Spanning three thousand years, this beautifully illustrated history offers a thorough and delightfully readable introduction to the artwork even as it provides insight into questions that have long engaged experts and amateurs alike. In its scope, its detail, and its eloquent reproduction of over 250 objects, Gay Robins's classic book is without parallel as a guide to the art of ancient Egypt. And her eagerly awaited new edition includes many new color photographs and a fully revised and updated bibliography.

    They could own and trade in property, work outside the home, marry foreigners and live alone without the protection of a male guardian. Some of them even rose to rule Egypt as ‘female kings’. Joyce Tyldesley’s vivid history of how women lived in ancient Egypt weaves a fascinating picture of daily life – marriage and the home, work and play, grooming and religion – viewed from a female perspective, in a work that is engaging, original and constantly surprising.

    From the moment of its discovery a battle for possession ensued and was won, eventually, by the French. Touted by her keepers in the Louvre as the great classical find of the era, the sculpture gained instant celebrity–and yet its origins had yet to be documented or verified.From the flurry of excitement surrounding her discovery, to the raging disputes over her authenticity, to the politics and personalities that have given rise to her mystique, Gregory Curtis has given us a riveting look at the embattled legacy of a beloved icon and a remarkable tribute to one of the world’s great works of art.

    It is a tale vividly told by renowned archaeology author, Brian Fagan, with characters that include the ancient historian Herodotus; Theban tomb robbers; obelisk-stealing Romans; Coptic Christians determined to erase the heretical past; mummy traders; leisured antiquarians; major European museums; Giovanni Belzoni, a circus strongman who removed more antiquities than Napoleon's armies; shrewd consuls and ruthless pashas; and archaeologists such Sir Flinders Petrie who changed the course of Egyptology. This is the first thoroughly revised edition of The Rape of the Nile - Fagan's classic account of the cavalcade of archaeologists, thieves, and sightseers who have flocked to the Nile Valley since ancient times. Featured in this edition are new accounts of stunning recent discoveries, including the Royal Tombs of Tanis, the Valley of Golden Mummies at Bahariya, the Tomb of the Sons of Ramses, and the sunken city of Alexandria (whose lighthouse was one of the Seven Wonders of the Ancient World). Fagan concludes with a clear-eyed assessment of the impact of modern mass tourism on archaeological sites and artifacts.

    ForewordThe Discovery of Tutankhamun's TombTutankhamun & His WorldColor PlatesCatalogueBibliography

     Ancient Egypt has mystified and entranced generation after generation. Their mastery of architecture, their complex religious ideologies, and their peculiar views on death have given modern-day readers much to ponder. Few, if any, of their remaining relics have produced the awe and spectacular wonder of the Great Pyramids of Giza. These three architectural masterpieces have stood for over five thousand years despite looting, exploitation, and the slow erosion of time. Inside you will read about... ✓ The Birth of a Wonder ✓ The Architect and Exterior Construction ✓ The Construction of the Interior: The King’s Tomb ✓ The End of the Old Kingdom ✓ The Birth of Egyptology ✓ The Great Pyramid Today ✓ Fringe Theories on the Great Pyramid And much more! This book will describe the history, theory, and ideology behind the construction of the last remaining ancient wonder of the world.

    Assuming no knowledge on the part of the reader, it shows how to interpret the information on the inscriptions in a step-by-step journey through the script and language of ancient Egypt.We enter the world of the ancient Egyptians and explore their views on life and death, Egypt and the outside world, humanity and the divine. The book draws on texts found on some thirty artifacts ranging from coffins to stelae to obelisks found in museums in Egypt, America, and Europe, and selected across two thousand years. The texts are then explained clearly, and are supported by full translations, photographs, and line drawings.

    Famous as the burial place of the great New Kingdom pharaohs - such as Tutankhamun, Ramesses the Great and Tuthmosis IV - this valley contains some 80 tombs which were dug at the climax of Egyptian power more than 3000 years ago. The account includes full descriptions of over 80 tombs, complete with factfiles, lists of contents and computer-generated perspective cutaway views. It describes the burials and mummies of famous pharaohs, from Tutankhamun and gives a blow-by-blow account of the rediscovery of the tombs, from Greek and Roman times to Howard Carter and the present day. It details the latest research by the international teams in the valley, including the discovery of the tomb for the sons of Ramesses the Great. The planning and ritual purpose of the tombs is also described, from the royal workforce to the scenes from the mysterious afterlife books adorning the tomb wall. A full reference section, including a guide to visiting the valley, is also given.

    Its purpose—place of worship, sacrificial arena, giant calendar—is unknown, but its story is one of the most extraordinary of any of the world's prehistoric monuments.Constructed in several phases over a period of some 1500 years, beginning in 3000 BC, Stonehenge's key elements are its “bluestones,” transported from West Wales by unexplained means, and its sarsen stones quarried from the nearby Marlborough Downs.Francis Pryor delivers a rigorous account of the nature and history of Stonehenge, but also places the enigmatic monument in a wider cultural context, bringing acute insight into how antiquarians, scholars, writers, artists–and even neopagans—have interpreted the mystery over the centuries.

    Although undoubtedly a period of conquest and destruction, it was also one of mutual curiosity, global trade and the exchange of ideas.In Part Two, The Cult of Progress, we see how the Industrial Revolution transformed the world, impacting every corner, and every civilisation, from the cotton mills of the Midlands through Napoleon's conquest of Egypt to the decimation of both Native American and Maori populations and the advent of photography in Paris in 1839.Incredible art - both looted and created - relays the key events and their outcomes throughout the world.

    EXPLORING ART uses art examples from around the world to discuss art in the context of religion, politics, family structure, sexuality, entertainment and visual culture.

    while their European cousins still ran wild. Over the centuries they gained an exalted position in royal society--revered as an incarnation of a goddess, modeled in bronze statuettes, and even mummified and buried with their owners. Yet cats also won commoners' respect for their humble origins and protective instincts, earning them a prominent place in the personal religion of ordinary people.Egypt scholar Jaromir Malek has called on a variety of artistic and written sources to tell how the cat became one of the most widely esteemed animals in that ancient society. He shows how we can date the domestication of cats from their depiction in art--first from the tomb of Baket III, in which a cat is shown confronting a field rat; then increasingly in images where cats are seen under the chairs of wives, a depiction that complements the long-established motif of dogs situated beneath the husbands' chair.Malek's book includes more than a hundred illustrations--many in full color--that show how cats came to be widely represented in tomb paintings, sculpture, papyri, jewelry, ostraka, and sarcophagi. Throughout the text, he provides sufficient information on ancient Egyptian religion, society, and art to help general readers understand how the cat achieved its place of honor.Today cats can be seen throughout Egypt, wandering in bazaars or asleep in shaded courtyards, evidence of an enduring relationship with humans that this book warmly captures. The Cat in Ancient Egypt is an informative and entertaining work that will delight cat lovers and history buffs alike.

    (There is a new edition of this book, see "Phoenicians".) Instead of seeing darkness in the years before classical Greece, we now see glimmers of light revealing a continuous parade of remarkable societies, great leaders and epic events. Drawing back the veil of secrecy surrounding the Phoenicians uncovers new glimpses of Egyptians, Greeks, Romans and people of other societies. Sanford Holst is one of the world's leading authorities on the Phoenicians, and appears in the BBC series Ancient Worlds. Elected a member of the prestigious Royal Historical Society for his work in this field, Holst has presented academic papers on the Phoenicians at universities around the world. Working with respected experts, often on-site, he has added photos, sources, and five years of additional research to his previous work. This is a walk through the idyllic ancient Mediterranean you will long remember.

    Ptah-hotep, a young peasant boy studying to be a scribe, wants to live a simple life in a Nile hut with his lover Kheperren and their dog Wolf. But Amenhotep IV appoints him as Great Royal Scribe. Surrounded by bitterly envious rivals and enemies, how long will Ptah-hotep survive? The child-princess Mutnodjme sees her beautiful sister Nefertiti married off to the impotent young Amenhotep. But Nefertiti must bear royal children, so the ladies of the court devise a shocking plan. Kheperren, meanwhile, serves as scribe to the daring teenage General Horemheb. But while the Pharaoh’s shrinking army guards the Land of the Nile from enemies on every border, a far greater menace impends. For, not content with his own devotion to one god alone, the newly-renamed Akhnaten plans to suppress the worship of all other gods in the Black Land. His horrified court soon realise that the Pharaoh is not merely deformed, but irretrievably mad; and that the biggest danger to the Empire is in the royal palace itself.

    Professor Pollitt reminds us that the visual arts in Greece, as elsewhere, were primarily vehicles of expression. He does not ignore formal development but always relates this to social and cultural history, which it reflected and from which it grew. While his subject is art, he refers frequently to the literature and philosophy of the period which were shaped by the same influences.