A chance to escape from the grey darkness of England. A chance to visit her happy childhood home at the Castle of the Rock, and above all the opportunity to escape the petty tyranny of her stepmother and reconnect with other family members. However, her visit to Portugal became unexpectedly dangerous - and unexpectedly romantic...

    Alistair Gellis—rich, handsome, scarred by World War I, and obsessed with ghosts—has been summoned to investigate the spirit of nineteen-year-old maid Maddy Clare, who is haunting the barn where she committed suicide. Since Maddy hated men in life, it is Sarah's task to confront her in death. Soon Sarah is caught up in a deperate struggle. For Maddy's ghost is real, she's angry, and she has powers that defy all reason. Can Sarah and Alistair's assistant, the rough, unsettling Matthew Ryder, discover who Maddy was, where she came from, and what is driving her desire for vengeance—before she destroys them all?

    Her old nightmare is back. And now the timid kindergarten teacher is convinced that someone is following her--watching her every move. It could just be coincidence that she and the chillingly memorable man seem to show up at all the same places. Perhaps her paranoia is just a result of her deep fear of change. After all, so much has changed in her life recently. To make matters worse, Laura is now supposed to travel halfway across the country to take possession of a family estate she has inherited. As unnerved as she is with her 'stalker' in St. Louis, the plantation in Virginia seems even more frightening to Laura. And what is a Mormon girl going to do with miles of tobacco crop?But then again, maybe the family estate holds the secret to why Laura's parents would never talk about their past. In hopes of finding clues to this mystery, Laura packs her bags and catches a bus to Bufordville, a tiny town with more than its fair share of rumors, suspicions, and deadly secrets. Then panic sets in as Laura finds her returning nightmare is, in fact, a twenty-year-old reality--a reality that could very well repeat itself."

    About to face another winter in New York, without work and facing a divorce, welcomes an invitation from his great-aunt to visit Haiti. It is with real astonishment that perceives to be the descendant of a rich woman, whose property serves as a backdrop to the filming of an exciting epic. In the romantic setting of the island, a willful Mardee native lion, becomes involved with three very different men: Sebastian Wright, the filmmaker and passionate Scorpio, the handsome actor Kip Tybalt, a native of twins who seem to embody the whole mystery and Haiti's own ambivalence and Brian Dawes, a beautiful journalist and pragmatic, native rock, which seems to be the only anchor that secures it to reality. But the tropical splendor in suspense becomes deadly when a sinister voodoo ritual corners Mardee a frenzy of supernatural horror from which escape might not ever.

    She would be a "friend" who would try to protect her from another scandalous involvement--like the one back in France.Alain was a generous and thoughtful employer. Victorine a bright and amusing companion. But Tamaris could not help wondering about the significance of the gold and enamel snake Victorine wore around her neck. Nor could she stop thinking about the fact that someone had been going through her belongings and leaving strange objects among them.Then one day Alain was forced to reveal the true story of Victorine's past. A past, Tamaris suspected, that would soon gain on the future and place everyone at Rancho del Sol under a shadow of constant fear..

    Hinging on the theft of an enormous diamond originally stolen from an Indian shrine, this riveting novel features the innovative Sergeant Cuff, the hilarious house steward Gabriel Betteridge, a lovesick housemaid, and a mysterious band of Indian jugglers.The Woman in WhiteOne of the greatest mystery thrillers ever written, Wilkie Collins' The Woman in White was a phenomenal bestseller in the 1860s, achieving even greater success than works by Dickens, Collins' friend and mentor. Full of surprise, intrigue, and suspense, this vastly entertaining novel continues to enthrall readers today.The story begins with an eerie midnight encounter between artist Walter Hartright and a ghostly woman dressed all in white who seems desperate to share a dark secret. The next day Hartright, engaged as a drawing master to the beautiful Laura Fairlie and her half sister, tells his pupils about the strange events of the previous evening. Determined to learn all they can about the mysterious woman in white, the three soon find themselves drawn into a chilling vortex of crime, poison, kidnapping, and international intrigue.Masterfully constructed, The Woman in White is dominated by two of the finest creations in all Victorian fiction: Marion Halcombe, dark, mannish, yet irresistibly fascinating, and Count Fosco, the sinister and flamboyant "Napoleon of Crime."

    

    So when a stranger appears on her doorstep with a job offer, she finds herself accepting the mysterious yet unique position: caretaker to his mother, Amaris Sinclair, the famous and rather eccentric horror novelist whom Julia has always admired…and who the world believes is dead.When she arrives at the Sinclairs' enormous estate on Lake Superior, Julia begins to suspect that there may be sinister undercurrents to her "too-good-to-be-true" position. As Julia delves into the reasons of why Amaris chose to abandon her successful writing career and withdraw from the public eye, her search leads to unsettling connections to her own family tree, making her wonder why she really was invited to Havenwood in the first place, and what monstrous secrets are still held prisoner within its walls.

    This chapel, a stained glass folly set on the moors of Shropshire, was built by de Bonne sixteen years earlier to house the remains of his beloved wife and muse, Ada. Since then, the chapel has been locked and abandoned, a pilgrimage site for the rabid fans of de Bonne’s last book, The Lost History of Dreams.However, Ada’s grief-stricken niece refuses to open the glass chapel for Robert unless he agrees to her bargain: before he can lay Hugh to rest, Robert must record Isabelle’s story of Ada and Hugh’s ill-fated marriage over the course of five nights.As the mystery of Ada and Hugh’s relationship unfolds, so does the secret behind Robert’s own marriage—including that of his fragile wife, Sida, who has not been the same since the tragic accident three years ago, and the origins of his own morbid profession that has him seeing things he shouldn’t—things from beyond the grave.Kris Waldherr effortlessly spins a sweeping and atmospheric gothic mystery about love and loss that blurs the line between the past and the present, truth and fiction, and ultimately, life and death.

    

    . .Paul Kelly had a very big temper for such a small boy. When he tired of his toys he smashed them. When a dog or cat got in his way, he kicked them. And when other children told on him, he made sure they were very, very sorry . . .CHILD’S PLAY . . .But that was nothing compared to what Paul discovered next. Which was that if he didn’t like certain people, he could make it so he’d never have to see them again. Ever. And no one would suspect such a little boy of such a horrible deed. Of such monstrous powers. No one would ever guess that killing could be much more fun than playing with dump trucks and sandboxes. Especially the way Paul did it . . .

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    When her parents buy a creepy old manor on a lake, she’s wary at best. The home gives her the creeps and the neighbors seem to think the place is haunted. But ghosts aren’t real, right?When strange things start happening, Rachel becomes determined to uncover the truth. What really happened at Bridge Manor?The home’s brutal and twisted past only disturbs the girl further and inexplicable events begin to make her wonder if there’s truth behind the rumors. One thing’s for sure; there’s something very, very wrong with Bridge Manor. Is the apparition of the Lady on the Lake Rachel sees just a dream? Or are ghosts, in fact, real? Rachel must uncover the truth… before it’s too late.

    Gabriel Stone is desperate to escape the ghosts that haunt him in Massachusetts after his wife's death, so he moves to Pale Harbor, Maine, where there is a vacancy for a new minister. Gideon and his late wife had always dreamed of building their own church, and Pale Harbor is the perfect opportunity.But not all is as it seems in the sleepy town of Pale Harbor. Strange, unsettling things have been happening, and the townspeople know that only one person can be responsible: Sophronia Carver, a widow who lives with a spinster maid in the decaying Castle Carver on the edge of town. Sophronia is a recluse, rumored to be a witch who killed her husband.When Gabriel meets her, he knows the charming, beautiful woman cannot be guilty of anything. Together, Gabriel and Sophronia realize that the mysterious events have one thing in common: they all contain an element from the wildly popular stories of Mr. Edgar Allan Poe. And when the events escalate to murder, Gabriel and Sophronia must find the real killer, before it's too late for them both.

    It's nothing like the suburb you might live in . . . Unless, that is, an insane, Listerine-guzzling Realtor sold you your house? Or perhaps your postman happens to have a disturbing relationship with his claw hammer? A grieving Dan LaBarbara knows something is different in Helltown as soon as he comes back home. Yeah, sure, the town always been a little off. You can feel that about the place, like if you stepped into a house whose only occupants were freshly murdered corpses in an upstairs bedroom. But this is something else entirely. Standing in his little brother Barbie's basement workshop, holding one of those dioramas Barbie's been building since the accident, the ones that seem to move when you hold them, Dan can feel Barbie's terror. Barbie must know something is coming, something big, something evil. He's trying to warn Dan in the only way he knows. Why else would Barbie build a diorama depicting a man-sized version of a cartoon rabbit with bloody teeth about to devour a trembling teenager? Why else would he spend so much time crafting an intricate model of Death standing over a pimply teenager in the school library? And let's not even talk about that little model of the mob of undead surrounding the massive tower of vicious black spines behind the high school. Hilltown has a story to tell, and the lonely brain-damaged man who builds magical dioramas in his basement workshop has been telling it all along. As the evil closes in around them, Dan and his new love interest Jessica must do the impossible: save everyone one in Hilltown before it's too late.