From congresswoman to senator, the magnetic, ambitious single mother now has her eye on the White House—always looking forward, never back. Until an estranged childhood friend shreds her in an op-ed hit piece gone viral.With seven words—“Cleo McDougal is not a good person”—the presidential hopeful has gone from in control to damage control, and not just in Washington but in life.Enter Cleo’s “regrets list” of 233 and counting. Her chief of staff has a brilliant idea: pick the top ten, make amends during a media blitz, and repair her reputation. But there are regrets, and there are regrets: like her broken relationship with her sister, her affair with a law school professor…and the regret too big to even say out loud.But with risk comes reward, and as Cleo makes both peace and amends with her past, she becomes more empowered than ever to tackle her career, confront the hypocrites out to destroy her, and open her heart to what matters most—one regret at a time.

    A town where nearly all of the volunteer firemen are named Jim, where The Dirty Shame—the only bar in town—refuses to serve mixed drinks (too much work), where the locals hate the newcomers (then again, they hate the locals, too), and where the town softball team has never even come close to having a winning season. Until now.Rachel Flood has snuck back into town after leaving behind a trail of chaos nine years prior. She’s here to make amends, but nobody wants to hear it, especially her mother, Laverna. But with the help of a local boy named Jake and a little soul-searching, she just might make things right.In the spirit of Empire Falls and A League of Their Own, with the caustic wit of Where’d You Go, Bernadette thrown in for good measure, Richard Fifield’s hilarious and heartwarming debut will have you laughing through tears.

    The novel explores two historical strands, bringing together an abused housewife from the 1970s and a young girl from the early 1940s in a story of love, loss and unexpected consequences.The Letter follows the life of Tina in the 1970s who seeks respite from her abusive marriage by volunteering at a charity shop. One day, while sorting through the pockets of a second-hand suit, she comes across an old letter. It is still firmly sealed and un-franked. Unable to resist the pull of curiosity, Tina opens the letter. It was written on 4th September 1939. She is so moved by the contents and bemused as to why the letter was never delivered, she embarks on a quest to find out what became of the writer and his intended recipient.The mystery of how this love letter ended up in Tina’s hands is also uncovered through Billy’s story from the early 1940s. He writes a letter that will change his life forever, unaware that it will not be read for another 34 years, and then by a complete stranger.With a swift pace, memorable characters and a wonderful conceptual depth, Hughes’ novel is one that simply can’t be put down.

    Tobias is obsessed with two things: God and girls. Mostly girls, of course. But being a Baptist preacher's son, he can't escape God. When his father is blinded in a bizarre accident (involving hard cider and bird droppings), Tobias must ride the rails to Texas to recover a long-hidden stash of money. Along the way, he's initiated into the hobo brotherhood by Craw, a ribald vagabond-philosopher. Obstacles arise in the form of a saucy prostitute, a flaming boxcar, and a man-eating catfish. But when he meets Sarah, a tough farm girl under a dark curse, he finds out that the greatest challenge of all is love.

    Thankfully, he has a loving family waiting for him when he gets home, to help wash the day's cares away. At least, that's what his coworkers believe.Andrew didn't mean for the misunderstanding to happen, yet he's become trapped in his own white lie. The fantasy of his wife and two kids has become a pleasant escape from his lonely one bedroom with only his Ella Fitzgerald records for company. But when new employee Peggy breezes into his life like a breath of fresh air, Andrew is shaken out of his routine. She doesn't notice the wall he's been safely hiding behind and their friendship promises to break it down.Andrew must choose: Does he tell the truth and start really living his life, but risk losing his friendship with Peggy? Or will he stay safe and alone, behind the façade? How Not to Die Alone is about the importance of taking a chance in those moments when we have the most to lose. Sharp and funny, warm and real, it's the kind of big-hearted story we all need.

    Early into the renovations, she discovers a tin box hidden away in the attic that reveals the emotional letters from a WWII paratrooper to a young woman who lived in the house more than a half-century earlier.The old letters—incredibly poetic and romantic—transcend time, and they arouse in Adrienne a curiosity that leads her to track down the writer of the letters. William “Pops” Bryant is now an old man living in a nearby town with his handsome but overprotective grandson, Will. As Adrienne begins to unravel the secrets of the letters (and the Bryants), she finds herself not yet willing to give up entirely on love.

    Two women fall to pieces at the news: his wife, Claire, and his co-worker Tish. Reeling from her loss, Claire must comfort her grieving son as well as contend with funeral arrangements, well-meaning family members, and the arrival of Jeff’s estranged brother, who was her ex-boyfriend. Tish volunteers to attend the funeral on her company’s behalf, but only she knows the true risk of inserting herself into the wreckage of Jeff’s life.Told through the three voices of Jeff, Tish, and Claire, Hidden explores the complexity of relationships, the repercussions of our personal choices, and the responsibilities we have to the ones we love.

    Don't they teach you anything at school?So says 104-year-old Ona to the 11-year-old boy who's been sent to help her out every Saturday morning. As he refills the bird feeders and tidies the garden shed, Ona tells him about her long life, from first love to second chances. Soon she's confessing secrets she has kept hidden for decades.One Saturday, the boy doesn't show up. Ona starts to think he's not so special after all, but then his father arrives on her doorstep, determined to finish his son's good deed. The boy's mother is not so far behind. Ona is set to discover that the world can surprise us at any age, and that sometimes sharing a loss is the only way to find ourselves again.

    Broke and knocked up, she’s got all her worldly possessions crammed into six giant trash bags, and nowhere to go. Try as she might, Mattie can no longer deny that she really is turning into her mother, a broken alcoholic who never met a bad choice she didn’t make. When Mattie gets news of a possible inheritance left by a grandmother she’s never met, she jumps at this one last chance to turn things around. Leaving the Florida Panhandle, she drives eight hundred miles to her mother’s birthplace—the tiny town of Gandy, Oklahoma. There, she soon learns that her mother remains a local mystery—a happy, talented teenager who inexplicably skipped town thirty-five years ago with nothing but the clothes on her back. But the girl they describe bears little resemblance to the damaged woman Mattie knew, and before long it becomes clear that something terrible happened to her mother, and it happened here. The harder Mattie digs for answers, the more obstacles she encounters. Giving up, however, isn’t an option. Uncovering what started her mother’s downward spiral might be the only way to stop her own.Hilarious, gripping, and unexpectedly wise, The Art of Crash Landing is a poignant novel from an assured new voice.

    After twenty-seven years of marriage and three children, Annie has fallen in love with Viveca, the wealthy, cultured, confident Manhattan art dealer who orchestrated her professional success.Annie and Viveca plan to wed in the Oh family's hometown of Three Rivers, Connecticut, where gay marriage has recently been legalized. But the impending wedding provokes some very mixed reactions and opens a Pandora's box of toxic secrets—dark and painful truths that have festered below the surface of the Ohs' lives.We Are Water is an intricate and layered portrait of marriage, family, and the inexorable need for understanding and connection, told in the alternating voices of the Ohs—nonconformist Annie; her ex-husband, Orion, a psychologist; Ariane, the do-gooder daughter, and her twin, Andrew, the rebellious only son; and free-spirited Marissa, the youngest Oh. Set in New England and New York during the first years of the Obama presidency, it is also a portrait of modern America, exploring issues of class, changing social mores, the legacy of racial violence, and the nature of creativity and art.With humor and breathtaking compassion, Wally Lamb brilliantly captures the essence of human experience in vivid and unforgettable characters struggling to find hope and redemption in the aftermath of trauma and loss. We Are Water is vintage Wally Lamb—a compulsively readable, generous, and uplifting masterpiece that digs deep into the complexities of the human heart to explore the ways in which we search for love and meaning in our lives.

    Seen through the lens of four families who've been a part of one another's lives since their kids were born over a decade ago, the story reveals not only the lengths that some adults are willing to go to get ahead, but the effect on the group's children, sibling relationships, marriages, and careers, as simmering resentments come to a boil and long-buried, explosive secrets surface and detonate. It's a humorous, keenly observed, timely take on ambitious parents, willful kids, and the pursuit of prestige, no matter the cost.

    Before long, it becomes apparent that hers is a prodigious talent, and as she progresses to the top of the US chess rankings she is able to forge a new life for herself. But she can never quite overcome her urge to self-destruct. For Beth, there’s more at stake than merely winning and losing.

    Her mother, Polly, is a cantankerous, take-no-prisoners Southern woman who lives to shoot varmints, drink margaritas, and antagonize the neighbors and she sticks out like a sore thumb among the young modern mothers of their small conventional Texas town. She was in her late fifties when Willow was born, so Willow knows she's here by accident, a late-life afterthought. Willow's father died before she was born, her much older brother and sister are long grown and gone and failing elsewhere. It's just her and bigger-than-life Polly.Willow is desperately hungry for clues to the family life that preceded her, and especially Polly's life pre-Willow. Why did she leave her hometown of Bethel, Louisiana, fifty years ago and vow never to return? Who is Garland Jones, her long-ago suitor who possibly killed a man? And will Polly be able to outrun the Bear, the illness that finally puts her on a collision course with her past?

    His first order of business is to buy the Dutch House, a lavish estate in the suburbs outside of Philadelphia. Meant as a surprise for his wife, the house sets in motion the undoing of everyone he loves.The story is told by Cyril’s son Danny, as he and his older sister, the brilliantly acerbic and self-assured Maeve, are exiled from the house where they grew up by their stepmother. The two wealthy siblings are thrown back into the poverty their parents had escaped from and find that all they have to count on is one another. It is this unshakable bond between them that both saves their lives and thwarts their futures.Set over the course of five decades, The Dutch House is a dark fairy tale about two smart people who cannot overcome their past. Despite every outward sign of success, Danny and Maeve are only truly comfortable when they’re together. Throughout their lives, they return to the well-worn story of what they’ve lost with humor and rage. But when at last they’re forced to confront the people who left them behind, the relationship between an indulged brother and his ever-protective sister is finally tested.

    Driving her mobile library van through Finfarran's farms and villages, she tries not to think of the sophisticated London life she abandoned when she left her cheating husband. Or that she's now stuck in her crotchety mum's spare bedroom.With her daughter Jazz travelling the world and her relationship with her mother growing increasingly fraught, Hanna decides to reclaim her independence. Then, when the threatened closure of her library puts her plans in jeopardy, she finds herself leading a battle to restore the heart and soul of the fragmented community. Will she also find the new life she's been searching for?