She had come to Kenya from Denmark with her husband, and when they separated she stayed on to manage the farm by herself, visited frequently by her lover, the big-game hunter Denys Finch-Hatton, for whom she would make up stories "like Scheherazade." In Africa, "I learned how to tell tales," she recalled many years later. "The natives have an ear still. I told stories constantly to them, all kinds." Her account of her African adventures, written after she had lost her beloved farm and returned to Denmark, is that of a master storyteller, a woman whom John Updike called "one of the most picturesque and flamboyant literary personalities of the century."Isak Dinesen (1885-1962_ was born Karen Christence Dinesen in Rungsted, Denmark. She wrote poems, plays, and stories from an early age, including 'Seven Gothic Tales', 'Winter's Tales', 'Last Tales', 'Anecdotes of Destiny', 'Shadows on the Grass' and 'Ebrengard'. 'Out of Africa' is considered her masterpiece.

    A beautiful little novel about books, history, ambition and the importance of literature to everyone, especially people who are trying to find a voice.' Nick HornbyIn 1936, a young dreamer named Edmond Charlot opened a modest bookshop in Algiers. Once the heart of Algerian cultural life, where Camus launched his first book and the Free French printed propaganda during the war, Charlot's beloved bookshop has been closed for decades, living on as a government lending library. Now it is to be shuttered forever. But as a young man named Ryad empties it of its books, he begins to understand that a bookshop can be much more than just a shop that sells books. A Bookshop in Algiers charts the changing fortunes of Charlot's bookshop through the political drama of Algeria's turbulent twentieth century of war, revolution and independence. It is a moving celebration of books, bookshops and of those who dare to dream.

    A compelling novel that shows how one life can change many, in spite of dangerous and seemingly immutable obstacles.When Fiona Sweeney tells her family she wants to do something that matters, they do not expect her to go to Africa to help start a traveling library. But that is where Fiona chooses to make her mark: in the arid bush of northeastern Kenya, among tiny, far-flung communities, nearly unknown and lacking roads and schools, where people live daily with drought, hunger, and disease. In The Camel Bookmobile, Fi travels to settlements where people have never held a book in their hands. Her goal is to help bring Dr. Seuss, Homer, Tom Sawyer, and Hemingway to a largely illiterate and semi-nomadic populace. However, because the donated books are limited in number and the settlements are many, the library initiates a tough fine: if anyone fails to return a book, the bookmobile will stop coming. Though her motives are good, Fi doesn't understand the people she seeks to help. Encumbered by her Western values, she finds herself in the midst of several struggles within the community of Mididima. There the bookmobile's presence sparks a feud between those who favor modernization and those who fear the loss of the traditional way of life in the African bush. The feud heightens when one young man—"Scar Boy"—doesn't return his books. As promised, the library stops all visits, but Fi goes to the settlement alone, determined to recover what has been lost. Evocative, seamless, and haunting, The Camel Bookmobile is a powerful saga that challenges our fears of the unknown. It is a story that captures the riddles and calamities that often occur when two cultures collide. It follows an American librarian who travels to Africa to give meaning to her life, and ultimately loses a piece of her heart. In the end, this compelling novel shows how one life can change many, in spite of dangerous and seemingly immutable obstacles.

    The narrative of A Story like the Wind continues in A Far-Off Place.

    The story that he tells, nearly 40 years later, is of his early days at home and in school, brought up in a strict mission household and conflicting with his father.

    For the first time since she was a young girl her time is her own, her body is her own, her thoughts are her own. In solitude, she is finally able to reflect on her own existence and its meaning,  bringing her a semblance of inner peace. Scenes from her former life shuttle through her mind: how owner after owner assaulted her, and how each of her babies were taken away as soon as they were weaned, their futures left to her imagination. We are the sole witnesses to her history: her capture as a child, her tortured days in a harbor city on the eastern coast as a servant, her journey with her last owner and protector, her flight, and the kaleidoscopic world of her baobab tree. Wilma Stockenström's profound work of narrative fiction, translated by Nobel Prize winner J.M. Coetzee, is a rare, haunting exploration of enslavement and freedom.

    How do we get out of what we’ve gotten ourselves into? How do we deal with what’s been thrust upon us? Granta 118 zooms in close on the phenomenon of the exit strategy.With award-winning reportage, memoir and fiction, Granta has illuminated the most complex issues of modern life through the refractory light of literature. This issue features new stories by Alice Munro, Susan Minot, Ann Beattie, David Long, and Daniel Alarcon; an excerpt from an upcoming novel by Anne Tyler; new memoir writing by John Barth and Aleksandar Hemon; and many other pieces that examine how we get ourselves out and the repercussions that follow. Hindsight is twenty/twenty, but it’s what we do moving forward that defines us and � in the best of all worlds � redeems us.

    Beautifully rendered, this is a world and a time never before dealt with in fiction-a period when powerful colonizers took over the lands of Hottentot tribes, exposing aborigines for the first time to Western eyes and Western ways. Through the life stories of seven men-all involved with and defined in one way or another by Pieternella, the beautiful daughter of the first mixed marriage of the new colony-we gain an understanding of the vast historical forces at work.Teeming with characters, rich with lived experience, gripping in its unexpected turns, Islands is a story of greed, power, war, courage, and international intrigue, at once a meticulously researched portrait of the age, and a great adventure story.

    When three western aidworkers are stranded here - a place where poets carry Kalashnikovs and rebel commanders wear pink dressing gowns- their presence brings hope and danger in equal measure. An ominous ode to Africa's violent beauty, Something is Going to Fall Like Rain is also a life-affirming reminder that love and happiness can co-exist with famine and conflict.

    British lawyer Paula Shackleton is mourning a lost love when a small man in a lemon-coloured suit accosts her over breakfast in a Boston hotel. Winston Peabody represents the African state of North Darrar, embroiled in a border arbitration case with its giant neighbour. He needs help with the hearings in The Hague, Paula needs to forget the past.She flies to the state’s capital determined to lose herself in work, but soon discovers that even jobs taken with the purest intentions can involve moral compromise. Taking testimony in scorching refugee camps, delving into the colonial past, she becomes increasingly uneasy about her role. Budding friendships with a scarred former rebel and an idealistic young doctor whittle away at her pose of sardonic indifference, until Paula finds herself taking a step no decent lawyer should ever contemplate.Michela Wrong has been writing about Africa for two decades. In this taut legal thriller, rich with the Horn of Africa’s colours and aromas, she probes the motives underlying Western engagement with the continent, questioning the value of universal justice and exploring how history itself is forged. Above all her first novel is the story of a young woman’s anguished quest for redemption.

    It is my intention now to take you there in this book, if you have the courage to come with me.The young life of Daoud Hari–his friends call him David–has been one of bravery and mesmerizing adventure. He is a living witness to the brutal genocide under way in Darfur.The Translator is a suspenseful, harrowing, and deeply moving memoir of how one person has made a difference in the world–an on-the-ground account of one of the biggest stories of our time. Using his high school knowledge of languages as his weapon–while others around him were taking up arms–Daoud Hari has helped inform the world about Darfur.Hari, a Zaghawa tribesman, grew up in a village in the Darfur region of Sudan. As a child he saw colorful weddings, raced his camels across the desert, and played games in the moonlight after his work was done. In 2003, this traditional life was shattered when helicopter gunships appeared over Darfur’s villages, followed by Sudanese-government-backed militia groups attacking on horseback, raping and murdering citizens and burning villages. Ancient hatreds and greed for natural resources had collided, and the conflagration spread.Though Hari’s village was attacked and destroyedhis family decimated and dispersed, he himself escaped. Roaming the battlefield deserts on camels, he and a group of his friends helped survivors find food, water, and the way to safety. When international aid groups and reporters arrived, Hari offered his services as a translator and guide. In doing so, he risked his life again and again, for the government of Sudan had outlawed journalists in the region, and death was the punishment for those who aided the “foreign spies.” And then, inevitably, his luck ran out and he was captured. . . . The Translator tells the remarkable story of a man who came face-to-face with genocide– time and again risking his own life to fight injustice and save his people.From the Hardcover edition.

    In On the Postcolony he profoundly renews our understanding of power and subjectivity in Africa. In a series of provocative essays, Mbembe contests diehard Africanist and nativist perspectives as well as some of the key assumptions of postcolonial theory.This thought-provoking and groundbreaking collection of essays—his first book to be published in English—develops and extends debates first ignited by his well-known 1992 article "Provisional Notes on the Postcolony," in which he developed his notion of the "banality of power" in contemporary Africa. Mbembe reinterprets the meanings of death, utopia, and the divine libido as part of the new theoretical perspectives he offers on the constitution of power. He works with the complex registers of bodily subjectivity — violence, wonder, and laughter — to profoundly contest categories of oppression and resistance, autonomy and subjection, and state and civil society that marked the social theory of the late twentieth century.This provocative book will surely attract attention with its signal contribution to the rich interdisciplinary arena of scholarship on colonial and postcolonial discourse, history, anthropology, philosophy, political science, psychoanalysis, and literary criticism.

    But after she is humiliated and punished for her own sexual exploration, Esi begins to question why women's secrets and men's secrets bear different consequences. It is the beginning of a journey of discovery that will lead her to unexpected places.As she navigates her burgeoning womanhood, Esi tries to reconcile her own ideals and dreams with her family’s complicated past and troubled present, as well as society’s many double standards that limit her and other women. Against a fraught political climate, Esi fights to carve out her own identity, and learns to manifest her power in surprising and inspiring ways. Funny, fresh, and fiercely original, The Teller of Secrets marks the American debut of one of West Africa's most exciting literary talents.

    In one of the most miraculous events of the century, the oppressive system of apartheid was dismantled. Repressive laws mandating separation of the races were thrown out. The country, which had been carved into a crazy quilt that reserved the most prosperous areas for whites and the most desolate and backward for blacks, was reunited. The dreaded and dangerous security force, which for years had systematically tortured, spied upon, and harassed people of color and their white supporters, was dismantled. But how could this country--one of spectacular beauty and promise--come to terms with its ugly past? How could its people, whom the oppressive white government had pitted against one another, live side by side as friends and neighbors?To begin the healing process, Nelson Mandela created the Truth and Reconciliation Commission, headed by the renowned cleric Archbishop Desmond Tutu. Established in 1995, the commission faced the awesome task of hearing the testimony of the victims of apartheid as well as the oppressors. Amnesty was granted to those who offered a full confession of any crimes associated with apartheid. Since the commission began its work, it has been the central player in a drama that has riveted the country. In this book, Antjie Krog, a South African journalist and poet who has covered the work of the commission, recounts the drama, the horrors, the wrenching personal stories of the victims and their families. Through the testimonies of victims of abuse and violence, from the appearance of Winnie Mandela to former South African president P. W. Botha's extraordinary courthouse press conference, this award-winning poet leads us on an amazing journey.Country of My Skull captures the complexity of the Truth Commission's work. The narrative is often traumatic, vivid, and provocative. Krog's powerful prose lures the reader actively and inventively through a mosaic of insights, impressions, and secret themes. This compelling tale is Antjie Krog's profound literary account of the mending of a country that was in colossal need of change.

    Its rise to classic status has been unstoppable, and it is now widely considered the founding text of all South African prison writings. As readable as ever, it is now hailed as Bosman's masterpiece of irony as well, vivid and unforgettable.