But when the pillars of privilege topple, her fiancé's betrayal leaves Emma no choice. She must turn for help to the one man whom she should not trust, but cannot resist: Julian Sinclair, the dangerous and dazzling heir to the Duke of Auburn. To the marble halls of London... In London, they toast Sinclair with champagne. In India, they call him a traitor. Cynical and impatient with both worlds, Julian has never imagined that the place he might belong is in the embrace of a woman with a reluctant laugh and haunted eyes. But in a time of terrible darkness, he and Emma will discover that love itself can be perilous -- and that a single decision can alter one's life forever. Destiny follows wherever you run. A lifetime of grief later, in a cold London spring, Emma and Julian must finally confront the truth: no matter how hard one tries to deny it, some pasts cannot be disowned...and some passions never die.

    His chief accuser, a well-to-do lawyer, has a daughter, Eleanor, whom he badly mistreats. When Mikey is released he finds that his mother has died and his brothers taken into the workhouse - determined to find a better life for his family, he walks all the way to London to seek his fortune. There he finds that the grim realities of city life are even worse than they were in Hull, and comes under the evil patronage of the sinister Tully, first encountered when he was in prison. But he also meets Eleanor again, and between them they face the dangers of London and gradually make a new life for themselves. Together they have to face journeying back to Hull - the long walk home.

    One by one the murder victims are revealed, the circumstances of their killings investigated, and the suspects analyzed. What amateur sleuths will find most fascinating here are the many facsimiles of contemporary documents, including letters allegedly sent by Jack the Ripper to police and elsewhere, police reports, press articles, and personal correspondence. These facsimiles provide readers with access to all the available information so they, too, can try to unravel this century-old mystery.

    One last adventure abroad with her botanist uncle and his family, and then she will do as her parents bid and wed the proper (and boring) viscount her mother has selected as Lily's ideal husband.James Huntington is on a mission. Retrieve his grandfather's lost journals from the wilds of Tunisia, and win the estate and fortune he so desperately needs. This quest will be the making of him--or his ruin.Thrown together on a botanical expedition, James and Lily's attraction is immediate, and impossible. Despite every reason to keep their distance, the two find themselves inexorably drawn together as they race to reach a hidden valley before their enemies can bring all their dreams crashing down.      *Formerly published as PASSIONATE by Kensington Books

    It was once notorious for the haunt of thieves, con-men, pimps, prostitutes and murderers, most notably Jack the Ripper. This publication chronicles the rise and fall of this remarkable street, from its promising beginnings in the 17th century as the centre of the silk weaving industry, through its gradual descent into iniquity, vice and violence to its final demise in the hands of the demolition men.

    . . and no tractor! Could you survive a year on a Victorian farm? In this fascinating time-traveling experiment a team of historians spend a year recreating farm life in 1885. Accompanying the television series, this book follows the team as they try to run a farm using only materials and resources that would have been available to them in the Victorian era. This was a crucial period in the history of Britain—rapid industrialization had radically changed life in the cites but rural communities used a mixture of centuries-old and pioneering modern practices. Packed with informative text and photographs from the farm year, this book reveals exactly what the Victorians ate and wore and how they managed their animals, farmed the land, and organized their lives. In-depth features describe revolutionary advances in more detail, including new inventions, new breeding methods, and advances in agricultural science. Practical projects allow you to join the historians in rediscovering Victorian crafts, cooking, and homecare. Providing a real insight into life on a Victorian farm, this series is also a fascinating reminder of how history comes full circle. The organic diet of 1885, use of natural products for cleaning and healthcare and interests in crafts and gardening are of increasing relevance today as we look for a more responsible way of living over 120 years later. • The official book to accompany the new BBC2 6 x 1 hour primetime series, Victorian Farm• Includes extensive photography of the farm workers’ experiences• Diary entries offer a personal take on this historical experiment• Join in Victorian life with authentic recipes and practical projects

    That, of course, is a matter of opinion. And there are other layers to the story.With a combination of novelistic flair and historical accuracy, Kate Williams begins by relating the heartbreaking story of Princess Charlotte, the Queen who never was, and her impact on the young Victoria. Our perception of Victoria the Queen is coloured by portraits of her older, widowed self - her dour expression embodying the repressive morality propagated in her time. But Becoming Queen reveals an energetic and vibrant woman, determined to battle for power. It also documents the Byzantine machinations behind Victoria's quest to occupy the throne, and shows how her struggles did not end when finally the crown was placed on her head.In the late eighteenth century, monarchies were in crisis across Europe. Discontented with their mad King, George III, and his spendthrift offspring, the English pinned their hopes on the only legitimate grandchild: Princess Charlotte, daughter of George, Prince of Wales. But Charlotte died at the age of twenty-two, a few hours after giving birth to a stillborn son. A grieving nation immediately began venerating her as someone who would have made an ideal Queen while Charlotte's rackety uncles embarked on a race to produce the next heir.No one thought that little Victoria, daughter of the Duke of Kent, would ascend the throne. She, in turn, became increasingly determined to take control of her own destiny, and clashed constantly not only with her hugely ambitious mother but with her protégé and household comptroller, the Irish adventurer, John Conroy. After she became Queen, ministers, even her beloved Prince Albert, still attempted to steal power away from her.Revealing how Charlotte's death shaped Victoria's reign and laying bare the passions that swirled around the throne, Becoming Queen is an absorbingly dramatic tale of secrets, sexual repression and endless conflict. After her lauded biography of Emma Hamilton, England's Mistress, Kate Williams has produced a most original and intimate portrait of Great Britain's longest reigning monarch.

    A maze of rotting hundred-year-old houses, the Old Nichol suffered rampant crime and a death rate four times that of London. Among the more piquant discoveries of an 1887 government inquiry was that the owners of these fetid dwellings included lords, lawyers, even churchmen.Drawing on a rich archival store, Sarah Wise reconstructs the Old Nichol and the lives of its 6,000 inhabitants—the woodworkers, fish smokers, and dog dealers, whose tiny rooms doubled as workshops and farmyards. She depicts as well the eugenicists, anarchists, and philanthropists who ventured into the Old Nichol to "save" the poor with such theories as emigration and sterilization. The winning solution was demolition: the Old Nichol was replaced with a new, hygienic settlement—in which only eleven of the original residents could afford to live. Widely praised as a sensitive chronicler of the poor, Wise captures the moment when the poor turned from public nuisance into social experiment.

    But, because of their ambition and political machinations, each mother pushed her daughter toward a marital alliance that resulted in disaster. Catherine of Aragon was cruelly abandoned by Henry VIII who cast her aside in search of a male heir and tore England away from the Pope. Marie Antoinette lost her head on the guillotine when France exploded into Revolution and the Reign of Terror. Vicky died grief-stricken, horrified at her inability to prevent her son, Kaiser Wilhelm, from setting Germany on a belligerent trajectory that eventually led to war.  Exhaustively researched and utterly compelling, In Triumph's Wake is the story of three unusually strong women and the devastating consequences their decisions had on the lives of their equally extraordinary daughters.

    Each makes a brilliant marriage that will bring her both happiness and heartbreak. The eldest, Princess Victoria, marries the handsome Prince Louis of Battenberg, the former lover of Lillie Langtry. The next, the exquisite Elisabeth, is swept off to the unbelievable splendor of the Romanov court by Grand Duke Serge, while Irène dazzles Prince Henry of Prussia and takes her place at the court in Berlin. Alix, the youngest, marries the man she has loved since childhood, Tsar Nicholas II of Russia, and becomes the fabled Empress Alexandra.From such exotic locals as Russia, Bulgaria and Ottoman Jerusalem, to the drawing rooms of Sandringham, The Royal Mob is told as an intimate memoir of the eldest sister, Princess Victoria of Hesse, who was the favorite granddaughter of Queen Victoria. Starting in the court of the Queen Empress and ending at the marriage of Victoria’s grandson, Prince Philip, to the future Queen Elizabeth of England, The Royal Mob is the lavish and exciting story of the last royal courts of Europe.

    

    With foil, embossing, and a rich, saturated four-color interior full of classic Victorian images, A Victorian Christmas is perfect as a gift eager for a coffee table to adorn with its winsome design. Inside, readers are greeted by inscriptions from postcards and Christmas cards, poems and prose from the early twentieth century, and the accompanying CD lends soft, simple Christmas songs performed by acclaimed mandolinist Butch Baladassari. The result is an experience of Christmas from a bygone era, a unique way to say "Merry Christmas."

    Moving across technology, industry, local history, architecture, literature, print culture, the visual arts, optics, and philosophy, it will transform our understanding of the Victorian period.The mass production of glass in the nineteenth century transformed an ancient material into a modern one, at the same time transforming the environment and the nineteenth-century imagination. It created a new glass culture hitherto inconceivable. Glass culture constituted Victorian modernity. It was made from infinite variations of the prefabricated glass panel, and the lens. The mirror and the window became its formative elements, both the texts and constituents of glass culture. The glassworlds of the century are heterogeneous. They manifest themselves in the technologies of the factory furnace, in the myths of Cinderella and her glass slipper circulated in print media, in the ideologies of the conservatory as building type, in the fantasia of the shopfront, in the production of chandeliers, in the Crystal Palace, and the lens-made images of the magic lantern and microscope. But they were nevertheless governed by two inescapable conditions.First, to look through glass was to look through the residues of the breath of an unknown artisan, because glass was mass produced by incorporating glassblowing into the division of labour. Second, literally a new medium, glass brought the ambiguity of transparency and the problems of mediation into the everyday. It intervened between seer and seen, incorporating a modern philosophical problem into bodily experience. Thus for poets and novelists glass took on material and ontological, political, and aesthetic meanings.Reading glass forwards into Bauhaus modernism, Walter Benjamin overlooked an early phase of glass culture where the languages of glass are different. The book charts this phase in three parts. Factory archives, trade union records, and periodicals document the individual manufacturers and artisans who founded glass culture, the industrial tourists who described it, and the systematic politics of window-breaking. Part Two, culminating in glass under glass at the Crystal Palace, reads the glassing of the environment, including the mirror, the window, and controversy round the conservatory, and their inscription in poems and novels. Part Three explores the lens, from optical toys to 'philosophical' instruments as the telescope and microscope were known.A meditation on its history and phenomenology, Victorian Glassworlds is a poetics of glass for nineteenth-century modernity.

    We are all familiar with this form of individual life arrative, Susan Zieger observes, but we know far less about its history. "Addict" was not an available identity until the end of the nineteenth century, when a modernizing medical establishment and burgeoning culture of consumption updated the figure of the sinful drunkard popularized by the temperance movement.In Inventing the Addict, Zieger tells the story of how the addict, a person uniquely torn between disease and desire, emerged from a variety of earlier figures such as drunkards, opium-eating scholars, vicious slave masters, dissipated New Women, and queer doctors. Drawing on a broad range of literary and cultural material, including canonical novels such as Uncle Tom's Cabin, The Strange Case of Dr. Jekyll and Mr. Hyde, and Dracula, she traces the evolution of the concept of addiction through a series of recurrent metaphors: exile, self-enslavement, disease, and vampirism. She shows how addiction took on multiple meanings beyond its common association with intoxication or specific habit-forming substances—it was an abiding desire akin to both sexual attraction and commodity fetishism, a disease that strangely failed to meet the requirements of pathology, and the citizen's ironic refusal to fulfill the promise of freedom. Nor was addiction an ideologically neutral idea. As Zieger demonstrates, it took form over time through specific, shifting intersections of gender, race, class, and sexuality, reflecting the role of social power in the construction of meaning.

    High Society explores the intrigue of New York's upper class society and culture.

    Art was seen as a teaching tool with visual beauty as its medium, and Thomas Holloway sought out only the best examples, regardless of cost, to enhance the women’s college he founded in 1879. Included in this lavishly illustrated exhibition catalog are scenes of contemporary life, historical events, landscapes, animal studies, and marine subjects.

    Trollope is described as the quintessential Victorian novelist.

    In fact, it ensured the genre's popularity, bringing literary tales and folklore to the first mass readerships. Exploring penny weeklies, adult and children's monthlies, little magazines and the labour press, this innovative study is the first to combine media and fairy tale history. Bringing reading communities back into focus, Sumpter explores ingenious political uses of the fairy tale: in debates over socialism, evolution and race, and in the context of women's rights, decadence and gay culture. The book offers new insights into the popularisation of folklore and comparative science, and also recovers neglected visual material. From the fantasies of Kingsley, MacDonald and J. H. Ewing to the writings of Keir Hardie, Laurence Housman and Yeats, Sumpter reveals that the fairy tale was intimately shaped by the press, and that both were at the heart of nineteenth-century culture.

    This is the original version, dating from the mid nineteenth century. (Excerpt from Chapter I): he singular character of its coast. On the map it looks so jagged, such a strange mixture of land and sea, that it appears as if there must be a perpetual struggle between the two,-the sea striving to inundate the land, and the land pushing itself out into the sea, till it ends in their dividing the region between them. On the spot, however, this coast is very sublime. The long straggling promontories are mountainous, towering ridges of rock, springing up in precipices from the water; while the bays between them, instead of being rounded with shelving sandy shores, on which the sea tumbles its waves, as in bays of our coast, are, in fact, long narrow valleys, filled with sea, instead of being laid out in fields and meadows. The high rocky banks shelter these deep bays (called fiords) from almost every wind; so that their waters are usually as still as those of a lake. For days and weeks together, they reflect each separate tree-top of the pine-forests which clothe the mountain sides, the mirror being broken only by the leap of some sportive fish, or the oars of the boatman as he goes to inspect the sea-fowl from islet to islet of the fiord, or carries out his nets or his rod to catch the sea-trout or char, or cod, or herrings, which abound, in their seasons, on the coast of Norway. It is difficult to say whether these fiords are the most beautiful in summer or in winter. In summer, they glitter with golden sunshine; and purple and green shadows from the mountain and forest lie on them; and these may be more lovely than the faint light of the winter noons of those latitudes, and the snowy pictures of frozen peaks which then show themselves on the surface: but before the day is half over, out come the stars,-the glorious stars which shine like nothing that we have ever seen. There, the planets cast a faint shadow, as the young moon does with us: and these planets, and the constellations of the sky, as they silently glide over from peak to peak of these rocky passes, are imaged on the waters so clearly that the fisherman, as he unmoors his boat for his evening task, feels as if he were about to shoot forth his vessel into another heaven, and to cleave his way among the stars.

    Those were just some of the ways critics described the nineteenth-century weeklies that covered and publicized New York City’s extensive sexual underworld. Publications like the Flash and the Whip—distinguished by a captivating brew of lowbrow humor and titillating gossip about prostitutes, theater denizens, and sporting events—were not the sort generally bound in leather for future reference, and despite their popularity with an enthusiastic readership, they quickly receded into almost complete obscurity. Recently, though, two sizable collections of these papers have resurfaced, and in The Flash Press three renowned scholars provide a landmark study of their significance as well as a wide selection of their ribald articles and illustrations. Including short tales of urban life, editorials on prostitution, and moralizing rants against homosexuality, these selections epitomize a distinct form of urban journalism. Here, in addition to providing a thorough overview of this colorful reportage, its editors, and its audience, the authors examine nineteenth-century ideas of sexuality and freedom that mixed Tom Paine’s republicanism with elements of the Marquis de Sade’s sexual ideology. They also trace the evolution of censorship and obscenity law, showing how a string of legal battles ultimately led to the demise of the flash papers: editors were hauled into court, sentenced to jail for criminal obscenity and libel, and eventually pushed out of business. But not before they forever changed the debate over public sexuality and freedom of expression in America’s most important city.