The couples are John Ruskin and Effie Gray; Thomas Carlyle and Jane Welsh; John Stuart Mill and Harriet Taylor; George Eliot and G. H. Lewes; Charles Dickens and Catherine Hogarth.

    Perfect for fans of Sarah Schmidt, Anna Mazzola and Hannah Kent.Cora was born in a prison. But is this where she belongs?Birmingham, 1885.Born in a gaol and raised in a workhouse, Cora Burns has always struggled to control the violence inside her.Haunted by memories of a terrible crime, she seeks a new life working as a servant in the house of scientist Thomas Jerwood.Here, Cora befriends a young girl, Violet, who seems to be the subject of a living experiment. But is Jerwood also secretly studying Cora…?With the power and intrigue of Laura Purcell’s The Silent Companions and Sarah Schmidt’s See What I Have Done, Carolyn Kirby’s stunning debut takes the reader on a heart-breaking journey through Victorian Birmingham and questions where we first learn violence: from our scars or from our hearts.

    Not only does he build a powerful case against his suspect, Joseph Barnett, but Paley probably did more research than anyone else, with the result that his depiction of the East End of London c. 1888 is second to none, and has been singled out for its unrivalled richness and vividness. Paley has also been praised for his studious, unsensational account of the crimes, and his compassionate portraits of the Ripper’s victims. This is what some of the critics had to say. Writing in The Daily Mail (25/11/95), Val Hennessy wrote: "Bruce Paley's excellent book convinces me, for one, that Jack the Ripper has at last been nailed…Apart from convincingly identifying the Ripper, Paley's book paints an extraordinarily vivid picture of late 19th century London. It opens your eyes to the hopeless, harsh lives endured by single and deserted women, especially those with children, in the days before job opportunities and full time education." As such, Hennessey echoes the words of the esteemed writer Colin Wilson, who wrote in the foreword to Paley's book: "If I had to recommend a single book on Jack the Ripper to someone who knew nothing about the subject, I would unhesitatingly choose this one. Bruce Paley has captured the atmosphere of Whitechapel at the time of the murders - and indeed, London in the late 19th century - with a sense of living reality that no other writer on the case has achieved…[It is] the most evocative book on the period that I have ever read." Writing in the Guardian (22/11/06), Nancy Banks-Smith wrote: "[Jack the Ripper] was almost certainly Joseph Barnett, the live-in lover of the last victim, Mary Kelly, a theory convincingly argued by Bruce Paley in his book Jack the Ripper: The Simple Truth." Some years later, Adrian Morris, the editor of The Journal of the Whitechapel Society, declared Paley's book to be the best Jack the Ripper book of them all. "The immense strength of Paley's book," Morris wrote in February, 2010, "is that his suspect Barnett is perfectly placed to act as an almost unknowing device to explore the milieu of the East End with its poverty, exploitation and vice, whilst also drawing the reader into the soulless world of the victim...This Paley does brilliantly. His prose is powerful and, dare I say it beautiful. In Paley's words the Nietzschian hordes that are measured and understood as a value of history become material to act within a story that explores the full tragedy of the East End. Paley really does understand the East End A.D.1888, his words map out its DNA, his sentences tap out the arithmetic of existence. For one to understand the Whitechapel murders, one must understand the times. Nowhere can one do this better than in the chapters Paley devotes to this historical sociology. For Paley understands that while the Ripper was killing its womenfolk (albeit destitutes), the East End itself was eating its children in the jaws of poverty. Paley's excellent and wide ranging research underpins his descriptions. This is history with a poetical syncopation that adds to the subject matter in the mind of the reader. Paley describes the environs of Dorset Street and Miller's Court that takes some beating and is redolent of an informed approach that makes you feel he must have known the old place…I can only amplify [Colin Wilson's] endorsement uttered on the book's 1995 release by adding, without wishing to seem overly unctuous, that when compiling a booklist of authors that one would like to proffer to the uninitiated, soon-to-be initiated or just plain curious on the subject of the Whitechapel murders, I would advise that the list starts wit

    Within days he had confessed to fifteen gruesome murders over a period of four years. His victims, all young homosexual men, had never been reported missing. Brian Masters, with Nilsen's full cooperation, has produced a unique study of a serial killer's mind, revealing the disturbing psychology of a mass murderer.

    In 1887, 23-year-old reporter Nellie Bly had herself committed to a New York City asylum for 10 days to expose the horrific conditions for 19th-century century mental patients.

    Both had been convicted of conspiracy to commit espionage for the Soviet Union, despite the fact that the US government was aware that the evidence against Ethel was shaky at best and based on the perjury of her own brother.This book is the first to focus on one half of that couple for more than thirty years, and much new evidence has surfaced since then. Ethel was a bright girl who might have fulfilled her personal dream of becoming an opera singer, but instead found herself struggling with the social mores of the 1950's. She longed to be a good wife and perfect mother, while battling the political paranoia of the McCarthy era, anti-Semitism, misogyny, and a mother who never valued her. Because of her profound love for and loyalty to her husband, she refused to incriminate him, despite government pressure on her to do so. Instead, she courageously faced the death penalty for a crime she hadn't committed, orphaning her children.Seventy years after her trial, this is the first time Ethel's story has been told with the full use of the dramatic and tragic prison letters she exchanged with her husband, her lawyer and her psychotherapist over a three-year period, two of them in solitary confinement. Hers is the resonant story of what happens when a government motivated by fear tramples on the rights of its citizens.

    Christine L. Corton tells the story of these epic London fogs, their dangers and beauty, and the lasting effects on our culture and imagination of these urban spectacles.In popular imagination, London is a city of fog. The classic London fogs, the thick yellow “pea-soupers,” were born in the industrial age of the early nineteenth century. The first globally notorious instance of air pollution, they remained a constant feature of cold, windless winter days until clean air legislation in the 1960s brought about their demise. Christine L. Corton tells the story of these epic London fogs, their dangers and beauty, and their lasting effects on our culture and imagination.As the city grew, smoke from millions of domestic fires, combined with industrial emissions and naturally occurring mists, seeped into homes, shops, and public buildings in dark yellow clouds of water droplets, soot, and sulphur dioxide. The fogs were sometimes so thick that people could not see their own feet. By the time London’s fogs lifted in the second half of the twentieth century, they had changed urban life. Fogs had created worlds of anonymity that shaped social relations, providing a cover for crime, and blurring moral and social boundaries. They had been a gift to writers, appearing famously in the works of Charles Dickens, Henry James, Oscar Wilde, Robert Louis Stevenson, Joseph Conrad, and T. S. Eliot. Whistler and Monet painted London fogs with a fascination other artists reserved for the clear light of the Mediterranean.Corton combines historical and literary sensitivity with an eye for visual drama—generously illustrated here—to reveal London fog as one of the great urban spectacles of the industrial age.

    Up and Down Stairs brings to life this hierarchy, showing how large numbers of people lived together under strict segregation and how sometimes this segregation was broken, as with the famous marriage of a squire to his dairymaid at Uppark. Jeremy Musson captures the voices of the servants who ran these vast houses and made them work. From unpublished memoirs to letters, wages, and newspaper articles, he pieces together their daily lives from the Middle Ages to the 20th century. The story of domestic servants is inseparable from the story of the country house as an icon of power, civilization, and luxury. This is particularly true with the great estates such as Chatsworth, Hatfield, Burghley and Wilton. Jeremy Musson looks at how these grand houses were, for centuries, admired and imitated around the world.

    She offered up more than 5,000 orphans tailored to the wish lists of eager parents--hiding the fact that many weren't orphans at all, but stolen sons and daughters of poor families, desperate single mothers, and women told in maternity wards that their babies had died.The publication of Lisa Wingate's novel Before We Were Yours brought new awareness of Tann's lucrative career in child trafficking. Adoptees who knew little about their pasts gained insight into the startling facts behind their family histories. Encouraged by their contact with Wingate and award-winning journalist Judy Christie, who documented the stories of fifteen adoptees in this book, many determined Tann survivors set out to trace their roots and find their birth families.Before and After includes moving and sometimes shocking accounts of the ways in which adoptees were separated from their first families. Often raised as only children, many have joyfully reunited with siblings in the final decades of their lives. In Before and After, Wingate and Christie tell of first meetings that are all the sweeter and more intense for time missed and of families from very different social backgrounds reaching out to embrace better-late-than-never brothers, sisters, and cousins. In a poignant culmination of art meeting life, long-silent victims of the tragically corrupt system return to Memphis with Wingate and Christie to reclaim their stories at a Tennessee Children's Home Society reunion . . . with extraordinary results.

    But whispers from her past slowly begin to poison her new life and both she and Rebekah are lured into the most sinister of investigations.Hester and Rebekah find themselves crossing every boundary they've ever known in pursuit of truth, redemption and passion. But their trust in each other will be tested as a web of deceit begins to unspool, dragging them into the blackest heart of a city where something more depraved than either of them could ever imagine is lurking . . .

    After young Lord James Ellerby witnesses a near-fatal carriage accident on the outskirts of his estate, he doesn't think twice about bringing the young woman injured in the wreck to his family's manor to recuperate. But then she finally regains consciousness only to find that she has no memory of who she is or where she belongs.Beth, as she takes to calling herself, is an enigma even to herself. She has the rough hands of a servant, but the bearing and apparent education of a lady. Her only clue to her identity is a gruesome recurring nightmare about a hummingbird dripping blood from its steel beak.With the help of James and his sister, Caroline, Beth slowly begins to unravel the mystery behind her identity and the sinister circumstances that brought her to their door. But the dangerous secrets they discover in doing so could have deadly ramifications reaching the highest tiers of London society.

    came along, letters from New York City children to Santa Claus were destroyed, unopened, by the U.S. Post Office. Gluck saw an opportunity, and created the Santa Claus Association. The effort delighted the public, and for 15 years money and gifts flowed to the only group authorized to answer Santa’s mail. Gluck became a Jazz Age celebrity, rubbing shoulders with the era’s movie stars and politicians, and even planned to erect a vast Santa Claus monument in the center of Manhattan — until Gotham’s crusading charity commissioner discovered some dark secrets in Santa’s workshop. The rise and fall of the Santa Claus Association is a caper both heartwarming and hardboiled, involving stolen art, phony Boy Scouts, a kidnapping, pursuit by the FBI, a Coney Island bullfight, and above all, the thrills and dangers of a wild imagination. It’s also the larger story of how Christmas became the extravagant holiday we celebrate today, from Santa’s early beginnings in New York to the country’s first citywide Christmas tree and Macy’s first grand holiday parade. The Santa Claus Man is a holiday tale with a dark underbelly, and an essential read for lovers of Christmas stories, true crime, and New York City history.

    I stroked his cheek, whispered, it’s really you…Dov and Yitzhak live in a small village in the mountains of Hungary, isolated both from the world and from the horrors of the war. But one day in 1944, everything changes. The Nazis storm the homes of the Jewish villagers and inform them they have one hour. One hour before the train will take them to Auschwitz.Six decades later, from the safety of their living rooms at home in Israel, the brothers finally break their silence to a friend who will never let their stories be forgotten.Told in a poetic style reminiscent of Atwood and Salinger, Malka Adler has penned a visceral yet essential read for those who have found strength, solace and above all, hope, in books like The Choice, The Librarian of Auschwitz and The Tattooist of Auschwitz.This paperback includes an exclusive 14-page P.S. section with an author Q, an Author’s Note and a reading group guide.Praise for The Brothers of Auschwitz‘I sat down and read this within a few hours, my wife is now reading it and it is bringing tears to her eyes’ Amazon reviewer‘The story is so incredible and the author writes so beautifully that it is impossible to stay indifferent. I gave the book to my mom and she called me after she finished crying and telling me how much she loved it’ Amazon reviewer‘It is a book we all must read, read in order to know … It is harsh, enthralling, earth-shattering, rattling – but we must. And nothing less’ Aliza Ziegler, Editor-in-Chief at Proza Books, Yedioth Ahronoth Publishing House‘Great courage is needed to write as Adler does – without softening, without beautifying, without leaving any room to imagination’ Yehudith Rotem, Haaretz newspaper‘This is a book we are not allowed not to read’ Leah Roditi, At Magazine

    Book annotation not available for this title.Title: The Victorian ChristmasAuthor: Selby, AnnaPublisher: Casemate Pub & Book Dist LlcPublication Date: 2008/12/19Number of Pages: 186Binding Type: HARDCOVERLibrary of Congress: 2009293811

    During the summers, while her mother worked days in a local motel and danced most nights in the Provincetown bars, her babysitter—the kind, handsome handyman at the motel where her mother worked—took her and her sister on adventures in his truck. But there was one thing she didn’t know; their babysitter was a serial killer. Some of his victims were buried—in pieces—right there, in his garden in the woods. Though Tony Costa’s gruesome case made screaming headlines in 1969 and beyond, Liza never made the connection between her friendly babysitter and the infamous killer of numerous women, including four in Massachusetts, until decades later. Haunted by nightmares and horrified by what she learned, Liza became obsessed with the case. Now, she and cowriter Jennifer Jordan reveal the chilling and unforgettable true story of a charming but brutal psychopath through the eyes of a young girl who once called him her friend.