She is seven; he is fifty-one. When Peter invites her and her mother to his house, the little girl finds a child's paradise of exotic pets and an elaborate backyard garden. Her mother, beset by mental illness and overwhelmed by caring for Margaux, is grateful for the attention Peter lavishes on her, and he creates an imaginative universe for her, much as Lewis Carroll did for his real-life Alice. In time, he insidiously takes on the role of Margaux's playmate, father, and lover. Charming and manipulative, Peter burrows into every aspect of Margaux's life and transforms her from a child fizzing with imagination and affection into a brainwashed young woman on the verge of suicide. But when she is twenty-two, it is Peter -- ill, and wracked with guilt -- who kills himself, at the age of sixty-six. Told with lyricism, depth, and mesmerizing clarity, Tiger, Tiger vividly illustrates the healing power of memory and disclosure. This extraordinary memoir is an unprecedented glimpse into the psyche of a young girl in free fall and conveys to readers -- including parents and survivors of abuse -- just how completely a pedophile enchants his victim and binds her to him.

    Clerks was the independent film success story of 1994, winning the Prix de la Jeunesse and the International Critics Week Award at Cannes, and the Filmmakers' Trophy at Sundance. Set in the everyday world of a New Jersey QuickStop and its adjacent video store, the film revolves around the obsessions, love lives, and friendships of the clerks. Janet Maslin of the New York Time called it "a buoyant comedy...and exuberant display of ingenuity," and Kenneth Turan of the Los Angeles Times raves, "Clerks is boisterous and irreverently funny...an example of what is best and most hopeful about the American independent film scene."

    After saving her three-year-old daughter from a carjacking, she ends up in the emergency room—and discovers that Anita, a former prostitute and acquaintance from her old days on the beat, has been hideously mutilated in a brutal assault.With the help of her partner and Philadelphia’s Special Victims Unit, Jocelyn discovers that Anita isn’t the first victim of these attacks and it looks like she won’t be the last. When the violence hits closer to home, Jocelyn knows she must do whatever it takes to stop the sadistic attacker—even if it means confronting a terrible secret from her painful past.Award-wining author Lisa Regan’s Hold Still is a captivating thriller that crackles with intensity. Revised edition: This edition of Hold Still includes editorial revisions.

    Now, some thirty years later, Shank, retired and widowed, is giving up his large rambling Victorian house to his grandson Matt, whom he helped raise.Settling back into his childhood home and doing some renovations in the backyard to make the house feel like his own, Matt, a young up-and-coming chef and restaurateur, stumbles upon a locked crate he’s never seen before. Curious, he picks the padlock and makes a discovery so gruesome it will forever haunt him… Faced with this deep dark family secret, Matt must decide whether to keep what he knows buried in the past, go to the police, or take matters into his own hands.Meanwhile Matt’s girlfriend, Sam, has always suspected that her mother was murdered by the Beacon Hill Butcher—two years after the supposed Butcher was gunned down. As she pursues leads that will prove her right, Sam heads right into the path of Matt’s terrible secret.

    The key to her missing memories could bring relief—or unlock her worst nightmares.On a cold, rainy morning, finance journalist Ally Linden arrives early to work in her Manhattan office, only to find that she’s forgotten her keycard and needs to have a colleague she’s never met let her in. When her boss finally arrives, he seems surprised to see her—because she hasn’t worked there in five years.Ally knows her name, but little else, and it’s only after several hours in an emergency room and multiple interviews with the hospital psychiatrist that she begins to piece together important facts: she lives on the Upper West Side; she’s now a freelance personal finance journalist; she’s married to a lovely man named Hugh. But she still can’t recall what happened to her during the previous two days. When she learns that she’s experienced a dissociative fugue state, Ally tries to think of triggers and remembers that she’d been seeing a therapist about a traumatic event from her childhood, in which she came across evidence for a murder that was never solved.Desperate to unearth answers, Ally focuses on figuring out where she spent the missing forty-eight hours. As ominous details of the two days pile up, so does the terrifying pressure: she must recover the time she lost before the time she has left runs out.Featuring Kate White’s signature twists and turns, Have You Seen Me? is a harrowing read that will keep readers guessing until its shocking ending.

    Adapted from the James M. Cain novel by director Wilder and novelist Raymond Chandler, it tells the story of an insurance salesman, played by Fred MacMurray, who is lured into a murder-for-insurance plot by Barbara Stanwyck, in an archetypal femme fatale role. From its grim story to its dark, atmospheric lighting, Double Indemnity is a definitive example of World War II-era film noir. Wilder's approach is everywhere evident: in the brutal cynicism the film displays, the moral complexity, and in the empathy we feel for the killers. The film received almost unanimous critical success, garnering seven Academy Award nominations. More than fifty years later, most critics agree that this classic is one of the best films of all time. The collaboration between Wilder and Raymond Chandler produced a masterful script and some of the most memorable dialogue ever spoken in a movie. This facsimile edition of Double Indemnity contains Wilder and Chandler's original -- and quite different -- ending, published here for the first time. Jeffrey Meyers's introduction contextualizes the screenplay, providing hilarious anecdotes about the turbulent collaboration, as well as background information about Wilder and the film's casting and production.

    Offering up heart-pumping tales of suspense in all its guises are thirty-two of the most critically acclaimed and award-winning names in the business. From the signature characters that made such authors as David Morrell and John Lescroart famous to four of the hottest new voices in the genre, this blockbuster will tantalize and terrify.Lock the doors, draw the shades, pull up the covers and be prepared for Thriller to keep you up all night.

    A loving wife. And in-laws to die for.Gemma Robinson comes into Elliot’s life like a whirlwind, and they marry and settle into his home. When she asks him if her parents can come to stay for a couple of weeks, he is keen to oblige – he just doesn’t quite know what he’s signing up for.The Robinsons arrive with Gemma’s sister, Chloe, a mysterious young woman who refuses to speak or leave her room. Elliot starts to suspect that the Robinsons are hiding a dark secret. And then there are the scars on his wife’s body that she won’t talk about . . .As Elliot’s in-laws become more comfortable in his home, encroaching on all aspects of his life, it becomes clear that they have no intention of moving out. To protect Gemma, and their marriage, Elliot delves into the Robinsons’ past. But is he prepared for the truth?

    A possible break in his fortunes occurs when he receives a script from a student in the seminar he has been conducting at a nearby college a thriller which Sidney recognizes immediately as a potential Broadway hit. Sidney's plan, which he devises with his wife's help, is to offer collaboration to the student, an idea which the younger man quickly accepts. Thereafter suspense mounts steadily as the plot begins to twist and turn with devilish cleverness, and with such an abundance of thrills and laughter, that audiences will be held enthralled until the final, startling moments of the play.

    Washed up on the beach, she can’t remember who she is. She can’t even remember her name. Turns out, she has an idyllic life – friends and family eager to fill in the blanks. But why are they lying to her? What don’t they want her to remember? When you don't even know who you are, how do you know who to trust?

    But Meg knows that the glow of their very public life hides a darker reality of lies, manipulation, and the heartbreak of her own solitary childhood. Desperate to break free of her mother, Meg accepts a proposal to write a scandalous, tell-all memoir.Digging into the past—and her mother’s cult classic—draws Meg to Bonny Island, Georgia and an unusual woman said to be the inspiration for the book. At first, island life seems idyllic, but as Meg starts to ask tough questions, disturbing revelations come to light…including some about her mother.Soon, Meg’s search leads her to question the facts of a decades-old murder. She’s warned to leave it alone, but as the lies pile up, Meg knows she’s getting close to finding a murderer. When her own life is threatened, Meg realizes the darkness found in her mother’s book is nothing compared to the chilling truth that lurks off the page.

    But behind the white picket fences lies a web of secrets that reach from house to house.Up and down the streets, neighbors quietly bear the weight of their own pasts—until an accident at the community pool upsets the delicate equilibrium. And when tragic circumstances compel a woman to return to Sycamore Glen after years of self-imposed banishment, the tangle of the neighbors’ intertwined lives begins to unravel.During the course of a sweltering summer, long-buried secrets are revealed, and the neighbors learn that it’s impossible to really know those closest to us. But is it impossible to love and forgive them?

    What they don't say though, is that sometimes your first love won't forget you...A police interview room is the last place Angela expected to find herself today. It's been hours, and they keep asking her the same inane questions over and over. "How do you know the victim?" "What's your relationship with Mr. Parker?" Her ex's wife has gone missing, and anyone who was close to the couple is a suspect. Angela is tired of the bottomless questions and tired of the cold room that stays the same while a rotating litany of interrogators changes shifts around her. But when criminologist Novak takes over, she can tell he's not like the others. He's ready to listen, and she knows he'll understand. When she tells him that her story begins a decade before, long before Saskia was in the picture, he gives her the floor.A twenty-something young professional, Angela claims to have no involvement. How could she? It's been years since she and H.P., Mr. Parker that is, were together. As her story unfolds, it deepens and darkens. There's a lot to unpack... betrayal, jealousy, and a group of people who all have motives for retribution. If Angela is telling the truth, then who's lying?

    This best-selling novel, first published in 1953 to wide acclaim by author Grubb, (who like Powers lived in Clarksburg, West Virginia), served as the basis for Charles Laughton's noir classic . Renamed "Harry Powell," the lead character in this book, with LOVE and HATE tattooed on his fingers, is remembered as one of the creepiest men in book and cinema history.

    Eric Parrish is the Chief of the Psychiatric Unit at Havemeyer General Hospital outside of Philadelphia. Recently separated from his wife Alice, he is doing his best as a single Dad to his seven-year-old daughter Hannah. His work seems to be going better than his home life, however. His unit at the hospital has just been named number two in the country and Eric has a devoted staff of doctors and nurses who are as caring as Eric is. But when he takes on a new patient, Eric's entire world begins to crumble. Seventeen-year-old Max has a terminally ill grandmother and is having trouble handling it. That, plus his OCD and violent thoughts about a girl he likes makes Max a high risk patient. Max can't turn off the mental rituals he needs to perform every fifteen minutes that keep him calm. With the pressure mounting, Max just might reach the breaking point. When the girl is found murdered, Max is nowhere to be found. Worried about Max, Eric goes looking for him and puts himself in danger of being seen as a "person of interest" himself. Next, one of his own staff turns on him in a trumped up charge of sexual harassment. Is this chaos all random? Or is someone systematically trying to destroy Eric's life?