After she gets kicked out of boarding school, seventeen-year-old Beatrice goes to her uncle’s estate on Long Island. But Hey Nonny Nonny is more than just a rundown old mansion. Beatrice’s cousin, Hero, runs a struggling speakeasy out of the basement—one that might not survive the summer. Along with Prince, a poor young man determined to prove his worth; his brother John, a dark and dangerous agent of the local mob; Benedick, a handsome trust-fund kid trying to become a writer; and Maggie, a beautiful and talented singer; Beatrice and Hero throw all their efforts into planning a massive party to save the speakeasy. Despite all their worries, the summer is beautiful, love is in the air, and Beatrice and Benedick are caught up in a romantic battle of wits that their friends might be quietly orchestrating in the background. Hilariously clever and utterly charming, McKelle George’s debut novel is full of intrigue and 1920s charm. For fans of Jenny Han, Stephanie Perkins, and Anna Godbersen.

    Kings do battle with knights and knaves for possession of the finest pieces and the secrets of their manufacture.For Genevieve Planché, an English-born descendant of Huguenot refugees, porcelain holds far less allure; she wants to be an artist, a painter of international repute, but nobody takes the idea of a female artist seriously in London. If only she could reach Venice. When Genevieve meets the charming Sir Gabriel Courtenay, he offers her an opportunity she can’t refuse; if she learns the secrets of porcelain, he will send her to Venice. But in particular, she must learn the secrets of the colour blue… The ensuing events take Genevieve deep into England’s emerging industrial heartlands, where not only does she learn about porcelain, but also about the art of industrial espionage. With the heart and spirit of her Huguenot ancestors, Genevieve faces her challenges head on, but how much is she willing to suffer in pursuit and protection of the colour blue?

    Collins in Jane Austen's Pride and Prejudice, she believed herself to be fortunate indeed. Her nuptials gained her a comfortable home and financial security. If she acquired these things at the expense of true love, it did not matter one whit. To Charlotte, love in marriage was nothing more than a pleasant coincidence. As the years of her marriage dragged by, Charlotte began to question her idea of love as she suffered continual embarrassment at her husband's simpering and fawning manners. When Mr. Collins dies, finally relieving everyone of his tedious conversation, she must work feverishly to secure her income and home. She gives no further thought to the possibility of love until her flighty sister Maria begs her to act as her chaperone in place of their ailing parents. Hoping to prevent Maria from also entering an unhappy union, Charlotte agrees, and they are quickly thrust into a world of country dances, dinner parties, and marriageable gentlemen. But when an unprincipled gentleman compromises Charlotte's reputation, her romantic thoughts disappear at the prospect of losing her independence. As she struggles to extricate herself from her slander, her situation reveals both the nature of each gentleman and of true love. Other Works in the Personages of Pride & Prejudice Collection "Maria Lucas" (A Short Story) Caroline Bingley (A Novel) Mary Bennet (A Novella)

    To this day, visitors are few and rare. But when a supply party goes missing, some worry that the monsters that once stalked the region have returned.As fall turns to winter, more strange activities plague the town. They point to a tribe of devilish and mystical creatures who promise to fulfill the residents' deepest desires, however grand and impossible, for just a small favor. But their true intentions are much more sinister, and Ellerie finds herself in a race against time before all of Amity Falls, her family, and the boy she loves go up in flames.

    An American heiress and graduate of Lady Grantham's finishing school, she's been groomed since birth to marry an English title—the grander the better. So when the man chosen for her, the forbidding Earl of Dunnley, seems to hate her on sight, she understands that it can't matter. Love can have no place in this arrangement.Andrew Hargrave has little use for his title and even less for his cold, disinterested parents. Determined to make his own way, he's devoted to his life in Italy working as an archaeologist. Until the collapse of his family's fortune drags him back to England to a marriage he never wanted and a woman he doesn't care to know.Wild attraction is an unwanted complication for them both, though it forms the most fragile of bonds. Their marriage of convenience isn't so intolerable after all—but it may not be enough when the deception that bound them is finally revealed.

    Darcy had an American cousin?!In this highly original Pride and Prejudice sequel by British author Monica Fairview, Caroline Bingley is our heroine. Caroline is sincerely broken-hearted when Mr. Darcy marries Lizzy Bennet-- that is, until she meets his charming and sympathetic American cousin...Mr. Robert Darcy is as charming as Mr. Fitzwilliam Darcy is proud, and he is stunned to find the beautiful Caroline weeping at his cousin's wedding. Such depth of love, he thinks, is rare and precious. For him, it's nearly love at first sight. But these British can be so haughty and off-putting. How can he let the young lady, who was understandably mortified to be discovered in such a vulnerable moment, know how much he feels for and sympathizes with her?

    And we thought Sophie was the quiet one…When she finds herself the target of very public aristocratic scorn, Sophie Talbot does what she must to escape the city and its judgment—she flees on the back of a carriage, vowing never to return to London…or to society. But the carriage isn’t saving her from ruin. It’s filled with it.ROYAL ROGUE'S REIGN OF RAVISHMENT!The Marquess of Eversley was espied descending a rose trellis—escaping an irate Earl and his once-future countess. No lady is safe from Eversley’s Engagement Ending Escapades!Kingscote, the Marquess of Eversley, has never met a woman he couldn’t charm, a quality that results in a reputation far worse than the truth, a furious summons home, and a long, boring trip to the Scottish border. When King discovers stowaway Sophie, however, the trip becomes anything but boring.WAR? OR MORE?He thinks she’s trying to trick him into marriage. She wouldn’t have him if he were the last man on earth. But carriages bring close quarters, dark secrets, and unbearable temptation, and suddenly opposites are altogether too attractive…

    He kept his vast fortune hidden somewhere on his estate in the south of England and died suddenly, without telling anyone where he had concealed it. Tressa and her ailing mother are left with a mansion and an immense vineyard and no money to run it. It doesn't take long for a bevy of opportunists to flock to the estate under the guise of offering condolences. Tressa knows what they're really up to. She'll have to work with the rough and rusticated vineyard manager to keep the laborers content without pay and discover the key to finding her father's fortune--before someone else finds it first.Award-winning author Joanna Davidson Politano welcomes readers to Trevelyan Castle, home of the poorest heiress in Victorian England, for a treasure hunt they'll not soon forget.

    The one challenge she can’t top? Managing the most infuriating man she’s ever met.Alexander Hall, Viscount Northwood, has purchased a one-of-a-kind locket from a pawnshop, unaware of the priceless sentiment it holds for Lydia. If he were a gentleman, he would simply return it to her. But Alexander is curious to see just how bold this brilliant beauty will be.What began as a playful wager quickly escalates. As their sizzling attraction grows, even Lydia can’t account for the feelings Alexander arouses in her with his smile or the fire he ignites with his touch. But when a dark family secret is suddenly thrown into the equation, it just might divide them forever.*An earlier edition of this book was published under the name Nina Rowan by Grand Central Publishing

    Baronet. Highwayman. Scoundrel. Julian Reece. Writer. Wastrel. Penniless.No one forces Julian Reece to marry. Not his father, not his brother. No one. When he is thrust into a carriage heading for London to meet his future bride, his way out comes in the form of an imposing highwayman, riding a horse as black as night. Julian makes a deal with the criminal, but what he doesn’t expect is that despite the title of baronet, the robber turns out to be no gentleman.Sir Evan Penhart is pushed into crime out of desperation, but the pact with a pretty, young merchant’s son turns out to have disastrous consequences. Not only is Evan left broke, but worse yet, Julian opens up a Pandora’s box of passions that are dark, needy, and too wild to tame. With no way to lock them back in, rash decisions and greedy desire lead to a tide that wrecks everything in its way.But Julian might actually like all the sinful, carnal passion unleashed on him. How can he admit this though, even to himself, when a taste of the forbidden fruit could have him end up with a noose around his neck? And with highway robbery being a hanging offense and the local constable on their back, Julian could lose Evan before he can decide anything about the nature of his desires.POSSIBLE SPOILERS:Themes: highwayman, abduction, ransom, forbidden love, self-discovery, danger, crime, Genre: Dark romance, historicalErotic content: Explicit scenesLength: ~140,000 words (standalone novel)WARNING: Adult content. Contains violence, distressing scenes, abuse, offensive language, and morally ambiguous protagonists.

    Denver, Colorado1987There are two sides to every story.The surface reality that’s presented to the world.And then there’s the other side.The real one.The one that matters.Seventeen-year-old, self-proclaimed asshole, Toby Page, is alone.No friends.No family.He trades maintenance work in exchange for room and board.Every day he fights demons no one else can see.Every day he wants to give up.But he can’t.Not yet.When Alice Eliot moves in downstairs, she offers Toby some light in his dark world.At a crossroads and barely hanging on, it’s hard to have perspective.It’s difficult to see your own worth when you’re the villain in your story.Luckily for Toby, Alice brings things out in him that no one else ever has.As the two sides of Toby’s story are revealed, and the full reality comes into view, truth is gained.Improbable alliances prove that kindness is fundamentally human.Unlikely heroes emerge.The question is, Will it all be enough to save him?

    Defying the new.The making of a legend—and a truly innovative re-imagining of Robin Hood. Rob of Loxley and his older sister Marion have been groomed from birth to take their parents’ places within the Old Religion. Despite this, when Rob finds an injured nobleman’s son in the forest, neither he nor Marion understand what befriending young Gamelyn could mean for the future of their beliefs. Already the ancient spirits are fading beneath the iron of nobleman’s politics and the stones of Church subjugation. More, the druid elders warn that Rob and Gamelyn are cast as sworn adversaries, locked in timeless and symbolic struggle for the greenwood’s Maiden. Instead, in a theological twist only a stroppy dissident could envision, Rob swears he’ll defend the sacred woodland of the Horned God and Lady Huntress to his last breath—if his god will let him be lover, not rival, to the one fated as his enemy.But in the eyes of Gamelyn’s Church, sodomy is unthinkable... and the old pagan magics are an evil that must be vanquished. ------ With a truly original take on the Robin Hood legends, this historical fantasy series sets Robin the outlaw archer as a queer, chaotic-neutral druid; Marion as pagan queen who is sister but not wife, and their consort a Christian--and thusly conflicted--nobleman.

    1850. The Great Exhibition is being erected in Hyde Park and among the crowd watching the spectacle two people meet. For Iris, an aspiring artist, it is the encounter of a moment – forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning. When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love.But Silas has only thought of one thing since their meeting, and his obsession is darkening . . .

    Morris’s house twice a week to pay her tuition. The reclusive ex-soldier intimidates her, but she can’t help but feel sympathy for him. Then she walks in on him touching himself, and she has much darker, much more sensual feelings. And a beastly professor with scars he can’t hide… Blake Morris knows he’s scarred both inside and out. He’s reclusive and surly. Nowhere near good enough for the smart and beautiful young woman who cleans his house. He receives an offer to return to his alma mater as an associate professor. This is his chance to reenter the world--and to be worthy of the woman he dreams about. He never expected to see her sitting in his classroom on the first day of the semester. Author’s Note: This book was previously published as a serial in multiple parts, including Beauty Touched the Beast, Beneath the Beauty, and Broken Beauty. They’ve been collected into this volume and revised for new readers. BEAUTY AND THE PROFESSOR is the first book in A Modern Fairy Tale duet.

    For as long as she can remember, she and her father have lived in isolation in the abandoned Moorish palace. There are chickens and goats, and a terrible wailing spirit trapped in a pine tree, but the elusive wild boy who spies on her from the crumbling walls and leaves gifts on their doorstep is the isle’s only other human inhabitant. There are other memories, too: vague, dream-like memories of another time and another place. There are questions that Miranda dare not ask her stern and controlling father, who guards his secrets with zealous care: Who am I? Where did I come from? The wild boy Caliban is a lonely child, too; an orphan left to fend for himself at an early age, all language lost to him. When Caliban is summoned and bound into captivity by Miranda’s father as part of a grand experiment, he rages against his confinement; and yet he hungers for kindness and love.