Each is basically attracted to the other but because of their divergent attitudes toward life, each over the course of years is driven away from the other. Not until toward the end does the doctor realize that the girl's high idealism is basically right, and while she is still in love with him, it turns out that neither time nor circumstances will allow the two ultimately to come together. "

    As the wall between East and West falls, Miriam Winter cares for her dying father, Henryk. When he cries out for someone named Frieda – and Miriam discovers an Auschwitz tattoo hidden under his watch strap – Henryk’s secret history begins to unravel.Searching for more clues of her father’s past, Miriam finds an inmate uniform from the Ravensbrück women’s camp concealed among her mother’s things. Within its seams are dozens of letters to Henryk written by Frieda. The letters reveal the disturbing truth about the ‘Rabbit Girls’, young women experimented on at the camp. And amid their tales of sacrifice and endurance, Miriam pieces together a love story that has been hidden away in Henryk’s heart for almost fifty years.Inspired by these extraordinary women, Miriam strives to break through the walls she has built around herself. Because even in the darkest of times, hope can survive.

    It is at once a textbook for independent travel in Africa, an illustrated atlas, a collection of life stories, an intimate confession, a list of little secrets and shame. Alternating between three narrators, it is a story of division, isolation and contact. Bantustans were reservations for Black Africans set up by the apartheid regime; in this book, bantustans refer to the bubbles in which we all live our lives. The three protagonists, as well as the people they encounter along the way, are constantly struggling to escape these multi-layered bubbles – of ego, family, social circle, class, race, religion, ethnicity, language, nationality etc – and establish contact with the rest of the world. Such attempts are often painful and sometimes downright disastrous, leading to a series of conflicts, disappointments and crises, but ultimately confirming the possibilities and importance of human connections.With a collection of maps, infographics and data visualizations for non-linear reading, BANTUSTAN is an example of ergodic and interactive literature. Readers can choose how to move through the book: in the traditional linear fashion, or using the maps as visual interfaces for skipping from one story to another. The maps represent a tapestry of pictograms, ideograms, scripts, labyrinths, emblems, motifs, secret messages and hidden clues for the reader to discover and decipher.BANTUSTAN contains a total of 32 full-page illustrations (19 of which are maps), as well as 25 smaller illustrations/glyphs.

    His early work had been accomplished, but belonged tonally to the impressionistic, feeling-centered world of a late-nineteenth-century aesthetic.Paris was to change everything. Rilke's interest in Rodin deepened and his enthusiasm for the sculptor's "art of living surfaces" set the course for his own pursuit of an objective ideal. What was "new" about Rilke's New Poems, published in two independent volumes in 1907 and 1908, is a compression of statement and a movement away from "expression" and toward "making realities." Poems such as "The Panther" and "Archaic Torso of Apollo" are among the most successful and famous results of Rilke's impulse.This selection from both books unites the companion volumes in a torrent of brilliant work intoxicated with the materiality of the world. Edward Snow has now improved upon the translations for which he received the Harold Morton Landon Translation Award and with which he began his twenty-year project of translating Rilke.

    . . Ironweed, William Kennedy is making American literature."--The Washington Post Book WorldLegs inaugurated William Kennedy's celebrated cycle of novels set in Albany, New York. True to both life and myth. Legs evokes the flamboyant career of the legendary gangster Jack "Legs" Diamond, who was finally murdered in Albany, and his showgirl mistress as they blaze a trail across the tabloid pages of the 1920s and 1930s.The second novel in the Albany cycle depicts Billy Phelan, a slightly tarnished poker player, pool hustler, and small-time bookie, as he moves through the lurid nighttime glare of a tough Depression-era town. Full of Irish pluck, he works the fringes of Albany sporting life with his own particular style--until he falls from underworld grace.In the Pulitzer Prize-winning novel, Ironweed, Francis Phelan, ex-ballplayer, part-time gravedigger, and full-time drunk, has hit bottom. Years ago he left Albany after killing a scab during a workers' strike, and again after he accidentally--and fatally--dropped his infant son. Now, in 1938, Francis is back, roaming familiar streets and trying to make peace with ghosts of the past and present.

    Returning home to England from Van Diemen's land, the Bristol Maid is shipwrecked on the Queensland coast and Mrs Roxburgh is taken prisoner by a tribe of aborigines, along with the rest of the passengers and crew. In the course of her escape, she is torn by conflicting loyalties - to her dead husband, to her rescuer, to her own and to her adoptive class.

    Though he earned his central place in our culture as an essayist and philosopher, since his death his reputation as a poet has grown as well.Known for challenging traditional thought and for his faith in the individual, Emerson was the chief spokesman for the Transcendentalist movement. His poems speak to his most passionately held belief: that external authority should be disregarded in favor of one’s own experience. From the embattled farmers who “fired the shot heard round the world” in the stirring “Concord Hymn,” to the flower in “The Rhodora,” whose existence demonstrates “that if eyes were made for seeing, / Then Beauty is its own excuse for being,” Emerson celebrates the existence of the sublime in the human and in nature. Combining intensity of feeling with his famous idealism, Emerson’s poems reveal a moving, more intimate side of the man revered as the Sage of Concord.

    It needs a close and interpretive reading of his Book of Songs it needs a general knowledge of the politically experimental and altogether chaotic times of which he was so fiery a product; and it needs, first and last, the constant reminder that Heine was a sensitive Jew, born in a savagely anti-semitic country that taught him, even as a child, that Jew and pariah were synonymous terms. The traditions and tyrannies that weighed down on all the German people of his day were slight compared to the oppressions imposed upon the Jews. The demands upon them, the petty persecu tions, the rigorous orders and taboos would form an incredible list. Let these few facts suffice: In Frank fort, when Heine was a boy, no Jew might enter a park or pleasure resort; no Jew might leave his ghetto after four o'clock on a Sunday afternoon; and only twenty four Jews were allowed to marry in one year. In such an atmosphere Heine received his heritage of hate and his baptism of fire.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

    In a disturbing vision of the future, Daniel Weinreb leaves behind the repression and censorship of the Midwest to pursue a career in New York, despite the famine and poverty of the overpopulated East Coast.

    As the gathered family settle in to their first Christmas together for some years, the grown siblings - Rodney, Johnny and Gwen - are surprised when they are invited to each put stickers on the furniture and items they wish to inherit from their parents.Disputed Land is narrated by Leonard and Rosemary's thirteen-year-old grandson, Theo, who observes how from these innocent beginnings age-old fissures open up in the relationships of those around him. Looking back at this Christmas gathering from his own middle-age - a narrator at once nostalgic and naïve - Theo Cannon remembers his imperious grandmother Rosemary, alpha-male uncle Johnny, abominable twin cousins Xan and Baz; he recalls his love for his grandfather Leonard and the burgeoning feelings for his cousin Holly. And he asks himself the question: if a single family cannot solve the problem of what it bequeaths to future generations, then what chance does a whole society have of leaving the world intact?

    Readers have praised the translation as both graceful and accurate, conveying a real understanding of what this difficult poet is saying. The literalness of the prose translation makes this beautiful book especially useful to students who lack a full command of Italian. And students reading the verse in the original will find here an authoritative text.

    His characters are colourful and real, painting vivid pictures of areas such as Brixton and Notting Hill at this time. The stories of friendship, love and growing up are set against a background of jazz and good times, as London's staid reputation progresses to that of a thriving multiracial capital. A man ahead of his time, MacInnes displayed the realities of 1950s London: an emerging teen culture, black immigration and the glamorisation of crime and criminals with remarkable insight and sympathy.

    However, her Collected Poems (1951) omits twenty years of later beauties. And her inaccurately titled Complete Poems (1967) is likewise incomplete, leaving out nearly half of her body of verse and giving readers only a partial view of her work. This complete collection of Moore's poetry, lovingly edited by the prizewinning poet Grace Schulman, for the first time contains all of Moore's poems, including 120 previously uncollected and unpublished ones. Organized chronologically to allow readers to follow Moore's development as a poet, the volume includes an introduction, all of Moore's original notes to the poems, along with Schulman's notes, attributions, and some variants. This long-needed volume will reveal to Moore's admirers the scope of her poetic voice and will introduce new generations of readers to her great achievement. The Poems of Marianne Moore is a must have both for Moore devotees and any reader seeking an introduction to the work of one of America's greatest poets.

    Like the fish, the fisherman is immortal, and down through the ages they move together. As Grass blends his ingredients into a powerful brew, he shows himself at the peak of his linguistic inventiveness. Translated by Ralph Manheim. A Helen and Kurt Wolff Book

    It parades statesmen, poets, philosopers and scientists, Raleigh and Bacon, Shakespeare and Milton, and Boyle and Halley. They, together with less well known figures, are brought to life in the recorded memories of a vast circle of Aubrey's acquaintance and from the personal knowledge of an author who revelled in the variety of human nature and in the intimate, specific and sometimes scandalous aspects of his subjects' lives.