She had a tenured position at a large university in a field for which she cared deeply. She owned two homes with her partner, in which they provided hospitality to students and activists that were looking to make a difference in the world. There, her partner rehabilitated abandoned and abused dogs. In the community, Rosaria was involved in volunteer work. At the university, she was a respected advisor of students and her department’s curriculum. And then, in her late 30s, Rosaria encountered something that turned her world upside down—the idea that Christianity, a religion that she had regarded as problematic and sometimes downright damaging, might be right about who God was, an idea that flew in the face of the people and causes that she most loved. What follows is a story of what she describes as a “train wreck” at the hand of the supernatural. These are her secret thoughts about those events, written as only a reflective English professor could."Conversion put me in a complicated and comprehensive chaos. I sometimes wonder, when I hear other Christians pray for the salvation of the “lost,” if they realize that this comprehensive chaos is the desired end of such prayers. Often, people asked me to describe the “lessons” that I learned from this experience. I can’t. It was too traumatic. Sometimes in crisis, we don’t really learn lessons. Sometimes the result is simpler and more profound: sometimes our character is simply transformed." —Rosaria Butterfield

    I have loved and been loved. I have been given much and I have given something in return. Above all, I have been a sentient being, a thinking animal, on this beautiful planet, and that in itself has been an enormous privilege and adventure.” —Oliver SacksNo writer has succeeded in capturing the medical and human drama of illness as honestly and as eloquently as Oliver Sacks. During the last few months of his life, he wrote a set of essays in which he movingly explored his feelings about completing a life and coming to terms with his own death. “It is the fate of every human being,” Sacks writes, “to be a unique individual, to find his own path, to live his own life, to die his own death.”Together, these four essays form an ode to the uniqueness of each human being and to gratitude for the gift of life.

    Holy Ghost Girl is a compassionate, humorous exploration of faith, betrayal, and coming of age on the sawdust trail.She was just three years old when her mother signed on as the organist of tent revivalist David Terrell, and before long, Donna Johnson was part of the hugely popular evangelical preacher's inner circle. At seventeen, she left the ministry for good, with a trove of stranger-than-fiction memories. A homecoming like no other, Holy Ghost Girl brings to life miracles, exorcisms, and faceoffs with the Ku Klux Klan. And that's just what went on under the tent.As Terrell became known worldwide during the 1960s and 1970s, the caravan of broken-down cars and trucks that made up his ministry evolved into fleets of Mercedes and airplanes. The glories of the Word mixed with betrayals of the flesh, and Donna's mother bore Terrell's children in one of the several secret households he maintained. Thousands of followers, dubbed 'Terrellites' by the press, left their homes to await the end of the world in cultlike communities. Jesus didn't show, but the IRS did, and the prophet/healer went to prison.Recounted with deadpan observations and surreal detail, Holy Ghost Girl bypasses easy judgment to articulate a rich world in which the mystery of faith, and human frailty, share a surprising and humorous coexistence.

    Yet most of our lives is unwitnessed. We spend our days working, driving, parenting. We sometimes spend whole seasons feeling unnoticed and unappreciated.In Unseen, Sara Hagerty suggests that this is exactly what God intended. He is the only One who truly knows us. He is the only One who understands the value of the unseen in our lives. When this truth seeps into our souls, we realize that only when we hide ourselves in God can we give ourselves to others in true freedom--and know the joy of a deeper relationship with the God who sees us.Our culture applauds what we can produce, what we can show, what we can upload to social media. Only when we give all of ourselves to God--unedited, abandoned, apparently wasteful in its lack of productivity--can we live out who God created us to be. As Hagerty writes, "Maybe my seemingly unproductive, looking-up-at-Him life produces awe among the angels."Through an eloquent exploration of both personal and biblical story, Hagerty calls us to offer every unseen minute of our lives to God. God is in the secret places of our lives that no one else witnesses. But we've not been relegated to these places. We've been invited.We may be "wasting" ourselves in a hidden corner today: The cubicle on the fourth floor. The hospital bedside of an elderly parent. The laundry room. But these are the places God uses to meet us with a radical love. These are the places that produce the kind of unhinged love in us that gives everything at His feet, whether or not anyone else ever proclaims our name, whether or not anyone else ever sees.God's invitation is not just for a season or a day. It is the question of our lives: "When no one else applauds you, when it makes no sense, when you see no results--will you waste your love on Me?"

    The message blew up on social-media, triggering an avalanche of responses running the gamut from encouraged to enraged.In Jesus > Religion, Bethke unpacks similar contrasts that he drew in the poem—highlighting the difference between teeth gritting and grace, law and love, performance and peace, despair and hope. With refreshing candor he delves into the motivation behind his message, beginning with the unvarnished tale of his own plunge from the pinnacle of a works-based, fake-smile existence that sapped his strength and led him down a path of destructive behavior.Bethke is quick to acknowledge that he’s not a pastor or theologian, but simply a regular, twenty-something who cried out for a life greater than the one for which he had settled. Along his journey, Bethke discovered the real Jesus, who beckoned him beyond the props of false religion.

    Visitors are amazed to find seventeen (baby number eighteen is due January 1, 2009) well-groomed, well-behaved, well-schooled children in a home that focuses on family, financial responsibility, fun—and must importantly, faith. Readers will learn about the Duggars’ marriage—how they communicate effectively, make family decisions, and find quality time alone. They’ll discover how the Duggars manage to educate all their children at home, while providing experiences that go beyond the family walls, through vacations and educational trips. And they’ll see how the Duggar family manages their finances and lives debt-free—even when they built their own 7,000-square-foot house. Answering the oft asked question—How can I do with one or two children what you do with seventeen(soon to be eighteen)?—Jim Bob and Michelle reveal how they create a warm and welcoming home filled with what Michelle calls “serene chaos.” They show how other parents can succeed whether they’re rearing a single child or several. With spiritual insights, experience-based wisdom, practical tips, and plenty of humorous and tender anecdotes, the Duggars answer the questions that pour into the family’s Web site on a daily basis—especially after every national media interview and TV appearance—including their segments on the Discovery Health Channel’s “Meet the Duggars” series.

    Then she met Aaron, a charismatic art director and her kindred spirit. They made mix tapes (and pancakes) into the wee hours of the morning. They finished each other’s sentences. They just knew. When Aaron was diagnosed with a rare brain cancer, they refused to let it limit their love. They got engaged on Aaron’s hospital bed and married after his first surgery. They had a baby when he was on chemo. They shared an amazing summer filled with happiness and laughter. A few months later, Aaron died in Nora’s arms in another hospital bed. His wildly creative obituary, which they wrote together, touched the world.Now, Nora shares hysterical, moving, and painfully honest stories about her journey with Aaron. It’s Okay to Laugh explores universal themes of love, marriage, work, (single) motherhood, and depression through her refreshingly frank viewpoint. A love letter to life, in all of its messy glory, and what it’s like to still be kickin', It’s Okay to Laugh is like a long chat with a close friend over a cup of coffee (or chardonnay).