It is God without men.- Honoré de Balzac, Une passion dans le désert, 1830 Jaz and Lisa Matharu are plunged into a surreal public hell after their son, Raj, vanishes during a family vacation in the California desert. However, the Mojave is a place of strange power, and before Raj reappears inexplicably unharmed - but not unchanged - the fate of this young family will intersect with that of many others, echoing the stories of all those who have traveled before them. Driven by the energy and cunning of Coyote, the mythic, shapeshifting trickster, Gods Without Men is full of big ideas, but centered on flesh-and-blood characters who converge at an odd, remote town in the shadow of a rock formation called the Pinnacles. Viscerally gripping and intellectually engaging, it is, above all, a heartfelt exploration of the search for pattern and meaning in a chaotic universe.

    Mildred Lathbury is a clergyman's daughter and a mild-mannered spinster in 1950s England. She is one of those "excellent women," the smart, supportive, repressed women who men take for granted. As Mildred gets embroiled in the lives of her new neighbors--anthropologist Helena Napier and her handsome, dashing husband, Rocky, and Julian Malory, the vicar next door--the novel presents a series of snapshots of human life as actually, and pluckily, lived in a vanishing world of manners and repressed desires.

    But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.

    Tebrick sends away all the servants in an attempt to keep Sylvia's new nature a secret. Both then struggle to come to terms with the problems the change brings about.(Summary by Annise )

    James's Park begins young Lorna and Matt's intense relationship. Wholly in love, they leave London for a cottage in a rural Somerset village. Their intimate life together—--Matt’'s woodcarving, Lorna's self-discovery, their new baby, Molly—--is shattered with the arrival of World War II. In 1960s London, Molly happens upon a forgotten newspaper--—a seemingly small moment that leads to her first job and, eventually, a pregnancy by a wealthy man who wants to marry her but whom she does not love. Thirty years later, Ruth, who has always considered her existence a peculiar accident, questions her own marriage and begins a journey that takes her back to 1941 —and a redefinition of herself and of love. Told in Lively's incomparable prose, Consequences is a powerful story of growth, death, and rebirth and a study of the previous century--—its major and minor events, its shaping of public consciousness, and its changing of lives.

    But not even Father Gunn, the parish priest, who knows most of what goes on behind Shancarrig's closed doors, or Dr. Jims, the village doctor, who knows all the rest, realizes that not everything in the placid village is what it seems. From the Hardcover edition.

    As the defiant but sensitive young genius is creating his theory of relativity, a new conception of time, he imagines many possible worlds. In one, time is circular, so that people are fated to repeat triumphs and failures over and over. In another, there is a place where time stands still, visited by lovers and parents clinging to their children. In another, time is a nightingale, sometimes trapped by a bell jar.Now translated into thirty languages, Einstein’s Dreams has inspired playwrights, dancers, musicians, and painters all over the world. In poetic vignettes, it explores the connections between science and art, the process of creativity, and ultimately the fragility of human existence.

    It is purely for their own amusement that they create a fictional mutual friend: an elderly lady, Miss Hargreaves... The sexton does not doubt her existence. For him, Miss Hargreaves is as real as you or I. And she gradually assumes a fully-rounded character in the imaginings of the two young men as they while away their holiday in expanding the details of her life: her book of poetry, her parrot Dr Pepusch, her harp, and her hip-bath. It is merely a continuation of their little joke when they write to invite her to visit them back in their cathedral home-town of Cornford. It is something of a surprise when Miss Hargreaves accepts their invitation. And their disbelief turns to confusion and horror as, one evening soon afterwards, her train pulls into Cornford Station . . . As Dr Glen Cavaliero stresses in his introduction, Miss Hargreaves is a brilliantly funny and moving fantasy with an admirable lightness of touch and wonderful characterisation, but for all that it has a dark and frightening undercurrent. A burlesque parable of 'the ways of God with man', the book explores how the creator must live with the consequences of their creation, no matter how uncomfortable. And if they renounce their responsibilities, then there is always the possibility that their power may be turned against them. Miss Hargreaves, first published in 1940 to great acclaim, is a classic novel of the supernatural. Glen Cavaliero is a Fellow of St Catharine's College, Cambridge, and author of The Supernatural and English Fiction (O.U.P., 1995).

    Highly sceptical, naturally, the Old Dealmaker negotiates a trial period - a summer holiday in a human body, with all the delights of the flesh.The body, however, turns out to be that of Declan Gunn, a depressed writer living in Clerkenwell, interrupted in his bath mid-suicide. Ever the opportunist, and with his main scheme bubbling in the background, Luce takes the chance to tap out a few thoughts - to straighten the biblical record, to celebrate his favourite achievements, to let us know just what it's like being him. Neither living nor explaining turns out to be as easy as it looks. Beset by distractions, miscalculations and all the natural shocks that flesh is heir to, the Father of Lies slowly begins to learn what it's like being us.

    Stripped of any preciousness or sentimentality, Natalia Ginzburg’s writing here is white-hot, tempered by rage. She transforms the unhappy tale of an ordinary dull marriage into a rich psychological thriller that seems to beg the question: why don’t more wives kill their husbands?

    It is the story of four generations of a singular family, living in a house that is many houses on the magical border of an otherworld. It is a story of fantastic love and heartrending loss; of impossible things and unshakable destinies; and of the great Tale that envelops us all. It is a wonder.

    Aided only by a fox they call ''the Tod,'' the two dogs must struggle to survive in their new environment. When the starving dogs attack some sheep, they are labeled ferocious man-eating monsters, setting off a great dog hunt that is later intensified by the fear that the dogs could be carriers of the bubonic plague.

    She knows she is different, that she is destined to become a feted authoress, owner of great riches and of Paradise House . . .After reading The Lady Irania, publishers Brace and Gilchrist are certain the novel will be a success, in spite of - and perhaps because of - its overblown style. But they are curious as to who could have written such a book: 'Some old lady, romanticising behind lace-curtains' . . . 'Angelica Deverell is too good a name to be true . . . she might be an old man. It would be an amusing variation. You are expecting to meet Mary Anne Evans and in Walks George Eliot twirling his moustache.' So nothing can prepare them for the pale young woman who sits before them, with not a seed of irony or a grain of humour in her soul.

    D. James's trademark suspense, insightful characterization, and riveting storytelling, The Children of Men is a story of a world with no children and no future. The human race has become infertile, and the last generation to be born is now adult. Civilization itself is crumbling as suicide and despair become commonplace. Oxford historian Theodore Faron, apathetic toward a future without a future, spends most of his time reminiscing. Then he is approached by Julian, a bright, attractive woman who wants him to help get her an audience with his cousin, the powerful Warden of England. She and her band of unlikely revolutionaries may just awaken his desire to live . . . and they may also hold the key to survival for the human race.

    Scott Fitzgerald is known for his novels, but in his lifetime, his fame stemmed from his prolific achievement as one of America's most gifted story writers. "The Curious Case of Benjamin Button," a witty and fantastical satire about aging, is one of his most memorable stories. In 1860 Benjamin Button is born an old man and mysteriously begins aging backward. At the beginning of his life he is withered and worn, but as he continues to grow younger he embraces life -- he goes to war, runs a business, falls in love, has children, goes to college and prep school, and, as his mind begins to devolve, he attends kindergarten and eventually returns to the care of his nurse. This strange and haunting story embodies the sharp social insight that has made Fitzgerald one of the great voices in the history of American literature.