Afraid that Mary Pomfret and Philip Weatherby are destined for the working-class, Jane and John attempt to stall the development of the wedding plans by having endless conversations about, well, nothing. This gives Jane--a shrewd, resourceful widow--the opportunity to embark on a scheme to lure John away from his current love interest. As the plot advances through discussions filled with misdirections and omissions, Green demonstrates that there is nothing like the spoken word to conceal one's true intentions. One of Green's final novels, Nothing is a worthy addition to the varied tradition of English literature that includes Virginia Woolf and Evelyn Waugh.

    He was a passionate Welsh patriot, but also an outspoken critic of his countrymen. His poems are an expression of his lifelong argument with himself, of his insistent search for God. In them he grapples with ideas of Welshness, with issues of technology, pollution, the decline of culture. He wrote too about love, about landscape, nature and birds. His is an urgent, prophetic and unique voice.

    Fray Servando--priest, blasphemer, dueler of monsters, irresistible lover, misunderstood prophet, prisoner, and consummate escape artist--wanders among the vice-ridden populations of eighteenth-century Europe and the Americas, fleeing dungeons, a marriage-minded woman, a slave ship captain, and the Inquisition. Whether by burro, by boat, or by the back of a whale, Fray Servando's journey is at once funny and romantic, melancholy and profound--a tale rooted in history, yet outrageously hallucinatory."An impenitent amalgam of truth and invention, historical fact and outrageous make-believe . . . a philosophical black comedy."--The New York Times

    American LiteratureContains:The doctor's son -- It must have been spring -- Over the river and through the wood -- Price's always open -- Are we leaving tomorrow? -- Pal Joey -- The gentleman in the tan suit -- Good-bye, Herman -- Olive -- Do you like it here? -- Now we know -- Free -- Too young -- Bread alone -- Graven image -- Common sense should tell you -- Drawing room B -- The pretty daughters - The moccasins -- Imagine kissing Pete -- The girl from California -- In the silence -- Exactly eight thousand dollars exactly -- Winter dance -- The flatted saxophone -- The friends of Miss Julia -- How can I tell you? -- Ninety minutes away -- Our friend the sea -- Can I stay here? -- The hardware man -- The pig -- Zero -- Fatimas and kisses -- Natica Jackson -- We'll have fun.

    Narrated in turn by each family member—husband and wife, sons and daughter, young grandson—the drama builds to a crescendo at the traditional family gathering on Passover eve.

    The poetry is surprising in its simplicity, sensual, thoughtful, moving, comic in turns. Author Milan Kundera has called this collection “the tangible expression of the nation’s genius.”

    has dared to take on a difficult, grief-stricken period of English history, and done so with sensitivity and understanding; EARTH AND HEAVEN is the clever, compelling result' The Times

    This bilingual edition contains a representative selection of poems from different periods and different aspects of his vast output.

    Her stories portray a young Irish girl's view of obsessive love and its often wrenching pain, while tales of contemporary life show women who open themselves to sexuality, to disappointment, to madness. Throughout, there is always O'Brien's voice—wondrous, despairing, moving—examining passionate subjects that lay bare the desire and needs that can be hidden in a woman's heart.

    Summer Knowledge won for him both the prestigious Bollingen Prize in Poetry and the Poetry Society of America’s Shelley Memorial Award. lronically, indeed tragically, the praise and prizes Schwartz's poems received did not forestall his decline, and this, his poetic testament, proved to be a final one as well. Overcome by mental illness, alienated from his friends and supporters, he disappeared from the literary scene, in the end to die in 1966 in an obscure Broadway hotel. The tragedy of his life pales before the triumph of his art and craft. Selected Poems clearly places him among the foremost poets of his generation.

    S. Eliot. In this definitive edition, French and English texts appear on facing pages. Preface by T. S. Eliot.

    'And when the second and final colume of Williams' 'Collected Poems' is published, it should become even more apparent that he is this century's major American poet.' --Larry Kart, 'Chicago Tribune'

    Whether writing about lovers, parents and children, or married couples, Gordimer maps out the terrain of human relationships with razor-sharp psychological insight and a stunning lack of sentimentality. The selection, which spans the course of Gordimer's career to date, presents the range of her storytelling abilities and her brilliant insight into human nature. From such epics as "Friday's Footprint" and "Something Out There" to her shorter, more experimental stories, Gordimer's work is unfailingly nuanced and complex. Time and again, it forces us to examine how our stated intentions come into conflict with our unspoken desires.This definitive volume, which includes four new stories from the Nobel laureate, is a testament to the power, force, and ongoing relevance of Gordimer's vision.

    Deciding that his battalion has been 'doping off', Colonel Templeton calls for a 36-mile forced march to inculcate discipline. The Long March is a searing account of this ferocious ordeal - and of the two officers who resist.

    For decades it drew enough poets, students, and general readers to keep Jeffers—in spite of the almost total academic neglect that followed his fame in the 1920s and 1930s—a force in American poetry.Now scholars are at last beginning to recognize that he created a significant alternative to the High Modernism of Pound, Eliot, and Stevens. Similarly, contemporary poets who have returned to the narrative poem acknowledge Jeffers to be a major poet, while those exploring California and the American West as literary regions have found in him a foundational figure. Moreover, Jeffers stands as a crucial precursor to contemporary attempts to rethink our practical, ethical, and spiritual obligations to the natural world and the environment.These developments underscore the need for a new selected edition that would, like the 1938 volume, include the long narratives that were to Jeffers his major work, along with the more easily anthologized shorter poems. This new selected edition differs from its predecessor in several ways. When Jeffers shaped the 1938 Selected Poetry, he drew from his most productive period (1917-37), but his career was not over yet. In the quarter century that followed, four more volumes of his poetry were published. This new selected edition draws from these later volumes, and it includes a sampling of the poems Jeffers left unpublished, along with several prose pieces in which he reflects on his poetry and poetics.This edition also adopts the texts of the recently completed The Collected Poetry of Robinson Jeffers (five volumes, Stanford, 1988-2000). When the poems were originally published, copy editors and typesetters adjusted Jeffers's punctuation, often obscuring the rhythm and pacing of what he actually wrote, and at points even obscuring meaning and nuance. This new selected edition, then, is a much broader, more accurate representation of Jeffers's career than the previous Selected Poetry.Reviews of volumes inThe Collected Poetry of Robinson Jeffers"A masterful job of contemporary scholarly editing, this book begins an edition intended to clarify a 'Jeffers canon,' establishing for times to come the verse legacy of a poet who looked on all things with the eyes of eternity."—San Francisco Chronicle"This edition will be standard . . . a tribute and justice to a poet whose independent strength has survived to challenge personal and public canons."—Virginia Quarterly Review"Jeffers is the last of the major poets of his generation—Frost, Stevens, Williams, Pound, Moore, Eliot—to get his collected poems. Now that the job is at hand, it is done very well. . . . Tim Hunt has been painstaking in his editorial preparation and judicious in his presentation. . . . A great poet is ready for his due."—Philadelphia Inquirer"Few American poets are treated as well by publishers as Jeffers is by Stanford University Press. . . . These poems represent a distinctive voice in the American canon, and it is good to have them so wonderfully set forth."—Christian Century