Featuring gorgeous natural landscapes, detailed drawings of Claire’s medicinal herbs, depictions of the books’ most beloved scenes and characters, and intricately rendered clothing, weapons, and armor straight out of eighteenth-century Scotland, these exquisite black-and-white images—from renowned illustrators Juan Alarcón, Yvonne Gilbert, Craig Phillips, Jon Proctor, Tomislav Tomić, and Rebecca Zomchek—are designed to dazzle and inspire. Fans of the series, as well as lovers of history and art, can party like it’s 1743.

    Although, in the early years of the twentieth century, there were other artists similarly experimenting with the dissolution of the object and the promotion of color and form to means of expression in their own right, Kandinsky was the most logical and consistent in his pursuit of abstract means of expression. He made it his life's work to carry painting up to and over the threshold of abstraction, whereby his artistic activities were always accompanied by theoretical reflections and insights.

    In 1916, Virginia Woolf wrote to her sister, Vanessa Bell, that though the farmhouse at Charleston in Sussex was primitive, you could make it lovely. Six months later, Bell moved in and, treating the house as a blank canvas, went on to create a treasury of Bloomsbury art.

    Traces the life and career of the California artist, who currently works with pure light and the subtle modulation of empty space.

    Setting Realism in its social and historical context, this title discusses the crucial paradox posed by Realist works of art - notably in the revolutionary paintings of Courbet, the works of Manet, Degas and Monet, of the Pre-Raphaelites and other English, American, German and Italian Realists.

    . . . Jardine takes a complex view, according Hooke with the respect and dignity that eluded him for so long. . . [and] with this compelling and empathetic portrait, she succeeds in making a convincing case for his place in history. . . [as] a founding father in Europe’s scientific revolution.”   — Los Angeles TimesThe brilliant, largely forgotten maverick Robert Hooke was an engineer, surveyor, architect, and inventor who worked tirelessly with his intimate friend Christopher Wren to rebuild London after the Great Fire of 1666. He was the first Curator of Experiments at the Royal Society, and his engravings of natural phenomena seen under the new microscope appeared in his masterpiece, the acclaimed Micrographia, one of the most influential volumes of the day.But Hooke's irascible temper and his passionate idealism proved fatal for his relationships with important political figures, most notably Sir Isaac Newton: their quarrel is legendary. As a result, historical greatness eluded Robert Hooke. Eminent historian Lisa Jardine does this original thinker of indefatigable curiosity and imagination justice and allows him to take his place as a major figure in the seventeenth century intellectual and scientific revolution.

    Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents—including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a book with the character of a lively contemporary forum that offers an invaluable record of the thinking of the artists—a historical survey and essential reference book for the period.

    King James' mistress was Churchill's sister until he married Queen Anne whose intimate friend, the beautiful, gifted, shrewed and difficult Sarah, was Churchill's wife.

    A short illustrated survey of the use of photography in contemporary art since the mid-1980s.

    With Edward Lucie-Smith on Pop Art, Suzi Gablik on Minimal Art, Norbert Lynton on Expressionism, and Sarah Whitfield on Fauvism, to name a few, these scholarly essays illuminate each particular artistic movement of the century, and together form an entire history of modern art. 123 illus.

    Dozens of reproductions attest to these painters’ scrupulous attention to natural details: more than 40 artists are represented, including Dante Gabriel Rossetti, William Holman Hunt, John Everett Millais, Arthur Hughes, Edward Burne-Jones, John William Waterhouse, and Ford Maddox Brown.

    Now back in print, this classic book (originally published in 1996) examines the country’s rich artistic culture in the seventeenth century, providing a full account of Dutch artists and patrons; artistic themes and techniques; and the political and social world in which artists worked.Distinguished art historian Mariët Westermann examines the “worldly art” of this time in the context of the unique society that produced it, analyzing artists’ choices and demonstrating how their pictures tell particular stories about the Dutch Republic, its people, and its past. More than 100 color illustrations complement this engaging discussion of an extraordinary moment in the history of art.

    Much of Indian art is immediately accessible to the outsider, but much is also enigmatic, needing interpretation and guidance before it can be enjoyed in depth: the strange pantheon of the Hindu gods, the subtle insights of Buddhist mysticism, or the complex symbolism of the miniatures. For this edition, the late Professor Craven thoroughly revised the text and incorporated works by contemporary artists, linking their achievements to the traditions of Indian art. A new glossary and time line are also included.

    (from back cover)

    Same-scene paintings are shown together to accentuate Monet's love of light and varying effects.