japanese subjugation and Korean suffering, Korean backwardness and Japanese progress. Most people, Kang says, have read or heard only the horror stories which, although true, tell only a small segment of colonial life.The varied accounts in Under the Black Umbrella reveal a truth that is both more ambiguous and more human--the small-scale, mundane realities of life in colonial Korea. Accessible and attractive narratives, linked by brief historical overviews, provide a large and fully textured view of Korea under Japanese rule. Looking past racial hatred and repression, Kang reveals small acts of resistance carried out by Koreans, as well as gestures of fairness by Japanese colonizers. Impressive for the history it recovers and preserves, Under the Black Umbrella is a candid, human account of a complicated time in a contested place.

    Kenzo lived and taught at a pivotal time in Japan's history, when martial arts were practiced primarily for self-cultivation, and his wise and penetrating instructions for practice (and life)--including aphorisms, poetry, instructional lists, and calligraphy--are infused with the spirit of Zen. Kenzo uses the metaphor of the bow and arrow to challenge the practitioner to look deeply into his or her own true nature.

    The hero of this novel is the young and idealistic Nobuo Nagano, who finds himself forced to make a heart-rending decision, when he must choose between his childhood sweetheart, Fujiko, and his newly found Christian faith. Set in Hokkaido at the turn of the nineteenth century, when for the first time Western culture and ideas were beginning to challenge Japan's long-held traditions, Shiokari Pass takes an intriguing look at Japanese life and thought of a hundred years ago. Filled with drama and featuring a spectacular climax amidst the snows of Hokkaido, the book was a bestseller in Japanese and a successful motion picture as well. Based on the life of a high-ranking railway employee who was revered for his humanitarian deeds, Shiokari Pass offers a revealing glimpse of the long, hard road traveled by Japanese Christians.

    1008 at the height of the Heian period, Lady Sarashina (as she is known) probably wrote most of her work towards the end of her life, long after the events described. Thwarted and saddened by the real world with all its deaths and partings and frustrations, Lady Sarashina protected herself by a barrier of fantasy and so escaped from harsh reality into a rosier more congenial realm. She presents her vision of the world in beautiful prose, the sentences flowing along smoothly so that we feel we are watching a magnificent scroll being slowly unrolled.'It is like seeing a garden at night in which certain parts are lit up so brightly that we can distinguish each blade of grass, each minute insect, each nuance of colour, while the rest of the garden and the tidal wave that threatens it remain in darkness'--Ivan Morris

    The author traces the evolution of the book from the rarefied world of the hand-copied and illuminated volume in ancient and medieval times, through the revolutionary impact of Gutenberg’s invention of the printing press, to the rise of a publishing culture in the nineteenth and twentieth centuries, and the subsequent impact of new technologies on this culture.  Many of the great individual titles of the past two millennia are discussed as well as the range of book types and formats that have emerged in the last few hundred years, from serial and dime novels to paperbacks, children’s books, and Japanese manga. The volume ends with a discussion of the digital revolution in book production and distribution and the ramifications for book lovers, who can’t help but wonder whether the book will thrive—or even survive—in a form they recognize.

    B-27s. A few hours later, Pearl Harbor is in flames, and America's naval fleet lies in bloodied ruins...From a renowned team of military historians, here is the gripping, blow-by-blow chronicle of how it happened: from the chance conditions that allowed the Japanese a perfect approach, to a housewife's account of the first assault wave, from a ship's cook manning machine guns to survivors swimming through flaming, oil-slicked water. Told from both the Japanese and American points of view, December 7, 1941 reveals the diplomatic intrigue, the brutal fighting, the panic that followed the attack, and the disbelief, anger, and determination that gripped an America suddenly at war.

    Focusing on the domestic impact of Japan's activities in Northeast China between 1931 and 1945, Young considers "metropolitan effects" of empire building: how people at home imagined and experienced the empire they called Manchukuo.Contrary to the conventional assumption that a few army officers and bureaucrats were responsible for Japan's overseas expansion, Young finds that a variety of organizations helped to mobilize popular support for Manchukuo—the mass media, the academy, chambers of commerce, women's organizations, youth groups, and agricultural cooperatives—leading to broad-based support among diverse groups of Japanese. As the empire was being built in China, Young shows, an imagined Manchukuo was emerging at home, constructed of visions of a defensive lifeline, a developing economy, and a settler's paradise.

    As Emperor Go-Daigo fended off a challenge from the usurping Hojo family, and Japan stood at the brink of a dark political era, Kenkō held fast to his Buddhist beliefs and took refuge in the pleasures of solitude. Written between 1330 and 1332, Essays in Idleness reflects the congenial priest's thoughts on a variety of subjects. His brief writings, some no more than a few sentences long and ranging in focus from politics and ethics to nature and mythology, mark the crystallization of a distinct Japanese principle: that beauty is to be celebrated, though it will ultimately perish. Through his appreciation of the world around him and his keen understanding of historical events, Kenkō conveys the essence of Buddhist philosophy and its subtle teachings for all readers. Insisting on the uncertainty of this world, Kenkō asks that we waste no time in following the way of Buddha.In this fresh edition, Donald Keene's critically acclaimed translation is joined by a new preface, in which Keene himself looks back at the ripples created by Kenkō's musings, especially for modern readers.

    Yoshio Sugimoto challenges the traditional notion that Japan is an homogeneous society with few cultural and social disparities.

    International travelers, now more than ever, are not just individuals from the United States, but ambassadors and impression makers for the country as a whole. Newly updated, redesigned, and resized for maximum shelf appeal for travelers of all ages, Culture Shock! country and city guides make up the most complete reference series for customs and etiquette you can find. These are not just travel guides; these are guides for a way of life.

    The story focuses on an Indian baseball team but brings a new understanding of the term "America's favorite pastime." For tribes in Indian Territory, baseball was an extension of a sport they'd been playing for centuries before their forced removal to Indian Territory.The story centers on the lives of Hope Little Leader, a Choctaw pitcher for the Miko Kings, and Ezol Day, a postal clerk in Indian Territory who travels forward in time to tell stories to our present-day narrator. With Day’s help, the narrator pulls us into Indian boarding schools, such as the historical Hampton Normal School for Blacks and Indians in Virginia, where the novel’s legendary love story between Justina Maurepas—a character modeled after an influential Black educator—and Hope Little Leader, begins.Though a lively and humorous work of fiction, the narrative draws heavily on LeAnne Howe’s careful historical research. She weaves original and fictive documents into the text, such as newspaper clippings, photographs, typewritten letters, and handwritten journal entries."LeAnne Howe's Miko Kings is an incredible act of recovery: baseball, a sport jealously guarded by mainstream Anglo culture, is also rooted in Native American history and territory...[Howe's] compelling stories and narratives...expose the political games of the 20th century that Native Americans learned to play for resistance and survival."—Rigoberto González, author (So Often the Pitcher Goes to Water Until It Breaks and Butterfly Boy)